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Should an adaptation be made?
Yes.
No.
Epsilons > Proles.
gently caress off OP.
View Results
 
  • Locked thread
Effectronica
May 31, 2011
Fallen Rib

Immortan posted:

90% of the 29k posts you have on this site (16x a day) are shitposts no longer than two sentences on average.

Holy fuckballs. I read this post and it punched me in the jaw and I flew back a hundred feet.

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ViggyNash
Oct 9, 2012

The Vosgian Beast posted:

Ivan the Terrible is actually kind of a mistranslation in modern english. It's meant along the lines of "Oz the Great and Terrible" as someone who inspires terror with their power.

So more like "Ivan the Awesome", using the classical definition of the word.

...That sounds like the handle of some egocentric internet moron. Oh how definitions have changed.

starkebn
May 18, 2004

"Oooh, got a little too serious. You okay there, little buddy?"
Are you telling me people think it's Terrible as in really incompetent?

:psyduck:

computer parts
Nov 18, 2010

PLEASE CLAP

starkebn posted:

Are you telling me people think it's Terrible as in really incompetent?

:psyduck:

More like "really evil" I think.

starkebn
May 18, 2004

"Oooh, got a little too serious. You okay there, little buddy?"
It's Terrible as in really terrifying

MeLKoR
Dec 23, 2004

by FactsAreUseless
e: f;b

HUNDU THE BEAST GOD
Sep 14, 2007

everything is yours
"Awesome" is really good as a comparison, for a word that's also lost its more nuanced meaning.

A Wizard of Goatse
Dec 14, 2014

IDK at least in normal contexts 'terrible' might be a fair translation

Hat Thoughts
Jul 27, 2012

revdrkevind posted:

Holy poo poo I think he's on to m- oh, wait.

Congrats on bragging about using the most cowardly feature on this site.

Vegetable
Oct 22, 2010

SuperMechagodzilla posted:

I've decided to move on, into the thread.

The OP is a grammatical mess, scattershot and disorganized. But the overall point seems to be that 1984 is 'relevant', but that the people are too immature for it to be 'viable'. You seem to have begun with the premise that 1984 is an extremely good and powerful book, and the question is now whether Hollywood should adapt it, or stall the production lest bad, immature people appropriate the story.

In reality, 1984 is not a great book precisely because it's conducive to appropriation. It offers a sort of limp and genericized story about any ideology. Consider this quote, from the villainous O'Brien:

"We control matter because we control the mind. Reality is inside the skull. You will learn by degrees, Winston. There is nothing that we could not do. Invisibility, levitation-anything. I could float off this floor like a soap bubble if I wished to. I do not wish to, because the Party does not wish it. You must get rid of those nineteenth century ideas about the laws of nature. We make the laws of nature."

O'Brien goes on and on about how the universe is only a few years old, nothing is real and so-on. This is, of course, the basic premise of Matrix, where the protagonist believes he is in a videogame universe of infinite possibilities, able to fly and whatnot, but is 'really' strapped to a chair, utterly passive, tortured, etc. O'Brien is a weird amalgam of Morpheus and the agents. So to the question of whether Hollywood 'should' adapt that story: Hollywood shouldn't do anything. But it already has. With Matrix, you get the pure distillation of 1984: a dull libertarianism.

What this means is that 1984 has little to do with fascism or communism - something explicitly stated in the book itself:

"The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power. Not wealth or luxury or long life or happiness; only power, pure power. What pure power means you will understand presently. We are different from all the oligarchies of the past in that we know what we are doing. All the others, even those who resembled ourselves, were cowards and hypocrites. The German Nazis and the Russian Communists came very close to us in their methods, but they never had the courage to recognize their own motives."

This is, again, standard stuff. But the joke of the Star Wars prequels and Matrix is that these omnipotent, amoral jew-figures don't actually exist, that the problem is not crazy individuals who 'recognize their own motives' and deliberately corrupt, but the system that enables them.

What's missing from 1984 is an Agent Smith, who actually believes what he says - who loathes humanity and his employers, and actively works to reshape the very Matrix he inhabits. He has no recourse to an 'outside world' where he can imagine he is helpless or all-powerful. He is simply aware that both the humans and machines thoughtlessly destroy the Earth, and Morpheus does not provide an actual alternative.
Maybe in the same way 2001: A Space Odyssey is a poo poo film because everybody and their dog has a take on it?

I mean, we're all shitposting, but I'd entertain a serious discussion about whether the specificity of a book/film's ideas influences its "greatness," given that a big part of reading any media is projecting your own ideas onto it.

A Wizard of Goatse
Dec 14, 2014

Vegetable posted:

Maybe in the same way 2001: A Space Odyssey is a poo poo film because everybody and their dog has a take on it?

I mean, we're all shitposting, but I'd entertain a serious discussion about whether the specificity of a book/film's ideas influences its "greatness," given that a big part of reading any media is projecting your own ideas onto it.

i believe you have been trolled by the marxist readings of childrens' movies man

revdrkevind
Dec 15, 2013
ASK:lol: ME:lol: ABOUT:lol: MY :lol:TINY :lol:DICK

also my opinion on :females:
:haw::flaccid: :haw: :flaccid: :haw: :flaccid::haw:

computer parts posted:

Thanks for bumping a thread to shitpost?

My apologies, I just got back from a vacation and I was clearing out my queue of saved threads.

Also, apparently you're supposed to say fart when this happens? Shrug.

Hat Thoughts posted:

Congrats on bragging about using the most cowardly feature on this site.

In this case, I'm fine with that.

revdrkevind fucked around with this message at 03:48 on Sep 14, 2015

Grendels Dad
Mar 5, 2011

Popular culture has passed you by.
Should Thomas More's Utopia ever get made into a film adaptation? I'd say no, because it'd be loving boring.

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

Vegetable posted:

Maybe in the same way 2001: A Space Odyssey is a poo poo film because everybody and their dog has a take on it?

No. In those cases, the people are wrong.

WarEternal
Dec 26, 2010

Goodness no, now that wouldn't do at all!

Immortan posted:

It wasn't on mine either & I wasn't surprised. Schools & colleges I imagine are scared of 1984's themes of indoctrination, newspeak, & memory holes because it hits a little to close to home.

Immortan posted:

With the polarizing clusterfuck known as American politics in the 21st century dominated by micro-aggressions & trigger warnings where everyone is alleging that every political/ideological opponent is the equivalent of Adolf Hitler in the 24/7 information age...


You're a moron. You should probably gently caress off with this dumb poo poo back to :reddit:

SuperMechagodzilla posted:

I've decided to move on, into the thread.

The OP is a grammatical mess, scattershot and disorganized. But the overall point seems to be that 1984 is 'relevant', but that the people are too immature for it to be 'viable'. You seem to have begun with the premise that 1984 is an extremely good and powerful book, and the question is now whether Hollywood should adapt it, or stall the production lest bad, immature people appropriate the story.



This whole post is why SMG is a treasure.

Immortan
Jun 6, 2015

by Shine
Why is this thread still going

Hat Thoughts
Jul 27, 2012

Immortan posted:

Why is this thread still going

Do you not know how to lock threads?????

Hat Thoughts
Jul 27, 2012
There's a button you can click

Immortan
Jun 6, 2015

by Shine

Hat Thoughts posted:

Do you not know how to lock threads?????

Ehhh... gently caress that. Continue with the thread or move on with your lives by voting "gently caress off OP." accordingly.

Carry on.

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN
Take responsibility for this thing you have extruded.

Hat Thoughts
Jul 27, 2012

Immortan posted:

Ehhh... gently caress that. Continue with the thread or move on with your lives by voting "gently caress off OP." accordingly.

Carry on.

Why did you ask that question then? Wtf

MeLKoR
Dec 23, 2004

by FactsAreUseless

Immortan posted:

Ehhh... gently caress that. Continue with the thread or move on with your lives by voting "gently caress off OP." accordingly.

Carry on.

Give this man 10cc Pregnancy Substitute STAT.

Maxwell Lord
Dec 12, 2008

I am drowning.
There is no sign of land.
You are coming down with me, hand in unlovable hand.

And I hope you die.

I hope we both die.


:smith:

Grimey Drawer
Orwell was writing in a context where there was a lot of debate among the left about Russia and Stalin, and some people didn't quite see how bad it had gotten (because of the instinctive defend-your-own-against-THEM impulse), so he wanted to write about totalitarianism in Russia (Animal Farm alludes to the general failure of the Soviet revolution but not so much what it meant for the average person). But of course he was still a socialist so it naturally wouldn't go as far as the active Anti-Communist rhetoric and literature of the time.

So yeah, a lot of what he writes has a general applicability to governments both nominally "communist" and "capitalist." I don't see that as a flaw, however, because that's true. The techniques of social control he writes about in 1984 are used by governments and societies regardless of what they label themselves as, and it makes sense for Orwell to say to those in the West, "Don't be complacent about this just because you're not in a socialist government. It can happen here just as easily." That is a useful thing to say, it's one of the purposes of dystopian writing. It's less "which system of government is best" and "here is how language, media, and technology are manipulated." Which is as good a theme as any to explore.

Similarly, Brave New World features hedonistic sex and drug use, but it's not like Huxley was a Puritan (and one of the challenges of adaptation would be getting across that it's not just "Sex!" and "Soma!" that are the problems, any more than in-vitro fertilization.) He had an open marriage and experimented with drugs himself- but he realized (and he started writing the book specifically to critique H. G. Wells' technological utopianism) that these things which are freeing now could easily become just another method of control. There's also the element of how the vast majority of people in it are happy with their lot, but for the few who do not fit in due to some accident of fate it's unbearable- it cannot be utopia if it leaves people out. (Even Lenina is something of a minor misfit- she has a tendency to get attached to men, a hidden maternal instinct possibly rooted in a brief moment of awareness during indoctrination- there's also something with her wearing out-of-caste colors that is never explored.)

The broad applicability of 1984 and BNW are points in their favor because they remind the attentive reader that no matter where they stand, they are not without sin. You don't get to say, "Well, I already disagree with all that so I'm one of the good guys." (The inattentive reader will of course miss all this entirely, but this is no reason to shun literary nuance.)

As for film versions, I know Ridley Scott's been wanting to do BNW but he also wants to do 100 other things so who knows (plus it's gotta be a hard movie to get investors for. "We'll need extensive CGI and detailed sets and costumes, there's no action, it's a hard R, and it's basically a drama/black comedy that ends with the main character's suicide.") I also think Baz Luhrmann might work at capturing the sheer hedonistic intensity of it all.

Chairman Capone
Dec 17, 2008

Maxwell Lord posted:

Orwell was writing in a context where there was a lot of debate among the left about Russia and Stalin, and some people didn't quite see how bad it had gotten (because of the instinctive defend-your-own-against-THEM impulse), so he wanted to write about totalitarianism in Russia (Animal Farm alludes to the general failure of the Soviet revolution but not so much what it meant for the average person). But of course he was still a socialist so it naturally wouldn't go as far as the active Anti-Communist rhetoric and literature of the time.

So yeah, a lot of what he writes has a general applicability to governments both nominally "communist" and "capitalist." I don't see that as a flaw, however, because that's true. The techniques of social control he writes about in 1984 are used by governments and societies regardless of what they label themselves as, and it makes sense for Orwell to say to those in the West, "Don't be complacent about this just because you're not in a socialist government. It can happen here just as easily." That is a useful thing to say, it's one of the purposes of dystopian writing. It's less "which system of government is best" and "here is how language, media, and technology are manipulated." Which is as good a theme as any to explore.

It's always surprising to me how many people miss this theme for Animal Farm in particular. It explicitly shows the period after the Revolution but before Napoleon takes over as being the best time for the animals on the farm, and it's explicitly stated by the end that their conditions get worse the more their revolution devolves to resemble the human (capitalist) farms around them. The 1990s movie in particular just completely inverts this as it's a happy ending when the humans come back to take over the farm and the animals all live happily ever after under human rule again, the way things ought to be.

HUNDU THE BEAST GOD
Sep 14, 2007

everything is yours
The 1999 ending is especially amazing to me. It's not that it's humans, it's specifically Americans. Had to throw a little post-Berlin Wall Fukuyama in there.

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Chairman Capone
Dec 17, 2008

The 1999 movie with its triumph of American Capitalism actually pairs well with the Snowball's Chance novel that came out a few years later, where Snowball returns to take over the farm after Napoleon dies, and basically creates neoliberalism before then launching a War on Terror after displaced animals from the woods destroy the Twin Windmills on the farm.

Although actually I do like the fact that (however inadvertent I'm sure it was) it highlights how a lot of the neoconservatives of the Bush era began as Trotskyites. And of course it got Christopher Hitchens into a tizzy.

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