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its time to ask ourselves, what is an idol anime
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# ? May 21, 2022 03:53 |
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i'm surprisingly digging the wistful moody boy plays shamisen show.
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Idol anime is good hates vacate Anyway who''s looking forward to next horribly bad Crunchyroll original?!?!?!? https://twitter.com/SeanRossSapp/status/1385342484537085952
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gimme the GOD drat candy posted:i'm surprisingly digging the wistful moody boy plays shamisen show.
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gimme the GOD drat candy posted:i'm surprisingly digging the wistful moody boy plays shamisen show. its op is the best one this season
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Strange Quark posted:its time to ask ourselves, what is an idol anime ![]()
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Strange Quark posted:its time to ask ourselves, what is an idol anime ![]()
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Strange Quark posted:its time to ask ourselves, what is an idol anime ![]() ![]()
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gimme the GOD drat candy posted:i'm surprisingly digging the wistful moody boy plays shamisen show.
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SatoshiMiwa posted:Idol anime is good hates vacate I might watch Attitude era wwe but an anime. Probably still a horrible idea. If its The Marine but an anime, no deal.
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shamisen anime was better before they got to school
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Davincie posted:shamisen anime was better before they got to school I like his dynamic with the ponytail girl way better than with the presumptive love interest.
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most of what actually happens is either a cliche or intensely dumb. but it is all put together very well and set to rad shamisen music, so who cares?
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The rival shamisen guy is hot
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Time for more food anime https://twitter.com/Anime/status/1385435271118954496?s=20
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sinky posted:Time for more food anime quote:Restaurant to Another World anime season 2 confirmed with the returning cast Oh sweet! ![]() quote:and a new studio! Oh noooo. ![]() Because that never ends well.
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don't worry buddy, Strike Witches has switched studios every season with pros and cons between them but never a true drop in quality
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Got caught up with Vivy and man this is a good series so far. Kind of a cross between iRobot and Terminator I guess? Extremely glad this got recommended to me.
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i'm seeing stuff list the director of s2 of that isekai restaurant show as the same as s1 but i dunno how legit that is, but a new studio doesn't really necessarily mean a full replacement of staff
The Colonel fucked around with this message at 13:25 on Apr 23, 2021 |
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Nitrousoxide posted:Got caught up with Vivy and man this is a good series so far. Kind of a cross between iRobot and Terminator I guess? Extremely glad this got recommended to me. I've been enjoying it immensely, I like how its fairly well focused. What I suspect might happen though: The plot revolves around time travel to prevent the AI rebellion; the flaw with this though is the time travel happens at a particular point (when the AI rebellion happens); which of course reminds me; didn't Terminator avert Judgment Day repeatedly only to ultimately kick that can down the road? It still happens, just a few decades later, and later, but it always is doomed to happen. It seems to me that this plan is kinda an act of desperately and probably doomed to failure, because nothing guarantees a lasting accord between humans and AIs, so all they are managing to do is delay it and presumably make it some body else's problem but further in the future. Unless like Humans do the stellaris thing and merge with the AIs.
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Raenir Salazar posted:I've been enjoying it immensely, I like how its fairly well focused. The most recent episode made it an important point that Matsumoto, for all his bravado, actually does not have perfect knowledge of the future. He was just flat wrong about what happened on the space station. Moreover, the show made sure to specifically highlight the one terrorist dude that Vivy saved having almost a change of heart, and how the final impact was going to be radically different from Matsumoto's history. For all of his swagger it doesn't seem like Matsumoto has realized that changing history is actually changing history. Put another way, the last couple of episodes call into question whether Matsumoto ACTUALLY knows why the AI rebellion started.
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Back Arrow 16: Believe it or not, actual main plot progression! In other words: new wall-related stuff and more. Almost no action, sure, but I think it was necessary to step away from the battles for a moment. They actually did a good job bringing together a lot of disparate threads even from way back at the start of the series. I also dig seeing minor characters re-introduced after quite a while and having them interact. The overarching status quo is rapidly changing too, so things are looking up in more than one sense. wielder fucked around with this message at 17:16 on Apr 23, 2021 |
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Omnicrom posted:The most recent episode made it an important point that Matsumoto, for all his bravado, actually does not have perfect knowledge of the future. He was just flat wrong about what happened on the space station. Moreover, the show made sure to specifically highlight the one terrorist dude that Vivy saved having almost a change of heart, and how the final impact was going to be radically different from Matsumoto's history. For all of his swagger it doesn't seem like Matsumoto has realized that changing history is actually changing history. Yeah! It was pretty clear to me why events were unfolding differently was because of Vivy altering the timeline (saving brown haired dude) and that these stones in the pond will definitely result in something, resulting in Matsumoto's information being increasingly out of date as time goes on, resulting in Vivy needing to make more and more judgment calls to try to keep the mission on track. I don't think Matsumoto is wrong about the initial timeline being what caused things, but Matsumoto probably also doesn't really understand human motivations or why things unfold the way they do, and thus why he doesn't/won't know what to do when things go completely off the rails; he's just running a script while its Vivy who needs to understand the heart.
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Neddy Seagoon posted:Oh sweet! Everyone liked snafu better when it switched to feel. for s2 didn't they?
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Uma Musume swapped studios and I've seen universal praise for s2 over 1.
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Strange Quark posted:Everyone liked snafu better when it switched to feel. for s2 didn't they? There's also Full Metal Panic going over to KyoAni for the second season and Fumoffu. Studio change is something to keep an eye on, but it's not always a bad thing.
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So I'm dropping that Full Dive show. It's too dark for what is supposed to be a comedy and I don't like the girls, they're all just various flavors of yan-with-no-dere. That said, I loved Uma Musume season 2 but I also loved season 1 so I'm hardly unbiased.
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Kwyndig posted:So I'm dropping that Full Dive show. It's too dark for what is supposed to be a comedy and I don't like the girls, they're all just various flavors of yan-with-no-dere. I'm giving it one more episode, now that we seem to be moving past the initial setup of the world. I'm just morbidly curious about what's going to drag the MC back into this actively-hateful game.
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Raenir Salazar posted:Yeah! It was pretty clear to me why events were unfolding differently was because of Vivy altering the timeline (saving brown haired dude) and that these stones in the pond will definitely result in something, resulting in Matsumoto's information being increasingly out of date as time goes on, resulting in Vivy needing to make more and more judgment calls to try to keep the mission on track. I don't think Matsumoto is wrong about the initial timeline being what caused things, but Matsumoto probably also doesn't really understand human motivations or why things unfold the way they do, and thus why he doesn't/won't know what to do when things go completely off the rails; he's just running a script while its Vivy who needs to understand the heart. Almost like her personal growth toward her ultimate goal is mirroring the overall worldwide plot!
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Nemo2342 posted:I'm giving it one more episode, now that we seem to be moving past the initial setup of the world. I'm just morbidly curious about what's going to drag the MC back into this actively-hateful game. See, I can't imagine anything that would be a satisfying answer to that issue for me so I'm done with the show.
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He’s 17 years old and it’s ep 1 where a shopkeeper with huge tits says she’ll hold his hand through the game, I can tell you why he logs in
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Space Flower posted:He’s 17 years old and it’s ep 1 where a shopkeeper with huge tits says she’ll hold his hand through the game, I can tell you why he logs in so he can have a chance at getting his log in
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SatoshiMiwa posted:Idol anime is good hates vacate Does Vince even know what Anime is, or that it exists?
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Detheros posted:Does Vince even know what Anime is, or that it exists? What has that ever stopped Vince McMahon? "Something something money for you" "sold American".
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Omnicrom posted:What has that ever stopped Vince McMahon? "Something something money for you" "sold American". "Do whatever just don't make HHH look weak, pal!"
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Detheros posted:Does Vince even know what Anime is, or that it exists? Considering how many events they do there and how big WWEs fan base in Japan is, I would be surprised if he doesn’t even if it is just at the level of “those wacky Japanese cartoons.”
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I was wondering why everyone Mashiro no Oto considers "finding their own sound" so important, but apparently Tsugaru shamisen competitions are primarily graded on the players' ability to create their own version of just one or two specific song (with different songs being separate events that different people compete in) since the official repertoire is very small. (Also, those shamisen they're all using cost anywhere between 100k and 350k JPY. ![]() Lemon-Lime fucked around with this message at 14:35 on Apr 24, 2021 |
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Lemon-Lime posted:I was wondering why everyone Mashiro no Oto considers "finding their own sound" so important, but apparently Tsugaru shamisen competitions are primarily graded on the players' ability to create their own version of just one or two specific song (with different songs being separate events that different people compete in) since the official repertoire is very small. I would think the mentality is similar to that of Rakugo: traditionally there is only a set number of stories that is professionally recognized and performed: and it's about you finding your own voice as a performer, putting your own individual performance into the same stories that others have been telling for generations, giving it "your own voice". The constraints are intentional from a traditional perspective, as is sharing and refining the same material that has been practiced by your predecessors and colleagues for generations.
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Lemon-Lime posted:
Yes, I am a former string instrument player, why do you ask.
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# ? May 21, 2022 03:53 |
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That's honestly a universal thing for musicians. And that's how you can tell a great musician from a merely competent one: If they have found their own sound.
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