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Interprompt: it just seemed to be the most appropriate thing to do at the time, your honor
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# ¿ Feb 4, 2019 08:36 |
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# ¿ Apr 18, 2024 13:47 |
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Yes i will extremely judge that. On the fair assumption that exmod accepts, your prompt is an anime tragedy in three acts, with no obviously japanese words or tropes. 1500 words max, 18 feb 2359 pst. Toxx up. And congrats.
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# ¿ Feb 4, 2019 19:09 |
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curlingiron posted:I hate you. Roger that toxx
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# ¿ Feb 4, 2019 20:12 |
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This is great. Typo bottom left, though, begginning (unless that's part of the code)
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# ¿ Feb 5, 2019 04:05 |
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Yeah I'm judge
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# ¿ Feb 6, 2019 02:46 |
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derp posted:My deepest apologies for my pathetic failure. Maybe I'll return someday, but if td can't inspire me to write I don't know what will. Good luck, and God speed Don't flagellate, take your time and come back when the time is right.
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# ¿ Feb 6, 2019 04:01 |
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there will be no prompt until 2000 words have been collectively written on: duck farts so let it be mote
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# ¿ Feb 12, 2019 11:16 |
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Bystanders of the Blue Room Some not terrible words and reasonably well-chosen sense impressions in this sentimental journey through the sad house of the past, but it doesn't really rise out of cliché at any point - there's plenty of stuff worth writing about in this vein but you need to go beyond 'abuse happened, was bad' for it to be interesting. 5 From a Clear Blue Sky there's a certain panache in this yarn, but the ever increasing scope of the intermittently homophobic detity is sort of winking and nudging at the twist to come, and hoo look at that there it is. The charactters don't do much more than react to the increasingly kooky circumstances, and while you've got the slick breezy tone this kind of nonsense needs fairly well sorted, it isn't quite clever enough to warrant its essential shallowness. 4 House-Sitting A beautiful filigree of words and images that just about coheres at the end but I'm not sure if it doesn't stay a little too far out of reach. Like it's story fragments cricling a drain. Strong affecting work though 8 The Conference straightforward ectoplasm and potatoes ghost story with a basic protagonist growth flick flack at the end. I can't bring myself to hate it any more than I would hate grilled cheese on toast, but it didn't get my story gland pumping but perhaps that is for the best what do u think 6 Heirlooms what is it with dolls and calling your elderly relatives, tsk. I guess the words of this are all well assembled and it's nice to know what toys she liked to play with but this is really fatally devoid of narrative motion 5 Coronation alrighty so when you mention the far off prison planet of purgatory you're being p straight up about what sort of story this is so thanks for that. I do remain puzzled by how the prisoner who stays motionless in his cell all day gets dirty enough to make filthy water by the morning but maybe he's a Poopy Peter IX i don't know. The rest of the action is sort of ridiculous, as you're positing him breaking through a metal drain with his fingernails then escaping onto a poisonous planet one million light years from whereever. In fact, why the hell is this sci fi? it adds nothing. get out of here with your incontinent monarchs, you disgust me. 4 The Lake Cabin you're laying on the horror trappings maybe a little toooo thick with the cabin and the patronising boyf and the dawn like a bruise just fyi but you know what you basically pull it together with some fairly classic horror twistts that play well against the saccharine old ppl memories in the second to last para and the close-out lands just right. cliche done well. 7 A Cold Reception The achingly arch opener and closer would not be out of place in a victorian gentleman's magazine which is my kind way of saying they are considerably out of place in a piece of flash fiction in 20XX. This is basically competent but fails to take any steps out of the cliche trough it's rolling in. while it still would have been fairly bad it would have been better if the money had somehow been lost by his meanness; as is it feels like about 3/4 of a story. And really, those first and last paras: i could almost see the ad for rubberized galoshes that sits next to it. 4 We All Gonna Die the cornpone chewin' tabacky voice you got goin' on here really is powerful irritatin', 'nuff that I'm speculatin' to roust out my shootin' iron and send you a lead postcard, just fer yer in-form-ation, pardner. I think you can get away with it if you're writing in dialogue like he's tellin' a tale in some podunk saloon or w/e but that is not the case here so it's mainly annoying. Or at least for the firat half, because then the narrative picks up and our protag settles on his goal and the dad arrives and hey what do you know we're in a spooky 'call your dad' tale that's not half bad. I like his ghostly apothegms,and i like the control of the last few paras. overall, not bad, and that last line is p drat tight. 7 The Root of Evil effectively creepy with your really quite problematic murder protag offing fools all the live-long day but I confess to some puzzlement at her endgame, given that she looks nothing like her murdered pal and will doubtless get in all kinds of trouble for giving her buddy the dirtnap, so her confidence that everything's going to be ok at the end of the story seems unduly optimistic. reading it more closely i guess she's just gonna play dumb, which makes her a motiveless murderer which is fine i guess it takes all sorts to get by in this strange world of ours 5 Coal ok, of the extensive list of cliches that have been laid out before my cold judgely gaze I have to say an immortal kris kringle bartering for the souls of the dead at the end of time is the best and most interesting. This is kind of a trick story, but it's the good kind where everything is in service of the trick but it'a s not holding anything back; i like the brutal specificity of his hunger, and looking back can see how each of the story bricks are laid. Plus the audacity of father xmas giving a piece of coal to literal satan is really pleasing 7 hm Make Peace A strangely anticlimactic yarn with a weirdass monster that doesn't appear to relate to anything and just wants to you know talk and exchange some dull platitudes. Words are adequate, but I'm struggling to perceive the point of this one. 5 The Vitruvian Beast a tolerably standard werewolf (?!maybe!?) yarn, with a lot of incident in service of not that much. I'm struck by the oddness of the final line, as I don't know much about guns but I've played a lot of video games; do shotguns really scream? 4 A Hole to Hide I actually really like the grinding dreamlike repetition in this one, the way it hammers on the elements of her life which (I'm gonna guess) is not at its best in the time in which the story takes place. It doesn't really hang together as a story, but it's not a drab assortment of cliches either so I'm gonna nudge it a little above the soggy middle and have done. 6 A Rifle Isn't A Maybe Kind of Thing Though This is what you might call your serious gritty words about a guy and his dad and it lands p drat well, no space aliens, no cliché twists, just some solid sad dadstorying. This is the sort of story where you need to go a little beyond the standard drama because we've all seen it and can p much say the words as you're writing them, but i think this does that and lays out in detail and observation the sort of unsentimental understanding that makes you get to the end and nod your head, a bit sadly. 8 w? He's No Reid Fleming I'm gonna level with you judges get grumpier as they work through the scattered gobbets of fiction that make up a tdome week, which means if you're posting late (and hey, that's a p cool rocknroll thing to do) you need to take special care around things that make judges super mad, VIS A VIS check your tenses and then check them again, and if something happened in the past, the before time, then make sure that everything else is also happening in the before time! don't idly hop from past to present like a frog drunk on fermented fuckin loganberries! also don't describe movement as 'cliff was quick to return to his truck making a inconspicuous march back to his truck'! don't mash together two sentences then move on to then next one without even bothering to read either, 'She stuck her hand out and Cliff.'! also make sure your story isn't a transparent metaphor about a writer not having the foggiest idea what their story is about before ending it with 'then i woke up and it was all a diorama! lol'. Do all those things and you will make judges, if not happy, at least not so filled with clotted gallons of rage chuck! Seriously it's a win win, there's no downside! 2 dm Diving Expedition I like your opening image, arresting, dreamlike and vividly presented. The rest is not quite as on point, with a bunch of strained similes (blue amber is like calling something a green orange) and wonky verb choices ('a rush of water greeted henri'). The meat of the story is actually very solid, i love the weird magic realist octopus that has supplanted her lover (or to which she is forced to still cleave) but since henri is uncharacterised and the octopus is just a squirty slippery bastard with an ill-defined knack for aquamancy, it all falls flatter than it should. This could sit well at twice the length, i'd take it back to the shop for a refit. 6 Lunch well I guess it's almost a story 1 l
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# ¿ Feb 13, 2019 02:23 |
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don't reply to crits small newbies, even if it's to explain how pleased you are by them. discord/irc is the place for all your td chitchat needs
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# ¿ Feb 13, 2019 05:37 |
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In, obviously
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# ¿ Feb 13, 2019 05:47 |
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Yeah flash me up thrangles
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# ¿ Feb 13, 2019 06:52 |
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All newbies, if you want to crit a story just do it, you don't need to ask permission. And if people don't like your stuff don't flounce: write more, write better.
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# ¿ Feb 13, 2019 22:58 |
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ThirdEmperor posted:Yoruichi's The new guy Good crit
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# ¿ Feb 14, 2019 02:03 |
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Sitting Here posted:Can i get a flash rule when one of our extremely cyber judges has a cyberminute
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# ¿ Feb 14, 2019 08:21 |
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VEry well sitting 'here'
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# ¿ Feb 14, 2019 08:30 |
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sebmojo posted:Surreptitious Blowout Fungal Butt Brawl just sayin i hope you guys are rackin up the words on this one
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# ¿ Feb 14, 2019 13:20 |
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Mercedes posted:BRAWL SUBMISSION BIOTCHES
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# ¿ Feb 15, 2019 00:48 |
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Uranium Phoenix posted:I'll take flash rules from up to two judges and sebmojo can throw me a picture if he wants
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# ¿ Feb 15, 2019 07:32 |
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To see a sparrow fall 1017 words “I pushed that and nothing happened,” said Elena. She gestured at the haptic sensor-field with the glowing column of purple flame that she had instead of a right hand. Havelock Walks-With Wolves leant in, awkwardly conscious of Elena’s exposed boobs. The cubicle was a complicated tangle of exposed sparking wires, festooned with AR glyphs. “The CoreMind gets clogged up with sense data on Friday afternoons, I know what it feels like!” “Ha ha, right,” agreed Elena. Havelock scanned the display and clicked his tongue. “I think your process is jammed up, just need to reinitialise with a quick cyber-chord.” He placed the pincers on his right hand on two of the glowing dots in the whirling config array, then pulled his left arm and winced. “Sorry,” he said. “My, my claw is stuck on your chair.” Elena looked back and saw the savage serrations in Havelock’s hook-hand embedded in the plastic casing of her chair. “Oh, dear,” she said. She pushed her chair forward, holding her sizzling flame hand well back from him. “Is that better?” Havelock saw his own shy grin reflected in her data visor. “Yeah, thanks.” He tapped the third dot and the sensor-field turned a brilliant orange, slowly shading into blue as they watched. “That will take ten minutes, should be fine after that.” “Great,” said Elena, “Soy-coff and krillmuff time for me then!” Havelock clacked his hand-pincers together in agreement. “You’ve earned it!” *** Later that night the moon was a pale shadow in the sky, just visible through the sickly yellow clouds. Havelock was huddling under the inadequate shelter of a noodle shop’s awning, stinging splashes of acid run running down his bare chest and into his metal pants. The last three buses hadn’t come, and his mood had been steadily darkening. He whistled a tune his mother had taught him when he was a boy, before he’d had the pincers implanted in his hands. Then a flicker of motion above him triggered the combat reflexes he’d learnt at such cost on the hard streets of Neo-Wellington. He slashed at the tiny shape that was flying at him and dropped into a combat stance in one smooth motion. His eyes blazing, he cast around for threats. It was a sparrow, feathers bleached by the rain. His pincers had half-bisected it, but it looked like it had been dead when it fell. Havelock knelt, awkward in his shin boots, and ran one of his pincers over the blood slicked plumage. Then he shook his head, clambered to his feet. “gently caress it. Serena, call me a Jiffy.” His muse system pinged politely and popped up an AR glyph of the nearest car, a few hundred meters away. He watched it round the corner and slide to a stop in front of him, stony-faced. The Jiffy’s were expensive because of the insurance needed to drive manually, but he’d had it with the day. The door of the dull grey car, running with acid rivulets of rain, gull-winged up and he bent his head to clamber inside. “Oh it’s you,” said Elena. “This is embarrassing!” Havelock gaped at Elena from Consumables Invoicing. “I just saw something awful.” The synth leather seat under his rear end creaked as he shifted on it. “Sorry, I mean… it’s good to see a familiar face. I was getting sick of not getting a bus!” Elena’s visor turned back to him and she grinned, looking relieved. “There will probably be half a dozen along any minute.” Her sputtering purple flame hands were inserted inside two blackened metal tubes. Her well-defined forearm muscles twitched and the door closed. “Where to?” “Ha, yes that’s right,” laughed Havelock as the car pulled out into the stream of night traffic. “Oh, I’m in 5367 Chiba Street. Just up from the fish and chip shop.” They drove for a minute in silence, then they both spoke at once: “So do you—“ “I suppose you were—“ Havelock held up his pincers, claws outstretched. “Sorry! You first.” “Was just going to say I’ve been covering my sister’s rounds to keep up the payments on the Jiffy,” said Elena. “You’re the first person from work that’s jumped on. What are the odds?” “Well,” said Havelock, “I wasn’t even going to get one but then—“ As he was about to explain about the sparrow there was a walloping crash, like a boulder hitting a steel door, and the roof of the cab bulged in as though a giant’s fist had thumped on it. Havelock yelped, Elena’s head jerked round and the car jerked forward in a rush of acceleration that slammed Havelock back into the seat cushions. He gripped his retractable seat belt tight and looked back through the window. “Gang-crazies,” he gasped. Elena didn’t speak, just hunched over the haptic drive zone, feathering the wheels of the car as they sped past a long row of abandoned burnt out housetrucks. “Watch out,” said Havelock, “It’s a 60kmh zone!” Elena glanced sideways at the graffiti smothered sign, and tapped the brakes, then pushed her right hand down and hissed “Car, lights out, engine off!” as it squealed round a corner, did a 180 degree skid and came to a halt. Havelock and Elena watched the ute full of criminal gang-crazies sale past them, clearly having missed Elena’s manoeuver. “Phew,” said Havelock. He raised his hand, as if to wipe sweat off his brow, then put it down again. "That would have been awful if they'd caught us. You drove really well." Elena looked at the bulge in her roof, and shook her head. "God, I hope the insurance people don't kick up about this. Can I use you as a witness, just in case?" She smiled at his nod. "Thanks, Henry. Let's get you home, we've both got to work tomorrow." "It's, uh, Havelock," said Havelock Walks-With-Wolves. "Oh my goodness. Havelock. So rude!" Elena gave him a smile so bright it seemed cyber-enhanced to him, then, with a thrum of the car's hydrogen engine, they pulled out into traffic and were gone.
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# ¿ Feb 18, 2019 09:02 |
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This was my flash rule, along with unusual interfaces:
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# ¿ Feb 18, 2019 09:06 |
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interpormpt: spooky vacuum cleaners 300 words
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# ¿ Feb 18, 2019 11:47 |
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Exmond posted:Seed Migration I'mma allow a certain amount of time before i ban your rear end, thirdemperor, and that amount of time is in my head just fyi
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# ¿ Feb 19, 2019 11:08 |
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BirdOfPlay posted:I'm in. 2020 is the word count without flash, correct? Yep.
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# ¿ Feb 23, 2019 05:38 |
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ThirdExmond BrawlExmond posted:Seed Migration ThirdEmperor posted:Tiger Tiger This was a clear victory to Third, for all his story wasn't the clearest - Exmond's had a sort of interesting premise and a reasonably good/funny ending but really was beaten at all points by its counterpart. ThirdEmperor Wins
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# ¿ Feb 24, 2019 12:50 |
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if it had been close or a tie i would have taken the lateness into account. That's better in the detail but still flawed in the fundamentals, in any case if you want to workshop something start another thread
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# ¿ Feb 24, 2019 19:55 |
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The Power Stone of Awamani 1650 words The night his parents died, Isamu Shushin saw the Americans come to Tokashiki. They came on a single huge ship, a great grey whale of a ship, bristling with guns and slick-wet with ocean foam. The ship’s weapons tracked back and forth as it bellied through the waves towards the beach. The sea clawed at it as if to hold it back with impotent fingers of foam, but still it groaned forward. When it came in close to the shore the first of its vast legs rose out of the ocean, water streaming from its pale human skin. Another leg followed, jutting from the wet gray steel of the ship and slamming its gnarled foot down on the smashed coral. Isamu couldn’t scream because there was something in his throat but he saw the American soldiers staring at him, shoulder to shoulder on the rocking deck of the ship, each face contorted in a bestial leer. The third leg came out of the sea, streaming foamy water, and towered high, high above him -- so high it blotted out the sun -- then it crashed down on, and into, and through him, in a impact like a tsunami breaking and he woke up to his father’s hard hand on his shoulder. “Isamu. The soldiers are here. We have to go.” Isamu blinked up at his father in the dim candlelight, still enmeshed in the foam-wet fishnets of the dream. “The Americans, papa?” His father’s hand tightened painfully upon his shoulder and Isamu gasped. Then he shook his head. “Get up now,” he said. There was a crowd of people outside their little house standing bemused in the ghostlight of electric torches. The mayor was standing by a wall in the khaki jacket he had worn ever since he became one of the soldiers, with a khaki satchel over his shoulder. As Isamu, his mother and his father came out of their house he called out to the group. “We must march together.” Isamu’s mother gripped his hand and she whispered in his ear, “Come now.” His father was ahead of them, shoulders square, as the group moved down the narrow divide between the houses. Isamu realised they wouldn’t walk past the power stone and he felt a surge of diappointment in spite of himself. To lift it was to become a man, and he had tried so many times, cradling the heavy rock in his arms at different angles and with different grips, that he felt he could describe each of its edges and hollows from memory. The last time he’d tried was two days back; he was sure it had moved a fraction more than ever before and was eager to have another attempt. But now they were trotting single file down the path with the ditches on each side and the tempting grass that the braver boys sometimes caught poisonous snakes in, and were scrambling down the steep path to the beach. It seemed to be more than the whole village, hundreds of people, and Isamu wondered if there were farmers coming too. Then they were on the beach. The sound of the surf breaking on the jagged coral out by the heads was familiar music in his ears and he smiled at the sound and looked up at his mother to see if she was smiling too. She was not, instead she was staring down at him intensely, as though forcing herself to memorise every single part of him, every hair on his head and curve of his face. Soldiers were passing through the crowd now, passing out fist-sized lumps of metal to the men. Isamu saw the mayor give one to his father, pressing it into his hand. “Pull the pin,” he said, “and cry ‘ten thousand years’.” The mayor glanced at Isamu and his mother, then moved on with his heavy satchel. A yell and a muffled explosion came from further down the beach, followed by another, and Isamu saw something the size of a forearm arcing through the air above them in the cold moonlight. He looked up at his mother and saw, for the first time, the black space behind her eyes and the tears she was holding back there. His father held the metal device down between them and called, in a voice sharper and harder than any Isamu had heard from him before, ‘ten thousand years!”. His finger was taut on the ring, and then the ring was out and the device dropped to the sand at their feet. Isamu looked at it and the weight of it, lying in its hollow in the sand at their feet, seemed unbearable. He imagined reaching out and picking it up, how heavy it must be if not even his strong-handed father could hold onto it for long. He imagined crying 'praise to the Emperor!' and hurling himself down and taking it into himself, like a man. He heard a sound like an axe into a tree stump and turned to see his friend Hiroshi’s father stab Hiroshi in the throat with a scaling knife, blood black in the moonlight. His mother pushed him hard in the chest and he fell backwards. She was yelling his name as he hit the sand hard enough to knock the air out of him and set his head spinning. The beach was loud with screams and explosions. Isamu looked up with blurry eyes and saw his mother and father crouching down just as the explosion took them apart. His ears were consumed by the sound, leaving only a ringing noise. He scrabbled back on his elbows, eyes fixed on where his parents had been. His mouth was open and heaving puffs of air were coming out of it, like he was trying to expel all the air he’d been breathing his entire life. There were more explosions, and he saw a boy he didn’t recognise jab at a little girl with a spear. Beside the boy one of the fishermen was hitting his wife in the head with a stone, she shrieked with each blow. Isamu looked right and left. There were soldiers from the mainland standing around the group with rifles. Isamu had a sudden impulse to go back into the crowd, to do what was right, and stood on shaky legs. A few steps, and it would be done, and he could be with mama and papa. Then he looked again at the nearest soldier. He was standing, rifle in hands, and his face was twisted, bestial like the sailors on the ship of Isamu’s dream. In a fractional instant the decision had been made, and Isamu was running away from the beach, feet scrabbling and slipping on the powdered coral sand, bleeding hands pulling at bushes heedless of snakes. The soldier behind him yelled, and fired, Isamu heard the bullet whine past him like an angry hornet and he was scrambling up the path back to the village. He was still gasping as he ran, tears and snot trickling down his face, but he kept running between the houses of the empty village, bloody bare feet pounding on the narrow road. A part of his mind considered whether the mainland soldier would chase him, and decided no; not until the killing was done. Not killing: group self-determination another part of his mind corrected him in his father’s voice and he stumbled to his knees and vomited up the remnants of the rice ball he’d had that morning then collapsed, weeping. The explosions had stopped when he sat up. He remembered walking on the clifftops on a blank and grey cloudy day, holding his mother’s hand, and he took the grey blanket of clouds from his memory and laid them on the memory of what he had just seen like a tatami mat, folding down the edges around it. He stood up, swaying. His mind was a flat pool of water, reflecting nothing at all. A direction presented itself to him and he took it, turning left at the next house. The occasional shot rang out from the beach, attenuated and strange over the distant roar of surf. He walked, stumbling every now and then, turning where necessary. Then he reached his destination, a patch of grass by a wall with a stone sticking out of it. Isamu knelt down beside the stone, the strength stone, the power stone. It was the size of a man’s head and heavy. He ran his hand over its surface, then put his arms around it and squeezed. He was crying again, but that didn’t matter. He felt the hollows and edges of the stone under his fingertips, and pulled, with shaking arms. It didn’t budge. He moved his grip, pulled again. His muscles were aching, burning, but he felt it move. As much as last time? He grunted, and shifted his legs, strained at its horrid, immovable bulk. It was quivering in his arms, or was that his weakness? He hated the stone, its solidity, its rigidity. He wanted it smashed, gone, destroyed, every blow knocking off a piece of what was until there was nothing left. He strained again and a howl clawed its way out of his throat like a baby being born all covered in its mother's blood. The stone tilted, and lifted up about of the earth it was buried in and in a spasm of effort he rose, shaking to his feet with the horrible, impossible stone in his arms. He held it for a few seconds then let it drop and stood, panting. In falling, the stone had ripped aside the cloak of grey and Isamu thought of the cave in the hills, and the hidden food his mother had been putting aside, thinking he didn't notice. The Americans would come, but who knew? Maybe they were no worse than the mainlanders. Maybe they were better. He stood for another moment, and breathed in, and out. Then he shrugged and, with trembling legs and muscles afire, walked away from the deserted garden of Awanami.
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# ¿ Feb 25, 2019 09:29 |
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that was for my curlingbrawl
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# ¿ Feb 25, 2019 09:36 |
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Interprompt: I was about to tell her the truth, but just then: (500 words)
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# ¿ Feb 25, 2019 14:49 |
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I suspect judgment will not arrive until that story has been critted thrice
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# ¿ Feb 26, 2019 05:02 |
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Sham bam bamina! posted:Curlingmojo brawl results gently caress you bitch, brawl me now
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# ¿ Feb 26, 2019 11:10 |
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Sham bam bamina! posted:All righty.
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# ¿ Feb 26, 2019 11:38 |
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im judge. hellrules will be dispensed on request.
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# ¿ Feb 26, 2019 13:39 |
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onsetOutsider posted:ok sebmojo give me a hellrule use this image somehow also: every character in your story meets with a terrible fate
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# ¿ Feb 26, 2019 13:50 |
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The Saddest Rhino posted:One sebmojo rule pls no character in your story may touch a flat surface
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# ¿ Feb 26, 2019 14:11 |
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Each of your sentences must have exactly five words.
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# ¿ Feb 26, 2019 19:49 |
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sebmojo posted:Surreptitious Blowout Fungal Butt Brawl The combatants have agreed to move the deadline for this to 14 March, same time
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# ¿ Feb 26, 2019 21:04 |
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Yoruichi posted:In. Do your worst. Your characters are all buildings, from 3-9 stories high, each with a different disorder from DSM IV
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# ¿ Feb 26, 2019 22:05 |
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I'm gonna finish my beer then close it up so if you're scrabbling to get your poop words down you have maybe five, ten minutes
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# ¿ Mar 4, 2019 10:02 |
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Yeah flash me up
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# ¿ Mar 5, 2019 19:17 |
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# ¿ Apr 18, 2024 13:47 |
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to do crits by tues 2359 pst
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# ¿ Mar 6, 2019 06:50 |