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BananaNutkins posted:I will honestly enjoy reading the next book on so many levels. No upcoming fantasy can compete with the meta hate game that Doors of Stone has going for it, except maybe the Trump presidency. If there was no "meta hate game", could you really "enjoy reading the next book on so many levels"? I don't think you could argue the book's quality of plot & writing is affected by the number of people that dislike it. At some point, you could actively dislike the crap writing, and crap plot, but enjoy the experience of reading it, in anticipation of the "meta hate game". You could come out and say, "Subjectively, and objectively, it's crap; but I'm really going to enjoy arguing about this passage on the internet."
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# ? May 27, 2016 08:19 |
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# ? Apr 23, 2024 12:23 |
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Just like the other two books I'm assuming I'm gonna enjoy it just enough to get through it and it won't be until I've finished that I realize it was mostly garbage. It will be good have a lot more to discuss here and with my friends though. Especially because I'm one of like 2 people in the world that doesn't think Ambrose is the king he's gonna kill and my gut is telling me it could be Simm.
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# ? May 27, 2016 15:41 |
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Trammel posted:If there was no "meta hate game", could you really "enjoy reading the next book on so many levels"? Rothfuss is bad, but not a terribly bad writer in light of the sixty years of bad fantasy that preceeded him. He is only getting so much attention because of the quantity of praise unjustly heaped upon him for the quality of his prose. That plus his obnoxious persona makes him the very best whipping boy. I also enjoy reading bad fantasy from other authors and underlining particularly egregious segments. It doesnt require anywhere near the same amount of effort as a high-level deconstuction of themes and plot devices, but it is very satisfying. Here's a two from the last Wheel of Time book that made me laugh: On Page 227: Wheel of Time posted:She had a mature face, aged and wise, with a wise look about her and a smile on her face. On page 769, Olver is chased as he carries the Horn to safety: Wheel of Time posted:The beasts ran behind with howls and yells.
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# ? May 28, 2016 04:47 |
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At least with those you can either say it's because Jordan was on his death bed or because Sanderson is really clunky with his prose.
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# ? May 28, 2016 17:53 |
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That first quote reads like something from a first draft that was just never, ever proofread. “I’m sleepy,” the sleepy man said sleepily.
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# ? May 28, 2016 18:21 |
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Blastedhellscape posted:That first quote reads like something from a first draft that was just never, ever proofread. That's how I read it. The last three books are riddled with passages like that because technically Jordan wrote them and Sanderson wanted to leave as much unaltered as possible. But Jordan himself would have gone back and cleaned something like that up. His problem was in bloat, not in prose (at least in comparison to his contemporaries). Sanderson, on the other hand, is a work horse who lacks even that degree of finesse. Which is fine because he actually finishes his drat books.
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# ? May 29, 2016 05:36 |
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trash
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# ? May 30, 2016 11:43 |
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LET’S READ THE KINGKILLER CHRONICLE CRITICALLY Part 25: “But my diligence gained me nothing.” I’ve pre-emptively cancelled the chapter-by-chapter review of Wise Man’s Fear, first because it’s not going to benefit from the same exhaustive scrutiny, and second because the format itself isn’t that great for critically reading the series. There’s a third reason, too: at this point the books have become boring. No way around it. This next ten or so chapters are probably the nadir of The Name of the Wind because they are the dullest. The ending stretch does not particularly improve upon it. The rest, no matter how bad it gets, benefits from at least a sense of progression in the narrative and from writing that’s funny in a dumb way. At this point it’s an endurance test. Chapter 60, “Fortune”, picks up next morning, with the lottery for the admission interviews the students will have to pass once again. Kvothe happens to win a late slot, coveted by other students as it gives more time to study. Ambrose conversely receives an early slot, and arrogantly offers to buy Kvothe’s slot. This leads to a very bad battle of wits, which Kvothe wins by leading Ambrose to admit his own deficiency of courtly manners. He sells his slot to someone else, but still needs money. He is unable to make Count Threpe his patron, Devi turns out to be intimidating, but he does get back to work in the Artificery, and he finds an inn to host him as a musician. Now he has a money and a good place to sleep. Of course he will have to downgrade in the next chapter. Now this chapter is remarkable for its extremely bad structure. It’s centred around four different dialogues that differ thematically and stylistically, held together poorly by Kvothe’s search for more money. If you can recall the first chapter, it featured a conversation between Kvothe and Bast that also lurched around thematically and stylistically, as if it was three dialogues awkwardly combined. The same principle applies here for the whole chapter. Kvothe speaks with Ambrose, Threpe, Devi, and Kilvin. These are all conversations in the same chapter: quote:Ambrose smiled at me. “Tell you what. I’ll give you ha’penny and one of my old shirts for your slot. That way, you’ll have something to wear when you’re washing that one in the river.” A few of his friends chuckled behind him, looking me up and down. (The above conversation of course ends up with applause for Kvothe from onlookers. Really.) quote:“I don’t suppose I might persuade you to pay me a visit at my house sometime?” Threpe asked bashfully. “I’m thinking of having a little dinner, and I know a few people who would love to meet you.” He winked. “Word about your performance is already getting around.” quote:“I’d think you’d have your fill of books at the Archives,” she said, her voice thick with envy. quote:Kilvin made a sound somewhere between a snort and a huff and turned his eyes back to his work. “Elxa Dal’s pridefulness is rubbing off on you.” He drew a careful line on the glass. “Am I correct in assuming that you will no longer be spending evenings in my employ?” Now you might think this is a quibble, but the problem here is very deep and fundamental: there’s once again no driving idea behind a narrative. So you go from a battle of wits to humouring a wealthy dilettante to flirtatious negotiations to a heart-to-heart with the gruff old master. After this there’s a passage where Kvothe rests in the comfort of the inn, so this all conveys certainty and relief. But there is no pace or rhythm to this chapter. Its once again an awkward combination of tones and motifs that end up cancelling each other out, leaving nothing but Kvothe’s hypnotically droning narration. It’s very boring, is what I’m trying to say. Structurally, it’s the worst chapter so far, and in writing it’s as bad as usual. The utterly spiritless exchange of wit between Kvothe and Ambrose is the high-light here. In Chapter 61, “Jackass, Jackass”, Liu Biao calls Sun Qian back and informs him that he has been advised to cut off his head and sent it to Cao Cao – no, Kvothe is looking for Denna in Imre, without success. What he discovers instead is that Ambrose has been busy smearing Kvothe’s reputation among the well-to-do. In revenge, Kvothe performs an insulting and catchy song about Ambrose: quote:On the surface, it was a ribald little tune about a donkey who wanted to be an arcanist. Our extraordinarily clever pun on Ambrose’s surname was as close as we came to mentioning him. But anyone with half a wit could tell who the shoe was meant to fit. Sun Qian laughs, and tells that if his head is sent to Cao Cao, he will simply invade Liu Biao’s lands sooner for showing fear – no, Kvothe enters the Archives the next morning. He meets one of the librarians, who’s a world-travelling adventurer and a fellow Edema Ruh. This is to make the University seem fantastical again. You might have noticed how prosaic the last few chapters have been. But Kvothe wants to meet Master Lorren, who has reclaimed his book from the bookstore in Imre. More importantly, Kvothe wishes for his ban from the Archives to be lifted. This leads to the final piece of good writing in the book, high-lighted below: quote:“I... I also wanted to say that I was sorry for…” I stalled at the thought of actually mentioning open flame in the Archives. “…for what I did before.” Isn’t it rather good? I’ve once again removed most anything extraneous. The actual passage is much worse (see today’s entry on Rothfussian Attributes). This is an authentic moment of Kvothe meeting his match. In writing it’s no equal to the Vancian first conversation between Kvothe and Abenthy, but it has the advantage in catharsis. It’s also completely irrelevant to the rest of the chapter. In fact, it hinders the principal action of the chapter, which is Kvothe’s and Ambrose’s rivalry. Even when Rothfuss manages to write something decent, he manages to hurt the book with it. In the next paragraph, Kvothe is woken up and called before the Masters of the University. These weird jumps in narration keep cropping up, even though this whole text is supposed to be a continuous narration. They just don't fit into the premise of this being an oral record. This is compounded by the fact that this episode could be moved to the previous chapter, or the next one, or anywhere else really. But back to the principal action. Ambrose has charged Kvothe with slander for his catchy song that everybody loves, especially eccentric Elodin! But the Chancellor tears down Ambrose with some pointed questions, and Kvothe will only have to make a public apology. quote:“I move the charge of Conduct Unbecoming be replaced with Undignified Mischief.” (“Comport” is not actually a typo. I learned a new word!) But Ambrose is not done yet. After two days, Kvothe is kicked out of the inn that hosted him, and turned away when he offers his services to others. He figures that Ambrose bought out his inn, and let bribes and rumours do the rest. He finally ends up at Anker’s. whose gruff owner doesn’t care for Ambrose and immediately takes a liking to Kvothe. His room is smaller, and his music makes him less money at Anker’s, but he realises that this is a place where he can be happy and appreciated. That’s basically what the whole chapter is about. Even when he faces setbacks, the world has to applaud Kvothe. quote:Looking back, I count myself lucky that I ended up in Anker’s. True, the crowds were not as wealthy as those at the Horse and Four, but they appreciated me in a way the nobles never had. ROTHFUSSIAN ATTRIBUTES quote:“Enter,” Lorren called from inside. His voice was like a sheet of smooth grey slate, without the barest hint of inflection or emotion. quote:Tall, clean-shaven, and wearing his dark master’s robes, he reminded me of the enigmatic Silent Doctor character present in many Modegan plays. I fought off a shiver, trying not to dwell on the fact that the appearance of the Doctor always signaled catastrophe in the next act. quote:Lorren looked up at me. “You were caught with live fire among my books,” he said, emotion touching the edges of his voice like a hint of red sunset against the slate-grey clouds. BravestOfTheLamps fucked around with this message at 02:04 on Jan 10, 2017 |
# ? May 31, 2016 20:08 |
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BravestOfTheLamps posted:In Chapter 61, “Jackass, Jackass”, Liu Biao calls Sun Qian back and informs him that he has been advised to cut off his head and sent it to Cao Cao – no, Kvothe is looking for Denna in Imre, without success. I always meant to get around to reading Romance of the 3 Kingdoms. Is there a translation you'd recommend?
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# ? Jun 1, 2016 01:10 |
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It's a million words long. Watch the TV show instead.
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# ? Jun 1, 2016 01:15 |
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BravestOfTheLamps posted:In revenge, Kvothe performs an insulting and catchy song about Ambrose: Ambrose! Stupid. Dumb. Useless. Garbage pile, Light on fire and everybody cheers, Like a new form of Burning Man! Burn that waste - toxic, unnecessary, It's gonna poison children, Cause you're a big bag of refuse, Left over by evil Nazis during war! ... Ya' dumb-rear end.
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# ? Jun 1, 2016 01:52 |
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I love that Rothfuss had to have Kvothe's sycophants stand off to the side and explain the joke during the battle of wits dialogue. Even if the joke was funny to begin with, having the idiot friends stand around and jaw about how funny it was would have killed any pacing or rhythm in the scene.
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# ? Jun 1, 2016 02:30 |
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Grenrow posted:I love that Rothfuss had to have Kvothe's sycophants stand off to the side and explain the joke during the battle of wits dialogue. Even if the joke was funny to begin with, having the idiot friends stand around and jaw about how funny it was would have killed any pacing or rhythm in the scene. But what kind of shonen anime would it be if there wasn't play by play commentary from the audience? Not a very good one!
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# ? Jun 1, 2016 03:20 |
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quote:“I’ll pass,” I said lightly. “Your shirttails are a little richly dyed for my taste.” I tugged at the front of my own shirt to make my point clear. A few nearby students laughed. I don't even understand this poo poo. Isn't a shirt tail in the BACK? And in any case, there's this bizarre disjunction between everyone laughing but thankfully there's one dude in the audience who is all EXPLAIN THIS JOKE TO ME.
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# ? Jun 1, 2016 03:55 |
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StonecutterJoe posted:I don't even understand this poo poo. Isn't a shirt tail in the BACK? And in any case, there's this bizarre disjunction between everyone laughing but thankfully there's one dude in the audience who is all EXPLAIN THIS JOKE TO ME. Re: shirttail: usually the back but also counts the front parts below the waist and commonly tucked in. Re: explain this joke: Rothfuss knows his audience.
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# ? Jun 1, 2016 04:18 |
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Trammel posted:I always meant to get around to reading Romance of the 3 Kingdoms. Is there a translation you'd recommend? I enjoyed Moss Roberts' work, but there may be something a bit smoother these days. Arbite fucked around with this message at 06:20 on Jun 1, 2016 |
# ? Jun 1, 2016 06:17 |
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Probably the most redeeming sequence of Neal Stephenson's "Reamde" is the exchange between the linguist-slash-fantasy author and the guy in charge of the company making the video game the author is world building for. The conversation centers around a previous, less talented author trying to make everything fantasy sounding by sticking apostrophes everywhere and the linguist explaining that apostrophes actually have to mean something and if the goal is for the world to actually be authentic, then the apostrophes must be dropped. Looking at the above passages and seeing all those apostrophes stuck into names just to make them sound fantastical might be the thing that annoys me the most about them.
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# ? Jun 1, 2016 07:37 |
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irredeemable TRASH
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# ? Jun 1, 2016 10:01 |
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A pizzle deemed to fizzle is probably the funniest phrase Rothfuss has managed to produce, but I can't help feeling he's ripping off Spasticus Autisticus
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# ? Jun 1, 2016 11:17 |
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Dammit if it's not true then it is slander.
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# ? Jun 1, 2016 11:37 |
BravestOfTheLamps posted:“Enter,” Lorren called from inside. His voice was like a sheet of smooth grey slate, without the barest hint of inflection or emotion. This is a little goofy. BravestOfTheLamps posted:Lorren looked up at me. “You were caught with live fire among my books,” he said, emotion touching the edges of his voice like a hint of red sunset against the slate-grey clouds. This is not goofy and actually good, especially in the context of the previous simile
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# ? Jun 1, 2016 14:16 |
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ChickenWing posted:This is not goofy and actually good, especially in the context of the previous simile "Emotion" is too vague a term and that simile is clumsy, overwrought, and far too long for a dialogue attribution, especially without being placed in its own sentence.
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# ? Jun 1, 2016 14:55 |
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it's an example of what I've mentioned previously: the similes and metaphors are so broad that they end up occupying the reader's imagination, and thus distract from the fact that they don't make very much sense. How is a voice like clouds?
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# ? Jun 1, 2016 15:31 |
BravestOfTheLamps posted:it's an example of what I've mentioned previously: the similes and metaphors are so broad that they end up occupying the reader's imagination, and thus distract from the fact that they don't make very much sense. The simile isn't describing his voice, it's describing how the emotion touches his voice.
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# ? Jun 1, 2016 15:38 |
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ChickenWing posted:it's describing how the emotion touches his voice. So it's describing his voice.
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# ? Jun 1, 2016 15:42 |
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BravestOfTheLamps posted:So it's describing his voice. It's Kvothfuss doing his typical schtick of unpacking the blocking descriptions way too far, and the main reason the word count is bloated and ridiculous yet nothing happens over 1200 pages. Yes, it is just his voice. Specifically, it is how his voice trembles or inflects in an unspecified way (bad writing) when his brain registers emotion. Maybe in book three Kvothfuss will reach really deep and describe dopamine receptors being lit.
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# ? Jun 1, 2016 17:08 |
BravestOfTheLamps posted:So it's describing his voice.
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# ? Jun 1, 2016 18:22 |
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It's one of those amazing sentences that is grammatically correct but manages to mean absolutely nothing.
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# ? Jun 1, 2016 18:45 |
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Atlas Hugged posted:It's one of those amazing sentences that is grammatically correct but manages to mean absolutely nothing. Not really that amazing, it's a pretty common sight in bad writing. I saw a lot of underclassman stories that did that sort of thing all the time.
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# ? Jun 1, 2016 19:02 |
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Atlas Hugged posted:It's one of those amazing sentences that is grammatically correct but manages to mean absolutely nothing. At a convention, I met Kvothfuss and heard him speak. He mentioned that he has "literally" hundreds of beta readers, but he had a rule for offering feedback, and the rule is thus: Don't offer advice on the sentence or paragraph level. That's his wheelhouse. He's spent "literally" hundreds of hours pouring over every line so the read goes smoothly "like water rushing over river stones". Messing with his prose, he said, was a "slapping offense" and a quick way to get you dropped from his exclusive circle of readers. Then he read articles from his blog and the crappy school newspaper he wrote for for eight years.
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# ? Jun 1, 2016 19:28 |
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BananaNutkins posted:At a convention, I met Kvothfuss and heard him speak. He mentioned that he has "literally" hundreds of beta readers, but he had a rule for offering feedback, and the rule is thus: Don't offer advice on the sentence or paragraph level. That's his wheelhouse. He's spent "literally" hundreds of hours pouring over every line so the read goes smoothly "like water rushing over river stones". No wonder his prose is so bad the piece of poo poo. That reminds me of the speech Gurm gave where he whined about how mean editors are and how stupid and evil they are to his precious work and how they get in the way of his VISION
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# ? Jun 1, 2016 19:31 |
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BananaNutkins posted:At a convention, I met Kvothfuss and heard him speak. He mentioned that he has "literally" hundreds of beta readers, but he had a rule for offering feedback, and the rule is thus: Don't offer advice on the sentence or paragraph level. That's his wheelhouse. He's spent "literally" hundreds of hours pouring over every line so the read goes smoothly "like water rushing over river stones". I don't believe you. Or more accurately, I don't want to believe you.
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# ? Jun 1, 2016 19:34 |
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If they can't point at the "sentence or paragraph level" (a disingenuous way of saying "the writing itself"), then what's left? The plot? Because I'm getting the impression that was also disregarded somewhat.
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# ? Jun 1, 2016 19:43 |
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Oxxidation posted:If they can't point at the "sentence or paragraph level" (a disingenuous way of saying "the writing itself"), then what's left? The plot? Because I'm getting the impression that was also disregarded somewhat. Formatting, maybe? Or he just wants people's opinions on where to drop Chronicler and In-Universe Storytelling chapters.
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# ? Jun 1, 2016 19:58 |
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BananaNutkins posted:At a convention, I met Kvothfuss and heard him speak. He mentioned that he has "literally" hundreds of beta readers, but he had a rule for offering feedback, and the rule is thus: Don't offer advice on the sentence or paragraph level. That's his wheelhouse. He's spent "literally" hundreds of hours pouring over every line so the read goes smoothly "like water rushing over river stones". Not the disregarding feedback part, though, that's exactly how I assumed he was.
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# ? Jun 1, 2016 21:15 |
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rubbish!
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# ? Jun 1, 2016 22:41 |
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RODNEY THE RACEHOR posted:rubbish! Dumpster poo poo awful!
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# ? Jun 2, 2016 01:23 |
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Trammel posted:I always meant to get around to reading Romance of the 3 Kingdoms. Is there a translation you'd recommend? http://store.steampowered.com/app/278080/
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# ? Jun 2, 2016 04:14 |
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This is the correct answer. Really brings Lu Bu to life. Or any of the RotTK strategy rpgs by KOIE. Those are what taught me about the lowly born "Martin Lawrence" who rose to power and eventually defeated Cao Ren for control of all of China.
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# ? Jun 2, 2016 05:11 |
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# ? Apr 23, 2024 12:23 |
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Arbite posted:I enjoyed Moss Roberts' work, but there may be something a bit smoother these days. Moss Roberts' translation is very good, and also includes a superb appendix that goes into the history and historiography of the historical Three Kingdoms era.
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# ? Jun 3, 2016 03:35 |