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http://vimeo.com/25421438 To quote a R3D post..."no OMF support , no xml out or in , no edl in/out , no r3d , no multi cam , no 3rd party device support , apparently some of these things are coming just not in version 1 today. no way to import a previous project yet" You. Cant. Export. To. Tape. Garbage.
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Jun 21, 2011 20:41
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sethsez posted:Well ain't that some bullshit. Everyone called them on this the moment it was introduced at NAB. I was there, people were at first excited and then got slowly more and more pissed as the presentation went on. In fact, as I was walking out, some guys who teach those Apple certification classes were yelling. And then there's the drunken AJA party afterwards... Immediately after a select group of beta testers said 'you haven't seen it all... they haven't shown everything.' Guess what, they did. And now anyone who needs to do something like use Color, export an EDL, export an XML.. LAY TO TAPE... is left out. This was the plan and everyone hoped we were just seeing the top layer. And now its out and people are still saying it. Its pretty hosed up when a major piece of professional software ships and its saving grace is 'I'm sure they'll make it better like the old version.' FCS 3 was a stop-gap as Premiere started to really get moving. This was supposed to be Apple's big answer to it. Instead, this is Apple showing that their pro-apps are going towards the Lion/IOS mentality of drag/drop/social media is king. gently caress, gently caress, gently caress this software. It is unusable.
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Jun 21, 2011 22:54
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FURTHERMORE I just talked to an old boss of mine who runs a facility of 20 machines. They're all off the internet, because thats how people who operate real machines keep their poo poo together.. and they can't get to the software because you need to be logged in to the App Store to get it. And there's no volume licensing. Then he said 'I guess we can't mix our spots in Pro Tools anymore because you can't OMF' so I guess mixing in FCPX is the only way to do this now. This is so mindboggleing backwards I can't believe this has actually been published. Cool if you're a 5D kinda guy, but there's some of us who make broadcast work for a living...
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Jun 22, 2011 02:48
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We already had a stopgap. It was Final Cut Studio 3. And immediately we were told - wait for what we have cooking. Then we get this new software and are immediately told - wait for what we have cooking. Nobody wanted Apple to rush this. We were all waiting for 64 bit, full core/RAM support, the big Gamma issue fix, etc. Anyone- ANYONE - would have waiting another 6 months for all of this to be added. Instead, HUGE pieces of the software were removed. And don't say its legacy... XML is new poo poo. Having an external monitor to see what you are doing is kind of necessary. Authoring a DVD or Blu Ray is still a solid delivery format. Anything needing color correction, protools mixdown, any external graphics apps timing, output to tape, is going to bypass this software. Movies will no longer be cut on FCP. Commercials will no longer be cut on FCP.
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Jun 22, 2011 20:20
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Thing X used to be in FCP and now its gone - A third party developer will surely make something to fix this But you don't allow plugins - ....
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Jun 23, 2011 00:11
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bassguitarhero posted:You mean unlike all the third party plugins that were announced in the last couple days? Yes the $500 Automatic Duck plugin to put functionality back into FCP that was taken out for no reason. So now your upgrade costs $800.
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Jun 23, 2011 14:47
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HopWallace posted:Not sure if this is already commonly known or if it's just a bunch of If that was the case, they should be telling people this. The lack of communication from Apple is frustrating. Also, this will just balloon the price back up where its longer an upgrade, but a full software purchase. What this does, though, is fragment the user base. I used to manage 20 machines that were tethered together by an XServe. Each machine had AE, but only some had various Trapcode plugins. So, we could only alter those specific projects on specific machines. Annoying. Again, if this was the case, they should have put out a balls out 'full' version of the software, and then sold the base version with the ability to purchase add-ons. I can get down with that- some people don't need it all. Meanwhile, Adobe has people all over the RED boards picking up everyone who is pissed off.
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Jun 24, 2011 17:05
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, but here's an interesting theory, quoted from the Apple Support Communities Discussions Board:
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butterypancakes posted:It's been like 3 days. I don't know about you but my work has been getting done just the same since Wednesday. I put things on HDCAM SR tape when finished and need an external monitor for color correction. So I don't use this product.
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Jun 24, 2011 18:11
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bassguitarhero posted:They're not gonna sell a two-tiered version of the software, they already have that - iMovie. Apple will patch in remaining functionality that production houses require, while new users will adopt it and learn it and work as it's essentially a public beta. While you are right (according to some thoughts that are being posted about multicam on some other sites) the basic media directory structure is not going to play well in a multi user environment. You simply cannot share a project with anyone else, on any other system, without a complete re-write of the management.
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Jun 24, 2011 18:53
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butterypancakes posted:Is this some sort of dick measurement? I don't care. No, I make TV spots. So I put them on tape, as thats the preferred delivery method. And I use Color to CC them. With the new software I cant, and now (if I were to use this software) I'd have to shell out 500 bucks to duck it to Resolve or something.
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Jun 24, 2011 19:14
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The slow audio scrub is really nice too. One of my favorite additions.
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Jun 25, 2011 20:11
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Chitin posted:So Premiere CS7 seems to be taking everything people love about FCP7 and copying it onto its otherwise much more current and useable software. Essentially being all "hey Final Cut users who hate X: you now have no reason not to make the switch." Where are you getting the CS7 info from? I haven't seen any NAB updates and my shop is about to flip to Avid.
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Apr 9, 2013 14:15
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powderific posted:Is there a faster way to have the vectorscope in Premiere look at just one section of the image than using a garbage matte or zooming in with the motion effect? It's crazy time consuming to isolate sections of the image like that and it's making me a bit crazy. I just want to zoom in on a patch of skin or whatever. Are you on a Mac? Use the built in DigitalColor Meter. Its in Apps/Utilities. It will go in and give you exact RGB values for pixels.
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Apr 23, 2013 17:38
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You're never going to get those to read an FLV file. What are you using to convert it?
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Oct 3, 2013 18:46
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Try downloading the Perian codecs and load that puppy into Compressor. Then wait a few days.
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Oct 3, 2013 21:31
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Does anybody know of an extension for Premiere that will allow me to put editable text files into a Premiere window? Its always annoying to bounce back and forth between apps to address notes. Sort of like http://www.premierebro.com/blog/pdfviewer-for-premiere-pro
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Jan 13, 2016 17:10
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Found this quasi-extension, but the new update seems have killed a lot of its functionality. https://andymees.wordpress.com/ppro-docs-viewer/
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Jan 14, 2016 17:38
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Anybody ever see this before when they pause playback? Its happening on all of my media, even generated bars. Frame exports come out fine, playback is fine. http://imgur.com/HcOWtOY Latest Premiere, 10.11, 15 inch Retina late 2013
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Feb 3, 2016 22:35
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Yep, turned off MPE and that did it. Thanks! Adobe keeps making new bugs with each release...
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Feb 3, 2016 22:56
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Any recommendations for 4-6 user NAS drives to use with Premiere? And with that- anyone in the Prelude game yet?
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Mar 21, 2016 20:10
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Every once in a while I get booked on jobs which generate a large amount of media and require incredibly fast turnaround . Generally the workflow is: 5-8 shooters (FS-7, C300, F-55) are constantly handing off media throughout the day (about 1.5-2TB/day). This media needs to be injested, backed up and distributed to multiple junior editors via USB3/Thunderbolt drives. Selects are cut and Premiere sequences shared to a lead editor, who cuts :30 to :90 pieces for distribution within the next couple of hours. My ideal workflow would have all the cards land on the NAS, then have shooters login to Prelude and cut their own selects while the lead editor begins to work from the jump. AEs would concurrently backup to a DLT system. Edit: should mention that all media is cut Raw, and some of the media is 4k. magiccarpet fucked around with this message at 21:14 on Mar 21, 2016 |
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Mar 21, 2016 21:11
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10Gbe is probably the most robust - do you need a switch inline? Thanks- this looks like a pretty solid solution.
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Mar 21, 2016 21:35
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BonoMan posted:Yeah we have a switch inline. You'll need it if you need to connect more than one machine. Yes, everything will be local.
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Mar 22, 2016 14:55
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Awesome. Thanks again for all of the help
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Mar 22, 2016 17:27
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Soulex posted:What do you do? Like what level of work? I'm a freelance editor in NYC, so the level of work tends to jump around a bit. The particular job I was referencing above is for a small production company that specializes in sports content - with an emphasis on incredibly tight turnaround. Jobs like that typically bill out between 500-800, and will be anywhere from 12-15 hour days. However, most days I'm cutting at Vice doing documentary work. Pay can scale a little less depending on the level you're at. Also to note- many companies that are using/abusing the freelance and permalance model are now giving health benefits as long as you meet monthly hour requirements. Its quite a big change. Freelance is a little cutthroat, but once you are known as 'the person who doesn't gently caress things up' you can get steady work. In terms of education- I have a crap 2 year associates degree in TV broadcast. Beyond early networking it has not been particularly handy. Its all about your resume and who you impress that drags you along to bigger and better gigs. magiccarpet fucked around with this message at 18:37 on Apr 8, 2016 |
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Apr 8, 2016 18:31
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I'm looking to set up a network environment for (4) video editors to link to and work from. Mixed media up to 4k, editing with Premiere. Anybody have any recommendations for a NAS or something similar?
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Jun 16, 2017 15:08
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BonoMan posted:How much storage do you need? We have this exact setup with a QNAP with 10GbE connections. Basically each machine's office is wired for 10GbE that goes to a 10GbE switch that's connected to the QNAP with 100TB of storage (50TB that backs up to a mirrored 50TB partition). I think 30tb is sufficient, as the material will be quickly backed up and pushed to another network.
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Jun 20, 2017 17:47
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Are there any major bugs in the latest Premiere update from April? I've searched around but haven't seen much and am about to pull the trigger on upgrading all my machines. OS 10.13.3
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May 10, 2018 21:23
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powderific posted:I don't know when it started but our Premiere installs have a fun bug where audio doesn't work unless you solo/unsolo at least one track in your sequence every time you open a project. jfc
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May 14, 2018 15:56
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its just surprising something as major as this didn't get patched up once they got back from nab i mean the whole point of CC (besides taking my money) has been to have more update rollouts to fix this garbage
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May 14, 2018 21:17
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How's the July update for Premiere? My systems are still on 12.0.1 because of those weird audio bugs that came up with the NAB release.
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Jul 18, 2018 18:38
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magiccarpet posted:How's the July update for Premiere? My systems are still on 12.0.1 because of those weird audio bugs that came up with the NAB release. Ran an export test on duplicate Macbook Pro 2017's - 1 min 4K footage out to 1920x1080 H.264 is done twice as fast with the newest software. Wow.
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Jul 18, 2018 20:00
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Both were OpenCL so I should probably give Metal a spin. Anyways somebody on the Premiere forums mentioned it and I was pretty bored today. Weird.
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Jul 19, 2018 03:27
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How buggy is Premiere 19 and how is Mojave playing with it? Adobe boards have way too much static.
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Nov 8, 2018 16:03
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what does everyone use for finding freelance gigs lately? i used to use a bunch of facebook groups and i'm looking for alternatives. staffmeup and mandy are the ones that i know simply from whats in my spam folder.
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Mar 24, 2019 14:51
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MAM salesmen are relentless
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Apr 13, 2020 18:35
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Can anyone recommend some internal SSDs for cutting? I have an OWC raid box that needs to get put back together and I have a large multicam 4k project coming up. Thanks!
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Dec 7, 2022 23:22
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