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Did a paint your partner paint and pour. I’m satisfied with the result.
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# ¿ Feb 13, 2018 03:35 |
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# ¿ Apr 19, 2024 21:06 |
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I had contour drawings on the mind so I sat down and did some. It was... illuminating?
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# ¿ Feb 16, 2018 05:04 |
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Sharpest Crayon posted:Did it illuminate a deep-buried dark corner of your mind where you found out you only wanna draw cats forever? Or did it just illuminate the same corner from my mind, where I only want to see you draw cats forever? Drawing my cats is something that has been lurking in my brain...
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# ¿ Feb 17, 2018 02:11 |
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dupersaurus posted:Drawing my cats is something that has been lurking in my brain... That didn’t take long
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# ¿ Feb 17, 2018 04:42 |
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Sharpest Crayon posted:Yessss did you use the same catface as reference as on the last page of the contour drawings? The contour mlep was his sister
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# ¿ Feb 17, 2018 18:11 |
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Going back to my basics, but with the challenge of pen-only; no pencil, the only take-backsie is what can be hidden with the brush Sorry for letting you down Crayon
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# ¿ Feb 20, 2018 05:18 |
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No take backsie drawing is both thrilling and infuriating
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# ¿ Feb 23, 2018 01:35 |
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Do you guys have favorite prompt sources?
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# ¿ Feb 25, 2018 01:44 |
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I'm still on this crazy train My apologies to Ste Audrey I've been struggling to find character in my drawing and character in what I'm drawing -- but that's expected as I'm criminally out of practice -- but I think with the last two I'm starting to find it. I think I was trying to be too conceptual and climbing up my own rear end, so I took a few steps back and it helped. Choosing to go straight to pen is helping keep me honest, even if it's upping the difficulty.
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# ¿ Feb 27, 2018 21:31 |
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I think I’m working too small for the technique (small moleskinne), but I like the approach
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# ¿ Mar 3, 2018 20:44 |
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Sharpest Crayon posted:I like how you've separated the coloured background from the black&white portrait to accentuate the silhouette! For next time, I'd curve the shading on the nose upward, it would "read" as a raised structure better. That would have been smart to do Sharpest Crayon posted:I hear that furries pay well for commissions and I do love painting animals so I thought I'd try it a bit but I don't think I could do this for an extended period of time That is a deep, dark hole you're staring down
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# ¿ Mar 4, 2018 21:17 |
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Note to self: if I’m going to do this, pick sources with more defined lighting
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# ¿ Mar 5, 2018 01:29 |
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Lunch break quickie, had enough of naturalism
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# ¿ Mar 5, 2018 22:06 |
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My brain is taking me places. I don't know where and I don't hate it, I'm just along for the ride. It's been awhile.
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# ¿ Mar 7, 2018 21:09 |
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Still on this train. Figured I needed to do a (and probably more) tough lady for a change dupersaurii of the past posted:Is this sort of aesthetic appealing in any way? It's fun enough for shooting the poo poo in the sketchbook, but do you see it applying in anyway in a more formal setting/execution?
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# ¿ Mar 12, 2018 19:50 |
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Spinster posted:E: what I mean is the felt pen look has got to go but I know you know that. Yeah, I'd break out real ink and paint. Maybe even relief print. Neon Noodle posted:It's Jane!!! Jane?
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# ¿ Mar 13, 2018 14:04 |
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Can't stop won't stop. One page to go in this sketchbookNeon Noodle posted:From Daria. Subliminal influences
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# ¿ Mar 13, 2018 21:27 |
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RIP Moleskinne, 2010-2018. I think this is only the second sketchbook I've actually filled up... It's been fun to see the confidence and some of my old pizazz coming back over the last few weeks. My aesthetic du jour may not be that demanding, but it's been great at getting my eye back in.
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# ¿ Mar 14, 2018 18:20 |
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New sketchbook day comes with new tools
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# ¿ Mar 15, 2018 22:06 |
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Sharpest Crayon posted:Not having ctrl-z all of a sudden REALLY Yes!
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# ¿ Mar 25, 2018 08:50 |
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Sharpest Crayon posted:I finally got some pics of the watercolours I've been working on: Your style def jives very well with watercolor. IMHO much better than in digital, but that’s probably just my real media bias peeking through. 12/10 would mask again
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# ¿ Mar 26, 2018 07:41 |
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Been off honeymooning, but have had some time to doodle things with varying degrees of success And my favorite, which I proceeded to screw up I think when I get home I’ll try putting some of my favorites from this binge to paint.
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# ¿ Mar 26, 2018 21:39 |
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Wowporn posted:Then in college everyone says never draw fanart or self indulgent stuff you were either working on a 6 hour life drawing of orange peels on some lady's nude body or you were doing designs for some larger conceptual project or something (it doesn't help that my college treated every singe student like they were trying to become an independent visionary making some high art grand opus, rather than just like people who wanted to get really good at a specific set of skills so a studio would hire them. I really wish they would adjust to people with different priorities) That sort of thinking is a very good way to pigeon hole yourself into running out of options. Being able to do more than a specific set of superficial things is a much more valuable skill (source: going to a school that sorta indulged in that, then watched nobody get jobs until they learned the fundamental lessons on their own) Cool drawing, tho I think I’m starting to get too toony with these, need to step back and re-evaluate
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# ¿ Mar 29, 2018 08:51 |
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Starting to slow down, need to find some spice
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# ¿ Apr 3, 2018 18:58 |
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Broke the paints out for the first time in awhile to do a test. Acrylic on gesso board Was having my usual problems with even application and sharp lines when I had (I think) a revelation that I've been waiting years to have: why am I using heavy body paints for flat layers? Surely a quality thinner paint would work better? I also touched up the lines with a paint marker, which felt like cheating, but hey it worked
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# ¿ Apr 5, 2018 20:23 |
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I think I've been skirting around some ancient Egyptian influence, and I needed to do a test piece for a new surface and technique, so decided to go all-in on it for kicks I was hoping the unpainted wood would come out more as wood, but as it's basswood I'm not terribly hopeful. It may be a failure of size and technique; I've got a bigger piece I'm prepping, and I'm going to go more more traditional (for me), so we'll see. I'm in love with the gold and turquoise, though, for better or worse
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# ¿ Apr 9, 2018 02:22 |
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Internet Kraken posted:So dumb question: how do you guys draw stars? I mean the cartoony, 5 pointed stars. It seems like such a simple shape but I tried drawing some and found I couldn't get very few that actually looked good Make or imagine the five points, then going around the circle, draw a line from one point to the second next point, until all points are connected. Kinda like drawing a pentagon but not connecting neighboring points.
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# ¿ Apr 11, 2018 02:24 |
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Another experiment in wood, just at a bigger size and with an established drawing Still losing the wood grain. Basswood's not very strongly grained as it is, but mainly the clear gesso really isn't (at least not enough) and it's washing out what grain there is. The logical next step is to only gesso what I'm going to be painting, which presents a problem with the lines. The real solution is to varnish or lacquer and paint on top of that, but that's a hell of an escalation. May just stick with plain old white gesso or go back to illustration board. That said, though, I think these will really shine when bigger than 3x5. This one is 9x12, but I really want to do 11x14 or maybe even 12x16
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# ¿ Apr 11, 2018 14:47 |
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Sharpest Crayon posted:Thank you for your kind words, they lifted my spirits which was sorely needed because this week has not been easy. Have you tried frisket film? It has its own set of problems, but you’re not constantly sacrificing brushes to the masking gods. Pens would definitely not work, but maybe foam brushes? Love those patterns.
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# ¿ Apr 15, 2018 00:33 |
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Sharpest Crayon posted:I absolutely have not nor have I ever heard of it! I'll look into it and whether or not I can translate that. Fun fact: when I was trying to find masking fluid (that I also had not heard of until Neon Noodle mentioned using it in one of their paintings) I was going up to the bookshop and craft shop and describing what it does to find it because I did not have a translation for the stuff. Did not find any, had to order it on amazon. It's kinda like fancy masking tape, although now that I think of it I don't know if it's intended for wet media. I used it a bunch back in school with pastels.
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# ¿ Apr 17, 2018 13:52 |
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Did a small off-the-cuff piece to try some thoughts I had
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# ¿ Apr 18, 2018 19:53 |
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# ¿ Apr 19, 2018 22:03 |
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Bright white might be too strong, should try an off-white to match that sketchbook feel Sharpest Crayon posted:gently caress yesss now gimme some pink on that tongue
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# ¿ Apr 20, 2018 18:15 |
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Not technically a daily drawing, although I think all of these have appeared in the various incarnations of this thread. I'm applying for my first art show, and had to put together a sample booth. It was really cool seeing the years of work all hanging together all official-like
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# ¿ May 2, 2018 02:13 |
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Obligatory #MerMay, first test print. First time using quality wood, would wood again
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# ¿ May 18, 2018 19:35 |
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Sharpest Crayon posted:What makes a carving wood good? I've only tried carving the lithoboards a couple of times ages ago. It’s all about the grain and how well it holds together. This is basswood so it’s about the consistency of lino, but good carving basswood instead of lovely Michaels basswood. You can go up to harder woods like cherry or maple which are harder to cut, but hold fine lines better and last for more presses than lino. I want to get some cream or off white paper, but probably no real colors.
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# ¿ May 19, 2018 01:18 |
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Carving away some more
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# ¿ May 23, 2018 03:56 |
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Internet Kraken posted:I'm trying to do some figure drawing and really struggling. Mainly, I have no idea where to start when drawing a figure. I don't know what part of the body to use as the base and work from there. A bigger problem though is poses where various body parts overlap one another, the drawing turns into a big mess. It starts to look confusing and cluttered and while I understand the point of a sketch is to serve as a base you draw over, it doesn't really help when its just a blurry mess. My process:
(*Replace feet with whatever the lowest significant part is, usually the hips. If using the hips, skip step 2) The head is usually the only part I'll sausage or box, and that usually doesn't last very long. I find that boxing gets in the way of seeing the gestures, but that's about how I see and I have many many years of practice so ymmv. Any way you block out, the key is to identify what the most important lines are, and there's no real way past that other than experience. But if you're talking about overlapping shapes, then look for the line that's most strongly affects the image (it may not be the most visible line...), block it in and use that as the reference point for everything else.
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# ¿ May 31, 2018 13:55 |
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Art fair application didn’t work out so I’ve been thinking about my vision and how I can push myself. So I’ve been sketching (but mostly playing rocket league) and trying not to focus too much on finalizing
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# ¿ Jun 24, 2018 15:44 |
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# ¿ Apr 19, 2024 21:06 |
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Back on the wagon. Trying out some new papers, too.
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# ¿ Jul 26, 2018 18:06 |