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chitoryu12
Apr 24, 2014



In 1952, a retired British intelligence agent named Ian Fleming wrote a manuscript. Beyond all expectations, the novel that his ex-girlfriend thought was so bad that it should be published under a pseudonym sold out multiple print runs and suddenly became a phenomenon. The film adaptation of Dr. No in 1962 established a media juggernaut that hasn't stopped even now; the James Bond series is now worth an estimated $19.9 billion as of 2015 and spans 24 official films (and 3 unofficial ones), dozens of novels written long after Fleming's death, and 28 video games of such prominence as to change the face of gaming forever with the revolutionary GoldenEye 007.

Despite this, I'd argue that the vast majority of Bond fans have left the books virtually ignored. It's not surprising, as they're old books written by an extremely British man. References have been out of date for two generations, action is subdued and often includes excessive detail regarding tense card games, and Bond is only one of the many shockingly racist and misogynistic characters displayed. It's little surprise that fans of a series that's been mainly known for its elaborate gunfights and car chases would rather forget the books existed as anything but a footnote.

But I say they're still worth reading. Even aside from serving as the inspiration for one of the biggest fiction franchises in history, they serve as a looking glass into life in the 50s and 60s. The Bond series was a form of escapism for red-blooded British men still living under rationing until 1954. In a world where the average reader has probably never left smoggy England except for war service and is still living off of Spam and brown bread while puttering around in a used Morris, James Bond gets to travel to exotic locations from sea to shining sea, eating all the local cuisine that the audience may have never even heard of and driving rare sports cars in breakneck chases.

Despite their reputation as two-fisted manly man quasi-pulp, the James Bond novels are some of the most exquisitely detailed works to ever come out of the 20th century. They almost serve as travelogues with a coating of intrigue, with whole paragraphs dedicated simply to describing the meals characters are eating and exactly why they order their food and drinks the way they do. The globetrotting action serves as a tourist's guide to Turkey, France, New York City, Florida, Japan, and countless other locations. Jamaica, in particular, receives a ton of focus for Fleming's personal reasons. Bond is not merely a window into everyday life and culture 60 years ago, but an example of what kind of life people wanted.

How will we do this?

At the moment, I only plan to cover the original Ian Fleming novels. I haven't read any non-Fleming books so I'm not sure if they're quite good enough and have the traits that this thread could be focusing on.

This is more of a literary criticism thread than a "point and laugh" thread, unlike my prior Let's Reads that exclusively dealt with lovely books. I personally find Fleming's writing perfectly fine most of the time, so there's not much to criticize from that front. That said, feel free to talk about any mistakes or especially good things he does.

This thread will have a lot of focus on the detail Fleming fills his books with. I'll be stopping regularly to talk about the food, drinks, cars, guns, and other descriptions of what Bond experiences and enjoys; you could almost consider this a food and drink thread with how much Bond eats and drinks (and holy poo poo does he drink). Along with just the enjoyment of it, it provides historical and local context that Fleming may have failed to provide because he expected anyone in that contemporary setting to recognize it.

And yes, this thread will focus on the really bad stuff. Bond is very intentionally written as racist, sexist, and homophobic to a degree that a modern GOP candidate would be unsure of quoting him in public. Fleming blamed this partially on intentionally writing Bond as a not-very-good man and targeting the quintessential tough heterosexual male audience with his books, but they still serve to make Bond unintentionally unsympathetic at times. The books can be somewhat controversial in modern day for how terrible of a hero Bond is, and that's absolutely a topic that should be talked about even if we enjoy the rest of them.

Spoiler Policy

When it comes to the books, no spoilers. Not even in spoiler tags. Also, no movie spoilers if they match what happens in the books. While some of the movies are adaptations in name only, some of them (especially Casino Royale) angle so closely to the book that having seen the movie means you already know how the plot will go and what the ending twist is. I'd like for any legitimate surprises to stay legitimate.

That said, any aspects of the movie that don't happen in the books are free game! I'm sure we all have strong opinions on Moonraker. Also, there will be a few moments where I intentionally spoil something for the purposes of exposition. When I do this, it'll be included in spoiler tags and will be free to talk about as long as you keep spoiler tags on until we reach it.

Table of Contents

1. Casino Royale

2. Live and Let Die

3. Moonraker

4. Diamonds Are Forever

5. From Russia With Love

6. Dr. No

7. Goldfinger

8. For Your Eyes Only

9. Thunderball

10. The Spy Who Loved Me

11. On Her Majesty's Secret Service

12. You Only Live Twice

13. Octopussy and The Living Daylights

14. The Man with the Golden Gun

15. Bonus

chitoryu12 fucked around with this message at 20:09 on Mar 23, 2020

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Wheat Loaf
Feb 13, 2012

by FactsAreUseless
I read the first half of the series a number of years ago, then re-read that and finished it late last year and early this year, so I'll follow with interest.

chitoryu12
Apr 24, 2014

Who was Ian Fleming?



While ordinarily a long post on the author wouldn't really do much good for understanding the books, to understand Ian Fleming is to understand James Bond, and vice versa. Some have gone so far as to say that Fleming was Bond, though not all agree.

Ian Lancaster Fleming was born on May 28th, 1908 (also my birthday!) to a wealthy family that made its money on a merchant bank and a Parliament seat; when his father was killed in World War I, Winston Churchill wrote his obituary. Fleming went to private schools, excelling in athletics but having trouble with academics and his housemaster at Eton for basically behaving like a womanizing playboy. He failed to get into the Royal Military College in 1927 after contracting gonorrhea.

Fleming got a job as a Reuters journalist, covering show trials in Moscow and even getting a personally signed letter from Stalin himself apologizing for being unable to give an interview. After some romances and affairs while working in the unsatisfying banking and stockbroking fields, Fleming finally followed in his family's footsteps and was recruited by Rear Admiral John Godfrey, Director of Naval Intelligence of the Royal Navy, as his personal assistant. He had basically no qualifications whatsoever, but excelled in the role and served as a liaison with all the major sections of British Intelligence.

Fleming quickly began writing plans for special operations despite never once serving in the field, from planting faked invasion plans on a corpse to be found to faking a downed German bomber and capturing the Kriegsmarine vessel that tried to rescue the "airmen". Not all of his ideas were awesome, but some were workable enough that other people put similar plans into motion like Operation Mincemeat. Fleming even assisted in creating the blueprint for the office that would eventually become the CIA. The first plan of his to be put into motion was Operation Goldeneye, intended to prevent Spain from potentially joining the Axis and assisting in the invasion of Europe, though it was shortly canceled after it became apparent that Spain wasn't a threat.

Fleming also formed 30 Assault Unit (30AU), a unit of special commandos intended to target enemy headquarters in advance of an attack to seize vital documents before they could be destroyed. 30AU saw heavy action in operations all the way through Operation Overlord into the invasion of Germany, though Fleming never actually saw combat with them and fought attempts to utilize them as a generic commando unit; they didn't like him very much.

Fleming also served on the target selection committee for the Target Force, or T-Force, which would capture important documents, equipment, and intelligence in recently captured towns (and earned the Danish Frihedsmedalje in 1947 for his work in helping Danish officers escaped the German occupation into Britain). During a 1942 Anglo-American intelligence summit in Jamaica, he fell in love with the island and established a home there: Goldeneye.



Upon his retirement, Fleming returned to work as a newspaper editor and the Foreign Manager for the Kemsley newspaper group, where he took 3 months' holiday in Jamaica every year. It was on one of these vacations at Goldeneye that he decided to write a spy novel, and did so in just 2 months. While initial feedback from friends and family was mixed, he took a chance and published it.

The sudden success led to Fleming writing a whole series of books about the worldwide adventures of James Bond. While he suffered criticism, the success (including President John F. Kennedy listing two of the books on his list of favorites) led to attempts to turn the books into films, finally succeeding with Dr. No in 1962. Fleming loved the choice of Sean Connery for the role, to the point of writing in Scottish heritage in the later books.

Unfortunately, Bond's habit of heavy smoking and drinking mirrored Fleming's own. On August 11th, 1964, Fleming collapsed shortly after dinner from a heart attack and died the next morning. The Man With The Golden Gun had been completed but still in the first draft, and was reluctantly published in its simplistic, virtually unedited form.

--------------

So where does this all come into play with James Bond?

The most obvious is that Bond is a spy much as Fleming was a spy. Fleming loved the opportunity to travel the world, eating fine foods on the government's dime and gambling in international casinos and bars. It's unclear right now with currently unclassified documents just how much (if any) action Fleming saw as a spy, and some have brushed him off as a playboy who liked to pretend he was gambling against dangerous foreign agents instead of drunken tourists.

Much of the Bond novels come from Fleming's own life experiences and the people he knew. Real soldiers and spies named as an inspiration for Bond include Patrick Dalzel-Job, Conrad O'Brien-ffrench (that last name's not a typo), Duško Popov, Bill "Biffy" Dunderdale, and Sir Fitzroy Maclean. Many of Bond's personal traits come from Fleming as well, from his custom cigarettes to his food and toiletry brand preferences. Fleming's love of Jamaica shows itself in a huge number of appearances all the way from the first book. Even the name of James Bond came from an ornithologist whose book Fleming had; ironically in retrospect, he chose it because it was a very boring, masculine name that would never attract any attention.

Even other characters came from Fleming's life. Scaramanga was named after a school bully. Goldfinger was named after architect Ernő Goldfinger specifically because Fleming hated his work. It wasn't just enemies that became villains, as "Boofy" Kidd in Diamonds Are Forever was named after a close friend of his, Arthur "Boofy" Gore, 8th Earl of Arran.

The books thus act as a sort of look at what Fleming was like and what he was into. He took "Write what you know" to heart, showcasing his own lifestyle, preferences, and experiences.

Wheat Loaf
Feb 13, 2012

by FactsAreUseless
Fleming was actually opposed to Connery before he saw the movie; his preferred choice was supposedly Richard Todd, but he changed his mind when he saw Dr No which is what convinced him to add in Bond's Scottish heritage.

chitoryu12
Apr 24, 2014

Wheat Loaf posted:

Fleming was actually opposed to Connery before he saw the movie; his preferred choice was supposedly Richard Todd, but he changed his mind when he saw Dr No which is what convinced him to add in Bond's Scottish heritage.

https://www.youtube.com/watch?v=YZNULYec0WA&t=85s

I'd definitely say Connery was the better choice. Todd is lacking the sort of roughness that Connery's face and voice provided that matched Fleming's commissioned sketch of him.

chitoryu12
Apr 24, 2014

Casino Royale



All of the Bond novels went through a lot of covers as new editions were printed over the decades, but I'll be starting each book with the first edition as conceived and/or approved by Fleming.

Casino Royale is a rather subdued intro to James Bond and lacks some of the hallmarks of later books, like wide globetrotting adventurism and pulp-style action scenes and traps. The main plot is centered around high stakes gambling rather than elaborate plots that must be investigated; while later Bond novels take some inspiration from detective fiction by having Bond presented with a case to solve (albeit normally ones of greater stakes than a single dead body), the plot for Casino Royale will be laid out very soon in the book. Rather than requiring Bond to learn what the villain's plan is or how he's getting away with it, the tension comes instead from twists on the basic plot itself: we know what Bond's task is, but not if he'll succeed or what the costs will be.

As we read the later books, you'll also notice a rather different characterization to Bond. Fleming conceived of Bond as kind of a lovely person even beyond his backwards views, a government tool struggling to deal with his place in a world where the definition of good and evil changes sides often. While some get through to him, Bond is a stone cold killer and is initially treated as exactly that. This began to change as Fleming's stories became more elaborate and popular, and we especially start seeing changes after the first few films start to overtake the books in prominence in the 1960s and Fleming feels like he should write closer to Sean Connery's portrayal.

chitoryu12
Apr 24, 2014

Chapter 1: The Secret Agent

I'll be posting the chapter names simply for the sake of one really, really, really awful one in the next book. Trust me, you'll know it when you see it.

quote:

The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul-erosion produced by high gambling – a compost of greed and fear and nervous tension – becomes unbearable and the senses awake and revolt from it.

James Bond suddenly knew that he was tired. He always knew when his body or his mind had had enough and he always acted on the knowledge. This helped him to avoid staleness and the sensual bluntness that breeds mistakes.

He shifted himself unobtrusively away from the roulette he had been playing and went to stand for a moment at the brass rail which surrounded breast-high the top table in the ‘salle privée’.

Le Chiffre was still playing and still, apparently, winning. There was an untidy pile of flecked hundred-mille plaques in front of him. In the shadow of his thick left arm there nestled a discreet stack of the big yellow ones worth half a million francs each.

Bond watched the curious, impressive profile for a time, and then he shrugged his shoulders to lighten his thoughts and moved away.

The barrier surrounding the ‘caisse’ comes as high as your chin and the ‘caissier’, who is generally nothing more than a minor bank clerk, sits on a stool and dips into his piles of notes and plaques. These are ranged on shelves. They are on a level, behind the protecting barrier, with your groin. The caissier has a cosh and a gun to protect him, and to heave over the barrier and steal some notes and then vault back and get out of the casino through the passages and doors would be impossible. And the caissiers generally work in pairs.

Bond reflected on the problem as he collected the sheaf of hundred thousand and then the sheaves of ten thousand franc notes. With another part of his mind, he had a vision of tomorrow’s regular morning meeting of the casino committee.

‘Monsieur Le Chiffre made two million. He played his usual game. Miss Fairchild made a million in an hour and then left. She executed three “bancos” of Monsieur Le Chiffre within an hour and then left. She played with coolness. Monsieur le Vicomte de Villorin made one million two at roulette. He was playing the maximum on the first and last dozens. He was lucky. Then the Englishman, Mister Bond, increased his winnings to exactly three million over the two days. He was playing a progressive system on red at table five. Duclos, the ‘chef de partie’, has the details. It seems that he is persevering and plays in maximums. He has luck. His nerves seem good. On the ‘soirée’, the chemin-de-fer won x, the baccarat won y and the roulette won z. The boule which was again badly frequented still makes its expenses.’

‘Merci, Monsieur Xavier.’

‘Merci, Monsieur le Président.’

Fleming hits us hard with a lot of old French casino terminology, from an antiquated spelling of "cashier" to unexplained summaries of how winnings were made. The only game you'll really have to know how to play is baccarat, which is fortunately a very easy game to learn (similar to blackjack) and is explained in full by Bond later in the book.

Bond nods to the man guarding the doors of the salle privée (a private gambling room, generally reserved for high stakes) and casually reflects on how hard it would be for someone to rob the Casino Royale. He estimates it would require at least 10 men and probably killing one or two employees, and there's certainly no way Le Chiffre could find 10 killers in France who would never squeal to the cops.

quote:

As he gave a thousand francs to the ‘vestiaire’ and walked down the steps of the casino, Bond made up his mind that Le Chiffre would in no circumstances try to rob the caisse and he put the contingency out of his mind. Instead he explored his present physical sensations. He felt the dry, uncomfortable gravel under his evening shoes, the bad, harsh taste in his mouth and the slight sweat under his arms. He could feel his eyes filling their sockets. The front of his face, his nose and antrum, were congested. He breathed the sweet night air deeply and focused his senses and his wits. He wanted to know if anyone had searched his room since he had left it before dinner.

The numbers that get thrown around in this book seem tremendous, like a 1000 franc tip. Francs were actually heavily devalued in the 1950s, though it can be rather difficult to figure out exactly what any of these numbers are worth in modern dollars. Some research suggests a conversion of 350 francs to 1 dollar in 1950s money, and $1 in 1953 is $9.46 now. Assuming I'm doing my math right, 1000 francs in 1953 would have been equivalent to $2.85 in 1953, or $26.96 in modern dollars. A pretty standard high roller's tip for a concierge.

quote:

He walked across the broad boulevard and through the gardens to the Hotel Splendide. He smiled at the concierge who gave him his key – No. 45 on the first floor – and took the cable.

It was from Jamaica and read:  

KINGSTONJA XXXX XXXXXX XXXX XXX BOND SPLENDIDE ROYALE-LES-EAUX SEINE INFERIEURE HAVANA CIGAR PRODUCTION ALL CUBAN FACTORIES 1915 TEN MILLION REPEAT TEN MILLION STOP HOPE THIS FIGURE YOU REQUIRE REGARDS DASILVA

The telegram is a coded message letting Bond know that the 10 million francs (a little over $270,000 in modern money) he requested that afternoon was on its way to him. Remember how I mentioned that Bond shares Fleming's love of Jamaica after going on an assignment there? For his cover, Bond has chosen to be an employ of Messrs Caffery, the principle import/export firm of Jamaica. His controller, Fawcett, is the head of the picture desk for the Daily Gleaner (another reference to Fleming's newspaper career); he was formerly the bookkeeper for a turtle fishery in the Cayman Islands and volunteered as a paymaster's clerk in a small Naval Intelligence section in Malta. After the war ended, he was recruited by the Secret Service, trained in photography, and planted at the Gleaner.

In addition to sorting through news photographs to decide what to put in the papers, Fawcett is now occasionally contacted to perform simple operations with the utmost speed and discretion, receiving a monthly paycheck of 20 pounds (about $530) deposited in his Canadian bank account by a fictitious relative in England.

quote:

Fawcett’s present assignment was to relay immediately to Bond, full rates, the text of messages which he received at home by telephone from his anonymous contact. He had been told by this contact that nothing he would be asked to send would arouse the suspicion of the Jamaican post office. So he was not surprised to find himself suddenly appointed string correspondent for the ‘Maritime Press and Photo Agency’, with press-collect facilities to France and England, on a further monthly retainer of ten pounds.

He felt secure and encouraged, had visions of a B.E.M. and made the first payment on a Morris Minor. He also bought a green eye-shade which he had long coveted and which helped him to impose his personality on the picture desk.

Some of this background to his cable passed through Bond’s mind. He was used to oblique control and rather liked it. He felt it feather-bedded him a little, allowed him to give or take an hour or two in his communications with M. He knew that this was probably a fallacy, that probably there was another member of the Service at Royale-les-Eaux who was reporting independently, but it did give the illusion that he wasn’t only 150 miles across the Channel from that deadly office building near Regent’s Park, being watched and judged by those few cold brains that made the whole show work. Just as Fawcett, the Cayman Islander in Kingston, knew that if he bought that Morris Minor outright instead of signing the hire-purchase agreement, someone in London would probably know and want to know where the money had come from.

I wonder if Fawcett has any connection to someone Fleming knew. As you can see, even the start of the book is filled to the brim with details that other authors would likely have considered extraneous. Fleming's writing style at the time, per his own words, was about three hours in the morning and another hour in the evening, without going back and editing anything. After he became a true professional author he would save the details for later drafts and start by submitting a more bare manuscript, but Casino Royale is practically an alcohol-fueled stream of consciousness from Fleming's own experiences and imagination.

Bond tears off a notepad page (to avoid leaving a carbon copy for the casino's office) and writes a short thank-you telegram back. He pockets the telegram he got, figuring any spies would easily be able to get a copy of it through bribery or reading the upside-down page in Bond's hands, and takes the stairs instead of the lift.

quote:

Bond knew exactly where the switch was and it was with one flow of motion that he stood on the threshold with the door full open, the light on and a gun in his hand. The safe, empty room sneered at him. He ignored the half-open door of the bathroom and, locking himself in, he turned up the bed-light and the mirror-light and threw his gun on the settee beside the window. Then he bent down and inspected one of his own black hairs which still lay undisturbed where he had left it before dinner, wedged into the drawer of the writing-desk.

Next he examined a faint trace of talcum powder on the inner rim of the porcelain handle of the clothes cupboard. It appeared immaculate. He went into the bathroom, lifted the cover of the lavatory cistern and verified the level of the water against a small scratch on the copper ball-cock.

Doing all this, inspecting these minute burglar-alarms, did not make him feel foolish or self-conscious. He was a secret agent, and still alive thanks to his exact attention to the detail of his profession. Routine precautions were to him no more unreasonable than they would be to a deep-sea diver or a test pilot, or to any man earning danger-money.

Satisfied that his room had not been searched, Bond takes a cold shower and smokes his 70th (!) cigarette of the day. He records his winnings in a small notebook, brushes his teeth, and climbs into bed.

quote:

His last action was to slip his right hand under the pillow until it rested under the butt of the .38 Colt Police Positive with the sawn barrel. Then he slept, and with the warmth and humour of his eyes extinguished, his features relapsed into a taciturn mask, ironical, brutal, and cold.

Somebody Awful
Nov 27, 2011

BORN TO DIE
HAIG IS A FUCK
Kill Em All 1917
I am trench man
410,757,864,530 SHELLS FIRED


chitoryu12 posted:

Casino Royale is practically an alcohol-fueled stream of consciousness from Fleming's own experiences and imagination.

Still better prose than the last few 'authors' we suffered through.

chitoryu12
Apr 24, 2014

Sperglord Actual posted:

Still better prose than the last few 'authors' we suffered through.

Yeah, I actually enjoy Fleming's style. The detail especially helps, as these books were meant to showcase all the wonders of the world that ordinary men in rainy ol' England would never get to see. Live And Let Die is an East Coast book that goes all the way from Manhattan to St. Pete and ends in Jamaica.

Wheat Loaf
Feb 13, 2012

by FactsAreUseless
Fleming had a number of influences; his plotting and characters, for instance, were quite heavily influenced by adventure writers like John Buchan and Eric Ambler. But I think his prose style is influenced mainly by Raymond Chandler Maybe with a bit of Mickey Spillane, though it's obviously not hardboiled like Spillane was.

chitoryu12
Apr 24, 2014

Wheat Loaf posted:

Fleming had a number of influences; his plotting and characters, for instance, were quite heavily influenced by adventure writers like John Buchan and Eric Ambler. But I think his prose style is influenced mainly by Raymond Chandler Maybe with a bit of Mickey Spillane, though it's obviously not hardboiled like Spillane was.

The later books definitely take inspiration from detective fiction. The biggest difference is probably that Bond is a dude with very particular tastes obsessed with eating fine food and drink and taking full advantage of his unlimited mission budget, so in between finding clues and interrogating people he’s waxing poetic on fine dining and drinking absolutely dangerous amounts of whiskey.

Proteus Jones
Feb 28, 2013



chitoryu12 posted:

Yeah, I actually enjoy Fleming's style. The detail especially helps, as these books were meant to showcase all the wonders of the world that ordinary men in rainy ol' England would never get to see. Live And Let Die is an East Coast book that goes all the way from Manhattan to St. Pete and ends in Jamaica.

I've never read Fleming, but I liked the parts you've quoted so far. His writing conveys a real texture to his settings giving a high-scale casino a real film of grimy desperation in the wee hours of the morning.

Cassius Belli
May 22, 2010

horny is prohibited
Oh man, I remember reading all of the Fleming books when I was a kid. This is going to be fun.

chitoryu12 posted:

The later books definitely take inspiration from detective fiction. The biggest difference is probably that Bond is a dude with very particular tastes obsessed with eating fine food and drink and taking full advantage of his unlimited mission budget, so in between finding clues and interrogating people he’s waxing poetic on fine dining and drinking absolutely dangerous amounts of whiskey.

In one of the earlier books, at least, I remember there's a short passage about how MI6 frowns on a lot of his living-it-up expenses, but he does a lot of them (particularly his gambling) with his own savings. While he's living at home he lives a modest but comfortable roast-beef-soft-boiled-eggs-and-other-British-staples sort of existence. He has a government pension waiting in the future, but in truth it doesn't matter; he expects that one day before then he will take a mission where he doesn't come back alive.

Eat, drink, and be merry, for tomorrow, Mr. Bond, you expect yourself to die.

chitoryu12
Apr 24, 2014

Yond Cassius posted:

Oh man, I remember reading all of the Fleming books when I was a kid. This is going to be fun.


In one of the earlier books, at least, I remember there's a short passage about how MI6 frowns on a lot of his living-it-up expenses, but he does a lot of them (particularly his gambling) with his own savings. While he's living at home he lives a modest but comfortable roast-beef-soft-boiled-eggs-and-other-British-staples sort of existence. He has a government pension waiting in the future, but in truth it doesn't matter; he expects that one day before then he will take a mission where he doesn't come back alive.

Eat, drink, and be merry, for tomorrow, Mr. Bond, you expect yourself to die.

I think the quoted amount Bond gets for his salary is (adjusted for inflation) something like $30,000 a year. He just gets an unlimited expense account on missions, and at the Casino Royale he's specifically being bankrolled by MI6 to gamble. The books show off more of Bond's talent as a card shark where the movies just display gambling as a pastime to add flavor.

Proteus Jones posted:

I've never read Fleming, but I liked the parts you've quoted so far. His writing conveys a real texture to his settings giving a high-scale casino a real film of grimy desperation in the wee hours of the morning.

It's one of those signs that Fleming really was writing a lot of this from experience. He probably spent a lot of nights drinking and smoking and playing cards until he stumbled out at 3:00 AM feeling ready to pass out.

Cassius Belli
May 22, 2010

horny is prohibited

chitoryu12 posted:

I think the quoted amount Bond gets for his salary is (adjusted for inflation) something like $30,000 a year. He just gets an unlimited expense account on missions, and at the Casino Royale he's specifically being bankrolled by MI6 to gamble. The books show off more of Bond's talent as a card shark where the movies just display gambling as a pastime to add flavor.

Bond definitely gets a lot of MI6 resources thrown behind him when the mission calls for it, but I remember being interested in the characterization that he lives big on assignment with the expectation that his future isn't worth saving for. It's just a little hint of that stone-cold government-thug Bond that you mentioned. The sophisticated, cosmopolitan "Bond, James Bond" is as much a character to himself as to the rest of the world.

Wheat Loaf
Feb 13, 2012

by FactsAreUseless

chitoryu12 posted:

The later books definitely take inspiration from detective fiction. The biggest difference is probably that Bond is a dude with very particular tastes obsessed with eating fine food and drink and taking full advantage of his unlimited mission budget, so in between finding clues and interrogating people he’s waxing poetic on fine dining and drinking absolutely dangerous amounts of whiskey.

Appropriately enough, there is a point (and it's not a spoiler or even plot relevant so hopefully you won't mind me posting it - I'll delete this if you like since it's your thread) in On Her Majesty's Secret Service where M has a discussion with Bond which somehow leads to Bond remarking that he enjoys reading Nero Wolfe novels. :D

chitoryu12
Apr 24, 2014

Wheat Loaf posted:

Appropriately enough, there is a point (and it's not a spoiler or even plot relevant so hopefully you won't mind me posting it - I'll delete this if you like since it's your thread) in On Her Majesty's Secret Service where M has a discussion with Bond which somehow leads to Bond remarking that he enjoys reading Nero Wolfe novels. :D

So much of Bond is just Fleming and his life. We get a mention of Bond's cigarettes later, and they're the exact same custom blend and paper that Fleming smoked. He also smokes and drinks the same as Fleming did; it's no wonder the author died of a heart attack so young at 70-80 cigarettes a day.

"Smokes like a chimney" is an understatement. Sometimes chimneys aren't being used.

chitoryu12 fucked around with this message at 21:16 on Jun 27, 2018

chitoryu12
Apr 24, 2014

Chapter 2: Dossier For M

quote:

Two weeks before, this memorandum had gone from Station S. of the Secret Service to M., who was then and is today head of this adjunct to the British defence ministries:  

To: M.
From: Head of S.
Subject: A project for the destruction of Monsieur Le Chiffre (alias ‘The Number’, ‘Herr Nummer’, ‘Herr Ziffer’, etc.), one of the Opposition’s chief agents in France and undercover Paymaster of the ‘Syndicat des Ouvriers d’Alsace’, the communist-controlled trade union in the heavy and transport industries of Alsace and, as we know, an important fifth column in the event of war with Redland.
Documentation: Head of Archives’ biography of Le Chiffre is attached at Appendix A. Also, Appendix B, a note on SMERSH.  

We have been feeling for some time that Le Chiffre is getting into deep water. In nearly all respects he is an admirable agent of the U.S.S.R., but his gross physical habits and predilections are an Achilles heel of which we have been able to take advantage from time to time and one of his mistresses is a Eurasian (No. 1860) controlled by Station F., who has recently been able to obtain insight into his private affairs.

Briefly, it seems that Le Chiffre is on the brink of a financial crisis. Certain straws in the wind were noticed by 1860 – some discreet sales of jewellery, the disposal of a villa at Antibes, and a general tendency to check the loose spending which has always been a feature of his way of life. Further inquiries were made with the help of our friends of the Deuxième Bureau (with whom we have been working jointly on this case) and a curious story has come to light.

Syndicat des Ouvriers d'Alsace, or SODA, translates to "Alsatian Workmen's Union". A major theme of all the books but especially this early one is the growing threat of communism around the world. At the time of this book's writing in 1952, fear of fifth columnists hiding in socialist organizations like trade unions was a major topic in the news. 1951 had also seen the sudden defection of Donald Maclean and Guy Hicks from the British embassy staff to the USSR after British authorities started to uncover that they were actually Soviet spies, a headline-making incident that would eventually uncover the Cambridge Five spy ring. The idea of a French union actually being a front for Soviet intelligence was a very real thing back then.

The report goes into detail on what Le Chiffre has been up to. In 1946, he purchased control of the Cordon Jaune ("Yellow Ribbon") chain of brothels with 50 million francs provided by Leningrad Section III for financing SODA. The Secret Service suspects that he really did intend for this to be an investment to help finance Soviet operations, but was a careless choice from his desire to have access to women. Unfortunately he had the worst timing, as just a few months later France passed Law No. 46685, officially titled Loi Tendant à la Fermeture des Maisons de Tolérance et au Renforcement de la Lutte contre le Proxénitisme and popularly known as "La Loi Marthe Richard".

quote:

(When M. came to this sentence he grunted and pressed a switch on the intercom. ‘Head of S.?’

‘Sir.’

‘What the hell does this word mean?’ He spelt it out.

‘Pimping, sir.’

‘This is not the Berlitz School of Languages, Head of S. If you want to show off your knowledge of foreign jaw-breakers, be good enough to provide a crib. Better still, write in English.’

‘Sorry, sir.’

M. released the switch and turned back to the memorandum.)

So at the time Le Chiffre purchased the brothels, France had legalized and regulated prostitution since 1804. However, when Marthe Richard was elected councilor of the 4th arrondissement of Paris in December 1945 she demanded an end to prostitution in Paris as an avenue for organized crime and in retaliation for perceived complicity by the prostitution industry in the German occupation of France (she was also a prostitute herself in her youth, in addition to being a pilot and interwar spy). This was passed quickly, and Richard was so emboldened by success that she immediately campaigned for the closure of all French brothels.

Within 3 months, Le Chiffre's investment has had its bottom knocked out from under it. He tried to continue by converting the brothels into the French equivalent of "no-tell motels" and operating underground porn theaters, but it wasn't nearly enough to cover his overhead and the police quickly started closing down his illegal operations.

quote:

The police were, of course, only interested in this man as a big-time brothel-keeper and it was not until we expressed an interest in his finances that the Deuxième Bureau unearthed the parallel dossier which was running with their colleagues of the police department.

The significance of the situation became apparent to us and to our French friends and, in the past few months, a veritable rat-hunt has been operated by the police after the establishments of the Cordon Jaune, with the result that today nothing remains of Le Chiffre’s original investment and any routine inquiry would reveal a deficit of around fifty million francs in the trade union funds of which he is the treasurer and paymaster.

It does not seem that the suspicions of Leningrad have been aroused yet but, unfortunately for Le Chiffre, it is possible that at any rate SMERSH is on the scent. Last week a high-grade source of Station P. reported that a senior official of this efficient organ of Soviet vengeance had left Warsaw for Strasbourg via the Eastern sector of Berlin. There is no confirmation of this report from the Deuxième Bureau, nor from the authorities in Strasbourg (who are reliable and thorough) and there is also no news from Le Chiffre’s headquarters there, which we have well covered by a double agent (in addition to 1860).

So going by the inflation calculations we did earlier, that's about $1.4 million in modern money that Le Chiffre just bungled on a bad investment he didn't have permission to make. You can see why he might be up poo poo creek without a paddle.

So, SMERSH. This Soviet intelligence organization is a common enemy in Bond books; while film aficionados are familiar with SPECTRE as Bond's nemesis, they're introduced later in the book series and many of the earlier books that were turned into movies actually had SMERSH in the role. In real life, SMERSH was actually a World War II organization specifically aimed at preventing German infiltration of the Red Army on the Eastern Front (in addition to other Army intelligence work like investigating traitors and sabotage, which in the Soviet Union could also include "failed to make a new project work in time"). In May 1946 the organization was disbanded and absorbed into the Ministry for State Security. The actual organization that would have been operating at the time would have been that ministry, the MGB, but obviously Fleming probably couldn't have known that SMERSH had already been disbanded at the time of writing.

The Secret Service suspects that Le Chiffre knows how desperate his situation is, but the fact that he hasn't killed himself or gone into hiding suggests that he hasn't figured out that SMERSH is on his tail. He'd never be able to recoup the money with drug dealing, stock trading, or betting on races.

Instead, it seems like Le Chiffre's plan is to take the remaining 25 million francs from SODA, move into a villa in Royale-les-Eaux just north of Dieppe on the Normandy coast, and visit the Casino Royale to engage in high stakes gambling to win the money back before SMERSH can find out.

quote:

Proposed Counter-operation

It would be greatly in the interests of this country and of the other nations of the North Atlantic Treaty Organization that this powerful Soviet agent should be ridiculed and destroyed, that his communist trade union should be bankrupted and brought into disrepute, and that this potential fifth column, with a strength of 50,000, capable in time of war of controlling a wide sector of France’s northern frontier, should lose faith and cohesion. All this would result if Le Chiffre could be defeated at the tables. (N.B. Assassination is pointless. Leningrad would quickly cover up his defalcations and make him into a martyr.)

We therefore recommend that the finest gambler available to the Service should be given the necessary funds and endeavour to out-gamble this man.

The risks are obvious and the possible loss to the Secret funds is high, but other operations on which large sums have been hazarded have had fewer chances of success, often for a smaller objective.

If the decision is unfavourable, the only alternative would be to place our information and our recommendations in the hands of the Deuxième Bureau or of our American colleagues of the Combined Intelligence Agency in Washington. Both of these organizations would doubtless be delighted to take over the scheme.

Signed: S.

The report goes into a biography of Le Chiffre next. His birth name is unknown and all of his aliases are variants on "The Cipher"; he was recovered from the Dachau concentration camp by American soldiers in 1945 suffering from amnesia and muteness. The only memory he regained was associations with Alsace Lorraine and Strasbourg, so he was given a stateless passport with a number and sent to France. He adopted Le Chiffre as his name, saying it's because he was "just a number on a passport".

quote:

Age: About 45.

Description: Height 5 ft. 8 in. Weight 18 stone. Complexion very pale. Clean-shaven. Hair red-brown, ‘en brosse’. Eyes very dark brown with whites showing all round iris. Small, rather feminine mouth. False teeth of expensive quality. Ears small, with large lobes, indicating some Jewish blood. Hands small, well-tended, hirsute. Feet small. Racially, subject is probably a mixture of Mediterranean with Prussian or Polish strains. Dresses well and meticulously, generally in dark double-breasted suits. Smokes incessantly Caporals, using a denicotinizing holder. At frequent intervals inhales from benzedrine inhaler. Voice soft and even. Bilingual in French and English. Good German. Traces of Marseillais accent. Smiles infrequently. Does not laugh.

Habits: Mostly expensive, but discreet. Large sexual appetites. Flagellant. Expert driver of fast cars. Adept with small arms and other forms of personal combat, including knives. Carries three Eversharp razor blades, in hat-band, heel of left shoe and cigarette case. Knowledge of accountancy and mathematics. Fine gambler. Always accompanied by two armed guards, well-dressed, one French, one German (details available).

Comment: A formidable and dangerous agent of the U.S.S.R., controlled by Leningrad Section III through Paris.

Signed: Archivist.

The inspiration Fleming took for Le Chiffre's appearance was partially based on famed occultist Aleister Crowley, which artwork of the character follows:





Le Chiffre has also had the most actors portraying him of any Bond villain, as it took several attempts at a Casino Royale film before it stuck. He was first portrayed by Peter Lorre in a 1954 TV play adaptation that cast Barry Nelson as the American "Jimmy Bond". The bizarre 1967 satirical adaptation cast Orson Welles (definitely closer to the 18 stone weight listed in his dossier), and finally the official adaptation in 2006 that saw the series rebooted with Daniel Craig cast Mads Mikkelsen as a fitter, sleeker Le Chiffre that probably encompasses the character's authentic danger a bit more.







quote:

Appendix B.

Subject: SMERSH

Sources: Own archives and scanty material made available by Deuxième Bureau and C.I.A. Washington.

SMERSH is a conjunction of two Russian words: ‘Smyert Shpionam’, meaning roughly: ‘Death to Spies’. Ranks above M.W.D. (formerly N.K.V.D.) and is believed to come under the personal direction of Beria.

Headquarters: Leningrad (sub-station at Moscow).

Its task is the elimination of all forms of treachery and back-sliding within the various branches of the Soviet Secret Service and Secret Police at home and abroad. It is the most powerful and feared organization in the U.S.S.R. and is popularly believed never to have failed in a mission of vengeance.

It is thought that SMERSH was responsible for the assassination of Trotsky in Mexico (22 August 1940) and may indeed have made its name with this successful murder after attempts by other Russian individuals and organizations had failed.

SMERSH was next heard of when Hitler attacked Russia. It was then rapidly expanded to cope with treachery and double agents during the retreat of the Soviet forces in 1941. At that time it worked as an execution squad for the N.K.V.D. and its present selective mission was not so clearly defined.

The organization itself was thoroughly purged after the war and is now believed to consist of only a few hundred operatives of very high quality divided into five sections:

Department I: In charge of counter-intelligence among Soviet organizations at home and abroad.
Department II: Operations, including executions.
Department III: Administration and Finance.
Department IV: Investigations and legal work. Personnel.
Department V: Prosecutions: the section which passes final judgement on all victims.

Only one SMERSH operative has come into our hands since the war: Goytchev, alias Garrad-Jones. He shot Petchora, medical officer at the Yugoslav Embassy, in Hyde Park, 7 August 1948. During interrogation he committed suicide by swallowing a coat-button of compressed potassium cyanide. He revealed nothing beyond his membership of SMERSH, of which he was arrogantly boastful.

We believe that the following British double agents were victims of SMERSH: Donovan, Harthrop-Vane, Elizabeth Dumont, Ventnor, Mace, Savarin. (For details see Morgue: Section Q.)

Conclusion: Every effort should be made to improve our knowledge of this very powerful organization and destroy its operatives.

Somebody Awful
Nov 27, 2011

BORN TO DIE
HAIG IS A FUCK
Kill Em All 1917
I am trench man
410,757,864,530 SHELLS FIRED


chitoryu12 posted:

Fleming probably couldn't have known that SMERSH had already been disbanded at the time of writing.

Considering the name's meaning, I suspect he might well have chosen to keep it anyway.

Runcible Cat
May 28, 2007

Ignoring this post

Sperglord Actual posted:

Considering the name's meaning, I suspect he might well have chosen to keep it anyway.

Yeah, it's an awesome name for a villainous organization. And it's not as if Fleming was going for technothriller accuracy.

chitoryu12
Apr 24, 2014

Depending on the nature of Fleming’s retirement, he may have just been unaware at the time that a rival intelligence organization had been absorbed back into the main body. This was written 2 years before the KGB was established.

Mel Mudkiper
Jan 19, 2012

At this point, Mudman abruptly ends the conversation. He usually insists on the last word.
so you've gone from the crazed xenophobic ramblings of a violent racist to *checks notes* the same thing but with a posh accent

chitoryu12
Apr 24, 2014

Mel Mudkiper posted:

so you've gone from the crazed xenophobic ramblings of a violent racist to *checks notes* the same thing but with a posh accent

But what of the prose Mel Mudkiper

Mel Mudkiper
Jan 19, 2012

At this point, Mudman abruptly ends the conversation. He usually insists on the last word.

chitoryu12 posted:

But what of the prose Mel Mudkiper

I dunno I haven't read any James Bond

I only got so much time to be dismissive and lovely all right?

Proteus Jones
Feb 28, 2013



Mel Mudkiper posted:

I dunno I haven't read any James Bond

I only got so much time to be dismissive and lovely all right?

Hey, we’re just happy you aren’t BoL

Hieronymous Alloy
Jan 30, 2009


Why! Why!! Why must you refuse to accept that Dr. Hieronymous Alloy's Genetically Enhanced Cream Corn Is Superior to the Leading Brand on the Market!?!




Morbid Hound
Odd fact: Sting wrote Every Breath You Take at Fleming's writing desk while vacationing at the Goldeneye estate in 1982.

chitoryu12
Apr 24, 2014

Chapter 3: Number 007

quote:

Head of S. (the section of the Secret Service concerned with the Soviet Union) was so keen on his plan for the destruction of Le Chiffre, and it was basically his own plan, that he took the memorandum himself and went up to the top floor of the gloomy building overlooking Regent’s Park and through the green baize door and along the corridor to the end room.

He walked belligerently up to M.’s Chief of Staff, a young sapper who had earned his spurs as one of the secretariat to the Chiefs of Staff committee after having been wounded during a sabotage operation in 1944, and had kept his sense of humour in spite of both experiences.

‘Now look here, Bill. I want to sell something to the Chief. Is this a good moment?’

‘What do you think, Penny?’ The Chief of Staff turned to M.’s private secretary who shared the room with him.

Miss Moneypenny would have been desirable but for eyes which were cool and direct and quizzical.

‘Should be all right. He won a bit of a victory at the F.O. this morning and he’s not got anyone for the next half an hour.’ She smiled encouragingly at Head of S. whom she liked for himself and for the importance of his section.

‘Well, here’s the dope, Bill.’ He handed over the black folder with the red star which stood for Top Secret. ‘And for God’s sake look enthusiastic when you give it him. And tell him I’ll wait here and read a good code-book while he’s considering it. He may want some more details, and anyway I want to see you two don’t pester him with anything else until he’s finished.’

‘All right, sir.’ The Chief of Staff pressed a switch and leant towards the intercom on his desk.

‘Yes?’ asked a quiet, flat voice.

‘Head of S. has an urgent docket for you, sir.’

There was a pause.

‘Bring it in,’ said the voice.

The Chief of Staff released the switch and stood up.

‘Thanks, Bill. I’ll be next door,’ said Head of S.

The Chief of Staff crossed his office and went through the double doors leading into M.’s room. In a moment he came out and over the entrance a small blue light burned the warning that M. was not to be disturbed.

Moneypenny was originally named Miss 'Petty' Pettaval in the first draft of the book and was based on Kathleen Pettigrew, the personal assistant to MI6 director Stewart Menzies. To make his inspiration a little less obvious, he changed the name to something a bit more dramatic.

In the films, Miss Moneypenny has gone through as many actor changes as Bond himself. Arguably the most famous depiction is from the late Lois Maxwell, who portrayed her from Dr. No all the way through A View To A Kill. Just as Roger Moore left the role due to being Grandpa Bond at that time, Lois Maxwell was replaced by the younger Caroline Bliss for the two Timothy Dalton films. Pierce Brosnan got yet another modernization with the very appropriately named Samantha Bond, easily recognizable by her short 90s haircut. The current Eve Moneypenny is by far the most dramatic change, a young black woman played by Naomie Harris who actually gets out in the field.






Bill is later given the full name of Bill Tanner. He makes intermittent appearances through both the novels and the films, though never very important ones. He doesn't even make his first film appearance until The Man With the Golden Gun and isn't even named until the end credits. He's been portrayed by Michael Goodliffe, James Villiers, Michael Kitchen and Rory Kinnear (the godson of Judi Dench's late husband).



M. gives his approval of the operation, and Head of S. and his Number Two talk about how things will go from there. They figure that a Double-O agent will be sent, most likely 007 since he's tough enough to deal with Le Chiffre's gunmen and a skilled gambler who spent two months in Monte Carlo before the war stopping a Romanian card cheat team.

Bond's interview with M. is short, so short that we'll actually continue into the next chapter to avoid ending immediately. He initially tries to get out of it due to not liking the odds at baccarat, but M. knows the odds just as well and won't take "no" for an answer.

quote:

‘He can have a bad run too,’ said M. ‘You’ll have plenty of capital. Up to twenty-five million, the same as him. We’ll start you on ten and send you another ten when you’ve had a look round. You can make the extra five yourself.’ He smiled. ‘Go over a few days before the big game starts and get your hand in. Have a talk to Q. about rooms and trains, and any equipment you want. The Paymaster will fix the funds. I’m going to ask the Deuxième to stand by. It’s their territory and as it is we shall be lucky if they don’t kick up rough. I’ll try and persuade them to send Mathis. You seemed to get on well with him in Monte Carlo on that other Casino job. And I’m going to tell Washington because of the N.A.T.O. angle. C.I.A. have got one or two good men at Fontainebleau with the joint intelligence chaps there. Anything else?’

Bond shook his head. ‘I’d certainly like to have Mathis, sir.’

‘Well, we’ll see. Try and bring it off. We’re going to look pretty foolish if you don’t. And watch out. This sounds an amusing job, but I don’t think it’s going to be. Le Chiffre is a good man. Well, best of luck.’

‘Thank you, sir,’ said Bond and went to the door.

‘Just a minute.’

Bond turned. ‘I think I’ll keep you covered, Bond. Two heads are better than one and you’ll need someone to run your communications. I’ll think it over. They’ll get in touch with you at Royale. You needn’t worry. It’ll be someone good.’

Bond would have preferred to work alone, but one didn’t argue with M. He left the room hoping that the man they sent would be loyal to him and neither stupid, nor, worse still, ambitious.

Chapter 4: L'Ennemi Écoute

quote:

As, two weeks later, James Bond awoke in his room at the Hotel Splendide, some of this history passed through his mind.

He had arrived at Royale-les-Eaux in time for luncheon two days before. There had been no attempt to contact him and there had been no flicker of curiosity when he had signed the register ‘James Bond, Port Maria, Jamaica’.

M. had expressed no interest in his cover.

‘Once you start to make a set at Le Chiffre at the tables, you’ll have had it,’ he said. ‘But wear a cover that will stick with the general public.’

Bond knew Jamaica well, so he asked to be controlled from there and to pass as a Jamaican plantocrat whose father had made his pile in tobacco and sugar and whose son chose to play it away on the stock markets and in casinos. If inquiries were made, he would quote Charles DaSilva of Caffery’s, Kingston, as his attorney. Charles would make the story stick.

Bond has been gambling constantly at the casino since arriving, earning 3 million francs, memorizing the casino floorplan, and watching Le Chiffre play. He's a "faultless and lucky" gambler.

quote:

Bond liked to make a good breakfast. After a cold shower, he sat at the writing-table in front of the window. He looked out at the beautiful day and consumed half a pint of iced orange juice, three scrambled eggs and bacon and a double portion of coffee without sugar. He lit his first cigarette, a Balkan and Turkish mixture made for him by Morlands of Grosvenor Street, and watched the small waves lick the long seashore and the fishing fleet from Dieppe string out towards the June heat-haze followed by a paper-chase of herring-gulls.

We get our first food and drink in this chapter! One thing Bond will display over the course of the series is an absolute love of eggs. Scrambled, fried, boiled, however you can prepare an egg. As much as he eats high class cuisine or exotic foreign food, when given the opportunity he'll often default to a hearty English or American-style breakfast.

Also, the cigarettes Bond smokes are the exact same custom blend and shop that Ian Fleming had made for himself. While it's not mentioned yet, both Bond and Fleming held the rank of commander in the Royal Navy and customized the cigarette with three gold stripes to mimic the sleeve insignia of a commander's jacket.



The phone rings, the concierge informing Bond that a Director of Radio Stentor from Paris is here with the wireless set he ordered. This is the cover Rene Mathis is using to meet him.

quote:

When Mathis came in, a respectable business man carrying a large square parcel by its leather handle, Bond smiled broadly and would have greeted him with warmth if Mathis had not frowned and held up his free hand after carefully closing the door.

‘I have just arrived from Paris, monsieur, and here is the set you asked to have on approval – five valves, superhet, I think you call it in England, and you should be able to get most of the capitals of Europe from Royale. There are no mountains for forty miles in any direction.’

‘It sounds all right,’ said Bond, lifting his eyebrows at this mystery-making.

Mathis paid no attention. He placed the set, which he had unwrapped, on the floor beside the unlit panel electric fire below the mantelpiece.

‘It is just past eleven,’ he said, ‘and I see that the “Compagnons de la Chanson” should now be on the medium wave from Rome. They are touring Europe. Let us see what the reception is like. It should be a fair test.’

He winked. Bond noticed that he had turned the volume on to full and that the red light indicating the long wave-band was illuminated, though the set was still silent.

As Mathis fiddles with the back of the set, a massive burst of static fills the room. He apologizes and begins messing with the knobs before music finally starts loudly piping through. As soon as they have their audio cover, Mathis gives Bond a smile and firm handshake.

quote:

‘My dear friend,’ Mathis was delighted, ‘you are blown, blown, blown. Up there,’ he pointed at the ceiling, ‘at this moment, either Monsieur Muntz or his alleged wife, allegedly bedridden with the “grippe”, is deafened, absolutely deafened, and I hope in agony.’ He grinned with pleasure at Bond’s frown of disbelief.

Mathis sat down on the bed and ripped open a packet of Caporal with his thumbnail. Bond waited.

Mathis was satisfied with the sensation his words had caused. He became serious.

‘How it has happened I don’t know. They must have been on to you for several days before you arrived. The opposition is here in real strength. Above you is the Muntz family. He is German. She is from somewhere in Central Europe, perhaps a Czech. This is an old-fashioned hotel. There are disused chimneys behind these electric fires. Just here,’ he pointed a few inches above the panel fire, ‘is suspended a very powerful radio pick-up. The wires run up the chimney to behind the Muntzes’ electric fire where there is an amplifier. In their room is a wire-recorder and a pair of earphones on which the Muntzes listen in turn. That is why Madame Muntz has the grippe and takes all her meals in bed and why Monsieur Muntz has to be constantly at her side instead of enjoying the sunshine and the gambling of this delightful resort.

‘Some of this we knew because in France we are very clever. The rest we confirmed by unscrewing your electric fire a few hours before you got here.’

Bond checks the fireplace and finds tiny scratches on the screws, confirming what Mathis said. I like Mathis, and I also like that in these early books especially Bond isn't portrayed as the best secret agent in the world. He's still vulnerable and still able to be outwitted and outfought by both his enemies and allies.

Bond and Mathis turn off the radio and do some more play acting for the benefit of the enemy spies above, which ends with Bond cheerfully asking to hear the rest of the program and turning the radio back on. As they drown out their conversation yet again, they try to figure out exactly how Bond's cover was blown. Mathis is pretty sure no ciphers have been broken, but they can't make a call yet.

quote:

‘First of all,’ and he inhaled a thick lungful of Caporal, ‘you will be pleased with your Number Two. She is very beautiful’ (Bond frowned), ‘very beautiful indeed.’ Satisfied with Bond’s reaction, Mathis continued: ‘She has black hair, blue eyes, and splendid … er … protuberances. Back and front,’ he added. ‘And she is a wireless expert which, though sexually less interesting, makes her a perfect employee of Radio Stentor and assistant to myself in my capacity as wireless salesman for this rich summer season down here.’ He grinned. ‘We are both staying in the hotel and my assistant will thus be on hand in case your new radio breaks down. All new machines, even French ones, are apt to have teething troubles in the first day or two. And occasionally at night,’ he added with an exaggerated wink.

Bond was not amused. ‘What the hell do they want to send me a woman for?’ he said bitterly. ‘Do they think this is a bloody picnic?’

Mathis interrupted. ‘Calm yourself, my dear James. She is as serious as you could wish and as cold as an icicle. She speaks French like a native and knows her job backwards. Her cover’s perfect and I have arranged for her to team up with you quite smoothly. What is more natural than that you should pick up a pretty girl here? As a Jamaican millionaire,’ he coughed respectfully, ‘what with your hot blood and all, you would look naked without one.’

Yeah, I make no excuses here. As Judi Dench's M put it in GoldenEye, Bond is a misogynist dinosaur of a bygone era.

Mathis also fills Bond in on Le Chiffre. His villa is 10 miles down the coastal road and he has two guards with him; one of them has been seen in town visiting three "subhuman characters". Their paperwork says that they're stateless Czechs, but the other French spies in the area say they're speaking Bulgarian.

quote:

We don’t see many of those around. They’re mostly used against the Turks and the Yugoslavs. They’re stupid, but obedient. The Russians use them for simple killings or as fall-guys for more complicated ones.’

Fleming is not fond of Bulgaria except in terms of food and drink.

quote:

‘Anything else?’

‘No. Come to the bar of the Hermitage before lunch. I’ll fix the introduction. Ask her to dinner this evening. Then it will be natural for her to come into the Casino with you. I’ll be there too, but in the background. I’ve got one or two good chaps and we’ll keep an eye on you. Oh, and there’s an American called Leiter here, staying in the hotel. Felix Leiter. He’s the C.I.A. chap from Fontainebleau. London told me to tell you. He looks okay. May come in useful.’

A torrent of Italian burst from the wireless set on the floor. Mathis switched it off and they exchanged some phrases about the set and about how Bond should pay for it. Then with effusive farewells and a final wink Mathis bowed himself out.

Bond sat at the window and gathered his thoughts. Nothing that Mathis had told him was reassuring. He was completely blown and under really professional surveillance. An attempt might be made to put him away before he had a chance to pit himself against Le Chiffre at the tables. The Russians had no stupid prejudices about murder. And then there was this pest of a girl. He sighed. Women were for recreation. On a job, they got in the way and fogged things up with sex and hurt feelings and all the emotional baggage they carried around. One had to look out for them and take care of them.

‘Bitch,’ said Bond, and then remembering the Muntzes, he said ‘bitch’ again more loudly and walked out of the room.

Bond is very, very far from a heroic character here.

Wheat Loaf
Feb 13, 2012

by FactsAreUseless

chitoryu12 posted:

In the films, Miss Moneypenny has gone through as many actor changes as Bond himself. Arguably the most famous depiction is from the late Lois Maxwell, who portrayed her from Dr. No all the way through A View To A Kill. Just as Roger Moore left the role due to being Grandpa Bond at that time, Lois Maxwell was replaced by the younger Caroline Bliss for the two Timothy Dalton films. Pierce Brosnan got yet another modernization with the very appropriately named Samantha Bond, easily recognizable by her short 90s haircut. The current Eve Moneypenny is by far the most dramatic change, a young black woman played by Naomie Harris who actually gets out in the field.

Piece of trivia about Moneypenny and specifically about Lois Maxwell: in the mid-1960s, after the Eon movies had made Bond one of what Adam West called "the three B's" of the decade (along with the Beatles and Batman), one of the innumerable parodies was an Italian movie called O.K. Connery, which starred Sean Connery's younger brother, Neil, as a doctor who has to step in when an unnamed James Bond is killed in action. Maxwell played "Miss Maxwell", the agent who recruits him. I mention this largely because she later estimated that she was paid more for this one role than she was for all of her appearances in the Eon movies put together.

chitoryu12
Apr 24, 2014

Wheat Loaf posted:

Piece of trivia about Moneypenny and specifically about Lois Maxwell: in the mid-1960s, after the Eon movies had made Bond one of what Adam West called "the three B's" of the decade (along with the Beatles and Batman), one of the innumerable parodies was an Italian movie called O.K. Connery, which starred Sean Connery's younger brother, Neil, as a doctor who has to step in when an unnamed James Bond is killed in action. Maxwell played "Miss Maxwell", the agent who recruits him. I mention this largely because she later estimated that she was paid more for this one role than she was for all of her appearances in the Eon movies put together.

That film has a lot of Bond actors or their relatives. It even has the same actor as M for the commander of the Secret Service!

Hyrax Attack!
Jan 13, 2009

We demand to be taken seriously

This is a fascinating thread, well done. I especially liked the franc conversion info, it makes the casino stakes more understandable.

chitoryu12
Apr 24, 2014

Hyrax Attack! posted:

This is a fascinating thread, well done. I especially liked the franc conversion info, it makes the casino stakes more understandable.

Yeah, when I first read the book I thought they were throwing around ridiculous wads of cash. I didn't know how badly the franc had depreciated to the point where 100 francs was a few bucks in modern money.

chitoryu12
Apr 24, 2014

Chapter 5: The Girl From Headquarters

quote:

It was twelve o’clock when Bond left the Splendide and the clock on the ‘mairie’ was stumbling through its midday carillon. There was a strong scent of pine and mimosa in the air and the freshly watered gardens of the Casino opposite, interspersed with neat gravel parterres and paths, lent the scene a pretty formalism more appropriate to ballet than to melodrama.

The sun shone and there was a gaiety and sparkle in the air which seemed to promise well for the new era of fashion and prosperity for which the little seaside town, after many vicissitudes, was making its gallant bid.

Royale-les-Eaux, which lies near the mouth of the Somme before the flat coast-line soars up from the beaches of southern Picardy to the Brittany cliffs which run on to Le Havre, had experienced much the same fortunes as Trouville.

Royale (without the ‘Eaux’) also started as a small fishing village and its rise to fame as a fashionable watering-place during the Second Empire was as meteoric as that of Trouville. But as Deauville killed Trouville, so, after a long period of decline, did Le Touquet kill Royale.

Fleming actually put quite a lot of thought into the history of Royale-les-Eaux and how a high stakes casino ended up on the Normandy coast. It fits in well with the area and could easily be mistaken for a real location.

Royale became Royale-les-Eaux when they discovered a natural spring behind the hills with sulfur, which they bottled and sold as a liver aid. Torpedo-shaped bottles of Eau Royale graced the mineral water lists of restaurants and dining cars and a casino was built before Vichy, Perrier, and Vittel put them out of business. The town was saved once more in 1950 when a group of expatriated Vichyites had their funds given to a Parisian syndicate that poured money into the casino and turned it into a nostalgic Victorian vacation destination. The Mahomet Ali Syndicate out of Egypt has leased a number of tables and high stakes games are occurring regularly.

Bond heads down to the hotel garage to drive to the Hermitage Bar for his meeting. We get our first Bond car!

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Bond’s car was his only personal hobby. One of the last of the 4½-litre Bentleys with the supercharger by Amherst Villiers, he had bought it almost new in 1933 and had kept it in careful storage through the war. It was still serviced every year and, in London, a former Bentley mechanic, who worked in a garage near Bond’s Chelsea flat, tended it with jealous care. Bond drove it hard and well and with an almost sensual pleasure. It was a battleship-grey convertible coupé, which really did convert, and it was capable of touring at ninety with thirty miles an hour in reserve.

Bond eased the car out of the garage and up the ramp and soon the loitering drum-beat of the two-inch exhaust was echoing down the tree-lined boulevard, through the crowded main street of the little town, and off through the sand dunes to the south.

An hour later, Bond walked into the Hermitage bar and chose a table near one of the broad windows.



Far from the sleek Aston-Martin and BMW sports cars or the submersible Lotus Esprit, Bond's first car is a tank that would look more at home on the track than in a car chase. This car actually makes a brief appearance at the beginning of the film adaptation of From Russia With Love, fitted with a high tech car phone to let MI6 call Bond from his trip to the lake.



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The room was sumptuous with those over-masculine trappings which, together with briar pipes and wire-haired terriers, spell luxury in France. Everything was brass-studded leather and polished mahogany. The curtains and carpets were in royal blue. The waiters wore striped waistcoats and green baize aprons. Bond ordered an Americano and examined the sprinkling of over-dressed customers, mostly from Paris he guessed, who sat talking with focus and vivacity, creating that theatrically clubbable atmosphere of ‘l’heure de l’apéritif’.

The men were drinking inexhaustible quarter-bottles of champagne, the women dry martinis.

‘Moi, j’adore le “Dry”, ’ a bright-faced girl at the next table said to her companion, too neat in his unseasonable tweeds, who gazed at her with moist brown eyes over the top of an expensive shooting-stick from Hermes, ‘fait avec du Gordon’s, bien entendu.’

‘D’accord, Daisy. Mais tu sais, un zeste de citron …’

Immediately afterward, we get our first Bond cocktail! Despite the reputation of Bond for "vodka martini, shaken not stirred", that was a simplification in the films (though we do see something like it, which I'll get into detail on because I've actually made one). In the books, Bond will drink pretty much anything that you put in front of him and orders different drinks depending on his mood.



The first ever cocktail Bond orders is an Americano. It was invented in the 1860s at Caffè Campari in Milan and was originally sold as the Milano-Torrino because of the geographic origins of its two ingredients: equal parts Campari (a bitter liqueur made from an infusion of herbs and fruit in alcohol and water) and sweet red vermouth (an aromatized wine with various botanicals like herbs and roots for flavoring) with enough soda water to fill the rest of the glass. It was renamed just before Prohibition due to its popularity with American tourists.

While I've never had an Americano and really need to get around to finding a cocktail bar around here that can make one, knowing the ingredients I can imagine the taste would be a sort of bittersweet herbal fruit flavor with a bite from the carbonation. Bond mentions in a much later book that he actually doesn't really like the Americano but orders it mostly because it's one of the things a random cafe will have.

As for the French folks, the quarter-bottles of champagne are 6 ounce bottles that you would get for yourself to go with a meal.



I took 3 years of French, so I don't need to worry about Google Translate! The women are talking about dry martinis, with one suggesting lemon peel as the garnish and the other advocating for the use of Gordon's gin.





The martini is one of the most classic cocktails, but I'll talk about it because not everyone has had it (and also I really love talking about food and drink so bite me). It's possibly named after Martini vermouth, as the classic recipe is 6 parts gin and 1 part dry vermouth (compared to the sweet red vermouth, dry vermouth is more bitter). There are cocktails dating as far back as the 1860s that bear a resemblance to the martini, but the proper martini has been dated to Prohibition in the 1920s due to the prevalence of easily produced illegal gin; gin requires no aging process, simply redistilling your lovely grain liquor in a tank full of botanicals to mask the horrible flavor. The vermouth originally served to further mask the taste of bathtub gin, and as time went on after Prohibition the amount of vermouth got lower and lower until people started making jokes about how you just wave the glass in the general direction of Italy or think about vermouth as you drink it.

I actually don't drink martinis often, and there's only one local restaurant where I've ordered them (I prefer their Manhattan). However, a bit later on we'll see Bond's take on the martini and I'm a little in love with it.

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Bond’s eye was caught by the tall figure of Mathis on the pavement outside, his face turned in animation to a dark-haired girl in grey. His arm was linked in hers, high up above the elbow, and yet there was a lack of intimacy in their appearance, an ironical chill in the girl’s profile, which made them seem two separate people rather than a couple. Bond waited for them to come through the street door into the bar, but for appearances’ sake continued to stare out of the window at the passers-by.

‘But surely it is Monsieur Bond?’ Mathis’s voice behind him was full of surprised delight. Bond, appropriately flustered, rose to his feet. ‘Can it be that you are alone? Are you awaiting someone? May I present my colleague, Mademoiselle Lynd? My dear, this is the gentleman from Jamaica with whom I had the pleasure of doing business this morning.’

Bond inclined himself with a reserved friendliness. ‘It would be a great pleasure,’ he addressed himself to the girl. ‘I am alone. Would you both care to join me?’ He pulled out a chair and while they sat down he beckoned to a waiter and despite Mathis’s expostulations insisted on ordering the drinks – a ‘fine à l’eau’ for Mathis and a ‘bacardi’ for the girl.

I've seen some people misinterpret "fine à l’eau" as water. It's actually brandy or cognac with some water in it, which was a popular way of drinking brandy until just before this book's timeframe. The Bacardi appears to be a cocktail related to the daiquiri, made from white rum (in the US, it legally has to be Bacardi rum like Bacardi Superior as of 1936), lime juice, and grenadine to give it a pink color.

And now to complete the trifecta, we get the first Bond Girl:



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Her hair was very black and she wore it cut square and low on the nape of the neck, framing her face to below the clear and beautiful line of her jaw. Although it was heavy and moved with the movements of her head, she did not constantly pat it back into place, but let it alone. Her eyes were wide apart and deep blue and they gazed candidly back at Bond with a touch of ironical disinterest which, to his annoyance, he found he would like to shatter, roughly. Her skin was lightly suntanned and bore no trace of make-up except on her mouth which was wide and sensual. Her bare arms and hands had a quality of repose and the general impression of restraint in her appearance and movements was carried even to her finger-nails which were unpainted and cut short. Round her neck she wore a plain gold chain of wide flat links and on the fourth finger of the right hand a broad topaz ring. Her medium-length dress was of grey ‘soie sauvage’ with a square-cut bodice, lasciviously tight across her fine breasts. The skirt was closely pleated and flowered down from a narrow, but not a thin, waist. She wore a three-inch, hand-stitched black belt. A hand-stitched black ‘sabretache’ rested on the chair beside her, together with a wide cartwheel hat of gold straw, its crown encircled by a thin black velvet ribbon which tied at the back in a short bow. Her shoes were square-toed of plain black leather.

Bond was excited by her beauty and intrigued by her composure. The prospect of working with her stimulated him. At the same time he felt a vague disquiet. On an impulse he touched wood.

Ignoring the "touched wood" joke potentials, we can see a bit of slightly disquieting dominant feelings coming from Bond. In modern day, I could easily see him as being one of those overwrought doms on OkCupid or Fetlife who keeps trying to find submissive girls to abuse so he can feel better about himself but usually just gets laughed at.

Vesper Lynd was not included in the 1954 Climax! TV adaptation of the book, with her place being taken by Le Chiffre's girlfriend Valerie Mathis; this gives Linda Christian the technical honor of being the first screen Bond Girl before Ursula Andress.



Vesper Lynd was first portrayed in the 1967 spoof by Ursula Andress, who previously played Honey Ryder in the adaptation of Dr. No. At the time of the official Bond film in 1962, she had such a thick Swiss-German accent that her voice had to be dubbed. In the 2006 film adaptation she was portrayed by Eva Green, probably the best casting choice.

We also do have some official artwork of her! A later printing of the book included a drawing of her in the outfit she wears later on.







quote:

Mathis had noticed Bond’s preoccupation. After a time he rose.

‘Forgive me,’ he said to the girl, ‘while I telephone to the Dubernes. I must arrange my rendezvous for dinner tonight. Are you sure you won’t mind being left to your own devices this evening?’

She shook her head.

Bond took the cue and, as Mathis crossed the room to the telephone booth beside the bar, he said: ‘If you are going to be alone tonight, would you care to have dinner with me?’

She smiled with the first hint of conspiracy she had shown. ‘I would like to very much,’ she said, ‘and then perhaps you would chaperone me to the Casino where Monsieur Mathis tells me you are very much at home. Perhaps I will bring you luck.’

With Mathis gone, her attitude towards him showed a sudden warmth. She seemed to acknowledge that they were a team and, as they discussed the time and place of their meeting, Bond realized that it would be quite easy after all to plan the details of his project with her. He felt that after all she was interested and excited by her role and that she would work willingly with him. He had imagined many hurdles before establishing a rapport, but now he felt he could get straight down to professional details. He was quite honest to himself about the hypocrisy of his attitude towards her. As a woman, he wanted to sleep with her but only when the job had been done.

Despite Bond's sexist reservations, Vesper's portrayal is far from the Bond Girl stereotype. We'll see more as we go on, but intellectually she's a sharp one and can be just as calculating as Bond himself.

After Bond leaves, Mathis talks to Vesper about her rapport with Bond. She compares him to Hoagy Carmichael, but with a more cold and ruthless look to him.



quote:

The sentence was never finished. Suddenly a few feet away the entire plate-glass window shivered into confetti. The blast of a terrific explosion, very near, hit them so that they were rocked back in their chairs. There was an instant of silence. Some objects pattered down on to the pavement outside. Bottles slowly toppled off the shelves behind the bar. Then there were screams and a stampede for the door.

‘Stay there,’ said Mathis.

He kicked back his chair and hurtled through the empty window-frame on to the pavement.

Subjunctive
Sep 12, 2006

✨sparkle and shine✨

This is your best thread yet.

Subjunctive
Sep 12, 2006

✨sparkle and shine✨

Also, inspiring.

chitoryu12
Apr 24, 2014

Subjunctive posted:

Also, inspiring.



What ratio did you use?

Subjunctive
Sep 12, 2006

✨sparkle and shine✨

chitoryu12 posted:

What ratio did you use?

6:1, of course.

JUST MAKING CHILI
Feb 14, 2008
Americanos are great in the summer!

Mel Mudkiper
Jan 19, 2012

At this point, Mudman abruptly ends the conversation. He usually insists on the last word.

Subjunctive posted:

Also, inspiring.



James Bond drinks a vodka martini tho

check mate

Trin Tragula
Apr 22, 2005

James Bond would drink Toilet Duck and soda if you could convince him it was really an Old Reliable

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chitoryu12
Apr 24, 2014

Someone analyzed how much he drinks in From Russia With Love and it’s something like 13 ounces of pure ethanol equivalent in one day.

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