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a new study bible! posted:Suggestion: Preening about your writing styles, intentions, or any other elements of your story, whether written as a preface to your story or in response to results/criticism, should be a probatable offense. One of the unspoken commandments is don't get mods involved, not least because one outcome means losing the free avatar each week. Another reason is that mod involvement would lead to rules lawyering which is poison.I feel like the community here does a good job of policing itself with words and swear words?
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# ? Jun 9, 2023 08:48 |
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sebmojo posted:One of the unspoken commandments is don't get mods involved, not least because one outcome means losing the free avatar each week. Another reason is that mod involvement would lead to rules lawyering which is poison.I feel like the community here does a good job of policing itself with words and swear words? I recognize and agree that it's bad to get mods involved. When I was thinking probation, I was more thinking that you were probated from participating in the next week or something. Again, too many rules are bad, so the above suggestion is unnecessary, but public rumination about how you are going to improve is nothing more than white noise trying to validate how cute or clever your idea was. It shouldn't be encouraged.
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Thunderdome 2017teen: Bunker Down In Our Abonend Thunderdome 2017teen: Like A Modest Proposal, But For Writing Thunderdome 2017teen: You May Already Be A Loser
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Would just like to pop in to say that I love the TD recaps. Everyone in them does great work. ![]()
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a new study bible! posted:I recognize and agree that it's bad to get mods involved. When I was thinking probation, I was more thinking that you were probated from participating in the next week or something. Yeah for sure. If a judge doesn't want to judge someone because they've been a dick they won't, but the thread pushback over any hint of MY IDEAS SO BEAUTIFUL is p strong
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Thunderdome 2017teen: Illiterature at Its Finest I suppose an apostrophe would be appropriate, but I shudder to behold it.
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Thunderdome 2017teen: I shudder to behold it
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Thunderdome 2017teen: LET ME TELL YOU HOW MUCH I'VE COME TO HATE YOU SINCE I BEGAN TO READ
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Thunderdome 2017teen: Write Short Stories Win No Prizes
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curlingiron posted:Thunderdome 2017teen: LET ME TELL YOU HOW MUCH I'VE COME TO HATE YOU SINCE I BEGAN TO READ Thunderdome 2017teen: I Have No Talent, and I Must Write
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thunderdome2017: we write bad words, so can you!
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thudnerdome '17 IT'S IS ONLY EVER SHORT FOR IT IS YOU loving ZOBES
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Thunderdome 2017: Read the OP you big dumb jerk it's not even that long also it's a hard limit and stop prefacing your posts I hate you all
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Here come (some of?) the last crits of 2016.Jagermonster posted:Ride of the White Knight I hated this story, and it's mostly because you set the protag up in such a way that it was obvious he was going to be a hopeless failure. And it was full of dumb and bad caricatures.
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Hawklad posted:
OK so this story is 'protag dumps exposition on us for almost half of the story, protag chats with tribal chief, tribal chief outfoxes him to get a rescue team sent.' I dunno it's just kind of dull. Too much exposition, too little anything I should care about. Kinda boring conversation too.
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Chili posted:
Protag is dumb ending is bad.
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Entenzahn posted:But I smiled OK so my esteemed judges weren't overly fond of this one. I kinda liked it apart from the things I criticised. It was definitely better than the previous stories. Yeah it was a bit of a feelgood cliche, but I don't mind those so whatevs.
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Benny Profane posted:The Entertainment I dunno it was kinda silly. Not really much substance, and the fact that 'the entertainment' seemed very similar (from what descriptions we'd been given) to a TV but obviously wasn't one (because Wembley Stadium got annoyed when they were all watching TV) was kind of confusing. Chairchucker fucked around with this message at 18:09 on Dec 31, 2016 |
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Baleful Osmium Sea posted:
I don't really 'get' this ending. The supervisor wasn't going to sign off on her applying to the academy, but now because she upset him again, (with her being on report and all) he will? Ehhhhhh I dunno dude.
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Erogenous Beef posted:A Change of Mind (800w) I liked this story. It was fun and funny. I also enjoyed how the ecological terror that is sapio - I'm not even gonna try - was defeated without the protag even realising.
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flerp posted:800 words OK well now this story is archived so I'm not gonna bother line by line critting SORRY FLERP. I actually really liked this story and would've been down with giving it an HM. Yeah not much happened but the vibe kinda worked for the character, and I really started to care about Johnny and his turtle. I was also somewhat amused by the fact that he just forgot his phone was off so didn't notice all of his friends leaving. There were a couple of minor errors too but overall it was an oddly pleasant story about the end of the world.
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Thunderdome 2017: Five million words and we still haven't found the good ones
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Thunderdome 2017: How I Learned to Start Writing and Love the Crits
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Jay W. Friks posted:Hello all. I'll be subbing for Twist for THUNDERTOME for the next few weeks. With that in mind, if anybody still wants to speak about BURNING CHROME, the previous book to discuss, do so, perhaps when it comes time to discuss the book I have chosen for digestion from now till JAN, 6th, 2017: BARDO99 by Cecile Pineda. A REMINDER OF THINGS TO COME!
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Thunderdome 2017teen: Write Makes Might!
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Djeser posted:Code Crimson Boaz-Jachim posted:For my brawl against Djeser. These are two incredibly different stories. As I write this post, I'm not entirely sure which I like better. Stay tuned!!! Djeser This spends a bit too much time on the day-to-day drudgery of Michael is fairly likable and sympathetic. He's pretty fully characterized, which is probably why the thinness of the rest of the characters/set pieces was so stark. He deserved a more interesting conflict than a chase/fight scene, though the his one-liner at the end (and subsequent thoughts about it) was cute. I'm a fan of the expanding SatireMart universe. Stories like this make me wish for some hypothetical TV show that is a mix between, IDK, Superstore and Once Upon a Time. The prose is jovial and generally smooth, so no real complaints there. The action, as thin as it was, was at least easy to read and visualize. Boaz-Jachim There isn't anything I really think is truly 'bad' about this piece. It does exactly what it intends to do, I think, so it comes down to whether the reader is into that. Very little happens "on screen" until the end. The reader is left to infer a lot, so the "change" that happens in the story isn't so much a character arc as it is an informational arc. The narrative revolves around the revelation that this formerly subjugated artifice/automaton is now an oracle for the creatures that once enslaved it. I thought it was....pretty good. The language is pretty. Where Djeser went for straightforward language that lent itself to clarity, your piece definitely has a more poetic bent. A different reader might have quibbles with the way you chose to present the story (mainly the formatting, I know some people's eyes glaze over when they see lots of italics), though I personally didn't mind. I want to write more crits but I am at work and deeply entrenched in a sort of banal conversational siege so here it is: I like both stories. They are too different to fairly compare. However, if a reader that wasn't familiar with TD were judging, they would probably find more to like about Boaz-Jachim's story. So grats Boaz, although really if I were a butt I'd say you guys tied because at the end of the day I enjoyed reading both of these pieces.
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Chairchucker posted:Here come (some of?) the last crits of 2016. Some of is right Thunderdome 2017teen: Crit more Crits from The War, On Christmas ThirdEmperor Your story does not work, at all. It starts with the fact that it is impossible to tell what is going on. Where are we, when are we, who the hell is talking? What are these character’s names? What in the hell is happening? Is he a time traveler? Is he dreaming? Is he on a spaceship? It’s basically impossible to understand. I’m also not sure your story actually hits the prompt, which is a war affected by Christmas. Can’t see much of either here, except for the word Christmas twice, and some oblique mentions of war-type things. In spots, you have good words. The problem is, your words are all jumbled up. I’m pretty sure you ran out of time, but you’ve got to tidy this stuff up. I think this is supposed to indicate that the mug is sweating OJ, but it is incredibly unclear. "orange-juice-sweating" would help, but I don't know why I care that the mug is sweating OJ. quote:he drank his orange juice sweating, festive mug This sentence is bad. You've got an unclear antecedent, since there are technically two possibilities for who chewed away on automatic. Since I know the grandfather is eating, and it's closest to him, I know that it should refer to him; even so, it makes the reader have to do work that you don't need them to. Unless you're intentionally being confusing in this story, which, well, good job. Also, if "at the two portraits" is supposed to give us an idea of what else John looks at, either he looks at the portrait (so say that), or he looks at anything but his grandfather, in which case, tell us some more things. quote:It was weird and John stared at anything but his grandfather as he chewed away on automatic, at the two portraits sitting on the wall. Besides the slight but strange tonal detour this story takes right about here, this sentence is bad. I know you're writing it as it might be said out loud, but this is bad dialogue. Strange that he'd say "heck" and "loving" in the same sentence. quote:Heck, I - I'd let you forget that, do let you forget, so eat your loving cornflakes. I don't need this. Lol come on man. Six fucks, seven lines. It's not as expressive a word as you seem to think. quote:"gently caress." Final thought: gently caress Entenzahn I like this story. I think it was one of the stronger entries this week. I’ve got some quibbles with your language in places, which I’ll go through below. Overall, I could have used just a tad more characterization of these guys. I think we’re supposed to root for these guys because Mockwood represents the rich politicians pulling the levers of war, but I don’t think we get enough to actually identify with Rocke and Seet in their coup attempt. This feels a bit like an alternate timeline WWII set in the US (based on the politician titles), I think you could leverage existing knowledge of the war if you more clearly identified the setting. That could help with establishing the audience’s favor. If it’s NOT supposed to refer to WWII, making clear the conditions of war could, again, help us to sympathize. Language stuff: You use this construction twice. There are times when it works, but I don’t like either instance of it here. quote:their hedges were still trimmed, quote:They hadn’t expected I don’t like this sentence. Starting with “but” feels flat. Maybe “in the process, however,” or incorporate “simultaneously” or something. Anyway, don’t like it as is. quote:But he took return fire This next bit happens immediately after that and it feels like it’s missing a piece of blocking. When did they enter the living room? Or are they not in the living room? Immediately after this it’s clear that they are in the living room, but it talks about opening the door, not barricading it. quote:The pounding on the door started just as they’d finished their makeshift barricade. The cabinet held firm.[quote] You repeat this construction twice, but it isn’t significant enough to add anything—in fact, I think it detracts in this case. Either restructure, or use it more (don’t think it’s strong enough for that, though) quote:Somewhere along the way Rocke bled out on the floor. Somewhere along the way more bullets slammed past him. That’s all nitpicky stuff, but I think another revision would significantly strengthen this story. SkaAndScreenplays A pattern has emerged in all of your stories: you need to work on your punctuation. Often, you put commas where you need periods, or vice versa; your punctuation in and around dialogue often makes it difficult to read. If you want, for your next story, I’d be willing to give you an edit before you sub. Overall, I think this particular story suffers from a few big picture issues. 1) There is no conflict, really. Obviously, there is a war going on, but we get no real sense of it. Some imagery here might do the trick. But in the plot of this particular story, no conflict happens for any of the major characters. It might be a function of the warm, fuzzy Christmas feel you’re going for, but it needs something more. 2) Your characters are all flat. They don’t all have to be round, but you need at least one or two. None of your characters, though, are complex in any way. This story needs some context. Who is Walter, and where did he come from? Where are his parents? What have these characters lost, due to the war? Something. 3) In general, we have no sense of the war. Is the ceasefire likely to last? I have no idea, because I have no sense of either side, or the conditions of the war, either in the past or at present. Mostly, we don’t feel the war in any specific way. Makes it hard to feel for the characters, either. I don’t think this story works as is. The idea of a kid who befriends a group of soldiers getting them gifts is fine, even potentially interesting, but you need more than you’ve got here. Boaz-Jachim This story is goodish. Not sure it quite hits the prompt (where is the holiday? I guess the soldier letting him run is a Christmas miracle?). The stories I’ve read of yours (not many) all do a good job of establishing specific elements of the characters involved; that is true here. You can feel the refugee’s (?) fear and desperation. You can feel the animalistic nature of the soldier. That’s done with good consistent imagery. I’m not sure what to make of your verb tenses. Obviously, you’re playing with them on purpose, but I am not sure how I feel about them, whether the future tense adds anything substantive to the story. Maybe it paints a picture of a continuous reality, in which predator hunts prey, or something? Might work. Might not. Thranguy This is a nice little story. Maybe a little bit of a stretch, but does a nice job of relating the seriousness with which children take the things they do, the things that happen to them. Overall, I like it. A couple of problems. One, you’ve got a few typos. Nothing major, but missing letters are distracting (officers, hand). Two (and I acknowledge that this might be a reader problem), there is a tone shift when your protag gets hit by the rock snowball. Before that, despite the comparisons to real war, the tone is pretty light. The protag is telling a nice little story about the Snowball Wars, with no hint that War Is Hell is coming down the pipe, which you might expect a storyteller to let you know up front. GenJoe Story doesn’t work for me. It’s not bad, it’s not good. It kind of just is. The biggest problem for me is that I have no clear sense of what’s going on, and I can’t see a reason that I shouldn’t. Being vague about story details works if the story is generalizable, i.e. it could be about any war. This one is clearly about a specific war, but I don’t know anything about it, except we’re fighting (North?) Korea? I sure know a lot about what these dudes are getting their kids for Christmas, but not why he can’t give him a spaceman figure now. What is the plan? Why are the satellites down? The ending also really does not work for me. It’s abrupt, and gives no good sense of direction. Obviously he’s going to see if his family is safe. But that line of dialogue is not strong enough to end on. I need something more. Overall, not enough detail, and not enough anything else to make up for that lacking detail (i.e. Boaz-Jachim’s story). Also, not really an ending. Benny Profane At first, I definitely did not get your story. I think now I do? I still think I might be missing the historical context to make this story work better for me. Your language is decent, though stumbles at times. Don’t like this sentence: “The crowd did not part in advance of his approach, but permitted his passage as he slid between their bodies”. Are they moving or not? I’m not sure if that sentence achieves anything, really, which I feel about some of the imagery in general. To me, it appears this story is about a man unwelcoming to the increasingly inevitable Carthaginian influence (obviously, re: Carthago delenda est), a fact that will be (is?) his downfall. That assumes that the curved golden-handled blade on a purple pillow is particularly Carthaginian, which I don’t know. Ultimately, I don’t know what to do with your story. It’s too vague in the contextual details, given that the specifics of Roman-Carthaginian conflicts are hardly common knowledge. And ultimately, there’s no real ending here, without having a specific knowledge of the meaning that blade. Which I don’t have. Lead out in cuffs Whoa this got dark in a hurry. Anyway, not a bad story. I think in the middle to upper tier for the week, from what I’ve read. Does a good job of setting up important details, decent dialogue, fine pacing. I understand the characters pretty quickly. John is pretty cartoonishly evil, which I guess is a danger of short stories. The things that his character does are terrible; you’ve got to make us buy that people would stick around him. Maybe it’s just because he can provide for these two women, but to me, he needs some charm or some other magnetic quality. Idk, maybe that’s just me though. Also put another line breaks between those grafs. You do it for like half the story; do it for all of it. Baleful Osmium Sea This is fine. Well realized within the bounds of the world you have set up. Biggest problem I have is the seeming lack of explanation for why Jeohavhai suddenly becomes bloodthirsty and hateful. Isn’t foreshadowed at all and seems fairly out of character for him. Also, is rabbit hunting a holiday tradition I am unaware of? I know about Wren Day in England, but not something about rabbits. Or perhaps you have invented your own holiday, which would make sense in the context of this story. I’m thinking that’s it.
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Katdicks -- Ashes Crit for a newbie! Sitting Here gave you a good crit already, and I generally agree with it. This is an OK story, and compared to my first entry, quite good. Below, I've included some thoughts about specific portions of your story. Here are my general thoughts: • The story is generally lacking in consequences. Despite it being about a bomb detonation, aside from a collapsed building, everything we encounter survives. Not saying it needs to be a gorefest, but if the consequences are as dire as your protag feels they are, we need to feel it to. I think that would make the ending feel more gratifying, as well. • Like SH said, your characters are flat. Why are we following THIS guy, and not some other guy? If it’s supposed to be an everyman tale (which, maybe it is, since we don’t get a name), I think you’d need more details to deliver that. We need some specifics about the experience that these characters have. And a couple of times, as I’ll mention below, you have opportunities for that but you decline to use them. • Pretty decent action choreography, which can be challenging. Never had any real trouble understanding where I was, Though I do think you could fix your initial description of the house in some small ways. quote:I chased the sound and arrived, panting, at the remains of a home. The second floor had crumbled, and the weight of it had demolished two of the four outside walls.As becomes clear momentarily, it’s not the entire house. be specific: which side of the house? Which walls? I found an entry point through a window in one of the standing walls which one? and heaved myself into what had been a bedroom, mostly intact save for the dangerously warped ceiling. The sounds led me out of the room and to the end of the hallway, where the outside wall stood to my right, the collapsed portion of the house to my left, and straight in front of me, a single small room.here is where I had to flip the house, because earlier you left me to imagine the building but now you give specifics. Specific thoughts: Pretty heavy with the description of this delicate flower. Too much for me. quote:My wife gave me a warm embrace, kissed me softly on the cheek, and stepped back from me. Her jaw clenched as she picked up the scuffed white helmet, the mark of my trade, with her delicate hands. Her brows furrowed and she stared up at me with dark, doe eyes. I don't know how much this prologue does for you, other than introducing the character of his wife and telling us that it is currently holiday. Like SH, I don't love the stuff where the protag sees his wife's face, finds the strength to go on, etc. And this section is pretty clearly only here to provide that character for your protag. I think you could give us a lot of this detail as the protag rides to the bombsite, or as he sits waiting for the alarm. The first advice I received upon arriving in the dome is start your story where it gets interesting. Not sure this is that place. Also, the dialogue could be used here to deliver some of the character description this story is lacking (like SH said), because as is, it is pretty cliché. quote:“Today there will be peace, right? For the Prophet’s birthday?” We could hear the chatter from the crowds outside beginning to form. Soon there would be raucous chanting to signal the beginning of Mawlid. When I was a child, the noise excited me. Now, it only reminds me of what I could lose.need something here. Has he lost something? Is he afraid of losing his wife? What could he lose? I yearned for the silence and the peace that it indicates. should be indicated, since it apparently no longer indicates that. Also, I am pretty sure "it" refers to the noise, so I'm not clear how noise could indicate silence. quote:I met with my fellow White Hats in our rescue center. We talked and ate, all the time dreading the call to action.I think you could stand to show us the ways this manifests. Maybe it affects the way they go about their daily routine, or something. Make us feel it. The sun rose directly above us, and we began our prayers. We prayed aloud for peace and for our love of Mohammad to be shown through our work. In my head, I prayed selfishly to return to my wife. We sat in hopeful silence after the midday prayers. quote:The eight of us hurried out of our makeshift ambulance and into the center of the bomb site, marked by a large crater and thick smoke. I think the lack of consequences could be replaced by mention of previously felt consequences, which you allude to here. Maybe give us more, give us a specific memory, something. quote:The crying stopped, and for a moment I sat motionless, entirely numb and cold. My mind rushed with memories of past failed rescues, of the bodies, the screams.
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Sitting Here posted:Stay tuned!!! Thanks for judging, Sitting Here.
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*in kayfabe voice* i hate every 1 of u assholes...... *in normal voice* lol actually i just hate most of u ![]()
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Entry closed, haha. Subs due in 28 hours or so I guess
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no kayfabe: I'm a dumb twat Ironic Twist fucked around with this message at 04:29 on Jan 1, 2017 |
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Ironic Twist posted:no kayfabe: I'm a dumb twat You're actually p cool and write good words
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kurona_bright posted:Would just like to pop in to say that I love the TD recaps. Everyone in them does great work. Yeah! Kaishai could stand to turn up her mic though
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I like you guys
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i dont like anyone
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except for flerp
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Reminder to go through and edit out the stories you think you might ever want to sub for publishing, leave a link to writocracy if you like.
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sebmojo posted:You're actually p cool and write good words well yes, the two aren't mutually exclusive also thank you, you wrote good words before I did
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# ? Jun 9, 2023 08:48 |
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Love you all, happy new year and may you all find yourself atop the throne at some point.
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