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rumble in the bunghole posted:Why would you do this in the middle of the adventure, in a place with absolutely no way to get a new character? It's not the middle of the adventure, it's the end of it. The only thing after that point is the final fight with the brain-glom. Not that that makes things any less stupid.
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Jan 29, 2017 23:01
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rumble in the bunghole posted:Why would you do this in the middle of the adventure, in a place with absolutely no way to get a new character? Because, in the stupid train of unholy logic, that makes it "meaningful". Someone has to get screwed over. Someone has to be stuck watching the rest of the party play. That's their "sacrifice". It's the same bullshit as that Prime Directive thing about making a player read the dictionary while everyone goes for pizza to simulate being in hospital. It's nothing less than a narcissistic desire to harm the player somehow in order to make an in-character action meaningful. What makes this one so lovely is that the player is punished for an action that's supposed to be noble but is pulled as a crappy surprise - heck, the way the text is written, the GM is supposed to expect the players to fight over this. It's nothing less than a GM expecting a player to suffer just to prove to himself what a good GM he is. I would honestly bet money that the author has no idea that players might resent this (well, from that textbox he clearly figures "real" players will see it as a moral duty somehow). Surely the dead character's player will stick around in rapt admiration, unable to look away from the glorious finale to this amazing story! This finale that THEY TOOK PART IN by letting their character die for the cause! The Deadlands metaplot just constantly ooozes this kind of "OH OF COURSE the players want to hear my AMAZING stories about my WONDERFUL setting" tone. Hensley would probably be genuinely shocked if a player told him to gently caress off and walked out.
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Jan 29, 2017 23:04
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Qualities of a True Gamer 1) Knows the exact date of the apocalypse for the post-apocalyptic game he's playing off the top of his head. 2) Is fine with mature themes of the game literally forcing one PC to sacrifice another. 3) Enjoys the thrill of a well-crafted narrative over interacting with anything or making a choice.
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Jan 29, 2017 23:25
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It seems like this entire adventure was written from the point of view that the setting is more important than the players, which is why you aren't given options, and why a player character has to die, the setting must continue, you are here to serve the setting.
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Jan 29, 2017 23:28
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I'd find a finishing adventure where you gotta sacrifice a player for the greater good of the world to be fine, if the setting was good and not loving Deadlands so you actually wanted to save it.
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Jan 29, 2017 23:33
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Loxbourne posted:Because, in the stupid train of unholy logic, that makes it "meaningful". Someone has to get screwed over. Someone has to be stuck watching the rest of the party play. That's their "sacrifice". It's the RPG equivalent of the original Fallout 3 ending. "I am sorry my companion but no, we all have our own destinies and yours culminates here, I would not rob you of that."
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Jan 29, 2017 23:35
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speaking as the guy who reviewed the tomb of horrors this is way worse. the tomb is insanely fatal but in a creative, original way. you get the feeling that a lot of loving work and effort went into crafting the perfect inescapable death trap. this is just "hurr durr kill ur friend."
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Jan 29, 2017 23:48
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Alien Rope Burn posted:It's the RPG equivalent of the original Fallout 3 ending. "I am sorry my companion but no, we all have our own destinies and yours culminates here, I would not rob you of that." Nah, for this to be equivalent one of the players would have to be able to fake his death to fool the demon and refuse to do it.
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Jan 29, 2017 23:49
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So the mad scientist installed some gizmo into the ship so that nobody notices the ship travels through And boy, that sacrifice stuff is some load of bullshit. They might as well just have a meatgrinder pop out with a sign reading "Insert puppies here".
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Jan 29, 2017 23:51
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Doresh posted:So the mad scientist installed some gizmo into the ship so that nobody notices the ship travels through Congratulations, you now used up more brain power thinking about that question than the people writing it ever did. Btw., what this specifically written as a campaign module or was this the actual in-house campaign serialized as a module? The latter would explain alot, because it would mean their in-house GM actually "asspulled" this and also why so little of this makes ANY sense.
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Jan 29, 2017 23:56
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So yeah, you only get to make one choice that matters and that choice is "who dies?". And it doesn't matter anyway because the whole thing fails when the ship crashes. But don't worry boys and girls because you know what's coming out now? Our brand new metaplot series of books set on Banshee revolving around being trapped on an alien planet with murderous alien natives and the Four Horsemen. Oh and in case you think I'm making this up, I'm not. What followed next were the Banshee sourcebooks. Deadlands!
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Jan 29, 2017 23:58
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Alien Rope Burn posted:It's the RPG equivalent of the original Fallout 3 ending. "I am sorry my companion but no, we all have our own destinies and yours culminates here, I would not rob you of that." But even there you could send someone else to die, the game just called you chicken for it. Of course, this does seem to be one of those situations your classic RPG veteran carts around a bag of orphans for.
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Jan 29, 2017 23:58
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chiasaur11 posted:But even there you could send someone else to die, the game just called you chicken for it. You forget that FO3 had three companions that were basically immune to radiation, a robot, a ghoul, and a super mutant, but forced you to either go into the chamber and kill yourself or send in Lyons in your place.
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Jan 30, 2017 00:09
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Event Horizon, nothing. That whole scene with Abracadabra the AI was someone's Doom fanfic, right down to the monster closet painted none more black. What unbelievable, unlimited, self-congratulatory horseshit. That adventure is the reification of every terrible campaign filled with the characters that a lovely GM just could not let go of, and couldn't possibly goddamn imagine not being active in the campaign world at full capacity. The PCs aren't. They're just the loving water-bearers who exist to motivate the real movers and shakers and to signpost calamity, because it's not ~realistic~ for them to have any iota of influence over their world.
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Jan 30, 2017 00:29
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Kavak posted:Nah, for this to be equivalent one of the players would have to be able to fake his death to fool the demon and refuse to do it. fiiiine consider my nits picked
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Jan 30, 2017 00:29
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quote:Believe it or not, the mistake here isn't that they put their RPG inside the setting itself as a "predicter of things to come" like that's not embarassing all around. The mistake is that the nukes were launched worldwide on September 23, 2081, so this commercial couldn't have happened. It's only embarrassing if your favorite RPG hadn't, say, released an adventure where you try and prevent magickal 9/11 in 1999. Do any post Fly to Heaven Unknown Armies books use 'an obscure RPG accidentally predicted 9/11' as a Rumor?
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Jan 30, 2017 00:36
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Did people seriously play any of the iconic Deadlands/X Deadlands sequel metaplot adventures completely as written? It always astounds me that the Deadlands devs could put out these books, or that they thought it wouldn't lead to fan backlash
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Jan 30, 2017 00:37
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OK so the AI is a demon, mad science hellship, I get it, but why didn't Hellstromme, who presumably wants the PCs to succeed, give them a heads up? "BTW, the ship's AI needs murder to get its motor running," that's all he'd need to say! I mean I realize the answer is because this is a lovely adventure but even so.
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Jan 30, 2017 00:51
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Loxbourne posted:Wow. That lived up to the hype. That right there is some supervillan-level lovely GMing. Part of me wants to try and dig that Listserv out of the archives to see what actual players and GMs made of that crap. I have a nasty feeling that any fandom community run by this guy would be a murderous echo chamber on pain of bannage though. John Carpenter's Ghosts of Mars has you covered. Covered in cheese. I played some indie RPG at a con once that was like this. It was built around Event Horizon/Alien. You knew going in that every PC would die, but you wanted to die heroically, and you could narrate your own death. It was awesome - lots of possession and last stands and weaselsy Company Men getting killed by demons. But it was a one-shot, and we all bought in to the premise and were happy to narrate our gruesome deaths and betrayals. Count Chocula fucked around with this message at 00:57 on Jan 30, 2017 |
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Jan 30, 2017 00:53
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Double Plus Undead posted:OK so the AI is a demon, mad science hellship, I get it, but why didn't Hellstromme, who presumably wants the PCs to succeed, give them a heads up? He gave them an Ominous Warning - did you notice his line about "at least two PCs have to get aboard to follow the AI's instructions" ? Anything else might have led the PCs to take precautions, and we can't have that can we 
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Jan 30, 2017 00:55
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Well, well, well. Some of you may remember my adventures in making a Powers & Perils character. It turns out someone - using known errata and the author's partial draft - has made a Powers & Perils 2nd Edition I still loving love this game for no reason I can really understand, so I'm pretty goddamn pumped.
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Jan 30, 2017 01:08
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Evil Mastermind posted:It is time. Please, if you've never read anything else I've ever written in these threads, please read my next post. Delivered as advertised.
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Jan 30, 2017 02:02
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Loxbourne posted:He gave them an Ominous Warning - did you notice his line about "at least two PCs have to get aboard to follow the AI's instructions" ? The hilarious thing is, the way to get out of being killed is to willingly volunteer to be sacrificed, last person to volunteer is the one who has to be murdered.
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Jan 30, 2017 02:05
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Count Chocula posted:It's only embarrassing if your favorite RPG hadn't, say, released an adventure where you try and prevent magickal 9/11 in 1999. Do any post Fly to Heaven Unknown Armies books use 'an obscure RPG accidentally predicted 9/11' as a Rumor? Of course not. Because Greg Stolze has respect for his readers. e: and even if he did it'd still be stupid and embarrassing because it's not cute or clever. Evil Mastermind fucked around with this message at 03:07 on Jan 30, 2017 |
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Jan 30, 2017 02:58
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Wait why doesnt hellstromme kill himself to power it? Like itd still be railroady as gently caress but at least thatd be sensical and coherent plot arc. Like what even happens to the planet you leave behind?
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Jan 30, 2017 03:31
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Because it has to be a straight up murder, not a willing sacrifice. Also: I'm betting no one knows or cares, again, the story is there to railroad the party to New Hell World populated by "totally not inuits".
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Jan 30, 2017 03:37
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Barudak posted:Like what even happens to the planet you leave behind? You'll find out when I make the final post when I get home tonight. I've already written it but I think I'm going to expand it a bit to cover people's questions.
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Jan 30, 2017 03:39
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Kurieg posted:Because it has to be a straight up murder, not a willing sacrifice. I'm going to touch on that too.
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Jan 30, 2017 03:40
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Kurieg posted:Because it has to be a straight up murder, not a willing sacrifice. I get that, but based on what ive read it sounds like most players would view hellstrome as super worth murdering, so if he tagged along hed go assuming theyre going to kill him giving the players a free out and if they murder one of their own have the dead person take over hellstrom or who gives a poo poo this plot is terrible.
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Jan 30, 2017 03:44
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The fact that Hellstromme probably still isn't dead is pretty shameless in any case.
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Jan 30, 2017 03:59
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This seems like a great time to gear up for some more of.... Part 9: Equipment and Other Rules As everyone knows, a tabletop role playing game is nothing without tables of gear. NOTHING! Currency and Prices Currency varies a lot, obviously. Earth has many currencies, Ruk has bits, Ardeyn has crowns, and other places probably have other currencies, too. When you translate the first time, you’ll get a bit of dosh with your new focus. Prices outlined in the gear lists are general assumptions. As always, the GM can gently caress with the prices or the currencies used. The Earth currency defaults to American dollars because  , but if the game goes somewhere else on Earth then use that currency instead. The book says not to care too hard about tracking each coin spent or obsess over anything besides the most interesting adventuring tools. That is, until it becomes “an interesting story point” when the party just happens not to have some mundane item, like soap or a 10-ft. pole, in their gear list.Encumbrance The weight of items isn’t listed and carry load isn’t tracked. Buuuut the book posted:If the GM determines that a character is carrying too much equipment, though, he should either (1) assign a difficulty and ask for a Might action, or (2) assign the weight a Speed and Might cost to be deducted from the appropriate Pool. Method 1 is useful when a character wants to carry a single heavy object for a limited time—for example, moving a hefty iron safe out of a bank and loading it into a pickup truck bed. Method 2 works well for long-term encumbrance, such as when a character dons a backpack full of survival gear and sets off across the tundra. As mentioned previously, armor is also split into light, medium, and heavy. Each armor type provides an Armor score (+1/+2/+3). When taking damage, you deduct your total Armor score from the incoming damage amount. You can’t layer armor for extra bonuses. However, if you’re wearing it in multiple locations (head or torso) the bonus stacks. This is also where that lovely chart comes from that explains how each level of armor drains your Might Pool and stunts your Speed Pool. I’ll repost it for easy reference:  Remember that you have to spend valuable XP to reduce this cost. Vectors can buy an ability that does this. Other character classes have to spend character advancement stages to do this. Weapons Weapons are split between light, medium, and heavy. This determines how much damage they do (2/4/6) and how many hands you need to have free to use them (one/one or two/two). Each of the character types gets proficiency in certain levels of weapons. When you use a weapon you’re not proficient with, the difficulty of rolls with this weapon increase by one step. The weapon tables note if the weapon has special rules on range. Some of them also say if they’re rapid-fire, which is a quality that’s only relevant to some abilities granted by character-types or foci. Equipment Mundane equipment in The Strange does not translate from one recursion to another. Only cyphers and artifacts can do that. I’m not going to cover the list of gear available on Earth. It’s everything you’d expect adventurers from modern-day Earth to buy: kantanas, smartphones, guns, and so on. Ardeyn has regular fantasy gear. The armor lists includes some special elite magic armor: the Qephilim-craft coat (light), relic breastplate (medium), and Incarnation-blessed plate armor (heavy). All of armor is treated as one armor type less heavy when worn. That means for the light armor it's like you're wearing  The Ardeyn gear section makes it really obvious how much of the table formatting was copied from Dungeons and Dragons 3e. Maybe they even had a copy of the Player's Handbook open so they could easily copy the common weapons and gear out of it? It sure looks like it, even if that wasn't what they did. Here’s the 3.5e PHB’s section on simple weapons:  And here’s The Strange’s list of Ardeyn light and medium weapons:  The miscellaneous equipment list is a heavily abbreviated version of the gear lists in the 3.5 PHB as well:   vs  Ruk’s equipment list is the most interesting, mostly because it's the only section that actually has gear with strange names and unusual effects that are given any explanation in the book.  Note: the book doesn’t specify the benefits of delivering poison with finger needles. The quiver shiv doesn’t have any additional details, either. Not even a description of what it looks like or how it manages to bypass Armor. For the items with expository entries: the needler is a dart gun, and you can load each needle with poison. The spore pistol is a grenade launcher, but with “grenade pods”. You can load it with acidpods, flamepods, smokepods, and sporepods. You can also grab grenade pods individually and chuck them. The caustic sprayer is a biotech super soaker filled with a caustic fluid. It can also be used as a rapid-fire weapon! A deathblade is longsword with a poison-dispenser built into it. A spine lance is a massive cattle prod that hooks directly into your spine. You can spend 5 Might points to inflict an additional 6 damage from bioelectric energy in a single attack. The slaughter accelerator gets special points for the best-named weapon in the book, but functionally it’s a bit of a letdown. It's just a biomechanical minigun and can be used as a rapid-fire weapon. All of the armors in Ruk provide secondary benefits as well:  Second skin is so light and thin it’s practically indistinguishable from your flesh. Plastiskin provides mild protection from the elements (another unspecified Asset?) A slicksuit makes you slippery, meaning the difficulty of any attempts to escape from a grab, binding, or tight space are reduced by one step. Carapaces are organic armor plates; if the carapace is covered in spikes, then anyone who hits the wearer in melee is dealt 1 point of damage. The lifesuit provides an hour of life support in any environment (recharges daily). Bio-armor is a sealed suit of self-repairing, living armor that provides full life support in any environment and provides nutrients to the wearer indefinitely. The miscellaneous gear section is a mix of mundane things, like binoculars and clothing, a breather, a spore filter mask, an umbilical (a biotech Ethernet cable that let you jack into All Song outlets), and a wing glider (a backpack that lets you glide in the wind or from high places). Artifacts The last bit of the equipment chapter is devoted to artifacts! Typically, artifacts are unique items that will not carry over between worlds. The only exception is when an artifact passes through a special kind of recursion gate that lets things move between realities without translating. The danger in moving an artifact between recursions like that is if the new recursion operates on different laws of physics (magic/no magic), the artifact will rapidly degrade in power. Artifacts all have a level and a rate at which their power depletes, designated by a 1d6, 1d10, 1d20, or 1d100. When an artifact is used, the player rolls a die; if the die shows the depletion number(s), the artifact works, but that’s its last use. Some artifacts never run out of uses, and some only ever have one use. New artifacts can be found during the course of play. It’s an Intellect task to identify them vs. a difficulty level set by the GM. The difficulty task is usually the artifacts level, though. The PCs can also hire someone else to identify the artifact, or sell it. A character can try to use an unidentified artifact, but that’s usually an Intellect task vs. the artifact’s level +2. Failing the check could mean the PC can’t figure out how to use it, or the GM can decide the PC used it incorrectly. Even after identifying an artifact, using it the first time will also require an Intellect task, because it’s always a process to activate an artifact the first time. The next chapter in the book includes all of the game rules. All of them. Even the ones it outlined in Chapter 1. I don’t mind that at all, honestly. Having every rule in one chapter is an excellent choice! I’ll be skimming over a bunch of things that were already explained, though. the book posted:The rules and the dice help make the game run smoothly, but it’s the people, not the rules or the dice, that direct the action and determine the story—and the fun. If a rule gets in the way or detracts from the game, the players and the GM should work together to change it.  The book also breaks down how every action is resolved in the Cipher System. As part of this, we get a reproduction of the task difficulty table:  How to Play The Strange: 1. A player wants his or her character to do a thing. 2. The GM decides if this thing is simple enough to be accomplished without further action on the part of the player, or if the character’s action requires a roll due to a chance of failure. 3. If there’s a chance for failure, the GM determines the stat the task uses, and assigns the task a difficulty from 1 to 10. 4. The player and GM then review if any Trained/Specialized skills, equipment, abilities, or other actions would move the task difficulty up or down. If it would set the task difficulty at 0 or less, the action is routine and doesn’t require a roll. 5. If, after all of this, the task still isn’t routine, then the GM uses the task difficulty to determine the target number and… oh for gently caress’s sake the book posted:The GM doesn’t have to tell the player what the target number is, but he can give her a hint, especially if her character would reasonably know if the action was easy, average, difficult, or impossible.  Why would anyone think this is a good idea? The system is carefully balanced around managing your Stat Pools as a vital resource. The game obviously wants players to know exactly how much Effort to apply on a given task! There’s no point to obfuscating this unless you want to be an absolute shithead. Come on, don’t leave an open opportunity for dickery open like that! Anyway, if you're a sensible GM, you've told them the TN so they can apply any Effort necessary and... 6. The player rolls. If the result is equal or greater to the target number, the character succeeds. The Player Always Rolls One big feature of the Cypher System is the players roll everything. In combat they roll their attacks, and then they roll to dodge or soak a monster’s attack. The task difficulty in both cases is set by the monster’s level. Out of combat they roll for any challenging task they want to accomplish. Special Rolls This is a more detailed breakdown of the dice rolls mentioned before. Natural 1: The GM does a free GM Intrusion and awards no XP.  Natural 17: Deal 1 additional point of damage in-combat. No out-of-combat effect. Natural 18: Deal 2 additional points of damage in-combat. No out-of-combat effect. Natural 19: Minor effect. Deal 3 additional points of damage, or inflict a different sort of Minor Effect on the target in-combat. Outside of combat, you can supplement your action with some other maneuver or flourish. Natural 20: Deal 4 additional points of damage, or inflict a different sort of Minor Effect on the target in-combat. Outside of combat, you can supplement your action with some other maneuver or flourish. In addition, if the PC spent points from a stat Pool on the action, the point cost for the action decreases to 0, allowing the PC to regain all points spent on the action. Minor Effects Finally, some examples of what to use for minor effects. They’re supposed to be “slightly beneficial to the PC, but not overwhelming.” For once, either the GM or player can suggest a minor effect, but both need to agree on it. You don’t have to insert a minor effect with every natural 19, either, if all you needed was success on a task. Personally, I don’t see a situation where a bit of icing on top of an action wouldn’t be desirable, but whatever. When you’re not in combat, a minor effect would do something like letting a climber scale a steep slope “a bit” faster, make a repaired machine work a bit better, or jumping from a height and landing on your feet. Common minor effects in combat: strike a specific body part, knock back, move past, and distract. Major Effects Major effects are “quite beneficial” to the character. Like above both the GM and player can suggest what the effect should be, but don’t agonize over it. If nothing else looks appropriate, the GM can grant the PC an additional action on the PC’s turn that round. When not in combat, a major effect would let a climber scale a steep slope in half the time. (How fast does that mean a climber with a minor effect goes? A quarter?) If you’re jumping down from a great height, you might land with such style that people nearby are impressed/intimidated. Just like your favorite vampire action movie!  Aw, yeah! Common major effects in combat: knock down, disarm, stun, and impair. Retrying a Task After a Failure If a player fails a task, the player can attempt it again, but must apply at least one level of Effort when retrying the task. Retrying a task is also a new action. If it doesn’t make sense to allow a retry, the GM can veto it. Initial Cost Sometimes the GM might decide that just attempting a task costs a stat point. The example given is a heavy door that’s partially rusted shut. The GM can dictate that this would be a difficulty 5 task with an initial cost of 3 Might to attempt opening it. That means the PC would have to spend 3 points from the Might pool just to initiate a roll, and then apply any effort or other modifiers to attempt to shove the door open. The initial cost can be reduced by a player’s Edge, so a character with a Might Edge of 1 would only have to spend 2 Might points to initiate the roll. You can’t then apply your Edge to the roll, of course. Distance This was covered before and there’s nothing new here. Most distances are split between immediate distance, short distance, long distance, and anything after that is a specific number. Characters can move an immediate distance as part of another action, move a short distance as a full action, or attempt to move a long distance as a full action with a roll. Timekeeping There aren’t any precise rules for keeping track of time. We still need a table, of course. We have to make sure you know precisely how casually abstracted time is in this game.  Even abilities with defined start and end times are sorta abstracted. If an ability is said to last a minute, then just assume it lasts until the end of an encounter rather than load yourself down with unnecessary bookkeeping by marking off each minute of duration. If something takes ten minutes then it can last the length of an in-depth conversation, the time it takes to survey a small area, or the time you spend taking a short break. You know what else is vital to this game of discovery and exploration? Detailed combat rules! Encounters, Rounds, and Initiative If you’ve ever played Dungeons and Dragons or any other RPG that pilfers terminology from it, you know what these terms mean. Encounters are scenarios involving action/combat. Rounds are convenient segments of time that divide the actions of each person or thing acting in an encounter. Initiative is the order in which these active parties act. As we just established, time is not an absolute thing, so each round of an encounter is five to ten seconds. Whatever makes sense. By extension, about ten rounds is a minute. There’s two options offered for determining initiative order. First is by having all players do a Speed roll. The Target Number they roll against a TN set at 3x the NPC’s level. If a player is higher, they act before the NPC. If they’re lower, they act after. Most of the time the GM will have all NPCs act as a collective. In the event it becomes necessary to determine the order each PC acts, you can go in order of highest roll to lowest, alphabetical order, zodiac signs, whatever. The second option to “make an encounter move faster” is have all characters act before all NPCs if at least one PC beats the TN. Go around the table clockwise and dogpile those fuckers. When each PC and NPC has acted, a new round begins. Initiative order normally lasts the whole encounter, unless some significant change in the battle dynamics or environment makes the GM think a new initiative is necessary. Man, I was hoping to get this all done in one post, but I guess I'll have to break it up into a few of them. Don't worry, next we get to the thing every game of adventure and discovery needs...  detailed combat rules!!!
Nuns with Guns fucked around with this message at 17:37 on Feb 5, 2017 |
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Jan 30, 2017 04:02
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Doresh posted:So the mad scientist installed some gizmo into the ship so that nobody notices the ship travels through Double Plus Undead posted:OK so the AI is a demon, mad science hellship, I get it, but why didn't Hellstromme, who presumably wants the PCs to succeed, give them a heads up? "BTW, the ship's AI needs murder to get its motor running," that's all he'd need to say! I mean I realize the answer is because this is a lovely adventure but even so. In the backstory, most of Hellstrome's trips into Hell were solo test runs. The trip to Faraway was the first real passenger trip, so I guess he just had some randos nobody knew about strapped in a back room. Barudak posted:Wait why doesnt hellstromme kill himself to power it? Like itd still be railroady as gently caress but at least thatd be sensical and coherent plot arc.
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Jan 30, 2017 04:48
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Ruk has the Gom Jabbar, and that's great.
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Jan 30, 2017 04:52
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Evil Mastermind posted:
You know, as awful as this all is, I like this goofy little picture. The cyborg murderbot just staring at the nerd mechanic and back at his chainsaw, the mechanic rubbing his neck like he's about to go "Uh, guys?", the wizard glaring... And all the while the paladin's looking at the controls and rubbing her chin, because she knows if she's clever enough there's got to be something, and then when she turns around there's going to be a wall painted in party member blood, and just dammit guys, can we go one adventure without murdering each other? Just one?
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Jan 30, 2017 05:10
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DEADLANDS: HELL ON EARTH/LOST COLONY - THE UNITY Part 8: No matter who wins, we lose All that's left now are the epilogue, and the final chapter. Let's just do them and finish this off. Oh, before we begin, I'd just like to point out that the Reckoners escaped the Hellraiser box/ghost trap at the end of the adventure, yet didn't pause long enough to kill the unconscious PCs. Odd, that. But just ignore that because the writers did too. poo poo you don't care about but I have to explain so I can explain the rest of this poo poo to you. As Loxbourne mentioned before, part of the overall Deadlands metaplot involves uber-badass PC killer Stone travelling back through time from the 2090's (the start of Hell on Earth) to the 1870's (the start of basic Deadlands). This happened at the tail end of the Deadlands line, in the "Heart O' Darkness" adventure. Stone did this by walking through the Hunting Grounds, and even then was only able to do so because the dying Horsemen gave him the last of their power. But because walking backwards through time through Hell involves burning a lot of supernatural power, the path he carved out for himself remained after he got back to the past. This formed a permanent time tunnel between the 1890's and the 2090's inside Devil's Tower, Wyoming. This was presented as a major point in the final Deadlands adventure ("Fortess O' Fear"), where an NPC from Hell on Earth approaches the PCs during the adventure, tells them she's from the future, and literally hands them a notebook that describes the Hell on Earth setting. And when I say "literally", I mean literally. Fortress O' Fear was a box set, and her notebook was a physical booklet the GM was to give to the players. Anyway, this "Path of Stone" was so characters could travel between Deadlands and Hell on Earth, and was then quickly forgotten because I don't think it ever got mentioned outside the adventure it was introduced and the beginning fiction of Hell on Earth. Why is this important right now? I'll let the book explain it. quote:This is complicated stuff, so bear with us for a little more explanation. Apostolos, the demon trapped inside the Faustian Device, used his magic to open a temporary path through the spirit world, avoiding all the really nasty places, twists, turns, and other areas that would destroy the ship. But the Unity had been damaged over the last 13 years and its navigation systems were a little erratic. It veered off-course a fraction of an inch and “skimmed” the sides of Apostolos’ tunnel. As it did so, it accidentally tore open doorways into other pockets of the nightmare lands. Apostolos kept the ship intact, but couldn’t repair the damage. So now people can travel from Banshee in 2096 (through the wreck of the Unity) to Earth in either the Weird West of 1879 or the Wasted West of 2096, although time travel basically follows Feng Shui rules in that time moves at the same rate in each "juncture"; if you go from the past to the future and spend a week there, then a week passes in the past as well. I mean, you have to walk through Hell to do it, but hey. Of course there are all sorts of rules to prevent PCs from abusing things and knocking the metaplot off the tracks. If large groups of people (like, say, an army raised by the heroes) try to go through the portal, then the forces of Hell will notice and start attacking because. Likewise, only "personal gear" can travel through the portals, so no tanks or trucks full of crates of ammo. Also, the more the tunnel is used, the more the demons of the quote:So how might your heroes find out about the Hell Hole in the first place? We have something fun for you there. Can you guess how the book expects the PCs to learn about it? Can you? quote:Run this encounter when you want your heroes to know about the Hell Hole.  poo poo you don't care about but I have to explain so I can explain the rest of this poo poo to you. This is Coot Jenkins, also known as "The Prospector". He's been around since the first page of the Deadlands core book (he narrated the opening fiction), and has tried to stop the Reckoners behind the scenes for ages. During one serious attempt I'm not going to go into the details of (sorry), he went into the Hunting Grounds. There, while trying to find his way back home he found the Path of Stone and, unfortunately for him, followed it the wrong way. Now he's stuck in 2096, but thanks to the events of this adventure has a way of getting back to his time. How did Coot get to Banshee if the portal there didn't exist until just now and he's already established as being on Earth before now? Got me! I guess he joined up with the first expedition or stowed away or something, because we're never told why he's on an alien planet. Anyway, the rest of the chapter deals with how to deal with paradoxes :
So what's the point, you ask? You're not the only one.  The reason they give is so you can get an occasional change of pace by heading back to Earth in one of the two time periods. Oh, and for another reason that'll come up later. But we'll get to that in a moment. First I want to cover the last chapter of this book: After the Harvest quote:Well, that was one Hell of a ride, huh? Christ. This chapter is just about what the future holds for a post-all-this-bullshit Wasted West. The Iron Alliance suffered the heaviest casualties during the whole mess, but since the bulk of the fighting is going on around Denver, the Junkyard is realitively safe for now. That said, Ike Turner knows that everyone's rush of victory will wear off once food starts getting scarce again, so he's prepping for that. The various road gangs that he brought in are happy enough...at least until the victory celebrations end, they sober up, and realize that Ike used them as meatshields and cannon fodder. Most of the most dangerous gangs are gone since they were on the front lines (a deliberate two-birds-one-stone move by Ike), but that means there's just a power vacuum now. The Law Dogs are now leaderless, and weren't exactly well organized before the Battle of Denver to begin with. Most of their numbers are dead, having been whittled down to about three dozen all told with nobody in charge. The mutants who were following Joan are surprisingly unchanged given that their holy figure actually showed up in person. They suffered relatively few losses because they were kept in the back as artillery. Joan is also accepting those mutants who used to follow Silas and have "seen the light" into her camp. The Templars (who had nothing to do with this adventure at all) are...you know what? Who cares? Explaining this would require me to explain the Templars for people and I don't have the energy for that right now. For those who do know who the Templars are, they basically keep on keepin' on. The Anti-Templars get a bunch of stuff but it boils down to "still around, still evil." Oh, and their new leader is some guy named "Marvin Findlestein" because that's the name of a villain. Silas (leader of the evil mutants) suffered insane losses between just normal battle and people leaving his cult after he got pwned by Hellstrome. As a result, Silas has dropped all pretenses and is just killing everyone who turns against him. He's basically being set up to get overthrown by his enemies now that his power base is pretty much gone. Hellstrome...Hellstrome is trying to fix all his mistakes. That is a very long list. His immediate concern is dealing with the mutants, who he sees being treated like the Native Americans were back in the 1800's. He's trying to use his position as Harbringer to broker peace between the non-violent mutants and humans. His actual long-term goal is to find his long-lost wife Vanessa's soul in Hell, free it, and then create a new body for himself so they can live happily ever after, which is unlikely given all the crimes against man and God he's responsible for. The Combine is in bad shape. Throckmorton is running low on the inorganic materials needed to make cyborgs, and a lot of his rank-and-file were killed during the Battle of Denver. Getting more Black Hats is easy enough, but without the ability to make more cyborgs he's got a big gap in his forces. So right now he's laying low and getting into a defensive position until he's ready to make another push. Then there's Raven.  So yeah - this guy, right? I'm sure you're all wondering what Raven's been up to for the 400 years between his blowing open the hole to the Hunting Grounds and showing up with an army of Lovecraftian horrors. Well, don't worry, because the book has about four pages of backstory for you. Here's part of it. quote:You remember what we told you in the Wasted West book, right? That about 100 years ago, Raven was lured into a trap by a band of Old Ways shamans. They bound him with magical bracelets (made from the skin of white men) and staked him to a slab of rock in the Black Hills. Over the years, various shamans tried to kill him, but to no avail—he was a servitor and therefore could only be killed in one particular way—which none of them ever learned. When the Reckoners got vacuum-sealed, the worms tunneled underground and pulled back while Raven tries to figure out what his next move is. His top priority is to find out what happened to the Horsemen, but the book states that he'll find out within a month. After that, though, it's up to the GM but odds are he's going to try to get to Banshee. But guess what! Now that his metaplot purpose has been fulfilled, he's finally killable! Yay! Of course, he's still technically War's servitor, and as such is completely untouchable without having access to the item that is his specific weakness. It used to be a Susquehanan artifact, but that's long gone. Now, though, it's Dove's bones. Any weapon made from her bones does normal damage to Raven. He doesn't know this is the case yet, and the bag containing her bones is still hanging off the back of his war wagon so good luck with that. But it's a moot point anyway, because they forgot to give you Raven's stat block so we don't know what his stats or abilities are anyway. Good job, guys. The book ends with one more relic: quote:Raven’s Coup Stick But wait, I hear you say! What about Lost Colony? The Reckoners are still running around there, right? What the hell are people supposed to do about that? The answer is: kill the Reckoners. No, really. The PCs are expected to kill the Recokers. Kavak posted:Honest guesses: The PCs are going to Deadlands: Lost Colony was the third game line in the overall Deadlands trilogy, and it was a severely short one. Lost Colony came out around the same time as Third Edition D&D, which (like it or not) was a paradigm shift in how people percieved games. Deadlands in general was the last gasp of the "metaplot" as a concept, and I think because of that (admittedly I don't know all the reasons) the Lost Colony game line was only two books long. The overall idea was that during his test runs of the Unity, Hellstrome found a planet (Banshee) that was rich in the superfuel ghost rock. Since even in the future this stuff was really valuable (it's needed for weird science gizmos), the US government wanted to colonize it and start minin'. When the Hellstrome Corporation got there, they discovered there was an intelligent humanoid species already there. They were called the anouks, and were a pre-industrial species who lived in tribes, were in tune with the natural world, and had a very spiritual lifestyle. The colonists pretty much immediately started infringing on their lands, tearing down natural resources and killing off natives for thier land. OH I GET IT THEY'RE AN ANALOGY FOR NATIVE AMERICANS! HOW CLEVER! There was the core book, of course, and the second book was The Lost Colony Companion. Both books were dual statted for Deadlands and the d20 system because Pinnacle got in on the "d20 versions of our games" thing. Since they knew this was the last book in the entire Deadlands series, they had to jam all the remaining metaplot points into it. I'm not going to summarize them here because they're all stupid, but they involve things like a demon that looks like Hellstrome's dead wife Vanessa as part of the Reckoner's control over him, the fact that there's demon-infused nanotech/3D printers, and my personal favorite: that the planet Banshee is alive and self-aware, is a universal force for good, and has an "evil brother" planet that Banshee has been locked in eternal battle with. It's so stupid and so unnecessary! That last thing has nothing to do with nothing! Adding more levels of backstory doesn't make your setting better, it just makes you look bad! But that's not why we're here. The whole point of the Companion was to learn how to finally kill the Four Horsemen of the Apocalypse. For starters, you can't just walk up to them and kill them. They've been setting up new power bases and getting followers and so on. In order to get to the point where a Reckoner is weak enough to defeat, you have to earn "Finale Points" by performing heroic deeds against the Reckoner's forces. When you confront one of the Reckoners, for every 5 Finale Points the PCs have they can buy effects like lowering its stats or turning off one of their special abilities. However, failing to stop the Reckoners' plots can cause the group to lose points. Which, okay, I kind of like that, actually. It's an easy way to model "working your way up the ladder" and rewards players for getting involved with the setting. But. In order to actually defeat a Reckoner once and for all, you need to know its specific Death Blow. Doing this involves a lot of research, hints from NPCs, and travelling back in time. If you "kill" a Reckoner but don't deliver its specific Death Blow, it'll reform in 24 hours. On the plus side, if you do manage to kill a Reckoner, the whole party gets a benefit from the released energy. (This is called "counting coup" and is a game mechanic that's been around for the entire game line; kill a powerful enough monster and you get some of its power.) So what're the Death Blows and coups? Glad you asked!
And that's it! That's all there is. There's no ending text or description about what happens when the last of the Reckoners is defeated, which is odd because you'd think there'd be something about how destroying the Four Horsemen of the Apocalypse would affect the world at large, but there we go. There's not even an editors' note saying something like "hey, thanks for sticking with us and supporting us all these years, we're glad so many people enjoyed the games, thank you so much!" Instead, the final book in the entire line ends with the stats for War's horse, the OGL licence, and the teaser ad for Deadlands Reloaded. That's it. Thanks for coming out everyone. Don't let the saloon door hit you on the way out. -- So. Here we are. I think you all understand now why I wanted to review this book for so long. I mean, look at all this. It's ridiculous. The railroading, the NPCs doing everything, the big fake moral choice. I mean, what else needs to be said? This book, this whole adventure, is garbage. Hot garbage. More than anything else, the players don't need to be there for any part of it until they need to turn on the jump drive. Everything else is just the GM reading pages and pages of text out of the book. This is the book you hold up when the younger gamers ask "so what was metaplot? Why was it bad?". The book is like a lens through which every single problem with 90's RPG metaplots got focused. It is the exemplar of everything people hated about the metaplot era and bad adventure design. And even if there weren't any metaplot elements, the adventure would still be terrible because it's clearly written for the GM to read rather than the players to, you know...play. It's amazing how far we've come, isn't it? Now if you'll excuse me, I'm going to go grab my copy of Apocalypse World and play to find out what happens. Evil Mastermind fucked around with this message at 18:44 on Apr 1, 2017 |
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Jan 30, 2017 05:15
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https://www.youtube.com/watch?v=2ovm1J_AxLQ Hell on Earth seems really weird and unappealing overall. What made them decide that their game of wild west horror should evolve into Fallout meets Doom, and then go to space? Most other metaplots at least stayed in the same genre throughout. Kavak fucked around with this message at 05:32 on Jan 30, 2017 |
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Jan 30, 2017 05:20
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chiasaur11 posted:You know, as awful as this all is, I like this goofy little picture. Pretty sure those characters are based on the cast of Nodwick, a comic that ran in Dragon magazine. That takes me back...
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Jan 30, 2017 05:22
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Kavak posted:Hell on Earth seems really weird and unappealing overall. What made them decide that their game of wild west horror should evolve into Fallout meets Doom? A fundamental misunderstanding of the appeal of its setting seems to be a key component of old school metaplot.
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Jan 30, 2017 05:26
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Evil Mastermind posted:In addition to "suicide doesn't count", it's because he has a long-term goal to a) make a new body for himself that looks like a person, and b) pull his wife's soul out of Hell. He still has poo poo he wants to do. Does it count if someone volunteers to be shot by someone else? Or does it have to be a non-consensual killing? Green Intern posted:Ruk has the Gom Jabbar, and that's great. Well, it does have worms, too, but they don't live in the sand. Simian_Prime posted:Pretty sure those characters are based on the cast of Nodwick, a comic that ran in Dragon magazine. That takes me back... huh, yeah, that's totally a nod to them 
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Jan 30, 2017 05:36
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Nuns with Guns posted:Does it count if someone volunteers to be shot by someone else? Or does it have to be a non-consensual killing?
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Jan 30, 2017 05:37
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