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Dwarsen posted:I have to say I prefered season 1, even though this one was great too. I guess the thing that irked me the most was that the "good guys" just couldn't loving catch a break. It felt like the "bad guys" were incompetent and awful but still won, for utterly arbitrary or random reasons. It annoyed me a bit. Yeah, I'm partly feeling the same thing. However, I like that this series is probably going for the slow-build. Good antagonists need to build up a solid win-streak to remain credible and threatening, which usually means a long and depressing journey for anyone opposing them. A final victory for Robb would taste so much sweeter after making him run through a minor hell, imho. It makes the final payoff more satisfying.
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| # ? Jun 8, 2012 21:57 |
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| # ? May 18, 2013 23:38 |
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Dwarsen posted:That's also one thing I really like about the show, all these grey areas. The closest thing to actual good guys are the Starks, and in the last episode we're shown that some of their men abused and murdered some women and hung them in a tree. Honourable chaps, those Starks. One of my favorite things about this show is that it's actually made the Starks the villains, not in any narrative sense but in terms of the meta-cultural context. GoT, as far as I can tell, is about taking the staid, reactionary, insidious tradition of romantic knightly self-myth (most recently echoed in LotR) and aggressively subverting the gently caress out of it. Some tepid brand of muck-racking "realism" obviously isn't the goal, given the stylization, but it's exaggerating the source material and humanizing it to the point where it's impossible not to feel cynical about that mythology. The Lannisters are loving supervillains, sure, but they're also the basic point of contrast for the Starks: They're a garish vision of the truth underpinning those old chansons de geste, while Ned Stark and his brood represent the comfortable, stagnant fairy tale fantasy of heroes in shining armor. They're where a lot of the audience identification happens, and it's the tension of their situation that's the focus of the storytelling thus far, but breaking them down is also the point. Their destruction is the ultimate moral good of the story. They are collectively Sauron, and Frodo is actually George R. R. Martin himself. It's basic, but it's neat.
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| # ? Jun 8, 2012 21:59 |
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Axeface's posts analyzing the show are the best things about these threads.
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| # ? Jun 8, 2012 22:02 |
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Rarity posted:There really isn't much Qarth politics in the books either. Dany just hangs out at Ducksauce's place while the Thirteen dick her around and he proposes marriage while crying. Then she visits the HotU because she's getting bored, they try to attack her and she burns it down. The show did a much better job of exploring her motivations and giving Ducksauce some character. I don't agree. I think they made Ducksauce outright totally boring where there was at least some mystique/intrigue to his character in the book. In the show they just have him be repetitive as all hell.
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| # ? Jun 8, 2012 22:19 |
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Ambiguatron posted:You may be confusing him with Renly. This was to easily glossed over, well played
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| # ? Jun 8, 2012 22:28 |
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NihilCredo posted:It's not the name, it's what she asks in exchange for un-naming. Rarity spoiled pretty much everything else that happens differently in the books. I cannot think why Harrenhall would be any more spoilery.
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| # ? Jun 8, 2012 22:30 |
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surprise sex Jake. posted:Rarity spoiled pretty much everything else that happens differently in the books. I cannot think why Harrenhall would be any more spoilery. Cause it involves an event that hasn't happened on the show yet but probably will
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| # ? Jun 8, 2012 22:32 |
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Axeface posted:One of my favorite things about this show is that it's actually made the Starks the villains, not in any narrative sense but in terms of the meta-cultural context. GoT, as far as I can tell, is about taking the staid, reactionary, insidious tradition of romantic knightly self-myth (most recently echoed in LotR) and aggressively subverting the gently caress out of it. Some tepid brand of muck-racking "realism" obviously isn't the goal, given the stylization, but it's exaggerating the source material and humanizing it to the point where it's impossible not to feel cynical about that mythology. The Lannisters are loving supervillains, sure, but they're also the basic point of contrast for the Starks: They're a garish vision of the truth underpinning those old chansons de geste, while Ned Stark and his brood represent the comfortable, stagnant fairy tale fantasy of heroes in shining armor. They're where a lot of the audience identification happens, and it's the tension of their situation that's the focus of the storytelling thus far, but breaking them down is also the point. Their destruction is the ultimate moral good of the story. They are collectively Sauron, and Frodo is actually George R. R. Martin himself. A pretty neat hint to these themes is how the Starks are the one family with a claim on their lands that goes back into Azure_Horizon posted:I don't agree. I think they made Ducksauce outright totally boring where there was at least some mystique/intrigue to his character in the book. In the show they just have him be repetitive as all hell. Ok, I can see XXD losing a bit of his mystery, but holy crap how can you say that he was more repetitive in the show than in the book?
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| # ? Jun 8, 2012 22:33 |
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Rarity posted:Cause it involves an event that hasn't happened on the show yet but probably will Ok, I just readily assumed they cut that stuff because Arya has left Harrenhal.
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| # ? Jun 8, 2012 22:36 |
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Finally got book 3 from the library and it's really good. Really, really good. Only thing I'll spoil is that there hasn't been any entire-page descriptions of various types of food... yet. But seriously, if you're on the fence just read it.
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| # ? Jun 8, 2012 22:51 |
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NihilCredo posted:Ok, I can see XXD losing a bit of his mystery, but holy crap how can you say that he was more repetitive in the show than in the book? The motivation of wanting dragons stayed the same, but show got rid of all his boring fake crying and marriage proposals and gave him a political coup and a direct attack on Dany. Much better!
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| # ? Jun 8, 2012 22:57 |
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NihilCredo posted:A pretty neat hint to these themes is how the Starks are the one family with a claim on their lands that goes back into Actually, the Lannisters are a even more realpolitik than that. The Lannisters were Andals who liked the Lannister story, so they killed all the male First Men Lannisters, married their daughters and then changed their names. Same point, but more flavor.
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| # ? Jun 8, 2012 23:09 |
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Axeface posted:One of my favorite things about this show is that it's actually made the Starks the villains, not in any narrative sense but in terms of the meta-cultural context. GoT, as far as I can tell, is about taking the staid, reactionary, insidious tradition of romantic knightly self-myth (most recently echoed in LotR) and aggressively subverting the gently caress out of it. Some tepid brand of muck-racking "realism" obviously isn't the goal, given the stylization, but it's exaggerating the source material and humanizing it to the point where it's impossible not to feel cynical about that mythology. The Lannisters are loving supervillains, sure, but they're also the basic point of contrast for the Starks: They're a garish vision of the truth underpinning those old chansons de geste, while Ned Stark and his brood represent the comfortable, stagnant fairy tale fantasy of heroes in shining armor. They're where a lot of the audience identification happens, and it's the tension of their situation that's the focus of the storytelling thus far, but breaking them down is also the point. Their destruction is the ultimate moral good of the story. They are collectively Sauron, and Frodo is actually George R. R. Martin himself. Does that mean that the less Stark-like the kids become the more they are redeemed? For instance should they possess a murder genie, cavalierly break oaths, blackmail, etc.
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| # ? Jun 8, 2012 23:13 |
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Xaro Xoan Daxos is a homosexual skinny "milk man" in the books.
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| # ? Jun 8, 2012 23:15 |
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Daxos in the show is pretty beef, I wonder how much he can bench. Also, the metanarrative of both the show and the books is that the traditionalist fantasy novel is basically a fascist, hyperviolent surprise sex fantasy. Martin has taken broad swipes at the fantasy genre and all of its subgenres. Westeros is a realistic version of Robert E. Howard's lost Hyborian age, in that it mixes various historical peoples and eras under a broad blanket of a psuedo-middle ages vibe. You've got Vikings, Elizabethan pirates, Saxons, post-Reconquista Spanish, and High Middle Ages types bumping around with psuedo-Catholicism. Unlike Hyboria, though, Westeros doesn't glamorize the reaver, the slayer, and the thief, it plays them all as monsters and the only difference between them is how much lip service they pay to stories designed to reinforce their hyper violent, hypermasculine patriarchal system. Instead of glorying in Conan's conquests, it puts us in with the men he's butchering and the women he's raping as he treads the jeweled thrones of Earth beneath his sandalled feet.
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| # ? Jun 8, 2012 23:47 |
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Ambiguatron posted:Daxos in the show is pretty beef, I wonder how much he can bench. These are questions for wise men with skinny arms.
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| # ? Jun 8, 2012 23:49 |
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Ambiguatron posted:the traditionalist fantasy novel is basically a fascist, hyperviolent surprise sex fantasy.
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| # ? Jun 9, 2012 00:36 |
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NihilCredo posted:Sorry, got a pet peeve of mine right there: "fascist" doesn't mean "tyrannical". Hyboria and Middle-Earth and Azeroth are in no way fascisms - they lack the entire mass-ideological aspect plus a bunch of other stuff that only makes sense in a developed economy - they're just regular old autocracies, with a sprinkle of theocracy here and there. The societies themselves are not fascist, but the fantasy is fascist. Umberto Eco posted:http://www.themodernword.com/eco/eco_blackshirt.html
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| # ? Jun 9, 2012 00:40 |
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NihilCredo posted:Sorry, got a pet peeve of mine right there: "fascist" doesn't mean "tyrannical". Hyboria and Middle-Earth and Azeroth are in no way fascisms - they lack the entire mass-ideological aspect plus a bunch of other stuff that only makes sense in a developed economy - they're just regular old autocracies, with a sprinkle of theocracy here and there. While I agree, this season managed to get some good mileage out of concentration camp/genocide imagery at Harrenhal.
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| # ? Jun 9, 2012 00:45 |
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Let's not look at GRRM too deeply, he is no messiah of fantasy trying to show shades of grey, rather what would cause the most outrage.
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| # ? Jun 9, 2012 00:58 |
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Medieval Medic posted:Let's not look at GRRM too deeply, he is no messiah of fantasy trying to show shades of grey. I dunno, have you seen the sex scenes? He's more Shades of Grey than you think
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| # ? Jun 9, 2012 00:59 |
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How about a moment of silence for Ser Preston Greenfield, member of the Kingsguard. Sadly, he died during the riots and was never mentioned once in the show.
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| # ? Jun 9, 2012 01:00 |
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Medieval Medic posted:Let's not look at GRRM too deeply, he is no messiah of fantasy trying to show shades of grey, rather what would cause the most outrage. It's not that far-fetched. Some of the things he's done with characters are very uncommon in the fantasy genre. The only other author I can think of who does it as frequently is Steven Erikson with the Malazan series, and that's not even a very good series. He's not a "messiah of fantasy", but he does show shades of grey in both the genre and within the world of the books itself.
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| # ? Jun 9, 2012 01:04 |
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Medieval Medic posted:Let's not look at GRRM too deeply, he is no messiah of fantasy trying to show shades of grey, rather what would cause the most outrage. It doesn't matter what he intends or is trying to do, the text speaks for itself. For all I know, he's playing it perfectly straight and he thinks this stuff is all cool beans. It doesn't matter.
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| # ? Jun 9, 2012 01:16 |
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Tyree posted:How about a moment of silence for Ser Preston Greenfield, member of the Kingsguard. Sadly, he died during the riots and was never mentioned once in the show. What kind of wussy kingsguard gets taken down by starving peasants
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| # ? Jun 9, 2012 01:24 |
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Hiatus gif party. I picked out a favorite I made from each episode. The rest are linked. (as long as the threads aren't archived). Episode 1 gifs Episode 2 gifs Episode 3 gifs Episode 4 gifs Episode 5 gifs ![]() Episode 6 gifs Episode 7 gifs Episode 8 gifs ![]() Episode 9 gifs. I didn't make very many. ![]() Episode 10 gifs And thanks Rarity, for honoring me with the Best Gif award in the op. Professor Wayne fucked around with this message at Jun 9, 2012 around 02:43 |
| # ? Jun 9, 2012 01:31 |
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Dude, when the peasants are literally trying to devour your flesh, all bets are off. One dude with a sword can't fight off a whole mob. Is there a gif of Ros with the stag sceptre, about to take the plunge? e: Nevermind, I just had to scroll down. I hope when they do special features they have a clip of Gleeson in character as Joffrey performing a monologue from American Psycho. Thulsa Doom fucked around with this message at Jun 9, 2012 around 01:35 |
| # ? Jun 9, 2012 01:32 |
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Professor Wayne posted:Hiatus gif party. The OP has the only gif we needed (Just kidding, you're amazing
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| # ? Jun 9, 2012 01:50 |
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Ambiguatron posted:The societies themselves are not fascist, but the fantasy is fascist. Calling it a 'fascist fantasy' is pretty unfair - it can focus on those aspects, standing next to your blood-brothers to slaughter the Enemies, but it's not inherent to the genre. And the more the world is explicitly feudal and pre-national, the harder it is to do that. For that matter your whole post was pretty unfair, because you're skipping over the fact that escapist fantasy is white-washed on purpose. The knight-errant's victims are all villains and the swashbuckler's women all swoon at his codpiece - not because even the dumbest S&S writer isn't aware that that's not how knights and rogues lived, but because if it were an amoral surprise sex and murder fantasy it would lose 99% of its audience.
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| # ? Jun 9, 2012 01:57 |
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Ha I never saw that you got around to fixing this gif up just like I asked, amazing.
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| # ? Jun 9, 2012 02:00 |
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Why did I guess that Ducksauce had purchased Al Capone's vault? Anyway, 10 months is a long time to wait. I don't want to, but after I'm done reading the Complete Chronicles of Conan, I may contemplate buying the books. Like I started reading manga when the anime series took too long to finish, only to realize that there are over 500 chapters of Naruto and it's not even loving over yet. How many loving pages are there to this series? How many books before it's over?
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| # ? Jun 9, 2012 02:03 |
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Jorghnassen posted:Why did I guess that Ducksauce had purchased Al Capone's vault? Close to 5,000, with two more books planned.
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| # ? Jun 9, 2012 02:07 |
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Currently, there are seven volumes planned, of which five are completed. Martin purports to have something like thirty percent of the next book done, but consisting mostly of excised material from the present volume. If I remember right he planned for six volumes originally, but I suspect he always intended there to be seven, since seven is a big number in Westeros. (Faith of the Seven, Seven Kingdoms, seven knights of the Kingsguard, and so on)
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| # ? Jun 9, 2012 02:09 |
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Ambiguatron posted:Currently, there are seven volumes planned, of which five are completed. Martin purports to have something like thirty percent of the next book done, but consisting mostly of excised material from the present volume. He planned for three when writing the first but it quickly ballooned to six then seven.
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| # ? Jun 9, 2012 02:45 |
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Maybe if every book gets split into two seasons it will buy GRRM time to finish writing Edit: of course, if life is as cruel as his books, he'll keel over and his nephew will finish the last two books, and everyone will complain that he missed the whole point Steve Yun fucked around with this message at Jun 9, 2012 around 02:59 |
| # ? Jun 9, 2012 02:56 |
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Steve Yun posted:Maybe if every book gets split into two seasons it will buy GRRM time to finish writing 6 years for 2 books? There's no way. We'll be lucky if we get 1 book in that time.
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| # ? Jun 9, 2012 03:00 |
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I'm sorry, but that just triggered the bad thread in me: A Game of Throne - August 1996 A Clash of Kings - February 1999 A Storm of Swords - November 2000 A Feast for Crows - November 2005 A Dance with Dragons - July 2011 Yes, I'm sure that an extra two seasons is all that's needed to finish off the series. Away all Goats posted:What kind of wussy kingsguard gets taken down by starving peasants Not only was he surrounded, but he was acting as a bodyguard. He wasn't trying to keep himself alive, he was keeping Joffrey and the royal party alive. whowhatwhere fucked around with this message at Jun 9, 2012 around 03:05 |
| # ? Jun 9, 2012 03:01 |
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I like how the best book was turned around in the shortest time.
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| # ? Jun 9, 2012 03:04 |
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Rarity posted:The Mirri Maz Duur Trophy for Most Debatable Acting Choice To what is this a reference?
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| # ? Jun 9, 2012 03:05 |
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| # ? May 18, 2013 23:38 |
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....To the actress portraying Mirri Maz Duur. I don't know why Rarity isn't a fan of her portrayal, but it's not hard to suss out the reference.
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| # ? Jun 9, 2012 03:06 |






























