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Does anybody know where I could get a relatively inexpensive pan/crossfade pedal? I'm interested in finding something with a single guitar input that I could use a foot pedal to fade back and forth between two mono outs (for different amps or effects chains or whatever). Ernie Ball makes a stereo version, but it's about $175 and that's pretty expensive for what seems like a really simple circuit. I've found a couple of schematics for crossfader circuits online, and it shouldn't be TOO hard to cannibalize an old wah pedal for this purpose, but if anybody knows of any guitar-specific plans, I'd be interested in checking that out too.
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Apr 12, 2009 22:34
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I am really psyched to get my hands on AT3 (got in on the preorder deal), I was a little disappointed that "February release" apparently means the last day of the month, but it's just as well given that I am finishing up a project this week and the last thing I probably need is a shiny and complex piece of new software right now.
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Feb 26, 2010 07:59
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code:  downloading now, trip report in a couple of hours
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Feb 27, 2010 00:34
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Also your recording software (assuming you are using Amplitube as a VST plugin) should tell you your latency in that application. It looks like the UCA202 does have ASIO drivers available at http://www.behringer.de/EN/Products/UCA202.aspx -- both native drivers by Behringer, and 3rd party ASIO4ALL drivers, you might want to try out both of them to see if one gives noticably better latency.
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Mar 3, 2010 19:25
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Hadlock posted:This talk about EQ pedals gave me an idea. You'd need some sort of auto A-B switch that had an adjustable oscillating (square wave) rate, sort of like a tremolo, but it would cut between A&B, which would feed into two EQs, each with different settings. My guess would be that you'd end up with a slight warble halfway between a phaser and a tremolo. For shits and giggles you could add in a toggle switch to change the wave from square to sine , and then a depth knob to blend the dry signal with the EQ'd signal. I'm at home this afternoon and got curious so whipped up a couple of clips myself in Guitar Rig 4. Both are a Les Paul (bridge pickup) -> EQ splitter -> High White (Hiwatt) amp model. I also added a touch of Ableton compressor after GR. It does remind me a bit of both a tremolo and a phaser (also of the effect you get toggling a pickup select switch back and forth rhythmically), and unsurprisingly sounds best with sustained, harmonically rich notes. Clip 1: Mild (modeled) tubescreamer up front, split into two Graphic EQs with moderate boosts in different bands. Near the end I switched the LFO around between square wave (which is most of the clip), sine wave, and sawtooth (I really like the pulsing of the sawtooth wave). Clip 2: Replaced the tubescreamer with a fuzz (the Big Muff style model) to really bring out the harmonics, into a Split with two drastic shelving EQs (one all low end, one mid-high end) h_double fucked around with this message at 18:48 on Apr 27, 2010 |
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Apr 27, 2010 18:46
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