|
Furthur's actually pretty good, especially if you like hearing Grateful Dead songs played really, really slowly. My only other criticism is that they tend to jam out every song, even songs the Dead used to play pretty straight, and while I get that they're not trying to be a cover band, jamming isn't what they do best. But it's still a fun night out. Beats Ratdog.
|
![]() |
|
![]()
|
# ? Mar 21, 2025 15:52 |
|
BigFactory posted:Beats Ratdog. What doesn't?
|
![]() |
|
HollisBrown posted:What doesn't? The Donna Jean Godchaux Band. It is bad. Ratdog isn't bad (Furthur is better, though), but you kind of have to be a Bobby fan. I am a Bobby fan.
|
![]() |
|
HollisBrown posted:What doesn't? Vince Welnick's Missing Man Formation? They sound really bad these days. I've been to some fun Ratdog shows, but in hindsight, I've had just as much fun seeing a good bar band.
|
![]() |
|
Roark posted:The Donna Jean Godchaux Band. It is bad. BigFactory posted:Vince Welnick's Missing Man Formation? They sound really bad these days. I was totally unaware of the existence of either of these groups, touche.
|
![]() |
|
How the gently caress does Vince Welnick still have a band? And if there's a Vince Welnick band why isn't there a Jerry Garcia Band? ![]()
|
![]() |
|
BigFactory posted:Furthur's actually pretty good, especially if you like hearing Grateful Dead songs played really, really slowly. Honestly this is my biggest criticism of pretty much all the Dead spinoffs and "Jam Bands" in general. The Grateful Dead weren't a jam band, they were a rock band that could "jam". The biggest difference is that they jammed on good songs, they didn't write songs to be a vehicle for jamming, like Moe. I might argue that Phish is less "jammy" but let's face it, Phish songs are loving dumb (this coming from a huge high school Phish fan). They have about 5 good songs and about 100 dumb as gently caress circus sounding songs. Good Phish Songs: 1. Fast Enough For You 2. Bouncing around the Room 3. Billy Breathes 4. Roggae Every single other song has such dumb lyrics that it completely distracts me from the musical performance aspect. Moe songs I remember the name of: ? The Grateful Dead started with writing good songs that people can connect with, then started jamming them out. Not writing songs over 15 minute jams. edit: Sorry I just loving hate Jam Bands Hollis Brownsound fucked around with this message at 01:44 on Sep 24, 2013 |
![]() |
|
The best Dead group out there, or at least the best group playing all Dead songs, would be Joe Russo's Almost Dead: http://archive.org/details/jrad2013-01-26.mk5.flac16 Of course, that group can only ever get together for one or two shows a year, max. But I'm pretty confident they'll be great shows every time out.
|
![]() |
|
Thanks for the feedback on Furthur, I got tickets and will be seeing them on the last scheduled 2013 date! I'll post my impressions in a couple of weeks.
|
![]() |
|
LordPants posted:How the gently caress does Vince Welnick still have a band? And if there's a Vince Welnick band why isn't there a Jerry Garcia Band? That was a joke. But missing man formation was not a good band. HollisBrown posted:Honestly this is my biggest criticism of pretty much all the Dead spinoffs and "Jam Bands" in general. The Grateful Dead weren't a jam band, they were a rock band that could "jam". The biggest difference is that they jammed on good songs, they didn't write songs to be a vehicle for jamming, like Moe. I might argue that Phish is less "jammy" but let's face it, Phish songs are loving dumb (this coming from a huge high school Phish fan). They have about 5 good songs and about 100 dumb as gently caress circus sounding songs. Phish is better prog rock band than a jam band. Jam bands are pretty stupid. Billy Breathes is a good song, though, and is neither prog rock nor jam band stuff. BigFactory fucked around with this message at 13:37 on Sep 24, 2013 |
![]() |
|
BigFactory posted:That was a joke. But missing man formation was not a good band. ![]() Going for a bike ride tomorrow, think I might bust out some 77 Dead for the ride. ![]()
|
![]() |
|
BigFactory posted:Phish is better prog rock band than a jam band. Jam bands are pretty stupid. Billy Breathes is a good song, though, and is neither prog rock nor jam band stuff. I'll agree with all of that. Honestly I wouldn't dislike Phish quite so much if people would stop comparing them to the Dead. Anyway I'm off the hate train. Robert Hunter just won a lifetime achievement award from The Americana Music Association http://www.dead.net/features/americana-music-association/robert-hunter-honored-lifetime-achievement-award, which is great but I really think he needs to be held on the same level as Bob Dylan.
|
![]() |
|
"So blow your whistle, hate train take me far on down the track..." I've been into September '72 big time lately. The boys were playing tight and intense during this period, and tight intensity is where it's at for me. My favorites so far are the 17th and 21st, which appear on Dick's Picks 23 and 36, respectively.
|
![]() |
|
MixMasterMalaria posted:Thinking of going to see Furthur in LA next month but I'm having sticker shock on the $60 tickets. I'm a fan of the dead (listen to stuff from the archives, go frequently to local cover/tribute bands) so I feel like its probably worth it, but the price combined with the fact that its assigned seating (used to dancing it up at GA tribute shows) makes me hesitate. Anybody with experience seeing Furthur or with knowledge of the venue have thoughts on what I should expect? I just saw Furthur for two nights in Berkeley. It was my first experience seeing any Jam band, beyond seeing Dark Star Orchestra a couple of months back. I'm a pretty easy-going Dead fan; I'll listen to almost anything but the late 90's, I think all members of the band contributed something awesome to the sound, and hell, I even like Donna a lot of the time. So, I guess I have very low standards. It was one of the best musical experiences I've had in my life. It's really a totally different experience when you have a few musicians on stage who are actively looking to create something, rather than just playing a setlist out the same way they've done hundreds of other times like other bands. Listening to recordings off of the archive is one thing, but watching the interplay between the musicians brings it to a whole new level. It's hard to visualize when you listen to the recording, and watching a youtube video can only do so much... watching all of the folks in Further communicate through music was astounding. I say it is worth it, unless you hate fun or something. The only downside I found from the shows is what someone said earlier... they really do jam out every single song. It was a bit tiring sometimes... and drat, they did some long jams. I don't think they stopped a single time during the last set on Sunday evening... Uncle Johns Band into St. Stephen had me ridiculously excited. I was so happy to get to hear St. Stephen live... OniKun fucked around with this message at 02:56 on May 25, 2015 |
![]() |
|
OniKun posted:Uncle Johns Band into St. Stephen had me ridiculously excited. I was so happy to get to hear St. Stephen live... I love that this sentence exists in the year 2013. As long as Furthur are continuing to provide experiences like yours, I don't think anyone can complain.
|
![]() |
|
The three night run at interlocken was really something else. I'd been to and appreciated plenty of Darkstar Orchestra but, and even though I had good experiences I was really surprised with how much I enjoyed the Furthur shows. Its left me going back and digging through all of the Dicks Picks a buddy of mine burned for me a few years back when he first started getting me into the Dead's music. I'm gonna try and catch them again this weekend in LA.
|
![]() |
|
Juaguocio posted:"So blow your whistle, hate train I generally agree, I really like 70-72 a lot and the few 75 shows. But I'm really digging some of the sleepy/dreamy late 70's stuff. I especially have been digging some of the really slow versions of St. Stephen from the late 70's.
|
![]() |
|
HollisBrown posted:I generally agree, I really like 70-72 a lot and the few 75 shows. But I'm really digging some of the sleepy/dreamy late 70's stuff. I especially have been digging some of the really slow versions of St. Stephen from the late 70's. I'm obviously a huge early 70s fan, but I've actually been getting into the late 80s/early 90s stuff. It's really uneven, but the stuff that's great is great (although the stuff that's bad is really bad). I've really been digging the March 1990 shows in Maryland, and there's some great Scarlet Begonias>Estimated Prophet jams (not songs that I'm usually a huge fan of).
|
![]() |
|
Roark posted:I'm obviously a huge early 70s fan, but I've actually been getting into the late 80s/early 90s stuff. It's really uneven, but the stuff that's great is great (although the stuff that's bad is really bad). I've really been digging the March 1990 shows in Maryland, and there's some great Scarlet Begonias>Estimated Prophet jams (not songs that I'm usually a huge fan of). Yeah it's easy to hear a bad late 80s-90s Dead Show and get turned off to the whole period, which sadly did happen to me for awhile.
|
![]() |
|
HollisBrown posted:Yeah it's easy to hear a bad late 80s-90s Dead Show and get turned off to the whole period, which sadly did happen to me for awhile. I like late 80s / early 90s shows cause you get to hear Phil sing Broken Arrow every once in a while.
|
![]() |
|
I don't think anyone has mentioned http://deadessays.blogspot.ca/ It's a series of extremely in-depth posts about the Dead's earlier periods. I recommend it highly, especially the Grateful Dead Song Graph.
|
![]() |
|
Green Shields in the parking lot. How does one get home after that? Free spaghetti.
|
![]() |
|
That Cold Rain and Snow from the Steppin' Out... box set is so good. So much bite and energy. Spoiler alert, I guess, Europe 72 was a great tour.
|
![]() |
|
It's Bob Weir's 66th birthday today. Throw on some "Me and My Uncle" and celebrate. ![]()
|
![]() |
|
Just read through the thread and kind of sad to see so little mention of Brent. One could argue that the end of the Brent run, after Jerry got off heroin, was the high point in their career. From the end of 87 till brents death the music just got better and better. Without a Net was recorded during the fall 89 and spring 90 tours and includes the wonderful Branford Marsalis Eyes of the World. They had played with Miles in the early 70s, but he was miles ahead of them and they could barely keep up. But by the time March 29, 1990 rolled around, they had progressed a great deal as musicians and created something wonderful. Even the band themselves view that time as something special. If you look at pictures and video they look happier and healthier. Unfortunately, after Brents wife left him, he crashed and the band was never the same again.
|
![]() |
|
Waltzing Along posted:Just read through the thread and kind of sad to see so little mention of Brent. Yeah but his songs were terrible.
|
![]() |
|
Ok, so I know American Beauty and "Touch of Grey" with a few other random songs here and there. I want the WEIRDEST The Dead ever got. Like Phil studied with some 20th century composers right? Gimmie the most out they got.
|
![]() |
|
https://www.youtube.com/watch?v=2E9pl2YHDdk But really they're not a "weird" band but check the album"Anthem of the Sun".
|
![]() |
|
HollisBrown posted:Yeah but his songs were terrible. Just a little light's not bad.
|
![]() |
|
Noise Machine posted:Ok, so I know American Beauty and "Touch of Grey" with a few other random songs here and there. I want the WEIRDEST The Dead ever got. Like Phil studied with some 20th century composers right? Gimmie the most out they got. Their weirdest stuff is going to be the earliest you can find. A lot of their earliest sets were just dropping acid and jamming for hours on end for acid test parties etc. That, naturally, doesn't translate the best to studio albums. Live/Dead tries. After and starting with Workingman's Dead is when you start seeing much more conventional song writing. Also, in their live sets a structure started to emerge where the first set would be typically be fairly standard run throughs of songs, and the second set is when they'd do all sorts of out there jamming. Standard jam vehicles include things like Dark Star, which can get out there. Blues for Allah can get out there at points, they wrote and produced that during a time when they were having several run ins with Indian Classical music and Jerry was chewing on raga concepts. Probably my favorite track(s) from that which gets out there and also provides really interesting jams in live sets is/are Help On The Way/Slipknot. Also around this time period, both Mickey and Billy had the opportunity to meet and practice with Alla Rakha, Ravi Shankar's tour tablaist of that time who had been touring around the United States with Shankar in the early 70's. Rakha introduced them to certain concepts of tala in Indian music and also showed them this neat trick where both drummers would play in different time cycles, say a 5 and a 6, which would bring both drummers together on every 30th beat, and then have them split off. This would give Jerry the opportunity to hop back and forth between different time signatures with ease, in the same song. Edit: Weirdest stuff to me is always the Space jams, Standing on the Moon, stuff like that. Yiggy fucked around with this message at 21:01 on Oct 17, 2013 |
![]() |
|
I like the songs that start off easygoing before hitting warp speed. "Viola Lee Blues" can get pretty crazy: https://www.youtube.com/watch?v=J4hXTjxsVYQ The start of that recording is rough, but it gets better. "Playing In The Band" is another song that provided a vehicle for some intense jams. This is one of my favorites: https://www.youtube.com/watch?v=yLd6sAUxgyM I recommend turning down the bass slightly, if you can.
|
![]() |
|
Check out "Infrared Roses". It's a compilation of a bunch of "space" jams. https://www.youtube.com/watch?v=KXJWpQ4wF9Q
|
![]() |
|
Speaking of "weird" dead stuff, I'd look for the meltdowns. Someone in this thread will be better able to point you in that direction. They definitely aren't for everyone, though.
|
![]() |
|
The "Playing" I posted gets pretty close to a full-on Tiger meltdown, but Phil and Billy keep a semblance of structure underneath Jerry's dissonant shredding. There's another well-known "Playing" from 12/02/73 that disintegrates into shrieking chaos before transitioning into the "Mind Left Body" jam. It appears on Dick's Picks 14.
|
![]() |
|
For Dead-related weirdness you can also try Grayfolded, John Oswald's Plunderphonics take on 30+ years of Dark Star.
|
![]() |
|
elentar posted:For Dead-related weirdness you can also try Grayfolded, John Oswald's Plunderphonics take on 30+ years of Dark Star. gently caress. YES. My first "real" Dead initiation was leaving my radio on when I was 14, and being woken up in the middle of the night when the DJ at the college station spun some boot of "Dark Star." When he said it was the Dead I couldn't believe it. Also thanks for all the other suggestions! Edit: Really digging "Infrared Roses" so far too. Noise Machine fucked around with this message at 23:49 on Oct 19, 2013 |
![]() |
|
BigFactory posted:Just a little light's not bad. It's not bad, but it's not great. I appreciate his musicianship, but most of his songs are in the mediocre/unmemorable range.
|
![]() |
|
Roark posted:It's not bad, but it's not great. I appreciate his musicianship, but most of his songs are in the mediocre/unmemorable range. Yeah they all stink but that's the best of the worst. Tons of Steel might be the worst song in thier catalog. His covers kinda rule though. I'm thinking of a Dear Mr Fantasy maybe on without a net? that's really good.
|
![]() |
|
BigFactory posted:Yeah they all stink but that's the best of the worst. Tons of Steel might be the worst song in thier catalog. His covers kinda rule though. I'm thinking of a Dear Mr Fantasy maybe on without a net? that's really good. That's truth. I also don't really like his singing. I would have liked his voice by itself, he's got a nice gravely, bluesy sound and he's by far the best and harmonizing, but it just didn't mesh well with everyone else.
|
![]() |
|
![]()
|
# ? Mar 21, 2025 15:52 |
|
I enjoy the 'punch' his vocals added. Nothing like him laying down a fat "Jack Straw from Wichita" at the climax of the song. While they're not amazing, I don't mind his Go To Heaven tracks, they're not amazing but they're not so bad. Also, he only sung them once a blue moon.
|
![]() |