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I think it's great that she hit all of the MRA fears about women in one over-the-top sociopathic package. If you walk out of the theater saying "aha! I knew that's what women were about!" then anyone in earshot will know you're a pathetic fucker and say "you think all women are Amy Dunne you moron?" Bringing her up in any argument now against women, feminism, etc. is pulling a Godwin. Also, did anyone think of Lady MacBeth at the end? In the shower, we see Amy effortlessly wash off the blood and the camera follows it as it disappears to show us that there is no "out, drat spot!" moment. The murder weighed on her no more than a sheen of sweat to be rinsed off. That, and it was just perfect that she was drenched in blood but her blonde hair was as immaculate as ever.
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Oct 5, 2014 19:49
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The murder itself was fantastic. Those quick fade-outs to transition between different angles. It was edited the way a movie trailer shows The Big Scene. Were the visuals supposed to be like a heartbeat? Somehow links back to the opening, with all the credits appearing only briefly before fading out.
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Oct 5, 2014 20:50
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