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Lex Neville
Apr 15, 2009
"victimizer = anti-hero" (or the other way around) speaks volumes in its own right

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Lex Neville
Apr 15, 2009
There's a whole bunch of phrases there where his intended eloquence misses the mark - or he just plainly doesn't actually know how to word what he hopes to convey. I picked a few of them out but didn't end up posting them because it felt nitpicky, but here's some anyway:

quote:

A real man - real in all the ways that we recognize as real -
As opposed to real in the all the not-real ways? Surely, he meant "real in all the ways in which real is recognized", or some such.

quote:

Power seemed to explode in Covenant's chest.
"His chest seemed to explode with power"? If not, how does an abstract notion like power seem to explode?

quote:

With a roar as if the air itself were burning
This is plain terrible, but it's made worse by the incongruity between a roar being instantaneous and burning being a lasting phenomenon. "Were set ablaze" would alleviate that a bit, but you'd still be left with the completely unimaginative burning air.

quote:

The old man was tall with power.
This one might make sense in the book, but as someone who hasn't read it, it's comical to me.

quote:

“All this I will give you,” he said, “if you will bow down and worship me."
Double "will" in a conditional phrase is just clumsy.

Anyway, yeah, nitpicky, but grating nonetheless.

Lex Neville fucked around with this message at 23:41 on Jan 7, 2019

Lex Neville
Apr 15, 2009
In fact it's the comma that makes it terrible.
:goonsay: but actually

Lex Neville
Apr 15, 2009
once more: that comma should not be there. getting rid of it would do wonders

though really he just should've wrote static

Lex Neville
Apr 15, 2009

You got me.

Amethyst posted:

"Television tuned to a dead channel" is cooler and more evocative than "static"

I get what you're saying and I don't entirely disagree, but it does read like a tip-of-the-tongue workaround for me.

Amethyst posted:

"The sky above the port was the color of television, tuned to a dead channel."

"The sky above the port was the color of television tuned to a dead channel."

Hmmm is that an improvement? I can't tell anymore

Grammatically, there is no reason whatsoever to put that comma there. In fact, I'd lean towards it being incorrect as the information that follows is essential. But yeah, personally, I do think the cadence is much smoother without it.

Lex Neville fucked around with this message at 02:29 on Jan 9, 2019

Lex Neville
Apr 15, 2009
A criteria is wrong. Criterium is singular, synonymous with criterion (and used in languages like German (with a k) and Dutch).

Lex Neville
Apr 15, 2009

Bonaventure posted:

THE WEIRD MOUNTAINS
by China Mieville

Is this a real quote?

Lex Neville
Apr 15, 2009
nothing surprises me anymore :(

Lex Neville
Apr 15, 2009
I, for one, hate it when a book has motifs

Lex Neville
Apr 15, 2009
I was about to say: I'm not sure if that was re: genre fiction, but literary short story anthologies have been doing just fine

e: ^^^^ that is some weirdly arbitrary prescriptive nonsense

Lex Neville fucked around with this message at 18:01 on Jan 28, 2019

Lex Neville
Apr 15, 2009

Mel Mudkiper posted:

it should be noted that short story collections and multi-volume YA books are both not examples of serialized novels which I think the original dude was referring to

AFancyQuestionMark posted:

I am surprised we haven't seen the return of short-story magazines or even serialized fiction

it was both (or, well, not the YA stuff)

Bonaventure posted:

I work with YA books and in my experience they're more commonly bloated to 400 pages because of Harry Potter and Twilight's lingering influence.

Also what Mel said.

what do you do?

Lex Neville
Apr 15, 2009
my bad

Lex Neville
Apr 15, 2009

Nerdburger_Jansen posted:

The idea that a work of art is primarily about communication

Whose claim is this?

Lex Neville
Apr 15, 2009
please don't post 6 times in a row again

Lex Neville
Apr 15, 2009

Nerdburger_Jansen posted:

It could be, but the tone of the posts is pretty angry and incoherent. If I'm being unclear, then a question, and not fuming at something that you thought I said, would be the appropriate reaction.

To be fair I think some posters are strawmanning it up, but you're kind of among them, brother. See: my last question.

Lex Neville
Apr 15, 2009

Eugene V. Dubstep posted:

substituting polysyllables in hackneyed arrangements for thought.

Bonfire of the Genres: Substituting Polysyllables in Hackneyed Arrangements for Thought

Or: the title to my next self-published collection of instapoetry

Lex Neville
Apr 15, 2009
Wasn't it his argument that making such lists is pointless because they can never be exhaustive? That's the non-sequitur regarding thematic analysis I struggle with.

Man, there sure is a lot of noise and misunderstanding in a discussion about what texts do, don't, should and shouldn't communicate.

Lex Neville fucked around with this message at 18:58 on Jan 29, 2019

Lex Neville
Apr 15, 2009
"Theming" is a terrible verb by the way

Lex Neville
Apr 15, 2009
that's what I kept thinking of

Lex Neville
Apr 15, 2009
It's funny because, in a roundabout way, he almost came to the the conclusion himself that at no point in thematic analysis is the objective to create some kind of exhaustive list of themes, but then he did a 180 and concluded that since such a list cannot exist, thematic analysis has no merit... Almost.

Lex Neville fucked around with this message at 19:59 on Jan 29, 2019

Lex Neville
Apr 15, 2009

I remember that post. It's not gotten better over time.

Lex Neville
Apr 15, 2009
gently caress Tolkien's wishes.

Lex Neville
Apr 15, 2009

chernobyl kinsman posted:

lol at europeans who dont speak english

you got me riled up now

Lex Neville
Apr 15, 2009

hackbunny posted:

It was a pretty bad take though. It talked about "absolute Evil" acting in the books, identified hobbits with Celts. Stuff like that
I wasn't entirely serious. Especially re: an introduction, it sounds justified. It's just that Tolkien appears to have had a tendency to intervene a lot

chernobyl kinsman posted:

he posted, in english
what did I ever do to you :(


^^^^^ I'm curious, what constitutes "occasional translation"?

Lex Neville
Apr 15, 2009
Cool!

Is it something you're pursuing? I hope you don't mean you've lost the taste for translation altogether :ohdear:

e: also am I correct in assuming you're an Italian native?

Lex Neville fucked around with this message at 00:09 on Jan 31, 2019

Lex Neville
Apr 15, 2009
I was reading this when you posted the Tolkien thing, you might enjoy it

https://www.nybooks.com/daily/2019/01/21/can-a-translation-be-a-masterpiece-too/

Lex Neville
Apr 15, 2009
Fantasy, schmantasy

Lex Neville
Apr 15, 2009
if only more fantasy writers only fantasized about writing

Lex Neville
Apr 15, 2009
Imagine being able to answer that

Lex Neville
Apr 15, 2009
please italicize worldbuilding to indicate irony so as to make sure your post is read in its entirety

Lex Neville
Apr 15, 2009
worldbuilding is a lazy catch-all justification for the inclusion of non-essential prose

Lex Neville
Apr 15, 2009
e: oops my joke fell flat because i misunderstood

Lex Neville
Apr 15, 2009
no no that other meaning of meaning

Lex Neville
Apr 15, 2009
how was that a flex lol

Lex Neville
Apr 15, 2009

Conrad_Birdie posted:

Singular they is where it's at, welcome to 2019.

Lex Neville
Apr 15, 2009
man this thread was a rollercoaster today, let's do this again sometime

Lex Neville
Apr 15, 2009

Nerdburger_Jansen posted:

Broke: The world exists as a stage for human drama

Woke: The world is prior to humanity, which is a footnote to it

never was a point missed more badly

Lex Neville
Apr 15, 2009

BravestOfTheLamps posted:

The fallacy though is that the literature of the past we consider "great" only represents a small portion of everything that has been published. You can check, for example, a list of American bestsellers from the end of the 19th Century, and only two or three books might be remembered by people outside of specialist scholars (Prisoner of Zenda, Red Badge of Courage, and Quo Vadis).

The inverse is also true and confirms the fallacy. See (the admittedly tired example of): John Williams

^^^ why "author(s?)"

Lex Neville
Apr 15, 2009

Mel Mudkiper posted:

My argument is that the trend of "world-building" at its most extreme seems to be built around creating narrative that fails to provide significance to either the text or the reader. A fictional world should, I argue, exist as a vehicle for significance. If the construction of the world is wholly superfluous to what is the experience of the reader, it becomes almost wholly unnecessary.

A few of us stated this already (albeit a little more polemically), but it really is the crux of the argument. Significance is key and too often you hear "oh it's just a bit of world-building" as a response to "why is that there?". Honestly, I never even come across the term in any "serious" literary criticism or analysis; only ever in the sense of it being there for the sake of itself.

What happened to "setting"?

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Lex Neville
Apr 15, 2009
Here, in Europe, when we try to get to know someone, we don’t ask questions. We enter into conversation and get to know a person by the way they think.

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