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Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


I'm really happy that the Avatar State is something that Korra doesn't have access to. I think they realized that it was just a "get out of jail free" deus ex machina in season 1 and made it a lot more dangerous and uncontrolled in Season 2, then removed it entirely for almost all of Season 3. Things are a whole lot more real and dangerous when you can't just become a glowing god at the drop of a hat

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Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


So if Tenzin is 51 and the new series takes place 70 years after the old, Katara had him when she was 33? That seems a bit old for a first kid in this universe

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Charlz Guybon posted:

Isn't he the youngest?

Oops, yeah, you're right

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


The relationship isnt bad when you remember the ages of the participants. Of course the real problem is that Aang and Katara weren't made a year older at least from the beginning if they were going to do a romance subplot, but what're you gonna do.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Is the notion that you can get tired and temporarily "run out" of bending something that was introduced in episode 2 of Korra? I don't recall anything like it in TLA. In fact quite the contrary, normal duels involved more movement, much bigger and longer fire blasts, more water volume and MUCH more earth volume being moved and the participants never seemed to run out of bending

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


It didn't seem from Avatar that bending was terribly strenuous. Aang and Toph could, for example, push out a six-foot-diameter, 20-foot-long tunnel of rock with one quick physical motion while talking normally. Nobody's bending ever failed due to exhaustion until this episode, iirc. I mean yeah, the characters from the last series were prodigies, but even so they were manipulating ten or a hundred times more volume of element than the probenders without ever getting tired.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Himuro posted:

I hope they don't make romance a huge element in this series.

I have some bad news.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Paracelsus posted:

It's disturbing how many people in this thread apparently read Harrison Bergeron and thought "yes, that's exactly what we need to do."

Almost as disturbing as the idea that the moral of a children's show needs to be "anyone with a talent you don't have is oppressing you, so take them down and put them in their place."

The moral of the show is precisely the opposite. While he might or might not be sympathetic, Aman is the villain and we want him to be defeated.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


thebardyspoon posted:

I think Tenzins slightly suspicious glance away when he says "That's... That's impossible, only the Avatar has ever possessed that ability" is significant. He falters a bit mid sentence as well, like he knows that last part is a lie but if he says it enough it'll be true. You could see the Avatar world government being very interested in a way for dangerous benders to be neutralised when Aang was gone and the new Avatar was unknown/being trained.

I think it was more that he was a bit afraid by the news.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


We can also hypothesize about how benders get a leg up in society, but we haven't actually seen it in detail; if Mako was walking out of the plant getting hassled by nonbender protesters who just lost their jobs, that would be something. Generally speaking it would be an easier sell if the world hadn't just gone under 70 years of peace and unparalleled prosperity under the guidance of heroic benders, who shot technology ahead one to five centuries and built a gleaming multicultural metropolis undoubtedly with earth and firebending.

Quackenbush fucked around with this message at Apr 23, 2012 around 01:53

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


The fire nation had some relatively advanced technology, but nobody else did; the earth kingdom's technological level was feudal chinese circa 1600 AD, and the air nomads and water tribe were apparently no better.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Flanker posted:

Adding to my Amon speculation:

He isn't even burned, his back story is bogus. Wears a mask to hide a recognizable face, and/or is multiple people.

Guessing it was Koh who took his face.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Read posted:

He has eyes and a mouth, you can see them through the mask.

We don't really know what happens to a person when they have their face stolen + I want to see Koh again.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


I touched on this earlier, but it really feels that they've walked the power of bending back a little bit. While "super-bending" like lightning and metal are commonplace, so far we have yet to see any really epic bending like Aang blowing out the volcano, Toph removing all the stairs from the palace, Jeong Jeong's fire walls, Katara and Aang against the water dragon, and so on. Plus bending can apparently tire you out now. I'll eat my words if we see it, but so far what we've seen has been pretty minor compared to what we saw in the last show. That's not necessarily a bad thing, especially in an urban setting.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


I also hope we see some enemy benders. Bender-on-bender combat is a lot more interesting and open to permutation than bender-on-nonbender. The only tactics chiblockers have are to dodge and disable with one strike, which has its place, but it'll never have the same range of fight possibilities as, say, Azula vs. Katara. There's a reason that the last nonbenders the Gaang ever fought exclusively were the Yu Yan Archers way back in season 1, and they were already basically supernatural to begin with.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


If you really think that this is the episode to "get all the romance stuff out of the way" then I think you're going to be disappointed. Okay, cool, we all have unrequited feelings for each other that haven't been resolved, not gonna see this again this season.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Does anyone have a link to the episode 6 commercial?

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Shutting down a public building when there is a credible terrorist threat made against it is the right call, I wonder why it inevitably gets re-opened.

So far, for all the talk about how nonbenders are oppressed, we haven't seen any of it. As far as we can tell, nonbenders have full legal rights, rights to property, and if they lack a right to vote (we really have no idea one way or another) benders don't seem to have it any different. Nonbenders may have a rougher time of it with organized crime, but we've seen no evidence that the police fail to take crimes against nonbenders seriously or give benders special treatment, quite the opposite. It's possible that benders can get certain jobs unavailable to nonbenders, but we've seen no great unemployment among nonbenders and the richest man in the city is one too. This really does look like what I was worried about months ago, a facile elitist theme of how the proles hate our heroes Just Because They're Jealous of How Awesome We Are.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Cantide posted:

Why are non benders feeling so oppressed if bending seems to be entirely useless in a fight? Especially fire bending should pretty much be relegated to lighting fires and cooking since it's apparently impossible to hit anyone or, once hit, seems not to have any deterring effect on people whatsoever.

If you're going to complain about an element being unrealistically nonlethal, start with earthbending. A rock the size of a basketball hitting you in the chest going 80 miles an hour is going to put you down for a few weeks, at best.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


I remember that video when Korra was first introduced and they were like "and this is Tenzin, son of Aang...and Katara" and most of the audience hooted but there was a noticable undercurrent of fangirls screaming "NOOO" like somebody was trying to rip their skull out of their head

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Maybe the two water tribes have representation because Tarrlok lobbied for it.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


I called this months ago. To the extent that there is any theme of inequality in Korra, it is strictly about how the weak hate the strong because they are jealous and crazy.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Preface: I liked LoK a lot, not as much as Avatar, but it was still a really great show.

The biggest problem with Korra as a season was how their stated purpose in having as few episodes went directly against what they used those episodes for. They said that they only wanted to have twelve episodes so they could tell a tighter, more self-contained story, but most of the front half of the season was focused on Pro-Bending, which while it had rules that at least made sense, was of no real import to anything in the story except as a vehicle to introduce Mako and Bolin and as a setting for Amon to attack. That all could have been accomplished in one episode.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


PhazonLink posted:

Another reason why this show is terrible.

Lazy artist. The cycle stops after the 3rd row.


Fire. Earth. Air. Fire. Air. Water. Water. Long ago, the four nations lived together in harmony. Then everything changed when bad crowd logistics attacked.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Amon bursting out of the ocean on a water tornado would have made a lot more sense if he looked incredibly angry, maybe delivering a short monologue on how dare you strike me, blah blah blah. As it stands he just did it out of drowning panic, which is a sensible reason to use waterbending to rapidly get to the surface, not to stand atop a 100 foot cyclone.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


As long as we are nitpicking, one thing I really didn't like is that it didn't feel like there were any really Epic Bending moments in the show. Don't mistake me, I don't mean that there weren't any cool fights, there were tons. But they definitely scaled back bending in the show. Watch most episodes of ATLA, especially in Season 2 and 3, and you'll see people manipulating ten or 100 times the volume of element we see in this show. The showdown with Amon was also really subdued. The final fight with Ozai and Azula was enormous blasts of fire, lightning, colossal boulders, flying, huge airship crashes. Season 1 finale felt incredibly epic, with the Spirit World, the black and white, Koizilla. Season 2 finale felt classically tragic, with an enormous fight between Zuko, Azula, Aang and Katara, and two dozen Dai Li. Amon vs. Korra and Mako was him shutting them down instantly and then Korra airbending him nonfatally out a window.

Quackenbush fucked around with this message at Jun 24, 2012 around 07:26

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


e:nm

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


dj_clawson posted:


A year or so ago, I heard the Legend of Korra was only featuring the two creators, and not the entire staff of writers. Fans took this to be good news, as it would trim the fat from TLA, which the other writers were responsible for. I saw a huge red flag. You don’t fix something that isn’t broken. If any other show said, “OK, we’re coming back, but we’ve lost over half of our stupendous, award-winning writing staff” I would be more than highly alarmed and skeptical.

This is a point I was just about to make. I was watching an episode of Futurama today, and I noticed that it was written by Aaron Ehasz, whom I remembered from the credits of an ATLA episode or two, so I looked him up. Here are all the episodes he wrote:


quote:

"The Spirit World (Winter Solstice, Part 1)" (1.07)
"The Storm" (1.12)
"The Fortuneteller" (with John O'Bryan) (1.14)
"The Siege of the North, Part 1" (1.19)
"The Siege of the North, Part 2" (1.20)
"The Avatar State" (2.01) (with Elizabeth Welch Ehasz, Tim Hedrick & John O'Bryan)
"Bitter Work" (2.09)
"The Crossroads of Destiny" (2.20)
"The Awakening" (3.01)
"The Day of Black Sun, Part 2: The Eclipse" (3.11)
"Sozin's Comet, Part 2: The Old Masters" (3.20)

Notice how every one of those episodes (aside from The Awakening, maybe) was an instant classic? Why were they so keen to get rid of this guy? In addition to those, other classic or otherwise central episodes not written by the creators include: The Warriors of Kyoshi, Jet, The Deserter, The Cave of Two Lovers, Zuko Alone, The Library, The Desert, Lake Laogai, The Earth King, Sokka's Master, The Avatar and the Firelord, The Puppetmaster, The Boiling Rock 1&2, and The Ember Island Players.

Quackenbush fucked around with this message at Jun 24, 2012 around 23:28

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


dj_clawson posted:

Holy poo poo, this post basically listed all of my favorite episodes. Except "The Beach" which to be honest had to grow on me and I can understand why people don't like it.

Virtually all the character-development episodes were written by somebody other than the creators. Take Zuko. Winter Solstice Part 1, The Storm, The Siege of the North, Zuko Alone, Bitter Work, The Crossroads of Destiny, The Avatar and the Firelord, The Day of Black Sun Part 2, The Firebending Masters, and The Boiling Rock constitute 95% of Zuko's character arc, and they were all not written by the creators. The only episodes which really involve Zuko, written by the creators, are The Blue Spirit and the series finale.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


The creators only wrote 13 episodes of the original series. Three of those were the first three episodes, and another three were in the last four episodes. They wrote classics like The Blue Spirit, The Blind Bandit, and The Guru, but also some mostly forgettable episodes like the first three, the Drill, and the Serpent's Pass. The more I think about it the more it the more I think the biggest problem was that they got rid of so much of the talent from the first series.

And whoever seemed underwhelmed with the scope of Korra was spot-on. Comparing three seasons of ATLA to one season of LoK is unfair, but even if we look at the first seasons against each other LoK comes up lacking. Aang went to the spirit world, single-handedly destroyed dozens of warships, and his team reversed an insane plot to kill the Moon. That feels epic. Korra failed at everything except escaping until her enemy, already victorious, accidentally screwed up his own plans. That is literally what happened! Amon was not tricked, goaded, or forced into revealing he was a waterbender. His forces were not defeated, he didn't even get cocky. He just randomly hosed up at an inopportune time.

Quackenbush fucked around with this message at Jun 25, 2012 around 00:33

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


The biggest problem with the series was pro-bending. The romance plot was prettymuch the only character interaction, drama, or development in the series amongst the teens, so it has some value. Nothing about it was really that bad except that we didn't really care about the participants. Pro bending was a waste of limited time, had no real consequences, and was less interesting in general than any other plot element.

Quackenbush fucked around with this message at Jun 25, 2012 around 02:05

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Jesto posted:

I find it kind of funny that Korra's absolute lowest point was her inability to earth, fire or waterbend but suddenly being able to airbend. Even moreso if that falling tear really was supposed to symbolize suicide.

She literally seconds before walked out of a room that contained a bunch of people who loved her. Her parents, her teachers, her friends, the boy she loves and who loves her back, people who have been debended and don't have any elements to work with but seem to be coping well enough.

Is she really so obsessed with her identity as The Avatar that not being able to bend all four elements is so soulcrushing that it's the point in her life where everything can't possibly get any worse?

I don't have any problem with that, it's been established that Korra knows that her sole identity is the Avatar and she is terrified of losing her bending, believing that she will be nothing.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Avatar series finale: Ozai has defeated Aang and all seems lost. But wait! Katara is in trouble. Aang launches one last desperate attack! Ozai falls into the ocean! Rather than swimming, Ozai attempts to rocket out of the ocean, boiling himself alive! The end

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


computer parts posted:

You act as if this is worse than "Ozai hits Aang with a rock, Aang goes avatar state gg".

Both Aang and Korra won as a result of what was basically an accident, but Aang at least did not win because Ozai was an idiot who destroyed himself without goading or trickery

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


SpiderHyphenMan posted:

Okay stop.

Amon was unconscious when he got knocked out the window. When he woke up underwater, he rocketed up on pure instinct so he wouldn't drown. He didn't really have time to think "wait, maybe I should just resurface while holding my hand over my face."
Yeah, Korra airbent by accident, but Amon wasn't being stupid.

Resurfacing is understandable. Standing for several seconds atop a 100 foot cyclone in front of an arena containing thousands is stupid.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


I am going through ATLA to make sure that I don't have rose-colored glasses on and, man, is the animation in the first six or so episodes really underwhelming. The backgrounds and such are still incredible, but the linework and motion range of the characters, especially out of combat, are flat and static like a low-budget anime. That is something Korra wins hands down.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


MrAristocrates posted:

I know what you mean, man. I've been watching the series again on Netflix because of this thread. The animation is pretty unpolished, and it's clear that they weren't quite in the groove yet from a writing perspective yet either.

That said, some of what I remember is clearly nostalgia, but I'm still legitimately enjoying quite a lot.

No, in the first few episodes the characters are really more or less their parody versions from The Ember Island Players. Sokka is obsessed with meat, Katara is hyper-motherly, Zuko is obsessed with his honor, and Aang is a childish naif. It's to the credit of the show that they did the inverse of sitcom character cliches, where all the characters gain a lot of depth instead of just hyper-exaggerating the characters' traits.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Still rewatching AtLA, and a real problem I'm seeing with LoK is the almost-absolute lack of bender-vs-bender combat. The only real bender-on-bender action we get in LoK is Korra vs. Tarrlok, which was probably the best fight of the show.

Watch the duel between Katara and Pakku in season one. Not only does it last three times as long as the duel between Korra and Tarrlok, it also has some things that most of the fights in Korra do not. First, we hate Pakku. He's a smug, sexist jerk. We want to see him get his clock cleaned. We hated Tarrlok and Tahno, but none of the Equalists. Amon was too much of a cipher to really hate, and the Lieutenant had no personality until the last episode. Second, the Katara-Pakku fight had back-and-forth, and incomplete victory. Katara was clearly losing, yet she managed to stay in the fight for a long time while still losing, throwing credible attacks at Pakku. This isn't true of the fights we see in Korra. Chiblocking, Bloodbending, and Amon's Psychic Dodging have the exact same narrative problems: Since they are the main (or only) trick available and shut down the fight immediately when used, they destroy the ability of a long, interesting, back-and-forth fight to exist. They're also really unspectacular compared to battling it out with the elements.

Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


SatansBestBuddy posted:

I kinda expected this when I heard that the main conflict would be centered around the Equalists, but I also expected probending to pick up the slack. So that didn't happen either.

I actually think this is a consequence of the higher quality animation being a lot more expensive and time consuming to produce, though I also have the nagging suspension that the creator's wanted to make fights more "grounded" in this series, with less of the insane, DBZ style stunts that were everywhere in the last series. Both ideas are just based on watching the show, though I wouldn't be surprised if the real answer was somewhere between the two.

But yeah, as much of it as there was the action in this series did feel a little... limper than in the last series, with fights being over in fewer moves and having less interesting choreography, particularly probending, though it's far from the only one. How many action scenes had fighters use their surroundings? How many had either combatant take more than a couple of hits?

I loved the crazy, DBZ-style bending in the last series. Some of the epic bending moves in the last series were really cool and memorable, like Toph turning that massive staircase into a Scooby-Doo slide, Aang fighting Combustion Man, or everything to do with the comet or the Avatar state. I don't see any problem with liking the cool magic powers in a kid's show about people with cool magic powers.

Think about what a waterbender can do vs. what a chiblocker can do. A waterbender can shoot water, shoot ice daggers, turn water to ice, create a wall of water or ice, make a surface slippery, surf on ice structures, hover on a cyclone, grab or push people with water tendrils, turn water to snow or steam, etc. A chiblocker can a) dodge and b) chiblock. That's it.

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Quackenbush
Nov 4, 2011

by Y Kant Ozma Post


Chi-blockers are always going to be less interesting fights than benders because benders have so many tricks and chi-blockers only have the one. Even their secondary tricks like smoke pellets and bolas can be essentially copied by earth and waterbenders. And dodging and parrying and, say, using the momentum from an earthbending attack is not something specific to a chiblocker - they are all things that a bender can easily do and we saw examples dozens of times in Avatar.

It also doesn't help that at the beginning of the show they were hyper-nimble, spooky ninjas with incredible martial arts skills who were a match for the Avatar one-on-one and then ended getting jobbed out over and over to the point that they ended up as a bunch of dudes with goofy voices who got defeated by the half-dozen by a farting infant.

Quackenbush fucked around with this message at Jun 30, 2012 around 23:21

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