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Effectronica
May 31, 2011
Fallen Rib

tatankatonk posted:

Which Path is which Game of Thrones Character?

Trick question, they're all Obrimoi, because Game of Thrones is bad.

But anyways, why don't we fill the gap in post three with something dumb but conceivably helpful- sources of potential inspiration for games.

I'll start: Hunter - Taxi Driver

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Chernobyl Peace Prize
May 7, 2007

Or later, later's fine.
But now would be good.

Effectronica posted:

But anyways, why don't we fill the gap in post three with something dumb but conceivably helpful- sources of potential inspiration for games.

I'll start: Hunter - Taxi Driver
The best VtR movie is, of course, Nightcrawler.

tatankatonk
Nov 4, 2011

Pitching is the art of instilling fear.
Werewolf: The Wir- no, wait, that's done to death! Ah, I know: Homicide, Life on the Street.

Kavak
Aug 23, 2009


There was a giant post about how Mage starts with the Atlantis stuff because Gravity's Rainbow is too alienating, and ended with "TL;DR- Dr. Manhattan is an Archmage." It was the best explanation of how Mage is on a conceptual and thematic level above the rest of the World of Darkness.

Luminous Obscurity
Jan 10, 2007

"The instrument you know as a piano was once called a pianoforte, because it can play both loud and quiet notes."
Mulholland Drive is Mage as all hell.

Simian_Prime
Nov 6, 2011

When they passed out body parts in the comics today, I got Cathy's nose and Dick Tracy's private parts.
"The Room" is an attempt to make a movie, by an elder vampire who has lost all touch with Humanity and modern culture.

With the vampire in the starring role. :getin:

Tulul
Oct 23, 2013

THAT SOUND WILL FOLLOW ME TO HELL.
The Wire's more of a Changeling show, anyway.

Add some neon to Promethean and you get Drive.

Nightcrawler's a perfect vampire movie, of course, but it's also a pretty good Hunter movie.

It's a shame the Matrix came out in '99 and thus became connected to Ascension, because it's much, much more like Awakening.

Cool Dad
Jun 15, 2007

It is always Friday night, motherfuckers

Simian_Prime posted:

"The Room" is an attempt to make a movie, by an elder vampire who has lost all touch with Humanity and modern culture.

With the vampire in the starring role. :getin:

This doesn't wash because sadly, I can see Tommy Wiseau on film.

He has a huge ego and mysterious, seemingly unlimited resources. He's a Seer.

WINNERSH TRIANGLE
Aug 17, 2011

quote:

(in a pseudo street-rap staccato)

Effectronica
May 31, 2011
Fallen Rib
Vampire - The Prestige, There Will Be Blood

Geist - Casino Royale (1967)

Kavak
Aug 23, 2009


Se7en is a good look at what a non-supernatural WoD story should look like, as well as how to make a WoD setting in general.

Mexcillent
Dec 6, 2008

Chernobyl Peace Prize posted:

It's both, but the best part about that is that it's being surface-inclusive while being actual-super-racist. It's a win-win! Because on the one hand you get to say that Asians have two souls, but on the other, you can say that people from Japan and China and Korea and Indonesia and the Philippines and anywhere else are just interchangeable Asian. Which is something that hoooooo boy please say this around anyone's grandparents who grew up in any of those countries and report back.

You loving dummy. Everyone in the oWoD has two souls.

Chernobyl Peace Prize
May 7, 2007

Or later, later's fine.
But now would be good.

Okay Mexcillent.

SunAndSpring
Dec 4, 2013

Mexcillent posted:

You loving dummy. Everyone in the oWoD has two souls.

But can we go beyond two souls?

Mexcillent
Dec 6, 2008

Seriously, what do you think the Shadow and the Ego in Wraith is? Or do you like all the other dudes who post on this god awful thread just take a tiny bit of setting knowledge and extrapolate then post?

Mexcillent
Dec 6, 2008

SunAndSpring posted:

But can we go beyond two souls?

Mage? idk

Effectronica
May 31, 2011
Fallen Rib

Mexcillent posted:

Seriously, what do you think the Shadow and the Ego in Wraith is? Or do you like all the other dudes who post on this god awful thread just take a tiny bit of setting knowledge and extrapolate then post?

Oh, word?

Chernobyl Peace Prize
May 7, 2007

Or later, later's fine.
But now would be good.

Okay Mexcillent.

Mexcillent
Dec 6, 2008
i'm a cool dude who knows many things about this stupid nerd thing

then fails entirely

Effectronica
May 31, 2011
Fallen Rib

Mexcillent posted:

i'm a cool dude who knows many things about this stupid nerd thing

then fails entirely


MalcolmSheppard
Jun 24, 2012
MATTHEW 7:20

Chernobyl Peace Prize posted:

Honestly Malcolm, I don't mean to single you out for the sins of The World-Spanning Stereotypes of The Great Cosmopolitan Luminaries of Stone Mountain, Georgia. But holy poo poo dude, if you're going to go to bat and advocate for a brand, you have to realize this one (by which I mean owod specifically, and even more specifically vast swaths of material written in the unwashed 90s) is...really, really not-great, a lot of the time, and no amount of personal involvement in its creation or rose-colored nostalgia is going to make it any less stupid or gross.

I'm hardly the guy standing up for everything (and I wasn't even working for WW in the 90s) but I don't really think of the World of Darkness as a brand because that's never been my job. Gypsies was bad. I think the not-quite-a-swastika symbol and racism in earlier treatments of the Get of Fenris is bad. (Fun fact: A white supremacist tried to kill me in the 90s and I had to get plastic surgery to fix my face, so those kinds of things are for-real triggery for me.) I think lots of stuff was poorly done. But a lot of it wasn't, and the people I worked with weren't bad, shortsighted or ill-educated people. So I think making GBS threads on a whole game line for a handful of clumsy misfires, and saying that anybody who wants to play them with you might be a bad person, is over the top.

Effectronica
May 31, 2011
Fallen Rib

MalcolmSheppard posted:

I'm hardly the guy standing up for everything (and I wasn't even working for WW in the 90s) but I don't really think of the World of Darkness as a brand because that's never been my job. Gypsies was bad. I think the not-quite-a-swastika symbol and racism in earlier treatments of the Get of Fenris is bad. (Fun fact: A white supremacist tried to kill me in the 90s and I had to get plastic surgery to fix my face, so those kinds of things are for-real triggery for me.) I think lots of stuff was poorly done. But a lot of it wasn't, and the people I worked with weren't bad, shortsighted or ill-educated people. So I think making GBS threads on a whole game line for a handful of clumsy misfires, and saying that anybody who wants to play them with you might be a bad person, is over the top.

I, personally, feel that it's really easy to go from "laughing at" to "condemnation of", and agree with you wholeheartedly on that.

MalcolmSheppard
Jun 24, 2012
MATTHEW 7:20

Tulul posted:

It's a shame the Matrix came out in '99 and thus became connected to Ascension, because it's much, much more like Awakening.

Metaphysically, it's Awakening all the way. But dressing funny and raiding MiB bases is Ascension all the way.

Pope Guilty
Nov 6, 2006

The human animal is a beautiful and terrible creature, capable of limitless compassion and unfathomable cruelty.
I wrote this about Vampire: the Masquerade awhile back, might as well repost it here.

Shadow of the Vampire features John Malkovitch as F.W. Murnau, following him as he makes his unauthorized adaptation of Dracula, Nosferatu. Looking to make his film as realistic as possible, Murnau goes out and finds himself a real vampire, Max Schreck, played by Willem Dafoe. But Schreck’s been away from his humanity too long, and his self-control isn’t what it might be. If you’ve ever wanted to see a low-Humanity vampire struggling to interact with human beings, this film’s got you covered.

If you’re in the mood for some violence and one of the best vampire movies out there, check out Near Dark, with Bill Paxton, Lance Henrikson, and Jeanette Goldstein all fresh from appearing in Aliens. A traveling pack of vicious vampires roams the American Southwest in a succession of stolen vehicles, committing a string of murders while trying to integrate their newest recruit. The ending’s a bit of a copout, but if you’d like to see a nomadic Sabbat pack at work, you might as well go to one of the primary inspirations for the Sabbat.

I think it gets called out in one of the tabletop books, but The Godfather is the Vampire: the Masquerade movie. That scene at the very beginning, with the singing and dancing and partying of the wedding going on outside while behind closed doors potentially deadly business is being transacted? That's a Camarilla gathering if I've ever seen one. And the whole rest of the film? It's about an underworld of hierarchical secret organizations of people who covertly influence society and occasionally kill and die over their position in it. It's about loyalty and betrayal, about love and hate, and about wanting to do the right thing but being steered by forces not entirely within your control but not entirely out of your control either. See it because The Godfather is Vampire as all get out, or just see it because it's one of the best films of all time.

Blade does something that's a staple of Masquerade but which doesn't show up in a lot of vampire movies- the notion of the vampire Illuminati, pulling strings behind the scenes. Boardrooms of pale men who don't remember mortality versus a group of young, cosmopolitan vampires who want to overthrow them in the name of a dark god? Archives of information hidden behind innocent fronts? Human beings sworn to the service of vampires in hopes of being turned? A secret vampire mythology complete with its own system of prophecies? drat, yes.

Not all vampires live in boardrooms and move effortlessly among the kine- some just struggle to get by. Night Junkies is the Thin-Blood experience in a nutshell, as a desperate vampire moves through some grimy, incredibly seedy parts of London’s underbelly while beginning to suspect that the serial killer stalking London is him. For most of the Kindred, the Embrace comes with some pretty significant bonuses- sure, you’re losing a lot, but you’re also gaining quite a bit. For the desperate Thin-Blooded, well, not so much.

I can hear you laughing already, but watch a few episodes of Downton Abbey and check out the way the post-Edwardian class structure is acted out and enforced both by the Crawleys and their fellow aristocrats upstairs and the servants below. It’s not just the aristocrats enforcing the class structure- some of the servants are as ardent supporters of it as their counterparts upstairs could ever be. Replace “aristocrats” with “Elders” and “servants” with “neonates and ancilla” and you’ve got the social structure the Camarilla tries to enforce- one in which the younger Kindred are respectful, subservient, and know their place.

Lost Boys is one of those instant classics. I’ve heard people say it’s the Sabbat, I’ve seen people say it’s a gang of Brujah. Maybe it’s just about the fear of watching your kids grow up into somebody other than who you tried to raise. Heck, maybe it’s just a reminder that hunters are out there and if your characters aren’t careful, it’s not just their own necks they’re risking. And if nothing else, it’s got “Cry Little Sister”, so that’s good, too.

Se7en has no overtly supernatural elements, but every last inch of it captures the feel of the World of Darkness. The world is grey and ugly, full of people who are sick inside and out, and the only man with a solution for it is himself a violent, vicious serial killer. What sort of horrors does the awfulness of living in the World of Darkness spawn in your game? In your city? In your character?

Hmm, since I wrote that I saw this interview with MRH where he talks about how seeing The Lost Boys with Stewart Wieck was the original inspiration for V:tM.

Also a bunch of the players in my LARP are undergrads whose reference pools are significantly later than mine; I referenced Interview With the Vampire while talking a player through deciding how her character felt about Humanity, saying that Lestat and Louis are effective illustrations of two very different approaches, and discovered she hadn't heard of it. So I guess no matter how obvious it sounds, that's a good one, too.

tatankatonk
Nov 4, 2011

Pitching is the art of instilling fear.
Do LARPers change the kind of characters they play as they get older? Do middle-aged LARPers, aware of their bodies starting to fail them, play middle managers and bureaucrats? Is there a group of 80 year olds somewhere live-action-roleplaying vampire elders, and enlisting the nerdiest of their grandchildren as their neonate henchmen?

Effectronica
May 31, 2011
Fallen Rib

tatankatonk posted:

Do LARPers change the kind of characters they play as they get older? Do middle-aged LARPers, aware of their bodies starting to fail them, play middle managers and bureaucrats? Is there a group of 80 year olds somewhere live-action-roleplaying vampire elders, and enlisting the nerdiest of their grandchildren as their neonate henchmen?

The founder of the SCA, the biggest LARP group in the world, is 72 years old as of two months ago, but I dunno how active she is.

MalcolmSheppard
Jun 24, 2012
MATTHEW 7:20

tatankatonk posted:

Do LARPers change the kind of characters they play as they get older? Do middle-aged LARPers, aware of their bodies starting to fail them, play middle managers and bureaucrats? Is there a group of 80 year olds somewhere live-action-roleplaying vampire elders, and enlisting the nerdiest of their grandchildren as their neonate henchmen?

Lots of the hardcore MET LARP folks I knew who are now in their 40s do Nordic style games, but beyond wanting new experiences benefit from the fact that you don't have to show up weekly.

I think a coterie of geriatric neonates all Embraced to preserve their talents sounds great.

Rand Brittain
Mar 25, 2013

"Go on until you're stopped."

Mexcillent posted:

You loving dummy. Everyone in the oWoD has two souls.

Amenti don't. They've got five!

DJ Dizzy
Feb 11, 2009

Real men don't use bolters.
Kindred: The Awakened :v: Although its a wierd mix between bram stoker and VtM

Simian_Prime
Nov 6, 2011

When they passed out body parts in the comics today, I got Cathy's nose and Dick Tracy's private parts.

Pope Guilty posted:

I wrote this about Vampire: the Masquerade awhile back, might as well repost it here.

Shadow of the Vampire features John Malkovitch as F.W. Murnau, following him as he makes his unauthorized adaptation of Dracula, Nosferatu. Looking to make his film as realistic as possible, Murnau goes out and finds himself a real vampire, Max Schreck, played by Willem Dafoe. But Schreck’s been away from his humanity too long, and his self-control isn’t what it might be. If you’ve ever wanted to see a low-Humanity vampire struggling to interact with human beings, this film’s got you covered.

If you’re in the mood for some violence and one of the best vampire movies out there, check out Near Dark, with Bill Paxton, Lance Henrikson, and Jeanette Goldstein all fresh from appearing in Aliens. A traveling pack of vicious vampires roams the American Southwest in a succession of stolen vehicles, committing a string of murders while trying to integrate their newest recruit. The ending’s a bit of a copout, but if you’d like to see a nomadic Sabbat pack at work, you might as well go to one of the primary inspirations for the Sabbat.

I think it gets called out in one of the tabletop books, but The Godfather is the Vampire: the Masquerade movie. That scene at the very beginning, with the singing and dancing and partying of the wedding going on outside while behind closed doors potentially deadly business is being transacted? That's a Camarilla gathering if I've ever seen one. And the whole rest of the film? It's about an underworld of hierarchical secret organizations of people who covertly influence society and occasionally kill and die over their position in it. It's about loyalty and betrayal, about love and hate, and about wanting to do the right thing but being steered by forces not entirely within your control but not entirely out of your control either. See it because The Godfather is Vampire as all get out, or just see it because it's one of the best films of all time.

Blade does something that's a staple of Masquerade but which doesn't show up in a lot of vampire movies- the notion of the vampire Illuminati, pulling strings behind the scenes. Boardrooms of pale men who don't remember mortality versus a group of young, cosmopolitan vampires who want to overthrow them in the name of a dark god? Archives of information hidden behind innocent fronts? Human beings sworn to the service of vampires in hopes of being turned? A secret vampire mythology complete with its own system of prophecies? drat, yes.

Not all vampires live in boardrooms and move effortlessly among the kine- some just struggle to get by. Night Junkies is the Thin-Blood experience in a nutshell, as a desperate vampire moves through some grimy, incredibly seedy parts of London’s underbelly while beginning to suspect that the serial killer stalking London is him. For most of the Kindred, the Embrace comes with some pretty significant bonuses- sure, you’re losing a lot, but you’re also gaining quite a bit. For the desperate Thin-Blooded, well, not so much.

I can hear you laughing already, but watch a few episodes of Downton Abbey and check out the way the post-Edwardian class structure is acted out and enforced both by the Crawleys and their fellow aristocrats upstairs and the servants below. It’s not just the aristocrats enforcing the class structure- some of the servants are as ardent supporters of it as their counterparts upstairs could ever be. Replace “aristocrats” with “Elders” and “servants” with “neonates and ancilla” and you’ve got the social structure the Camarilla tries to enforce- one in which the younger Kindred are respectful, subservient, and know their place.

Lost Boys is one of those instant classics. I’ve heard people say it’s the Sabbat, I’ve seen people say it’s a gang of Brujah. Maybe it’s just about the fear of watching your kids grow up into somebody other than who you tried to raise. Heck, maybe it’s just a reminder that hunters are out there and if your characters aren’t careful, it’s not just their own necks they’re risking. And if nothing else, it’s got “Cry Little Sister”, so that’s good, too.

Se7en has no overtly supernatural elements, but every last inch of it captures the feel of the World of Darkness. The world is grey and ugly, full of people who are sick inside and out, and the only man with a solution for it is himself a violent, vicious serial killer. What sort of horrors does the awfulness of living in the World of Darkness spawn in your game? In your city? In your character?

Hmm, since I wrote that I saw this interview with MRH where he talks about how seeing The Lost Boys with Stewart Wieck was the original inspiration for V:tM.

Also a bunch of the players in my LARP are undergrads whose reference pools are significantly later than mine; I referenced Interview With the Vampire while talking a player through deciding how her character felt about Humanity, saying that Lestat and Louis are effective illustrations of two very different approaches, and discovered she hadn't heard of it. So I guess no matter how obvious it sounds, that's a good one, too.

This feels like it was cut/pasted from the beginning recommendations section of every Vampire corebook ever.

I mean, it fits, but it's a little on the nose. It goes just short of recommending "Dracula." You might as well post the "Hey, what's a "role-playing game?" Shtick

Simian_Prime fucked around with this message at 00:06 on Apr 11, 2015

tatankatonk
Nov 4, 2011

Pitching is the art of instilling fear.

MalcolmSheppard posted:

Lots of the hardcore MET LARP folks I knew who are now in their 40s do Nordic style games, but beyond wanting new experiences benefit from the fact that you don't have to show up weekly.

I think a coterie of geriatric neonates all Embraced to preserve their talents sounds great.

Man, if I'm 80 something and LARPing, I don't have time to be a neonate. I might die at any second; I demand to be at least an Antediluvian.

DJ Dizzy
Feb 11, 2009

Real men don't use bolters.
Nordic style games?

Kavak
Aug 23, 2009


Can't you fools see how trying physical age to chargen is going to go? Larpers will be forcing their confused grandmas to make Methuselahs for backup! Apocalypse players will abduct real wolves and insist they're Lupus players! Entire families will be consumed in nerd drama!

tatankatonk
Nov 4, 2011

Pitching is the art of instilling fear.
Sorry Nana, but I need to diablerize somebody if I'm going to get anywhere in this world

Gerund
Sep 12, 2007

He push a man


Nordic-style LARPS, aka jeepform, are really cool experiences that qualify as role-playing games despite never granting XP and ignoring poo poo like health levels. They're not in the same building as any Strength + Punchskill - Dodgeability game.

Barbed Tongues
Mar 16, 2012





One of my favorite overlays for the Requiem Clans is actually the first season of the new Hannibal series. The main five characters represent those Clans without much need for interpretation at all.

Will Graham (Mekhet) - He is able to understand the minds of others so well, that he constantly risks forgetting his own personality when confronted with the evidence of stronger personalities. After he's put on the FBI task force for serial killers, he is constantly faced with stronger personalities and walks the edge between becoming those personalities to better catch the culprit, and lingering as those personalities with their murderous leaning.

Hannibal Lecter (Ventrue) - The exquisite and talented surgeon cum psychologist cum cannibal, Lechter epitomizes the mastery of self turned to the mastery of others. He sees himself as perfection, or at least the closest thing to it, and in his unique lonliness seeks to create others in his own image. He recasts his patients into killers themselves and takes Will on as a personal protege. For those that don't live up to his standard, he kills and devours himself, allowing them to at least be part of something better, and to not sully the world with their lack of quality.

Jack Crawford (Nosferatu) - The gruff and brutal head of the FBI Behavioral Science unit who utilizes Graham and Hannibal both to round out his team. His relationships are always dark - pushing everyone around him to their breaking points. Of all the characters, he is the one without any sort of redeeming relationship. Everything ends in emotional or physical pain. The first of episode of season 2 sees Crawford in an excellent fight scene that I can't look at anything beyond his Vigor vs. his opponent's Resilience.

Alana Bloom (Daeva) - The beautiful doctor and surrogate conscience for both Lecter and Graham, Bloom needs people desperately, while at the same time keeping them at arms length. At the end of the day, much like Jack, she never chooses the good option in a relationship. Given multiple chances to fix things or protect those around her, when faced with the loss of that companionship - she hesitates, and the consequences are both harsh and obvious.

Garett Jacob Hobbs (Gangrel) - The first serial killer that the team unites to take down, Hobbs worships the hunt. All of his kills are based upon the analogy of the deer hunt, though the series heavily delves into differences between stalking and luring (hunters and fishers). When Graham is integral in the apprehension of Hobbs' capture and death, Hobbs becomes a recurring theme in Graham's altered personality. The nature of the hunt takes Graham on a new and darker journey against other serial killers, and eventually Lecter himself.

The main conflict between Will Graham and Hannibal Lecter is literally the best thematic example of subtle Auspex vs. Dominate I've seen.

As a bonus, I pretty much just replace 'Serial Killer' with 'Diablerist' to complete the Requiem overlay in my head.

Loomer
Dec 19, 2007

A Very Special Hell

Mexcillent posted:

You loving dummy. Everyone in the oWoD has two souls.

This was the position they took later on, after someone pointed out how loving insane they were being - there was zero equivalency given initially, and they were presented as sharp, fundamental distinctions.

Crion
Sep 30, 2004
baseball.
What the gently caress

Barbed Tongues posted:

One of my favorite overlays for the Requiem Clans is actually the first season of the new Hannibal series. The main five characters represent those Clans without much need for interpretation at all.

Will Graham (Mekhet) - He is able to understand the minds of others so well, that he constantly risks forgetting his own personality when confronted with the evidence of stronger personalities. After he's put on the FBI task force for serial killers, he is constantly faced with stronger personalities and walks the edge between becoming those personalities to better catch the culprit, and lingering as those personalities with their murderous leaning.

Hannibal Lecter (Ventrue) - The exquisite and talented surgeon cum psychologist cum cannibal, Lechter epitomizes the mastery of self turned to the mastery of others. He sees himself as perfection, or at least the closest thing to it, and in his unique lonliness seeks to create others in his own image. He recasts his patients into killers themselves and takes Will on as a personal protege. For those that don't live up to his standard, he kills and devours himself, allowing them to at least be part of something better, and to not sully the world with their lack of quality.

Jack Crawford (Nosferatu) - The gruff and brutal head of the FBI Behavioral Science unit who utilizes Graham and Hannibal both to round out his team. His relationships are always dark - pushing everyone around him to their breaking points. Of all the characters, he is the one without any sort of redeeming relationship. Everything ends in emotional or physical pain. The first of episode of season 2 sees Crawford in an excellent fight scene that I can't look at anything beyond his Vigor vs. his opponent's Resilience.

Alana Bloom (Daeva) - The beautiful doctor and surrogate conscience for both Lecter and Graham, Bloom needs people desperately, while at the same time keeping them at arms length. At the end of the day, much like Jack, she never chooses the good option in a relationship. Given multiple chances to fix things or protect those around her, when faced with the loss of that companionship - she hesitates, and the consequences are both harsh and obvious.

Garett Jacob Hobbs (Gangrel) - The first serial killer that the team unites to take down, Hobbs worships the hunt. All of his kills are based upon the analogy of the deer hunt, though the series heavily delves into differences between stalking and luring (hunters and fishers). When Graham is integral in the apprehension of Hobbs' capture and death, Hobbs becomes a recurring theme in Graham's altered personality. The nature of the hunt takes Graham on a new and darker journey against other serial killers, and eventually Lecter himself.

The main conflict between Will Graham and Hannibal Lecter is literally the best thematic example of subtle Auspex vs. Dominate I've seen.

As a bonus, I pretty much just replace 'Serial Killer' with 'Diablerist' to complete the Requiem overlay in my head.

What the gently caress

It's like I walked into Washington Post's foreign affairs coverage or something

Ambi
Dec 30, 2011

Leave it to me
Since it's a new thread, and it was briefly in the 3rd post, can I ask - what is BvD ?

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Effectronica
May 31, 2011
Fallen Rib

Ambi posted:

Since it's a new thread, and it was briefly in the 3rd post, can I ask - what is BvD ?

A brand of men's underwear.

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