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WanderingKid posted:You should paint go faster stripes on your cables. Improves velocity factor, but only if you have aerodynamic plugs too. You just have to make sure to use amagnetic paint, or cosmic rays will be attracted to the cable and end up causing jitter.
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Nov 14, 2011 14:38
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| # ¿ Apr 28, 2024 02:35 |
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Wendy's is better than McDonald's too but I sure as hell wouldn't brag about the great meal I got at either place.
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Apr 18, 2012 13:46
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Waldo P Barnstormer posted:http://www.head-fi.org/a/describing-sound-a-glossary As a clasically-trained musician and recording engineer I can safely say that no gear could possibly have any effect on the first three. If there's a system so bad out there that it can actually disrupt the tempo of a recording, that poo poo is mad broken, and no $6000 power cable or wooden stereo knobs are going to fix it, either. And I'm just sitting here holding my head in my hands over that fourth definition. I know we all realise that audiophiles listen to sound and not music, but to see them actually define musicality as "right" sound reproduction...do they even understand that there were real people involved in the production of that recording in the first place? 
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May 20, 2012 06:06
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jonathan posted:Oh and here is some audiophile bullshit. Hahaha, even the dog knows this is all bullshit.
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Feb 20, 2013 17:30
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Confounding Factor posted:Past the FLAC area into WAV files, you'd have to get a really detailed headphone to even spot the difference, and if some claim to, I'd be more than glad to call them out on their bullshit. Not trying to be a dick (since you clearly have your head on straight), but there's no difference whatsoever between a FLAC and a WAV. That's what the "L" in FLAC stands for—"lossless". You'd be right to call someone out on claiming to know the difference, because there literally is no difference.
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Jun 12, 2013 03:53
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| # ¿ Apr 28, 2024 02:35 |
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Man, just thinking about all the jitter, scrold, and tinth you must be getting from that setup is painful.
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Oct 12, 2013 16:12
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