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mycot
Oct 23, 2014

"It's okay. There are other Terminators! Just give us this one!"
Hell Gem

I think the most charitable interpretation is that they're just going off the imdb blurb on the movie but, uhh.

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Acebuckeye13
Nov 2, 2010


If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling
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Ultra Carp

Steve Yun posted:

Maybe I’m dense but the song seems to be about a bad education system and i don’t quite see the connection to the aspects of class warfare Parasite touches on

It's a reach and it's pretty unlikely this is the case, but for the hell of it...

So the song is from Pink Floyd's 1977 album The Wall, which tells the tale of a musician, Pink, and his increasing isolation from his family, fans, and the world at large, represented by a the metaphorical (And in the concerts, literal) construction of a brick wall between Pink and the world. Another Brick in the Wall, Part II is probably one of the most famous songs from the album, and deals with Pink's experience in abusive British school system. However, it's only one of a trio of similarly named songs, which deal with Pink's relationship with his dead father (Part I), and the discovery of his wife's infidelity (Part III) as key moments in the construction of the titular Wall. By the second half of the album, Pink is completely isolated behind the wall (helped along by copious drug use, which lead him to imagine his concerts as Nazi-like rallies), and the wall is only broken when figments of Pink's own imagination put him on trial and "Sentence [him] to [his] greatest fear: To be exposed before [his] peers" TEAR DOWN THE WALL! TEAR DOWN THE WALL

(it's a good album imo. It's also got a surreal as all hell film with some truly insane animation)

So with that context out of the way: If Mr. Park's firm is truly meant to be a reference to the song Another Brick in the Wall, it can symbolize a few different things:

-First, it's another instance of the Parks idolizing english language and phrasing without regard for the actual context.
-Second, as The Wall is all about the isolation, it can symbolize how Mr. Park's company is "another brick" in the wall isolating him/his family/his economic class from the Kims/the working class.
-As it's a software company, it could be a commentary on how social media and computers are serving to increasingly isolate individuals from each other (very unlikely but I thought I'd throw it out there)

Personally, I have doubts that the company's name is really supposed to mean something deeper, or have any specific connection to a rock opera from the seventies. But hey, who knows?

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
I agree that it’s not clear, so let me suggest another reading based on one of your suggestions!

Since you suggest the sheltering oneself theme, it occurs to me that the company is a VR company, which is really all about closing your eyes to the outside world and reality and living in a “virtual” idealized world. It fits with the Parks being sheltered from economic hardship and suffering. Even though the house has huge glass windows they can’t see farther than their own manicured yard.

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
Double post :argh:

Steve Yun fucked around with this message at 06:42 on Feb 24, 2020

YaketySass
Jan 15, 2019

Blind Idiot Dog
The isolation analysis is neat but, independently of the plot of the album, it's also often interpretated as one of the greatest "gently caress conformity, man" songs ever written, so the "worthless, replaceable part in an alienating system" interpretation seems the most obvious and most immediately relevant to the themes of the movie.

From Mr. Park's perspective he probably just likes the "building toward the future, bit by bit" imagery, capitalists love the image of themselves as fundamentally builders, creators of concrete things rather than extractors of value. Consider the architecture boner of Atlas Shrugged or the uproar over Obama's "you didn't built that".

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
You’re probably right about the meaning of Another Brick but I think the “rich people sheltering themselves” is probably still a thing because of the company being VR developers

ymgve
Jan 2, 2004


:dukedog:
Offensive Clock
Those saying the Kims weren't the bad guys - you are all wrong. One of them forcibly shoved one of the dogs during the drinking scene. Unforgivable.

Alan Smithee
Jan 4, 2005


A man becomes preeminent, he's expected to have enthusiasms.

Enthusiasms, enthusiasms...
they didn't even show her k:d ratio at the pc bang

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
Everyone is the bad guy in capitalism

kalensc
Sep 10, 2003

Only Trust Your Respirator, kupo!
Art/Quote by: Rubby
Going to see Parasite this afternoon. Our theater has it in standard and in IMAX.

I know there's no "visual effects" like a Nolan movie that make it a must-see-IMAX-style film, but the blurb mentioned it was remastered.

I googled but couldn't find any public reviews of the IMAX version. Anyone here know if it's worth it?

Thanks =)

Alan Smithee
Jan 4, 2005


A man becomes preeminent, he's expected to have enthusiasms.

Enthusiasms, enthusiasms...
If you have amc nearby yes because you should have A list

Ogmius815
Aug 25, 2005
centrism is a hell of a drug

Alan Smithee posted:

If you have amc nearby yes because you should have A list

Seriously the only downside of A-List is that I can’t use it at Alamo and Regal. AMC assuredly sucks but it’s just a great deal.

jivjov
Sep 13, 2007

But how does it taste? Yummy!
Dinosaur Gum

Ogmius815 posted:

Seriously the only downside of A-List is that I can’t use it at Alamo and Regal. AMC assuredly sucks but it’s just a great deal.

I miss MoviePass

Alan Smithee
Jan 4, 2005


A man becomes preeminent, he's expected to have enthusiasms.

Enthusiasms, enthusiasms...
I don’t


Ogmius815 posted:

Seriously the only downside of A-List is that I can’t use it at Alamo and Regal. AMC assuredly sucks but it’s just a great deal.

Alamo has its own thing but the demand is hot

hiddenriverninja
May 10, 2013

life is locomotion
keep moving
trust that you'll find your way

Ogmius815 posted:

Seriously the only downside of A-List is that I can’t use it at Alamo and Regal. AMC assuredly sucks but it’s just a great deal.

Agreed. Got a theater near my house and one near work and I get tons of value out of it.

KVeezy3
Aug 18, 2005

Airport Music for Black Folk

ymgve posted:

Those saying the Kims weren't the bad guys - you are all wrong. One of them forcibly shoved one of the dogs during the drinking scene. Unforgivable.

Counterpoint: The daughter expresses an amused bewilderment when she recognizes that she's eating dog-food, and then eats another piece.

Thundercracker
Jun 25, 2004

Proudly serving the Ruinous Powers since as a veteran of the long war.
College Slice
The dog definitely eats better than everyone in their down hill neighborhood

kalensc
Sep 10, 2003

Only Trust Your Respirator, kupo!
Art/Quote by: Rubby
Montreal

Saw it on IMAX at the old hockey arena

Excellent movie

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
IMAX is very valid if even for just one scene where you want maximum size/resolution

Dracula Factory
Sep 7, 2007


I took the "Another Brick" as referring to the ultimately worthless technology that Mr. Park's company creates, just another brick of some sort that does something fun and distracting but gives Mr. Park the great wealth that drives the whole plot.

I think I got most of what the movie was going for, but I didn't understand at the end why Mr. Kim killed Mr. Park. Was it rage and resentment brought on by seeing his daughter dying and flared up by Mr. Park covering his nose at that moment?

Besides that I loved the twists and turns and the way it was shot and the way it all came together so I'm glad it won best picture.

kalensc
Sep 10, 2003

Only Trust Your Respirator, kupo!
Art/Quote by: Rubby

Dracula Factory posted:

I took the "Another Brick" as referring to the ultimately worthless technology that Mr. Park's company creates, just another brick of some sort that does something fun and distracting but gives Mr. Park the great wealth that drives the whole plot.

I think I got most of what the movie was going for, but I didn't understand at the end why Mr. Kim killed Mr. Park. Was it rage and resentment brought on by seeing his daughter dying and flared up by Mr. Park covering his nose at that moment?

Besides that I loved the twists and turns and the way it was shot and the way it all came together so I'm glad it won best picture.

His daughter was dying, he was desperately trying to stem the bleeding, and the rich gently caress was ordering him to drive them to the clinic.

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat

Dracula Factory posted:

I think I got most of what the movie was going for, but I didn't understand at the end why Mr. Kim killed Mr. Park. Was it rage and resentment brought on by seeing his daughter dying and flared up by Mr. Park covering his nose at that moment?
It’s the buildup of all the emotional abuse he takes over the whole movie

He endures Mr Park announcing in front of both of his children that he smells bad and has the stench of poverty and he’s unable to defend himself

His home is destroyed with poo poo water and he sleeps in a gym and then is called into work the next morning and has to pretend everything is ok

Driving Mrs Park around while he’s tired, Mrs Park makes it obvious that she thinks he smells bad too

He is uncomfortable with the Indian skit and Mr Park subtly threatens his employment. Even though Mr Park is paying him overtime, Mr Kim feels like he’s been put down. It’s not about the money so much as the abuse he’s forced to endure

When his daughter is mortally wounded Mr Park leaves her behind and literally steps over her body to take his fainted son to the hospital

And finally he pinches his nose at Geunse. Mr Kim getting angry is a little ambiguous here because you can interpret it as 1) Mr Kim getting enraged that he’s looked down on and put in the same category as Geunse, or 2) having a moment of class solidarity and enraged that Mr Park looks down on Geunse

RBA Starblade
Apr 28, 2008

Going Home.

Games Idiot Court Jester

KVeezy3 posted:

Counterpoint: The daughter expresses an amused bewilderment when she recognizes that she's eating dog-food, and then eats another piece.

She downs that tequila like a champ too

Dracula Factory
Sep 7, 2007


Steve Yun posted:

It’s the buildup of all the emotional abuse he takes over the whole movie

He endures Mr Park announcing in front of both of his children that he smells bad and has the stench of poverty and he’s unable to defend himself

His home is destroyed with poo poo water and he sleeps in a gym and then is called into work the next morning and has to pretend everything is ok

Driving Mrs Park around while he’s tired, Mrs Park makes it obvious that she thinks he smells bad too

He is uncomfortable with the Indian skit and Mr Park subtly threatens his employment. Even though Mr Park is paying him overtime, Mr Kim feels like he’s been put down. It’s not about the money so much as the abuse he’s forced to endure

When his daughter is mortally wounded Mr Park leaves her behind and literally steps over her body to take his fainted son to the hospital

And finally he pinches his nose at Geunse. Mr Kim getting angry is a little ambiguous here because you can interpret it as 1) Mr Kim getting enraged that he’s looked down on and put in the same category as Geunse, or 2) having a moment of class solidarity and enraged that Mr Park looks down on Geunse


This makes sense, I noticed how red in the face he was when talking to him but didn't think much of it at the time.

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
It’s also neat on rewatch to notice all the times Mr Kim closes his eyes because he’s overwhelmed with shame

Compendium
Jun 18, 2013

M-E-J-E-D
Song Kang-ho (Mr. Kim) is a loving fine actor and I only realized recently that I saw him in a film long ago called The Good, The Bad, and the Weird which was my first exposure to Korean cinema. That was a really fun movie and he was excellent in that one.

God Hole
Mar 2, 2016

i only just realized he's the rural detective in memories of murder, the father in the host, and the drug-addicted door specialist in snowpiercer.

the man has incredible range and really disappears into his roles. I had seen and appreciated him in all of those films yet didn't recognize him at all while watching parasite.

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
Yeah so in that moment where the son yells cut and tells the dad that his acting is too excited and he needs to bring it down, it’s an in-joke for Korean audiences who are familiar with the two actors. It’s as if Tom Holland was giving acting tips to Gary Oldman

Alan Smithee
Jan 4, 2005


A man becomes preeminent, he's expected to have enthusiasms.

Enthusiasms, enthusiasms...
https://twitter.com/neonrated/status/1234215986204561408?s=21

I got the tude now
Jul 22, 2007

Steve Yun posted:

Yeah so in that moment where the son yells cut and tells the dad that his acting is too excited and he needs to bring it down, it’s an in-joke for Korean audiences who are familiar with the two actors. It’s as if Tom Holland was giving acting tips to Gary Oldman

yeah, i've loved song kang-ho for a long time and that line got a big laugh out of me. if anyone hasnt seen memories of murder yet, it's essential bong joon-ho and song kang-ho. kang-ho plays the worst piece of poo poo cop of all time but has the natural charisma to draw you to the character regardless.

ALso i enjoyed the b&w version a lot. i was more tuned into the interpersonal aspect of the movie on this viewing and was moved to tears a few times even when i wasnt in my first viewing. kang-ho really expresses so much with just his face, every injustice and tragedy is made completely relatable without heavy-handed exposition thanks to the skill of hte cast in general, but he really was stellar once again.

I got the tude now fucked around with this message at 20:50 on Mar 2, 2020

Alan Smithee
Jan 4, 2005


A man becomes preeminent, he's expected to have enthusiasms.

Enthusiasms, enthusiasms...
on the subject of A list, if I want to support a movie like Parasite and have unused movie slots for the week can I just reserve a seat and not even show up or do I need to check in for it to get the money

Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
I'm guessing check in so maybe find a friend

To be honest I don't think the movie needs your help, the more important thing is that you surround yourself with friends that saw Parasite, which is why I held a bluray viewing party

Alan Smithee
Jan 4, 2005


A man becomes preeminent, he's expected to have enthusiasms.

Enthusiasms, enthusiasms...
are you calling me this

Simiain
Dec 13, 2005

"BAM! The ole fork in the eye!!"

SuperMechagodzilla posted:

That’s all terribly facile, and lame. Like you’ve just encountered a satire for the first time: “whoa the movie doesn’t present anyone as having the right ideology. How... mature.

Beside the fact that you’ve fallen into the same trap as a lot of pseudo-progressives and concluded that such things as clean drinking water are bourgeois (because rich people have them), your own ideological failure is in blaming the Kim family for having ‘middle-class aspirations’, rather than understanding that the very concept of a middle class is imposed on them to keep them in line. As Zizek notes:

“The evaluative procedure used to decide which workers receive a surplus wage is an arbitrary mechanism of power and ideology, with no serious link to actual competence; the surplus wage exists not for economic but for political reasons: to maintain a ‘middle class’ for the purpose of social stability.”

In other words, the Park family (however unconsciously) pays relatively high wages to their household staff purely to generate a promise of security and thereby prevent the outburst of violence we see near the end of the film.

But the Kim family is not middle-class; they are poor. The basic premise of the film is that, unbeknownst to the Parks, the Kims are (using scare-quotes here) “lumpen”-proletarians: criminals, unemployed and unemployable, always an instant away from complete destitution. It’s extremely eye-rolling to see ostensible leftists writing “oh but the Kims aren’t starving; the Kims have cell-phones” - as if they themselves have been duped by the Kims’ impressive ability at ‘code switching’. The Kims are implied to be badly in debt. The four of them, working together illegally, still can’t even afford a marginally-better apartment at the end of the film.

Let’s get more concrete here.

Parasite specifically deals with the rise of ‘immaterial labour’, i.e. the production of new social and interpersonal relations. The focus is on both intellectual labour (e.g. the production of virtual reality software by the company’s programmers), and affective labour (e.g. all the babysitting done by the Kims). There is very little like “hard” industrial labour in the film. As industrial labour declines in prominence, we get two related phenomena: a rise in unemployment, and the gradual disappearance of the traditional bourgeoisie.

In the first case, “it is the very success of capitalism (greater efficiency, raised productivity etc) which produces unemployment, rendering more and more workers useless: what should be a blessing – less hard labour needed – becomes a curse. Or, to put it differently, the chance to be exploited in a long-term job is now experienced as a privilege” (Zizek, my bolding). It’s the basic joke of the characters doing a complex heist just to earn a wage above subsistence level, and it’s because of this specific point that the Parks can feel comfortable allowing these people into their home. The Kim family can be safely exploited because what are they going to do? Go on strike? Again, the threat of abject poverty is always hanging over them. A huge chunk of the film then deals with new and varied types of unemployment under these conditions.

“The category of the unemployed has ... expanded to encompass vast ranges of people, from the temporarily unemployed, the no longer employable and permanently unemployed, to the inhabitants of ghettos and slums (all those often dismissed by Marx himself as ‘lumpen-proletarians’), and finally to the whole populations and states excluded from the global capitalist process, like the blank spaces on ancient maps.”

This, as it happens, is the entire point of presenting Mr. Gook (the man in the secret chamber) as akin to a fanatical North Korean. It allows us to extrapolate this singular case of unemployment out to the geopolitical level; North Korea is perhaps the most prominent example of a geographical ‘blank space’. (I’m thinking of the satellite images showing that, from space, no light can be seen there).

But anyways, in the second case: the traditional bourgeoisie is being gradually replaced by a subset of workers who earn a surplus wage. That is, as mentioned earlier, workers who are just arbitrarily paid above ‘minimum’ wage to ensure the existence of a middle class and therefore social stability. But those earning surplus wages exist on a spectrum from comfortably-paid managers (the ‘salaried bourgeoisie’) to those paid so little as to be effectively part of the proletariat, and it is on the latter that Parasite focusses its attention. That’s why the mood entirely changes after the discovery of the abject Mr. Gook and the corresponding flood of sewage that ‘infects’ the Kim family. Call it class consciousness.

The debate over the morality of all this is not even remotely interesting. Are the Parks idle and self-absorbed? Who cares? The actual question of the film, expressed at the end, is how a man (or German family) can end up enslaving another man without even being aware of it. This is where Parasite is ultimately an accelerationist sci-fi film along the lines of Chappie, taking the depiction of human survival under capital to a logical extreme. “It pushes to the end of the full monstrosity of the body of Capital,” as Steve Shaviro describes the short story Phylogenesis (in which humans genetically engineer themselves to survive as literal parasites inside of the massive, all-consuming aliens that have consumed the Earth). It’s this sci-fi scenario of becoming an insect inside a mansion that demands the most attention.

In Zizek’s terms: “what unites us is that, in contrast to the classic image of proletarians who have ‘nothing to lose but their chains’, we are in danger of losing everything. The threat is that we will be reduced to an abstract, empty Cartesian subject dispossessed of all our symbolic content, with our genetic base manipulated, vegetating in an unliveable environment. This triple threat makes us all proletarians, reduced to ‘substanceless subjectivity’, as Marx put it in the Grundrisse. The figure of the ‘part of no part’ confronts us with the truth of our own position; and the ethico-political challenge is to recognize ourselves in this figure.”

This leads to my concluding point: it should be trivially easy to extricate Mr. Kim from the bunker, or for him to simply leave. He doesn’t leave because he understands the above truth, and is working to pass it on to others.

Oy I just watched this movie!

I reckon you're being a little bit harsh on OP here.

The actual question of the film is indeed how a person might enslave another (or be enslaved) without realizing it.

The answer is that, rather than the (not so) gradual replacement of the traditional bourgeoisie by an increasingly slender workforce of thinkers and an increasingly bloated reserve army of carers, the greatest innovation of capitalism is to extinguish the distinction of bourgeoisie and worker altogether. With the effacement of this distinction the idea of the 'unemployed', rather than expanding to envelop even Marx's 'lumpenproletariat', becomes meaningless. In its stead is a reserve army of hustlers, scammers, jobbers, 'contractors' and, (ugh) entrepeneurs, all of whom are enjoined to expand their own tiny enterprise, the CEO's of themselves, by whatever means they can. This might mean taking on three precarious jobs in order to invest the proceeds in their own human capital, it might mean trading poisoned junk bonds, it might mean starting a cute little bakery or, it might mean forging documents and attaching yourself to the bloated household of an insufferable millionaire tech-bro. The point being that, in the hyper-Hayekian capitalism of unalloyed competition, there really is no ethical distinction between the Kims and the Parks, only the fact of their money.

The tragedy of the movie is that, with the erasure of the very category of the working class, there is no 'beyond' capitalism, no route by which it might be overcome, and no means by which to conceptualise overcoming it. How can there be a class-consciousness when there is no longer any class distinction? Thus the younger Kim, bequeathed an exiled father, a murdered sister and a lingering brain injury, and having witnessed (or rather, become collateral damage of) the rage of Mr. Gook (more capitalist periphery of Bangladesh or Vietnam than pariahed North Korea) still maintains no recourse but to magically and impossibly 'get rich' to extricate his father from the bunker.

ungulateman
Apr 18, 2012

pretentious fuckwit who isn't half as literate or insightful or clever as he thinks he is
film good

a new study bible!
Feb 2, 2009



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Acebuckeye13
Nov 2, 2010


If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling
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Ultra Carp

ungulateman posted:

film very good

RBA Starblade
Apr 28, 2008

Going Home.

Games Idiot Court Jester

ungulateman posted:

film metaphorical

KVeezy3
Aug 18, 2005

Airport Music for Black Folk

Simiain posted:


the greatest innovation of capitalism is to extinguish the distinction of bourgeoisie and worker altogether. With the effacement of this distinction the idea of the 'unemployed', rather than expanding to envelop even Marx's 'lumpenproletariat', becomes meaningless. In its stead is a reserve army of hustlers, scammers, jobbers, 'contractors' and, (ugh) entrepeneurs, all of whom are enjoined to expand their own tiny enterprise, the CEO's of themselves, by whatever means they can.
...

I’m not sure I understand. Even if it is , as SMG framed, " The figure of the ‘part of no part’," isn’t the expansion of the realm of the underemployed still considered part of the ‘worker’?

KVeezy3 fucked around with this message at 05:24 on Mar 11, 2020

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Boywhiz88
Sep 11, 2005

floating 26" off da ground. BURR!
Watched it last night! I’m so glad I went in with no idea of anything aside from vague idea of grifter family and a bunker being involved somehow.

I well say that I thought Mr. Park’s issue w the smell during the massacre is that Geun-sae evacuates after he dies. I swear I heard a fart noise after he gets skewered.

But yeah, great movie!

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