Lumpy the Cook posted:

Lumpy the Cook posted:

Lumpy the Cook posted:

Lumpy the Cook posted:

Lumpy the Cook posted:

Lumpy the Cook posted:

Lumpy the Cook posted:

Liquid Drink posted:

Battle born is epic crossed with choice

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

extremebuff posted:

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

Lumpy the Cook posted:

Pablo Gigante posted:

A Dead Cellsian take on Hollow Knight-likes with a Gungeonesque twist

Lumpy the Cook posted:

This sentence stresses me out.

FactsAreUseless posted:

The new mascot could only have been developed by someone distinctly Japanese. His name is "Super" Mario Mario - a pseudo-Italian New York pastiche whose younger brother, Luigi Mario, bears a striking resemblance to character actor Kirk Fox. Mario, as Japanese development darlings Nintendo affectionately call him, can do most things we imagine a video game protagonist doing. He runs, he jumps, he even wears distinctive clothing. But unlike traditional games, Mario does not sneak, he does not take down enemies, and he can jump anywhere, without a contextual button prompt, even when it defies physics. That decision makes Super Mario a unique gaming experience, and a confusing one. We were often troubled by the impossibility of landing that perfect jump onto a higher platform. Or worse, jumping between gaps not by running toward them, but by having to physically time jumps. And without the ability to counter, grapple, or even dodge, combat becomes a messy affair in which the player must control their momentum to land on a small moving target. Nonetheless, the game should appeal to hardcore players and those that love a challenge. With its cartoonish - and historically inaccurate - world and Italian-via-Japanese charm, this is one game nobody should miss, at least until the difficulty gets too great to continue. For us, that was around the second "world," Nintendo's term for a collection of related challenges.

FactsAreUseless posted:

The new mascot could only have been developed by someone distinctly Japanese. His name is "Super" Mario Mario - a pseudo-Italian New York pastiche whose younger brother, Luigi Mario, bears a striking resemblance to character actor Kirk Fox. Mario, as Japanese development darlings Nintendo affectionately call him, can do most things we imagine a video game protagonist doing. He runs, he jumps, he even wears distinctive clothing. But unlike traditional games, Mario does not sneak, he does not take down enemies, and he can jump anywhere, without a contextual button prompt, even when it defies physics. That decision makes Super Mario a unique gaming experience, and a confusing one. We were often troubled by the impossibility of landing that perfect jump onto a higher platform. Or worse, jumping between gaps not by running toward them, but by having to physically time jumps. And without the ability to counter, grapple, or even dodge, combat becomes a messy affair in which the player must control their momentum to land on a small moving target. Nonetheless, the game should appeal to hardcore players and those that love a challenge. With its cartoonish - and historically inaccurate - world and Italian-via-Japanese charm, this is one game nobody should miss, at least until the difficulty gets too great to continue. For us, that was around the second "world," Nintendo's term for a collection of related challenges.

FactsAreUseless posted:

The new mascot could only have been developed by someone distinctly Japanese. His name is "Super" Mario Mario - a pseudo-Italian New York pastiche whose younger brother, Luigi Mario, bears a striking resemblance to character actor Kirk Fox. Mario, as Japanese development darlings Nintendo affectionately call him, can do most things we imagine a video game protagonist doing. He runs, he jumps, he even wears distinctive clothing. But unlike traditional games, Mario does not sneak, he does not take down enemies, and he can jump anywhere, without a contextual button prompt, even when it defies physics. That decision makes Super Mario a unique gaming experience, and a confusing one. We were often troubled by the impossibility of landing that perfect jump onto a higher platform. Or worse, jumping between gaps not by running toward them, but by having to physically time jumps. And without the ability to counter, grapple, or even dodge, combat becomes a messy affair in which the player must control their momentum to land on a small moving target. Nonetheless, the game should appeal to hardcore players and those that love a challenge. With its cartoonish - and historically inaccurate - world and Italian-via-Japanese charm, this is one game nobody should miss, at least until the difficulty gets too great to continue. For us, that was around the second "world," Nintendo's term for a collection of related challenges.