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how do i avoid awful latency when playing on a MIDI keyboard into a DAW (via usb)? synpe: https://soundcloud.com/exant/alright
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Feb 23, 2015 16:19
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evacuate meatspace posted:i'd be interested to see what you come up with. do you do that multiple looper/chain select thing? before i bugged out of town i did manage to finish two all non drum tones are bass guitar https://soundcloud.com/jonny290/shadow-of-moon https://soundcloud.com/jonny290/crumbling that max thing looks cool as hell! and yeah ableton's looper is rough. i figure it out well enough tho
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Feb 23, 2015 16:23
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yard salad posted:how do i avoid awful latency when playing on a MIDI keyboard into a DAW (via usb)? nice . what are these drum samples from (that start at 0:08)? i heard them before and i want edit - if you're on Windows the most important thing is to use an ASIO audio driver if you're not already
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Feb 23, 2015 17:18
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no idea - all the samples are the sounds included in Ableton Live. i think i have the basic edition so it's pretty limited. i'll check when i get a chance
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Feb 23, 2015 17:26
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its me i'm installig asio4all for my ensoniq audiopci and its 1998 and im feelin like a B O S S
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Feb 23, 2015 18:20
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having buttons and poo poo is so overrated in real life but especially on screen god dammit
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Feb 23, 2015 21:14
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the bcr2000 is p good. using it as a controller/editor thing for my MKS-50.
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Feb 23, 2015 22:28
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yard salad posted:how do i avoid awful latency when playing on a MIDI keyboard into a DAW (via usb)? could be a number of things. what midi interface are you using? is the keyboard spitting usb out or are you using a midi-to-usb interface? if the latter, some of the cheaper ones there are complete poo poo and will drop notes and whatnot the other possibility is that your daw is just set up shitfully. if you're on windows make sure you're using asio drivers. if you don't have one for your sound card try asio4all and see if it makes things work. if you are using asio drivers, try reducing buffer size and number in your daw or soundcard control panel
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Feb 23, 2015 22:35
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i'll check to make sure im using asio drivers, the keyboards i have are direct to usb
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Feb 23, 2015 22:37
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yard salad posted:i'll check to make sure im using asio drivers, the keyboards i have are direct to usb yeah asio might solve all your problems!
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Feb 23, 2015 22:38
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if you've dicked about with those settings and it still sucks, the next things i would check would depend on what you're trying to control with the keyboard. if it's samples, your disk may be too slow or you may have too little RAM. if synth, it could be processor power or RAM most likely candidate is just crap setup in DAW/soundcard or a crap USB interface though, don't go upgrading your compy until you exhaust the options there.
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Feb 23, 2015 22:38
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yard salad posted:i'll check to make sure im using asio drivers, the keyboards i have are direct to usb okay so probably not the usb interface per se unless your computer only has usb 1.0 ins
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Feb 23, 2015 22:39
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Trig Discipline posted:if you've dicked about with those settings and it still sucks, the next things i would check would depend on what you're trying to control with the keyboard. if it's samples, your disk may be too slow or you may have too little RAM. if synth, it could be processor power or RAM heh, my pc is a top of the line gaming rig, no problems there
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Feb 23, 2015 22:39
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okay yeah then asio4all and tweaking buffers will probably do it for you
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Feb 23, 2015 22:47
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that being said, the experience of hooking up one's first real deal no bullshit pro audio interface and slamming the latency sliders all the way down and it still works is p amazing when i had that echo layla it would do like 0.8 mS latency with no skipping at 44k
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Feb 23, 2015 22:54
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Jonny 290 posted:that being said, the experience of hooking up one's first real deal no bullshit pro audio interface and slamming the latency sliders all the way down and it still works is p amazing ns. and it's gotten to the point now where you don't have to buy a new one every couple of years because $cool_new_thing just came out. you can buy a good pro interface and expect it to be worth owning for at least five years if not more. i've had my focusrite saffire pro 40 forfuckinever and still see literally no reason whatsoever to trade it for anything else. before that i had a motu 828mkii and i wouldn't have even traded that for the saffire if it hadn't been for firewire problems
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Feb 23, 2015 23:05
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828mkii is still the heart of my studio w/ thunderbolt->fw800->fw400 so happy yospos has its own bleep bloop thread i got my first big-boy studio monitor system so i can produce out of the bedroom, otherwise i've always done it live with an 18" 1000w sub and two 15" 625w PAs, for the late night stuff I need it a little more refined for the younger crowd lately i've been on a learning synthesis trip, i have a bass station ii and just got a discount littleBits synth kit and i'm impressed. i have a video of me spazzing out about it for a friend, i'll make a better one with acid filter sweeps a little later today. software-wise i'm not feeling tied to any particular synth, i'm obssessive when it comes to plugins and have most if not all of them (super bummed about alchemy being done tho  ) serum is waiting for me for when i get into wavetable, fm8 has been really fun (are there any other great fm softsynths?) d16's gear is dopebiggest hurdle has been programming macro controls for all the software i use. at home i work out of ableton (though have wanted to get renoise for over a year to mess with) and keep my live setup to what i can put up on a two-tier stand, so an analog bass synth, push for sequencing, apc40 for clips and sends, and a padkontrol for effects and x-y. sitting down at the end of each day still takes a lot out of me, but i keep plugging and will see where it takes me. https://soundcloud.com/nickprince/amen-bass-synth-sequence
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Feb 24, 2015 17:07
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the overhead and setup and system tie-in is the real bitch. anybody can run ableton or a shitload of this and that. it takes real planning, testing, and organization to get your macros and midi Y's and virtual audio cables and this and that set up. and its an even bigger challenge to make that setup reproducible and stable live shows are murphy's law land. everything always breaks and fucks up I'm writing a snippet/track a day, i have really bad phones/monitors right now though so its all mixed dumb. just remembering my renoise keyz http://yourlisten.com/jonny290/thwang bad http://yourlisten.com/jonny290/derrrr less bad i know its all stock patches more or less (well first track is sequenced drums) but hey i am saving new files and thats all that matters
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Feb 24, 2015 18:54
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my generalized goal for this year is to crank out somewhere between 2 and 8 tracks that im happy with and maybe play a couple shows later in the fall to promote
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Feb 24, 2015 19:00
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spankmeister posted:is it like a miniature midi synth inside the plug because that would own please c/d
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Feb 24, 2015 20:41
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spankmeister posted:is it like a miniature midi synth inside the plug because that would own google says yes https://janostman.wordpress.com/page/5/
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Feb 24, 2015 20:44
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Silver Alicorn posted:google says yes NICE!
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Feb 24, 2015 20:51
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here's a track i played on my SC-155 synth: http://tindeck.com/listen/dgwl
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Feb 24, 2015 20:55
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Jonny 290 posted:the overhead and setup and system tie-in is the real bitch. it's really not helping how poo poo soundflower is for 10.9 still. it's not completely terrible to do internal routing on a per track basis in ableton, i just need more send controls (always more) quote:I'm writing a snippet/track a day, i have really bad phones/monitors right now though so its all mixed dumb. just remembering my renoise keyz first track just needs the individual drum hits EQ'd and centered, that synth sounds really thin and could use another sawtooth and emphasis on the high freq second track, bass synth is missing low end on the synth and bass drum kicks, layer more. the high hats could create a little more space by increasing the delay time on them and there'd be high ride to go on when listening quote:i know its all stock patches more or less (well first track is sequenced drums) but hey i am saving new files and thats all that matters record everything just shot vid of my current live setup in bedroom. i basically have a bunch of tracks i'm feeling saved in clip packs to dj with and then line up my next track/improvisation with whatever plugin i'm feeling and mood i'm in. gonna say i've had remarkable stability despite heaps of  and controllers. i perform only 3-4 times a year now, in the summer it can sometimes be every weekend (it's nice owning your own soundsystem) but when it starts to turn into "does this guy take requests" i buy a growler and go homehttps://www.youtube.com/watch?v=atCq-BSIysw 2013 solstice montage of our dope rear end local crew  https://www.youtube.com/watch?v=MqtvWgmHsys and this is dope if you like classic drum machines and detroit techno https://www.youtube.com/watch?v=9WjgBNYDWtE
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Feb 24, 2015 21:40
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lol apple just secretly bought camel audio and people are piiissssseed now all of the people out there who make fun of us logic users can gobble our collective knobs
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Feb 24, 2015 21:58
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thanks for the listen unless, and i would like to take this opportunity to ensure that you do not get a "OH MY GOD DO NOT CRITIQUE MY ART" vibe when I say the following, because I certainly do not mean it as such: lol dude i am writing this poo poo with loving Logitech H800 bluetooth headphones from work, we can revisit eq and mixdown chat around, like, july or so when i can get some proper earpieces
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Feb 24, 2015 22:00
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Trig Discipline posted:lol apple just secretly bought camel audio and people are piiissssseed if i can't switch from granular to additive synthesis in my dashboard as easily as changing gears in my new apple iHorselesscarriage i will be loving livid.
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Feb 24, 2015 22:06
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Trig Discipline posted:lol apple just secretly bought camel audio and people are piiissssseed now will apple finally start taking its ios stuff seriously? for one of many instances there's a ton of stuff on garage band that runs behind the scenes but is mostly inaccessible to the user
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Feb 24, 2015 22:09
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most unexpected synth-culture thing i learned this year “Devo’s cynicism was born of having once cared too much. Unlike Ubu, Devo had been hippies, of a sort. Gerald V. Casale and Mark Mothersbaugh, the group’s conceptual core, were among the antiwar students protesting at Ohio’s Kent State University that fateful May morning in 1970 when the National Guard opened fire. Two of the four slaughtered students—Allison Krause and Jeffrey Miller—were friends of Casale’s. “They were just really smart liberal kids, eighteen and nineteen, doing what we all did back then,” he says. “They weren’t crazy sociopaths.” He recalls the dazed, slow-motion sensation when the guns started firing, “like being in a car accident,” the blood streaming down “the sidewalk, the eerie sound of moaning from the crowd, “like a kennel of hurt puppies.” At first, “even the National Guard was frozen, freaked out. Then they marched us off campus and the university was shut down for three months.” May 4, 1970, is one of several contenders for the day the sixties died. “For me it was the turning point,” says Casale bitterly. “Suddenly I saw it all clearly: All these kids with their idealism, it was very naïve.” Participants in SDS (Students for a Democratic Society) such as Casale reached a crossroads. “After Kent, it seemed like you could either join a guerrilla group like the Weather Underground, actually try assassinating some of these evil people—the way they had murdered anybody in the sixties who’d tried to make a difference—or you could just make some kind of wacked-out creative Dada art response. Which is what Devo did.” Devo was born in the three months Kent was closed down.” Excerpt From: Reynolds, Simon. “Rip It Up and Start Again."
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Feb 24, 2015 22:09
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Unless posted:most unexpected synth-culture thing i learned this year holy poo poo
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Feb 24, 2015 22:13
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yeah there was a little blurb about that at the rock and roll hall of fame, i v much recommend it
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Feb 24, 2015 22:13
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remember when casale did jihad jerry
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Feb 24, 2015 22:18
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quote:wacked-out creative Dada art response mods plz kthx
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Feb 24, 2015 22:23
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where's a good resource (or keywords) for patch making on various synths?
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Feb 24, 2015 22:29
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theflyingexecutive posted:where's a good resource (or keywords) for patch making on various synths? does a really good job on explaining the different ways of hearing sounds so you model them via envelope and LFO parameters https://www.youtube.com/watch?v=atvtBE6t48M
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Feb 24, 2015 22:42
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og devo is rad https://www.youtube.com/watch?v=5JdS-sSKsBc that intro has been sampled so much, crazy it's only in the music video https://www.youtube.com/watch?v=0b-nFSUXcuM
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Feb 24, 2015 22:45
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last bit of sick filthy nasty oscillators https://www.youtube.com/watch?v=PPwCmhvmHeM plogue's chipsounds is the software poo poo to beat for SID emulation i will never afford an elektron sidstation because gently caress the euro
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Feb 24, 2015 22:50
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Unless posted:does a really good job on explaining the different ways of hearing sounds so you model them via envelope and LFO parameters  namaste
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Feb 24, 2015 23:22
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Unless posted:og devo is rad https://www.youtube.com/watch?v=wVoP-Y2Z4ZE
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Feb 25, 2015 00:22
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just wanted to say that i enjoyed this song whiole coding today https://soundcloud.com/flosstradamus/sub-focus-tidal-wave
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Feb 25, 2015 01:57
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