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In
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# ¿ Nov 14, 2019 20:09 |
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# ¿ Apr 25, 2024 10:08 |
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Prompt: depth Now Yesterday, beneath creation's violent glow Today, between the extinct and the exalted Tomorrow, beyond the quintillionth mausoleum He shoots craps. Hard eight. He could quit if he wanted But He's on a roll. And so, A second Flies
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# ¿ Nov 20, 2019 07:05 |
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In
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# ¿ Nov 22, 2019 00:39 |
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But come, my friends, as we stand here mourning, do you see the lightning? See its glittering, like the flash of two moving hands, amid the thick gathering clouds. -THE POEM OF IMRU-UL-QUAIS (tr. F. E. Johnson) The Vigilantes The miracle man's daughter mounts the stand, And testifies her father's magic touch: A talent honed through years of honest sweat For coaxing out of arid skies fresh rain. The gathered crowd is ready to believe, Or ready to take in her beaming face. The sun declines and leaves the full moon's face To draw long shadows out from where they stand. And Ned, the preacher man starts to believe In more and less than God: this woman's touch, Her graceless grace and eyes pale blue like rain, His skin beneath his collar soaks with sweat. The miracle man doesn't break a sweat. His eyes can read hope's dawn on every face. He tells them how his tool can bring the rain He tells them of the mud in which they'll stand. He sees one mark himself an easy touch, And tells him lies they all want to believe. "So put that money down if you believe A man should earn recompense for his sweat." A pause, a murmur, then a hipward touch, And billfolds open up on Lincoln's face, To hand over their shares in line they stand. "Tomorrow, with the dawn will come the rain." The morning comes, but not a drop of rain. Eileen is absent too. He must believe Her enjoying some tasty one-night stand. He waits, uneasy, cold crustacean sweat Dripping through the runnels of his face As time scrapes through his hands, scaly to touch. A mob arrives, their fingers bad to touch Their holstered arms. "So where's that blasted rain?" Eileen bursts from the church with flustered face And runs to father's side. "Do you believe Your lies?" they chant. Their twitching gun-hands sweat. Eileen darts out in front of where they stand. A trigger's ginger touch. One might believe It thunder, bringing rain, not blood like sweat Down brow and face to seal her martyr's stand.
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# ¿ Nov 28, 2019 04:57 |
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In
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# ¿ Dec 5, 2019 23:06 |
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Real and Imaginary We do not hold the adder to account, Not celebrate the triumph of the tides. The choice of multiplying drops amount Not to some chosen course of the mudslide But praise, expound, the primacy of will In human agency and rationed choice We unmoved movers owning every whim. But we are meat, not shells that ghosts may fill. Does that make every song just blind meat's voice? Or does complexity compose the hymn?
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# ¿ Dec 12, 2019 04:50 |
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In
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# ¿ Jan 1, 2020 19:09 |
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Clever Is No Match for Vicious The fox cannot Out-fight the snake She aims prayers At plans instead. Out-fight the snake? The serpent Iaughs At plans, instead Rearing, to strike. "The serpent?" laughs The dancing fox, Rearing to strike. The snake strikes first. The dancing fox, Still where she stood. The snake strikes. First Blood, and venom. Still. Where she stood, The fox cannot- Blood, and venom. She aims prayers.
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# ¿ Jan 8, 2020 23:26 |
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In, and line please.
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# ¿ Jan 13, 2020 16:21 |
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Woolgathering There is no such thing as a sheep. Only sheep. Plural. Amorphous. Uncountable. No way to demark Where on ends and the next begins. Just fractal wool in cirrus clouds around the pasture. There is no such thing as a sheep. Wool is just well-treated cotton Bleached and blanched and coiled, Harvested from the redundant vegetable lamb. There is no such thing as a sheep. They are only seen just before nodding off, Or in books about flags without colors, Or by drunks in Tallahassee. There is no such thing as a sheep. Aristotle wrote fifty-seven different proofs of this And many of them are valid.
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# ¿ Jan 14, 2020 09:54 |
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In and flash
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# ¿ Apr 5, 2020 04:27 |
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There once was a man from Peru Whose dingus was coiled in a screw He searched all of the land For a woman or man With a hole with the right thread and skew
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# ¿ Apr 15, 2020 03:25 |
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Prompt?
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# ¿ May 4, 2020 04:37 |
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In
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# ¿ May 5, 2020 04:10 |
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Manticore It's easy for A manticore To live a life Alone With lion's mane To make him vain So stylishly Windblown And venomed sting Paralyzing His prey before It's flown And last, a face The likes as grace King Richard on His throne The manticore Pure carnivore Devours meat And bone He doesn't see a friend unmet or partner for a deal. But looks at everything he sees as servant or as meal.
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# ¿ May 14, 2020 20:37 |
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Let's close out the trifecta for short forms with a round of Double Dactyls. From the Wikipedia page quote:An example by John Hollander: The requirements are: two verses, each having three lines of dactylic dimeter and one line with a choriamb, which is just like the other lines with the last two syllables cut off. Those two short lines should rhyme. One line, traditionally the first, is repetitive nonsense words. One line, traditionally the second, is the subject's name. One line is a single six syllable word. I'm not going to give any restrictions on who you can choose as the subject. Don't make me regret that, and remember that this is a form for light/comic verse. Sign up by June 10, Submit by June 17
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# ¿ Jun 1, 2020 21:38 |
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Signups closed/remember this is a thing post.
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# ¿ Jun 11, 2020 08:08 |
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# ¿ Apr 25, 2024 10:08 |
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Dactyl Judgement A bunch of interesting approaches here. rickiep00h ignored all the constraints but the meter, and still came up with something that looks like it almost belongs. curlingiron hit each one, with meter that requires a one syllable 'poem', but was insufficiently amusing, and the final line struggles to fit the meter. Which brings us down to the two contenders. Both wrote some nice light/comic prose, largely within the form. But I'm going to dock Djeser points for his nonsense words. They're supposed to be repetitive, and that's really crucial to the form. They're there to set the rhythm, and after them it becomes easier to parse the following lines as Dactyls rather than the more standard two-beat feet. So when you don't repeat, instead put out tounge-tripping nonsense words that require mental effort to pronounce at all, you lose a load-bearing element of the form. Which makes it a close call. Maugrim's Double Dactyls is a fine example, has a reasonably clever joke in it. Of Djeser's three, only one really does more than relate the history. There's a bit more cleverness in the word choices in Djeser's, but ultimately, this week's win goes to Maugim
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# ¿ Jun 17, 2020 09:00 |