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warez
Mar 13, 2003

HOLA FANTA DONT CHA WANNA?

discoukulele posted:

Yeah, everything was desaturated, but just like the original, it all feels super artificial and alienating, in a good way. I didn't expect it to be as gorgeous as it was without the iconic colored lighting.

100%. The way most of the film reviews I've read miss this (or say they share nothing in common outside of some story beats) is strange. They feel very aligned to me.

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warez
Mar 13, 2003

HOLA FANTA DONT CHA WANNA?

mary had a little clam posted:

Is there a good reading on why Bader-Meinhoff was always going on in the background? I'm aware of the phenomenon (when you learn something new and suddenly see it everywhere) but it seemed like the filmmakers were using the event/group itself as a thematic reference. Any ideas?

Yeah, I’m curious about this too. The reasonings I’ve read (“terrorism as a type of performance”) feel inadequate. I read that the cell dissolves in time with the coven narratively, and with the divided Berlin setting it could be intended as a reflection of the main narrative. I might need to watch again and see.

warez
Mar 13, 2003

HOLA FANTA DONT CHA WANNA?
I would probably have disliked this without Tilda. Dakota Johnson was pretty dull. I didn’t get much of a sense of transformation from her as the story developed, just... flat.

warez
Mar 13, 2003

HOLA FANTA DONT CHA WANNA?

sector_corrector posted:

This is loving stupid, and speaks to why these forums are so poo poo at discussing media, which is that they don't really understand how to talk about media beyond druthers and preferences, because the users are brain damaged dullards conditioned by Warhammer fiction.

Ok cool!

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