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Futaba Anzu
May 6, 2011

GROSS BOY

I've been trying to get into digital drawing for a while now, but I just can't get into a good position at my desk to draw properly on a tablet. The key problem here is that my computer desk is pretty high off the ground and my chair doesn't go far up enough to where my elbow is comfortably above the desktop level. I've heard that some artists have stands that they can attach to a desk that puts the tablet at an angle. Is that a thing I could buy or make myself, and are there other ways I could fix this issue?

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Futaba Anzu
May 6, 2011

GROSS BOY

pandaK posted:

I've been trying to get into digital drawing for a while now, but I just can't get into a good position at my desk to draw properly on a tablet. The key problem here is that my computer desk is pretty high off the ground and my chair doesn't go far up enough to where my elbow is comfortably above the desktop level. I've heard that some artists have stands that they can attach to a desk that puts the tablet at an angle. Is that a thing I could buy or make myself, and are there other ways I could fix this issue?


tarepanda posted:

An angled keyboard stand would probably work just as well.

So I've decided to buy this laptop stand ( http://www.amazon.com/Rolodex-82410-Laptop-Stand/dp/B000JE7CMG/ ) to solve my problems, though I thought I'd come back here to ask for any final opinions. Anything better I could buy for roughly the same cost?

E: Cheapest one I could find online

Futaba Anzu fucked around with this message at 03:40 on Sep 16, 2013

Futaba Anzu
May 6, 2011

GROSS BOY

Roumba posted:

I've been looking through the Astronomy Pictures of 2013, and I liked this one especially: https://farm9.staticflickr.com/8332/8426379653_8d3139becc_o.png

I plan to crop the frame and then expand it to 2560x1440 with that new space smoothly transitioning to black. The last image editor I used was IllustratorCS2, but all I have now is GIMP. How might I go about this and make it look nice? Daddy needs a new background/poster.

Boot up a canvas in the size of your desktop, copy image onto canvas, crop image, center image in middle of canvas, paint bucket the background layer black.

Futaba Anzu
May 6, 2011

GROSS BOY

Am I missing something here or am I really expected to fork up ~$2 each for quality colored sketch paper? I just wanted something a little better quality than construction paper peach toned paper at not a ridiculous price, but I'm having a hard time finding anything.

Futaba Anzu
May 6, 2011

GROSS BOY

Speaking of nibs, I really like the hard felt ones except for the fact that using them on the weathered polished surface areas of my tablet darkens their tips and ruins why they're special. :(

Futaba Anzu
May 6, 2011

GROSS BOY

I know sites like posemaniacs and quickposes exist, but is there a site or program where you can manually pose models?

Futaba Anzu
May 6, 2011

GROSS BOY

Al-Saqr posted:

I have recently nailed a gig where I'm basically paid to monitor a weekly 3 hour long life model drawing session, with the benefit of being able to sit there and draw while on the job, this is my absolute golden opportunity to push myself closer to mastery of drawing the human form , do you guys know of any resources/exercises/work plans I can use to get as much as I can out of this?

one question have you accepted our lord and savior Vilppu into your heart and soul?

Futaba Anzu
May 6, 2011

GROSS BOY

silentpenguins posted:

Not particularly sure if this is the right forum but I didn't see any for fashion... Does anyone know what shirt this guy is wearing?



You'll probably get a better answer here

Futaba Anzu
May 6, 2011

GROSS BOY

chthonic bell posted:

I want to get better at art, but I'm unable to take classes. Yes, even evening life drawing classes. I'm also unable to easily go sit in a cafe and draw people and other such life drawing exercises (I'm disabled and pretty much housebound).

What are my options for teaching myself art?

Also, any tips on not wrecking my already hosed up right hand are also welcome.

http://www.quickposes.com/
http://artists.pixelovely.com/
http://www.posemaniacs.com/thirtysecond
http://www.ctrlpaint.com/
https://www.youtube.com/user/ProkoTV

Futaba Anzu
May 6, 2011

GROSS BOY

Are we really only left with posemaniacs and pixel lovely for generating random poses? I really liked quickposes since it had such a huger library of poses compared to pixel lovely, but it appears to be dead now. Are there any new sites that are better?

Futaba Anzu
May 6, 2011

GROSS BOY

Chipp Zanuff posted:

Thanks for the advice, sadly read your advice after i finished the session Chernabog. I used a pen and tried to go for the general shape, i ended up neglecting the head, feet and hands as i found them too fiddly and often time consuming.

I owe this thread a follow,-up so here's 5 of the presentable (actually finished/non-stick person) ones in this gallery: http://imgur.com/a/UJpf0

(NSFW for poorly drawn female anatomy)

And yeah, the pen lines are pretty bad, still getting used to drawing without messing up so ended up going over them until i got a shape i felt at least somewhat resembled a human.

Not sure if it's bad to do what i did with the lines, i presume so, so i'm going to do some of those "draw a line until you can do so confidently, in one stroke" exercises.

one thing that practically all artists should do until they fully master it (and even then continue to do to keep your skills clean) is to just practice laying down lines and shapes. Fully mastering it would be getting to the point where you can envision a line or see one in real life (ie a body's curvature) and, without looking at the sketch, draw the line or shape as you want it to look like. This is exercise to developing your mind's eye, and it's pretty ridiculously important to get if you plan on drawing traditionally. If you plan on going fully digital then it isn't as big of an issue, but the practice you get from being able to confidently lay down lines will still help a ton.

It sounds boring when I just say it, but it's one of the most mindless forms of art exercises in my opinion so it's really easy to just do it while you watch a show or whatever in the background. Just bang away on a bunch of newsprint or scratch paper until you start to develop confidence.

Futaba Anzu
May 6, 2011

GROSS BOY

afterhours posted:

I'm looking for opinions about an issue I'm facing at work.

I'm a teacher at a community college. I work in the high school program in the digital design department. Recently, we lost our department head to cancer and the guy who runs the 3D Animation department on the college level has been trying to force his way into our business. I disagree with a lot of his ideas, but he also makes me question my own knowledge of the industry and what's best for our students.

He thinks the program should be "totally digital." He wants to get rid of the figure drawing and fine arts intro courses, because it "keeps kids dependent on paper," and "paper is no longer an industry standard." He has suggested to the new teacher that he should fail kids in storyboarding if they do their storyboards on paper, even though they are scanning and retracing them in illustrator for their final presentations.

He's upset that I'm starting a after school comic book club. It's just a social club for the kids to have fun. It's being held in the fine arts room, so most of the work is going to be done on paper. He thinks I'm doing a disservice, because I am not teaching the kids how to make comic books in krita. I personally pencil and ink on paper, then edit in photoshop, and do screentones, text, and sound effects in manga studio 5. I color with copic or digitally in photoshop. But when I'm with the kids, we explore all sorts of techniques I've studied on how to create comic books, both digital and paper.

Is paper dead? This guy is so forceful, he's really messing with my mind.

no, he's a lunatic

Futaba Anzu
May 6, 2011

GROSS BOY

On the topic of Manga Studio, I've been spending quite a long time recently trying to perfectly emulate Photoshop's default brush in it. I know it's not the best of brushes, but I highly enjoy how Photoshop allows you to assign pressure sensitivity to brush opacity so you can do both line in pure color and also scribble out a quick uniform tone at a lower opacity without having to change options midway (a really rough example of what I'm talking about here). I've figured out it's possible to assign pressure sensitivity to brush density in Manga Studio which brought me pretty much as close to how Photoshop can handle lining with its variable opacity, but this directly gets in the way when you try to tone using the same brush (like so). Manga Studio's brush density being analogous to Photoshop's brush flow option gets me close, but not close enough. I know that I'd be able to clear this up entirely if there was just some way to assign pressure sensitivity to the opacity option in Manga Studio, but all of my google searches on this topic seems to just recommend doing the density thing.

Does anyone here more technical than me know if there's any way possible to apply pressure sensitivity to MS's opacity?

Futaba Anzu
May 6, 2011

GROSS BOY

Vermain posted:

Brief question: are there any good 3D poseable head apps out there? There's specific angles that I'd really like to practice, especially with regards to eye placement, but it's hard as hell finding stock specific to those poses.

is it porn?

idk, what I do nowadays when I need a very specific pose is just boot up maya or something and just pose out a 3d model in it, but that might be way too clunky for the job at hand in my opinion

Futaba Anzu
May 6, 2011

GROSS BOY

Is there a way to switch Clip Studio Paint's color wheel from RGB to CMYK (or at the least RYB)?

Futaba Anzu
May 6, 2011

GROSS BOY

kedo posted:

I've been using the same Paper Mate Protouch II mechanical pencil for the last five or six years for design work. They stopped making them long ago, and I'm incredibly paranoid about losing it. I go to great lengths to ensure I don't, but eventually it's either going to wear out or I'm going to drop it down a sewer or something and I'm going to have to find a replacement.

Does anyone have a favorite pencil they'd recommend? I'd prefer a 0.5mm mechanical.

I used to have that exact same mechanical pencil, I found this one to be an almost exact replica of it. It's a tiny bit less top heavy than the Paper Mate though, but that's an incredibly minor con.

Futaba Anzu
May 6, 2011

GROSS BOY

This is kind of an oddball question, but does anyone have any idea what the best choice would be to get some sort of slanted surface to draw on? I'm looking for something that could either sit on top of a desk or some other relatively nonintrusive thing. It'd be for both traditional drawing and putting a tablet on top of for digital stuff, so a clean surface would be best. Is this even a thing that can be bought or does it seem a bit too DIY for that?

Futaba Anzu
May 6, 2011

GROSS BOY

Futaba Anzu posted:

This is kind of an oddball question, but does anyone have any idea what the best choice would be to get some sort of slanted surface to draw on? I'm looking for something that could either sit on top of a desk or some other relatively nonintrusive thing. It'd be for both traditional drawing and putting a tablet on top of for digital stuff, so a clean surface would be best. Is this even a thing that can be bought or does it seem a bit too DIY for that?


neonnoodle posted:

You're describing a tabletop drawing board/drafting board. I have one with little feet. I use it daily, I think it's made by Alvin and I bought it for about 50 bucks a long time ago.

trip report, bought this without paying attention to the fact that the dimensions are clearly listed right there, just got it from the mail and it turns out it's for those 18x24 drawing pads I guess

e: y-yeah, I don't think this is going to work out...

Futaba Anzu fucked around with this message at 05:10 on Jun 8, 2016

Futaba Anzu
May 6, 2011

GROSS BOY

Anyone here well versed with CSP's animation tool? Is there any way I can have more than one layer for an animation cel or is there no way to draw over a rough draft version without just creating a brand new timeline on top of it?

Futaba Anzu
May 6, 2011

GROSS BOY

Is it just me or is CSP's vector capabilities absurdly strong? I just saw this tweet, and just,
https://twitter.com/ayumu_k_/status/782792202950877184
:captainpop:

Are there any in depth tutorials on all the poo poo you can do with CSP's vectors? Like I figured out the vector magnet tool and the "erase to the intersection" tool in that video, but how did they get line width to automatically readjust like that?

e: no matter what I tried I also couldn't get it to work quite like the video where they'd draw the line and it'd initially display "properly" before snapping into place. On my intuos, it always either pre-snaps into the old lineart or it just never snaps in at all.

Futaba Anzu fucked around with this message at 08:32 on Oct 12, 2016

Futaba Anzu
May 6, 2011

GROSS BOY

kedo posted:

What does CSP stand for in this context? That looks super cool.

Clip studio paint

e: I think I may have stumbled on the option that I was talking about, it's (11) on this page. But I don't have that correction option listed on my brush settings even though I have the same 1.5.4 version as this guide is for. Maybe this is a beta Jp only tool for now which would supremely suck...

Futaba Anzu fucked around with this message at 20:44 on Oct 12, 2016

Futaba Anzu
May 6, 2011

GROSS BOY

rear end posted:

So uh, how real is the fact that your efforts are worthless at improving at drawing past a certain age? I'm still pretty young, but sometimes I kinda feel like giving up every time I see people my age whose art is a million times better than mine since they've been drawing since they were 4 or whatever.

If you're young enough to say that you're "still pretty young", then you should quit worrying and stop comparing yourself with others. There will always be tons of people better than you but also keep in mind that you're the same to a ton of people worse than you. This will be a constant through every stage of life so there's no point in comparing.

Also no, that fact is completely untrue, and I don't know where you even got that idea.


Futaba Anzu fucked around with this message at 20:40 on Jan 16, 2017

Futaba Anzu
May 6, 2011

GROSS BOY

would anyone have any recommendations for decent nib or fountain pens for inking over pencil drawings? So far I have a set of beginner nibs that seem to be kinda generically made that scratch up the paper real bad and gives me a real bad feeling when using them. Or is that how nibs are supposed to feel like and they just smooth out over a lot more use?

also, are there any good cheap choices for scanners or would I have to shell out a lot of money to get one that doesn't absolutely mangle the physical to digital transition?

Futaba Anzu
May 6, 2011

GROSS BOY

i think it's literally called blocking in the figure, at least that's what i hear when i see it being discussed

Futaba Anzu
May 6, 2011

GROSS BOY

Along that same line of thinking, what is this thread's consensus on this upcoming lesson? https://cubebrush.co/mb/products/mmfwyq-tRBD/art-school

Futaba Anzu
May 6, 2011

GROSS BOY

does anyone have any recommendations for cheap scanners (like the stuff under $200) that won't completely destroy digitizing artwork?

Futaba Anzu
May 6, 2011

GROSS BOY

kt tape does nothing beyond placebo tho

Futaba Anzu
May 6, 2011

GROSS BOY

I've always found mixing a dark blue with burnt umber brings out a really satisfying shade of black

Futaba Anzu fucked around with this message at 22:10 on Jun 23, 2018

Futaba Anzu
May 6, 2011

GROSS BOY

.

Futaba Anzu fucked around with this message at 22:10 on Jun 23, 2018

Futaba Anzu
May 6, 2011

GROSS BOY

Lay down flats then clip a rendering layer on top and go wild with shading and lighting.

Real nebulous question otherwise tbh. Can you pinpoint what exactly you seem to be hung up on in regards to coloring?

Futaba Anzu
May 6, 2011

GROSS BOY

fallenturtle posted:

I purchased what is basically a fence post top made of redwood that's shape is best described as a sphere with a base. I want to do a painting on it (it'll live inside, not actually on a fence) and from what I've read I need to add at the minimum a primer layer or two.. but then I did more reading on softwoods that mentioned needing to use a sealant... then I did more reading that said the primer (gesso) will act as a sealant... so I'm kind of not sure what to get to use as the priming layers for this type of shape and wood. Would appreciate some opinions on what to buy.

Gesso is used to protect the wood and paint from each other and will act as a base layer of sealant yes. Any additional Sealant people say to use is most likely to preserve the paint on top from outdoor weather, which you most likely won't need if it's just going to be inside.

Futaba Anzu
May 6, 2011

GROSS BOY

croquis cafe is ok for online figure drawing

Futaba Anzu
May 6, 2011

GROSS BOY

Doctor Dogballs posted:

Making the jump to digital.

If I have an ink drawing, just black ink on white paper, and I scan it and bring it into Clip Studio Paint Pro, is there an easy way to bring just the line art into its own layer so I can digitally color underneath it without having to trace it all in the program as well?

I mean besides just using the magic wand, selecting every bit of the white paper, and filling it with "transparent" (if that makes sense). Something more automated to do the whole image at once.

idk about photoshop but in csp if it's a good scan you can go into edit > convert brightness to opacity and that removes all white area and leaves lines. I can prob guarantee photoshop would probably have a similar option somewhere.

Futaba Anzu
May 6, 2011

GROSS BOY

In after effects is there a way to automatically deform text within a shape? Like for example having the letters shape out the form of a heart or the like

Futaba Anzu
May 6, 2011

GROSS BOY

Ferrule posted:

Or Envelope. I don't know if After Effects has that but in Illustrator you can use Envelop - Make With Top Object or whatever.

I'm looking at it now and this would be exactly what I need, nice. So I guess the progression of work would be just make the end product in illustrator then import it into after effects

Futaba Anzu
May 6, 2011

GROSS BOY

anyone who knows their way around the old masters know who did the original for this study?

Futaba Anzu
May 6, 2011

GROSS BOY

dupersaurus posted:

Do you know it’s and old master? My gut feeling is that it looks fairly new

it's a master study i did a few years ago and i wanted to know who i studied. it was raphael's lucretia

Futaba Anzu
May 6, 2011

GROSS BOY

if we're discussing old masters and anatomy there's really no better resource than the Struttura Uomo. It's in Italian but the pictures and guides are In Depth and from the studies of the artist who taught the likes of Loomis and others from that era.

Futaba Anzu
May 6, 2011

GROSS BOY

couldn't you also halve that stripe and place it into the yellow shape using envelope distort? that way all the mathematical dimensions are retained without having to manually drag it into place

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Futaba Anzu
May 6, 2011

GROSS BOY

gmc9987 posted:

I have hundreds of brushes that I've downloaded and tried out on my computer, in the end I have 3 that get regular heavy use - a brush for linework, a brush for coloring flats, and a brush for blending (a har round brush with the opacity set to pen pressure). After that, I have a few brushes that are good for adding various textures, and some specialty brushes for when I'm looking for a specific effect - some marker brushes, some watercolor brushes, some charcoal/chalk brushes, etc.

Honestly I'd say to figure out how, exactly, you want to paint - do you want to make linework? Do flat shading, textures, or blending? Pick your own shadow colors or let multiply/darken make some for you? - an look for a couple brushes set up to do just that. But honestly, as a starting point going with a hard round with opacity set to pen pressure won't lead you astray.

here's a 10m video you should run at 1.5x speed that extols the benefits of hard edge opacity brushes for rendering
https://www.youtube.com/watch?v=-Nt9fa8jZUE

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