Register a SA Forums Account here!
JOINING THE SA FORUMS WILL REMOVE THIS BIG AD, THE ANNOYING UNDERLINED ADS, AND STUPID INTERSTITIAL ADS!!!

You can: log in, read the tech support FAQ, or request your lost password. This dumb message (and those ads) will appear on every screen until you register! Get rid of this crap by registering your own SA Forums Account and joining roughly 150,000 Goons, for the one-time price of $9.95! We charge money because it costs us money per month for bills, and since we don't believe in showing ads to our users, we try to make the money back through forum registrations.
 
  • Locked thread
nishi koichi
Feb 16, 2007

everyone feels that way and gives up.
that's how they get away with it.

Drink-Mix Man posted:

Thanks, man. That's very encouraging.

Drums aren't really my forte so I'm not sure what feedback to give you there but I did think it was a cool rhythm. The only thing I can think of was that I kind of hoped to hear more variation in the beat after the breakdown (like a more complex pattern), though the synth/bass you added after that part kind of filled that need too. Was your concern more with mixing or composition?

I'm glad you liked that, even though I was probably biting Fujiya & Miyagi like crazy. I guess I sort of don't know where to take the drums. I was considering doing them in double time at that guitar part in the middle, then returning to the main beat with some minor variations?

I have a problem mixing songs whose elements have a lot of bass, too.

nishi koichi fucked around with this message at 03:28 on Apr 24, 2016

Adbot
ADBOT LOVES YOU

HandlingByJebus
Jun 21, 2009

All of a sudden, I found myself in love with the world, so there was only one thing I could do:
was ding a ding dang, my dang a long racecar.

It's a love affair. Mainly jebus, and my racecar.

bad posts ahead!!! posted:

This is so incredibly chill. It's so difficult for me to give any crit about a song when it's this good. I get a Gary Numan vibe from it in some places. Nice ending with the drums, too.

I don't know what to do with my drums. I have a lot of re-recording to do, but this is the general idea:

https://soundcloud.com/pointnineteen/document

The drums are way too mechanical and perfect for the awesome, kind of sloppy rest of the track. I would suggest that you want a rock kit, small room, more of a straightforward, non-syncopated beat on this one. Something you'd find on a Black Keys record. I love the idea of it though, please keep working on it!

As for me, I recorded some more robot farts tonight: constellation.

nishi koichi
Feb 16, 2007

everyone feels that way and gives up.
that's how they get away with it.

sofullofhate posted:

The drums are way too mechanical and perfect for the awesome, kind of sloppy rest of the track. I would suggest that you want a rock kit, small room, more of a straightforward, non-syncopated beat on this one. Something you'd find on a Black Keys record. I love the idea of it though, please keep working on it!

As for me, I recorded some more robot farts tonight: constellation.

Had this track on loop for a while. I love how you added texture with the granulized(maybe?) element. It's really hypnotic. Everything sits really well in the mix, wish i could do that. You avoid monotony well with the higher synths and bleeps and bloops. The track reminds me of Blue Monday, which is awesome.

You're totally right about the drums. I feel like I want to keep them kind of hiphoppy, but I'm not sure how to do that and make it less mechanical. Would tapping it out on the Maschine instead help?

Here is another track, this one's kind of f&m/radiohead/damon albarn-ish? Think the drums are more interesting than the last song I posted. It's so not done but I've been messing with this track for a month and a half now, and practicing so I can actually play the stuff I came up with... and I need to remember not to eat the mic.

https://www.soundcloud.com/pointnineteen/sastrugi

I asked about upstrokes while palm muting in the guitar thread specifically because of this song. The middle is terrible, but I like the idea of it. It's also the first song I started working on after getting tapewound bass strings.

nishi koichi fucked around with this message at 15:52 on May 4, 2016

syntaxfunction
Oct 27, 2010

Imaginary Friend posted:

Just picked up the guitar after almost a year of not recording anything and did a little crappy sketch today. There's some crappy parts but it's starting to sound like a song at least!
https://soundcloud.com/fourtalkingwalls/grow

Feedback on this as it seemed to get missed. I'm digging the feel, and there are definitely parts that could be picked into songs. Specifically 0:23 to 0:47ish, sounds like the start of a song. You've definitely got the chops, man. Take that core and add in some melodic classical stuff and there's a song!

bad posts ahead!!! posted:

Here is another track, this one's kind of f&m/radiohead/damon albarn-ish? Think the drums are more interesting than the last song I posted. It's so not done but I've been messing with this track for a month and a half now, and practicing so I can actually play the stuff I came up with... and I need to remember not to eat the mic.

https://www.soundcloud.com/pointnineteen/sastrugi

I asked about upstrokes while palm muting in the guitar thread specifically because of this song. The middle is terrible, but I like the idea of it. It's also the first song I started working on after getting tapewound bass strings.

It really does remind me of that Gorillaz The Fall era stuff (Which is I guess their newer stuff? Whatever). I think you need some more prominent vocals to help carry it melodically. Rhythmically it's fantastic, got that groove going. The middle part is fine, I like it anyway.

I have a number of things but the ADD Jamz has encouraged me to do a full thing. Years and years ago I "wrote" this: https://soundcloud.com/syntaxfunction/summer-hare-old-old-old
Well, after a couple ciders and some inspiration I decided go big or go home: https://soundcloud.com/syntaxfunction/summer-hare-mock-v4

My one requirement is that it sounded huge, and I think I achieved that. It's a bit sloppy (the aforementioned cider). It started out as a blend of Disarm and Nutshell and turned into this. I'm digging it. I think it'd fill the epic quotient of any release I decide to do.

HandlingByJebus
Jun 21, 2009

All of a sudden, I found myself in love with the world, so there was only one thing I could do:
was ding a ding dang, my dang a long racecar.

It's a love affair. Mainly jebus, and my racecar.

syntaxfunction posted:

I have a number of things but the ADD Jamz has encouraged me to do a full thing. Years and years ago I "wrote" this: https://soundcloud.com/syntaxfunction/summer-hare-old-old-old
Well, after a couple ciders and some inspiration I decided go big or go home: https://soundcloud.com/syntaxfunction/summer-hare-mock-v4

My one requirement is that it sounded huge, and I think I achieved that. It's a bit sloppy (the aforementioned cider). It started out as a blend of Disarm and Nutshell and turned into this. I'm digging it. I think it'd fill the epic quotient of any release I decide to do.

This is a fantastic sketch. I love the depth and width of the sound - nice decisions on the layers, and when they come in. I want the drums to be a bit more interesting. I want you to make this into a finished track. I can hear Sam Roberts style vocals over it. Make it so!

I spent some more quality time with my modular, and this happened: novae. The tuning is all over the show because I started out with that drone, which is a pair of TZFM oscillators messing with each other, causing the weird overtone / undertone / chordal relationship within the sound - at, of course, no particular pitch. Good times. It feels kind of fragile to me, which I dig.

syntaxfunction
Oct 27, 2010

sofullofhate posted:

This is a fantastic sketch. I love the depth and width of the sound - nice decisions on the layers, and when they come in. I want the drums to be a bit more interesting. I want you to make this into a finished track. I can hear Sam Roberts style vocals over it. Make it so!

I spent some more quality time with my modular, and this happened: novae. The tuning is all over the show because I started out with that drone, which is a pair of TZFM oscillators messing with each other, causing the weird overtone / undertone / chordal relationship within the sound - at, of course, no particular pitch. Good times. It feels kind of fragile to me, which I dig.

This is pretty awesome, it reminds me of chill Knife Party. I like that it has a melodic element, I feel a lot of electronic sketches fall flat in that regard, having a great groove, but ultimately doesn't pull you in. I really like what you're going for though. Suggestions? Drums/kicks are a little anemic, although I'm biased in that I like really heavy hitting drums. Maybe make the rhythmic element of the kick a bit more varied? I got nothing else though, that underlying WOOOOOOOOOOOOOOORMPH thing is killer.

Also, I am not Sam Roberts but I did some vocals. I think we can agree that vocally it's perfect and lyrically it really speaks to the heart of man.
https://soundcloud.com/syntaxfunction/summer-hare-master-awesome-vocals

Later Edit: I hate to double post but I took the Pumpkins-y song and ran it through a real home recording set up. I ended up with this:
https://soundcloud.com/syntaxfunction/forgetful-take-3

The drums are random MIDI loops run through Independence, bass is DI'd, compressed with Molot and run through the SS bass amp model on Amplitube. Guitars are veeeery lightly massaged in EQ but otherwise exactly how it came out through the mic. Four layers of distorted rhythm guitar and two of the clean. Loving that slight breakup on the clean. Any comments on the sound or generalness of it?

syntaxfunction fucked around with this message at 03:38 on Jun 2, 2016

skudmunky
Apr 28, 2010

Nigel Tufnel posted:


Here's my track. Having fun with a djenty thing. Shamelessly aping Meshuggah but with much less skill etc.

https://soundcloud.com/tom-w-dillinger/dread-demo/s-mURPo

The riff is pretty sweet but you really need that sub-bass and low mid to get the heavy tone you're looking for.

I've been super busy after joining a folk metal band recently, but last night I was drunkenly inspired to redo one of our songs in a cave doom style. So... folk doom?

https://soundcloud.com/skudmunky/doomingly-deceived/s-mO6Gn

Drink-Mix Man
Mar 4, 2003

You are an odd fellow, but I must say... you throw a swell shindig.

I usually do lo-fi and largely instrumental electronica, but I've been taking some rough cracks at doing some more conventional pop and dance-like stuff.

Here's a buddy's acoustic ballad I helped him record. Please excuse the rambling intro and some sloppiness in the edit:

https://soundcloud.com/eric-zak/when-i-call-my-bluff-remix-attempt-6-26-16

Here's a house-like thing I did, taking a GarageBand drum loop he sent me and adding some layers on it. Again, not the type of stuff I usually do so I'd be interested to hear what you think:

https://soundcloud.com/eric-zak/jungle-junk

EDIT: While I'm at it, here's also a mellow melodic space thing I've been working on:

https://soundcloud.com/eric-zak/coney-island-stardust

Drink-Mix Man fucked around with this message at 01:35 on Jul 4, 2016

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
Here's a sketch. Is this a thing, or ain't it?

https://soundcloud.com/danwarren/acoustic-sketch-worlds-gotta-end-sometime

Flipperwaldt
Nov 11, 2011

Won't somebody think of the starving hamsters in China?



Pretty much good to go as-is is the thing it is.

I like how it vaguely flirts with bossa nova at times and then switches up to straight rock for the chorus.

Do you have the guitar part separately? I'd love to give it a shot singing this myself. If that's not stepping on any toes.

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
I don't have it separate at present - that was just me throwing out a mic and bashing it out. I could certainly do that, though! Maybe this weekend? I'd love to hear what you do with it.

If you want to play around with it, the chords are:

Verse (last two chords in each line are held half as long):
F9 B7+5 Bb13 A7 F+
Dm7 Dm7-5 G7 C6/9 C+
repeat

Chorus:
F A7 Dm7 Dm7-5 G Eb+
C C+ F Fm
G# G F (2nd chorus only)
G# Gm F9

Trig Discipline fucked around with this message at 21:25 on Aug 31, 2016

HandlingByJebus
Jun 21, 2009

All of a sudden, I found myself in love with the world, so there was only one thing I could do:
was ding a ding dang, my dang a long racecar.

It's a love affair. Mainly jebus, and my racecar.


:perfect:

Seriously love this.

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
Thanks! I'm seriously thinking I might accidentally be writing a concept album about the apocalypse or something. Or maybe about falling in love with a doomsday prepper?

Flipperwaldt
Nov 11, 2011

Won't somebody think of the starving hamsters in China?



Trig Discipline posted:

I don't have it separate at present - that was just me throwing out a mic and bashing it out. I could certainly do that, though! Maybe this weekend? I'd love to hear what you do with it.

If you want to play around with it, the chords are:

Verse (last two chords in each line are held half as long):
F9 B7+5 Bb13 A7 F+
Dm7 Dm7-5 G7 C6/9 C+
repeat

Chorus:
F A7 Dm7 Dm7-5 G Eb+
C C+ F Fm
G# G F (2nd chorus only)
G# Gm F9
Aaah, cool! I was almost too afraid to ask. You never know how much of a personal pet project something is.

I don't have a lot in mind at this moment beyond just trying to sing it and see how that works out, but you never know whether it calls for some wub or something :v:

Despite loving around for over 20 years, I'm not and will not ever be a musician in the sense that I can create music (except by shotgun approach - I'd have to google what notes are in each of those chords), but I'm growing out of the insecurities about my voice and I need to practice singing into a microphone and how to properly record that. Searching Youtube for crappy karaoke versions of jazz standards gets depressing after a while, so it'll be nice to potentially be part of (be piggybacking on) something fresh for a change.

I'm just as curious as to what's actually going to come out of it though :ohdear:

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
Eh, the worst that happens is that it doesn't sound good and you chuck it out. The stakes could hardly be lower!

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
Turned out to be a bad day for acoustic recording (loving cockatoos got up early), so I started playing around with a more rock arrangement of it. Very much a rough take but at least I think the skeleton is there.

https://soundcloud.com/danwarren/worlds-gotta-end-sometime

Flipperwaldt
Nov 11, 2011

Won't somebody think of the starving hamsters in China?



Can't get that link working for some reason. Is it set to private?

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
It is private, but try this link instead:

https://soundcloud.com/danwarren/worlds-gotta-end-sometime/s-j64Xr

Sorry, didn't know I had to get a special link to share private stuff.

Flipperwaldt
Nov 11, 2011

Won't somebody think of the starving hamsters in China?



Man the turnaround time on having that in a different arrangement is pretty impressive.

Gimme a couple of days to run out of excuses and I'll see if I can do that effort proud. Scary! Exciting!

Trig Discipline
Jun 3, 2008

Please leave the room if you think this might offend you.
Grimey Drawer
Oh I actually had it half-done already, I mostly spent the day tweaking the tempo changes and adding guitars. I'm a huge fan of Bitwig Studio but god drat it turns out to be absolute loving garbage for anything that has a lot of tempo changes and involves recording live audio. I mean not just bad but like the loving thing is actively working against you.

Adbot
ADBOT LOVES YOU

Drink-Mix Man
Mar 4, 2003

You are an odd fellow, but I must say... you throw a swell shindig.

I'll jump on the bandwagon loving that last sketch. Sucked me right into a reverie and built really well to its climax. I like that outside the apocalypse concept it works really well on the level of being a song about being fed up with mundane life. It taps a relatable nerve without beating you over the head with the fantastical element.

Here's an instrumental electronic jam with a breakbeat and lead I've been puttering with. Not sure what kind of genre category it fits into, maybe kind of a soundtracky thing.

It was kind of just a live jam I liked and expanded but still feels maybe lacking something to me.

https://soundcloud.com/eric-zak/beatup-breakdown-1

  • Locked thread