Register a SA Forums Account here!
JOINING THE SA FORUMS WILL REMOVE THIS BIG AD, THE ANNOYING UNDERLINED ADS, AND STUPID INTERSTITIAL ADS!!!

You can: log in, read the tech support FAQ, or request your lost password. This dumb message (and those ads) will appear on every screen until you register! Get rid of this crap by registering your own SA Forums Account and joining roughly 150,000 Goons, for the one-time price of $9.95! We charge money because it costs us money per month for bills, and since we don't believe in showing ads to our users, we try to make the money back through forum registrations.
 
  • Post
  • Reply
Strong Convections
May 8, 2008

Peachfart posted:

Also, that they don't bother to develop any characters except Michael. Who is still pretty badly developed.
Not true; intermittently they also developed Tyler.
And he was even worse.

Adbot
ADBOT LOVES YOU

Strong Convections
May 8, 2008
Saru's writing is just a mess. His arc was clearly set up to be overcoming/learning to be brave in the face of his natural fear instincts.
Then they decided his species was oppressed and being killed pre-secondary-puberty in the lead up to season 2, and who cares if it doesn't fit with any of the previous references. And the second puberty solved all of his cowardice issues and freed his people!

Strong Convections
May 8, 2008
Wasn't it Patrick Stewart that pushed for action man? And didn't want a happy future, but wanted it to reflect the present and be full of conflict?

Strong Convections
May 8, 2008

G-III posted:

Here's how you fix picard: Q shows up, snaps his fingers, and places picard in a not lovely show written by people who aren't assholes. There, saved your whole fuckin franchise, CBS. Pay me.
*Patrick Stewart quits because that's not his vision at all*
*CBS sues you because they lost the one draw the series had*

Strong Convections
May 8, 2008

Doggles posted:

Yup. Discovery season 3 is going to be Andromeda in the same way Picard was Mass Effect.
Andromeda was pretty fun, and it drew inspiration from Star Trek anyway. I see this as a win - at least they don't have to worry about continuity anymore (and your adventures and discoveries have been classified and we shall never speak of them again)

Strong Convections
May 8, 2008
I haven't seen Picard - just the RLM review. But Icheb's eyeball getting ripped out is a bridge too far.
There is no situation where I want to watch a person strapped down and their eyeball being removed (okay, maybe a medical show, maybe). You're leaving sci-fi at that point and heading into the gore genre. Talk about it? Yeah sure. Imply it and cut away? Gross, but tolerable if there's a good reason. Show it in detail? Turning that show off.
I'm not a genre purist, but I don't know why some people think it's acceptable to shove realistic gore into other types of show - it's not okay to shove pornography in unexpectedly, why violence?

Strong Convections
May 8, 2008

galenanorth posted:

It was necessary to convey the artist's true vision by doing the writing for a season arc show on the fly with each episode being filmed as soon as it's written. That way, if they decide something doesn't make sense for the arc they can't change it, but at least CBS saves money, and then the eyeball gore shows they care about the artistic process
I see, it was a deliberate choice.
I've always struggled with the avant-garde.
Is it a comment that the artistic process itself can be incredibly painful for both the artist and the observer - the artist literally giving part of themselves while the audience looks on, disgusted?

Strong Convections
May 8, 2008
"But the justification makes sense: Seven of Nine considered Icheb practically a son — she calls him “my child” as she comes upon him, brutalized, and ends his misery with a phaser blast."

Yeah, okay, having him be brutalised drives her motivation. But she just sees the aftermath - why do we, the audience, need to see his eyeball getting ripped out?
You can't have him strapped down, screaming, while terrifying machines come towards him then cut away? And have him moaning and begging to die when Seven comes upon him? Even that would be more gratuitous than we need.

Strong Convections
May 8, 2008
I wonder if they're going to do the Interstellar thing where their families left them messages over the years?

Strong Convections
May 8, 2008

TheCenturion posted:

If you're going to have a 10-episode prestige-style show, to my mind, you start with ten completed, coherent scripts. If on script four you realize that something isn't turning out the way you want, you go back and edit the other scripts to fit your change.
Ehhh... yeah, sort of.
Things can play out very differently in front of the camera than you expect from how a script reads.
You don't want a situation where they're continually going back and making changes over and over and they wear everyone down and run out of budget. Actors and crew aren't robots, they start to feel defeated pretty quickly if there are too many changes or you have to go over the same thing many times.

piratepilates posted:

It's hope. Hope will save the day.

edit: whoops gently caress forgot the other components, they are (in order): faith, family, and uhhhhh, tenacity? those will stop the downfall of civilization or whatever.
Isn't that the deus ex machina that saves the day from pretty much TOS? It features heavily in every Trek series.

I feel like 5 minutes ago everyone was making GBS threads on Discovery for being too modern grimdark, and now everyone's making GBS threads on it because they think it'll be too optimistic and hopeful, I just :psyduck:

Strong Convections
May 8, 2008
Yeah, I can accept that - people don't think it'll be able to pull off what it's going for.

Michael is not an inspiring character (though she's framed as one), and she'll probably be the one driving it. At least restoring the federation and its values is an optimistic premise.

Strong Convections
May 8, 2008

feedmyleg posted:

Let's all just go ahead and lower our expectations about them doing anything interesting with the premise. Gonna save a lot of heartbreak.
As long as they don't have some bullshit episodes where they go to planet X with regressive value Y and hang a lampshade on the crew's progressive values I'll probably find it watchable :)
(No "oooh, look how WEIRD it is to have a WOMAN in charge" or "oooh, our crew DOESN'T stone the GAYS, praise us for othering these people by drawing attention to them as a separate group but NOT murdering them")

Just give me some good old fashioned crab bucket mentality of people not wanting better things for their kids.

Strong Convections
May 8, 2008
Why do people keep making me defend Discovery? I'm a fan, but there's a lot wrong with it. And some opinions on it's failures are just wrong.

The show is not about technobabble. Like, at all.
Season 1 is about the road to hell being paved with good intentions. Season 2 is more muddled but it's about family (cue Carrie Fisher).

There are a few awkward lines about science and maths, and they're so cringey they're very easy to recall. But let's tech the tech to reverse the polarity of the electron flow to the deflector is much more prevalent in, say, Voyager.

Strong Convections
May 8, 2008

Gravitas Shortfall posted:

Characters are introduced just to be killed an episode or two later for nonsensical reasons because there's no time to develop them into people the audience actually care about, not with the Plot to service.
I'm going to assume the example you're thinking of is Airiam (since i haven't seen Picard). The problem there was that Michael has to be involved in everything because they decided to have a main character for Discovery.

The perfect time to give Airiam some airtime and establish her relationship with some characters would have been when they go to rescue Tilly from May. There was no good reason to take Michael. Airiam would have had advantages over your average human in a place that tries to break down organic matter - I can't help but think it was some writer's idea at some point since they point out they're not keen on eating the metal of the ship. Give her Michael's screentime in that and a little peppered through the next 3 episodes, and the Daedalus episode wouldn't have felt so forced and may have actually had some emotion to it.

It's not that everything is in service to the Plot, it's that everything is in service to Michael being the Main Character.

Strong Convections
May 8, 2008

Alchenar posted:

The lesson the Disco crew learns from their time in the Mirror Universe is 'Nukes are great and win wars'.
No, the lesson they learned in the mirror universe was that everything Lorca had taught them, and all the pride they took from his compliments on their ability to wage war, would lead them to becoming what the Terrans were. When they come back they don't just follow orders - they don't let their superiors blow up the Klingon homeworld with a nuke.

Strong Convections
May 8, 2008

Alchenar posted:

No they just threaten to blow up the Klingon homeworld with a nuke and set up a puppet government who's legitimacy relies entirely on the threat of that nuclear blackmail, which is entirely a different thing.
No, they defeat (but not destroy) an enemy that would have destroyed them.
The nuke - which was planned by the admiralty, not the Discovery crew - is given to a woman who truly loves everything Klingon and believes in unification rather than warring amongst themselves, and gave up pretty much everything trying to achieve that. She's the one with the threats - as far as the other Klingons know L'Rell set up the bomb herself.

Importantly L'Rell has the detonator - there is no puppet government. L'Rell will always put Klingon interests first, and the federation does not have the threat of blowing up their homeworld because they no longer have the detonator.

Strong Convections
May 8, 2008

Alchenar posted:

L'Rell is a Bond Villain.

At the point at which your argument is 'the person threatening to blow up the planet really does have your best interests at heart' you really need to step back a bit and think about what you are doing.
The point is it's not a puppet government. There's a klingon in charge threatening other klingons. Nobody here is the puppet of the federation.

Strong Convections
May 8, 2008
Hooray! Discovery Season 3 out October 15! (I'm a bit behind with news)
https://twitter.com/Jemppu/status/1288987612305293314?s=20

Strong Convections
May 8, 2008

Tiggum posted:

Do all these characters even have names?
I'm going to try this honestly without looking any up (though there's no way for me to prove it):
Jett Reno, [...security lady], Linus, Tracey Pollard, Hugh Culber, Paul Stamets, Sylvia Tilly, Michael Burnham, Saru, [Kayla?], Owosekun, [???I think it's a short name], Nielssen (sp?), Bryce.

I could probably remember them all given time - and would certainly picture them if given the name. Exactly how I remember most Star Trek series (a few main people and the occasional weird alien). Right now I could literally not tell you George Takei's character's name (but I'd recognise it/it'll probably come to me in 10 minutes).

If your implication is that there are few named characters, there's also a bunch that didn't make it through season 1 or make it to this picture like Lorca, Georgiou, Cornwell, Landry, and a bunch from the enterprise.

Strong Convections
May 8, 2008

The_Doctor posted:

Other places online discussing Trek seem to be mad there’s women, POC, gay people, etc in Trek now, and many complaints about how it’s ‘shoving the SJW agenda down people’s throats’, and how it’s now full of ‘leftist propaganda’.
To them I say


Super Deuce posted:

Which is stupid, because Star Trek exists better in the low budget high episode count world than this Michael Bay-esque explosion fest we get now.
But also, a lot of old series with 20+ episodes per were full of garbage and/or filler to meet timeframes.
Star Trek is a huge brand now - I don't think you can go low budget anymore even if you wanted to. The expectations of actors, crew, and effects are higher for a recognisable brand (as well as the expectations of the audience) - and rightly so considering the money it makes.

Strong Convections
May 8, 2008

MikeJF posted:

There's just a whole new tier that's been opened up by 'prestige' where you have absurdly high budgets with short, extremely refined (in theory) single ongoing storyline seasons, and the argument is that Star Trek doesn't necessarily belong in that. It could still be a high-end show on the upper end of a standard TV production.
As a watcher of BBC/UK shows, the idea of 10 - 15 eps being a short season is something that doesn't quite fit in my brain.

I like the ongoing storylines and character development/growth. It's another layer of exploration. I think it's also something that is expected outside of prestige shows because people don't miss episodes anymore.

4000 Dollar Suit posted:

still waiting for RLM to tell everyone what to think.
While I do enjoy some of their stuff, this is so much a thing it hurts.
My money's on they won't like it - they seem to have a hard on for TNG, and in my experience, people that bang on about TNG declare just about everything else "not real Star Trek" even though Star Trek has been so many different things.

Strong Convections
May 8, 2008

HD DAD posted:

However, there is most definitely a sizable portion of the fan base that for which Trek is sacred and solemn and must be taken as very serious media, because otherwise they have trouble defending being obsessed with a fairly silly sci-fi franchise, and are secretly embarrassed about it.

This actually applies to a lot of nerd franchises.
You hit that nail so hard on the head it punched through the complete vhs collection of all Star Trek series'.

Strong Convections
May 8, 2008

Taear posted:

I'm sorta sad this one [Lower Decks] is doing so badly compared to Disco/Picard (who people on the internet love but I've never met anyone who has actually watched them)
A cartoon is a hard sell to adult audiences at the best of times. Subjectively, the stills I've seen/people are posting are ugly as sin.
Plus, as far as I know it's only been released in the US - and virtually nobody cares enough to pirate it. Would you?

Strong Convections
May 8, 2008

Taear posted:

I'm sorta sad this one is doing so badly compared to Disco/Picard (who people on the internet love but I've never met anyone who has actually watched them)

Taear posted:

Discovery and Picard are far easier to watch here as well compared to in the US and while I did see Disco season 2 advertised a bit it really didn't seem to take off.
I'm confused - are you saying you're sad Lower Decks did badly compared to Disco/Picard which already did very poorly?

The Bloop posted:

I don't understand the hyperbolic complaints about the look either, but you at least present them as subjective
To me, it looks like South Park and the Power Puff Girls had a baby.

None of the characters are interestingly designed. No longer bound by having to fit an actor into costumes/prostheses they went with: boring looking human, another boring looking human, a boring looking pastel coloured human(oid), and a boring looking human with poo poo stuck on their face.
And such interesting looking animation as: head and torso flatly facing the camera and moving arms and eyes about to convey that they're interacting with the person next to them.

I mean, I'd possibly give at least the first episode a try if it was on Netflix. But given the reviews it's getting and that it already doesn't look like something I'd watch, I'm not going out of my way to get at it. I don't know if I represent a large percentage of possible audience, but just throwing out some ideas why it may not be a runaway success.

Strong Convections
May 8, 2008

Taear posted:

Lower Decks has worse reviews than Disco/Picard but nobody talks about Disco/Picard in the UK at all[...]
I work for a company that sells netflix and we advertise netflix stuff loads, but Disco is never included in that. Ever.
I've heard less than a handful of people mention Picard in real life, and I think it was all before it came out (and usually only in passing as Discovery was the topic of conversation, which is already rare). On Netflix though it was emails and suggestions and notifications and banners all over the place when Disco S1 was released, and then a similar push for S2 (though that may have been personalised as I watched S1).

Were you working for your current company when S1 or S2 were released? My gut feeling is that they push whatever is currently 'hot' and for example, earlier this year I would guess that would have been The Witcher in the nerd category.

Phylodox posted:

I liked Picard right up until they got to the robot planet, then it kinda fell apart a bit. I probably would have liked those last few episodes a bit more if I’d never played Mass Effect.
You're kind of selling me on Picard here. (Never played Mass Effect). It sounds like there were cool concepts that didn't quite pay off?

Strong Convections
May 8, 2008
What do you think their priorities were?
From the RLM review (which I found really unhelpful and repetitive), it sounds like it was heavy on sending a message on social issues, but treated them quite shallowly without actually exploring causes or realistic consequences. Is that fair?

Also, if the 'plagiarism' is really just the concept that an evil AI wants to kill people... yeah, that's not plagiarism.

Strong Convections
May 8, 2008

Arglebargle III posted:

Kind of like how the replicator in Discovery complains when they order burgers and a burrito.
I don't think the replicator complains? Pike and Burnham respectively make comments to the people ordering.
A replicator could make anything nutritious I would think - hide a bunch of vitamins in the burger bun (which is secretly full of fibre)

Strong Convections
May 8, 2008

twistedmentat posted:

I don't think its unrealistic that if you have a higher rank you get more perks. I mean you get your own room, why not get access to fancier but not necessarily better food.

I assumed this was a function of scarcity - on board a ship there is a limit of available space, so the higher ranks get more space.
I don't really see a replicator being limited in such a way - but it's a magic box, so I guess it could work on rules of fancy foods being more resource intensive.

Strong Convections
May 8, 2008

Super Deuce posted:

Can't imagine this will bode any better. Nobody associates Paramount properties with Paramount.
Maybe they're planning to go international?

Paramount is a recognisable movie brand, whereas the only reason I know CBS even exists is because (people make fun) of CBS All Access - and I have no idea what kind of programming it does other than Discovery. Paramount I would assume from the name would have a bunch of good movies at least, even if I can't specifically recall which ones Paramount are responsible for.

Strong Convections
May 8, 2008

Marshal Radisic posted:

I think someone else in the thread said that the reason that TNG didn't use the turtlenecks with the TOS movie uniforms was because the turtlenecks were made with something called "trapunto quilting", a process which required incredibly rare sewing machines and needles.
Are you sure? It's just a technique as far as I know, you don't need a special machine. It can be time consuming, but I've been dragged into helping make pieces by friends before (or I've been lied to)

Strong Convections
May 8, 2008
I don't think I like the idea of the federation basically being a religion. Unless they go all in with it and have parallels with T'Kuvma and Michael Burnham. The first episode seems to really be focused on trying to make her connect with the audience though, so I doubt it.
I know they were manipulating me, but I liked Book automatically through cute kitty transference (transfurence).

They're going to skip over the interesting bits with the crew aren't they? And have Michael rejoin them ages later when all the drama has been resolved and the ship repaired. I really want to be wrong.

On dilithium chat: It was easy to miss, but Book says that he had a dilithium recrystaliser (that broke in the crash).

Strong Convections
May 8, 2008
He's not a real person. The way he is presented is that every day is the same for him: gets woken up by a sweet birdy alarm clock, brushes his teeth, sits at his desk and scans for signals, rinse, repeat.

I was fully expecting it to turn out that he's an AI who's gone a bit weird over time and imitates human behaviour like sleeping and teeth brushing.

Strong Convections
May 8, 2008
Wait, wasn't the sphere data in the suit?

The suit that she ordered to self destruct?

That suits coming back up one way or another. Wild speculation time: Putting the data destruction to one side, maybe the bomb she sent to the future blew up something important, so the future people tried to stop the federation before they could build the suit-bomb but didn't realise it came from the even distant-er past.

Strong Convections
May 8, 2008

Seemlar posted:

The sphere data is in the Discovery, that's why they sent the Discovery into the future.

If the rest is about what Burnham did with the suit - she sent it back to 2258 to send the seventh red burst signal that Spock saw at the end of the final episode that confirms she made it to the future. Then had it self destruct so a time suit isn't floating around in space in the past as evidence of what they did.
Ah! Of course! For some reason I had it in my head the Discovery & crew went through to keep Michael company and the suit had the data.
I though she told it to go to the future and explode after setting the last signal this episode though? Might have misheard, I'll need to rewatch.

I've liked most of the promo images on Netflix for the series, but I have to say, this is the ugliest one I've seen:

Strong Convections
May 8, 2008
My wild, unsupported speculation is that the two "episodes" were meant to be woven together, but the editors are so piss-poor they couldn't make it work (or the directors have too much control and came up with the lovely idea to separate them after filming)

The first episode is badly stitched together to maybe make the audience wonder if Discovery made it through... I mean, nobody buys that Discovery wasn't going to make it through and Michael is all alone for a second.
The second episode is badly stitched together to maybe make the audience wonder if Michael made it through/mystery of when/where they are (all the sensors going down)

It's hard to definitively tell because the editing is not great at the best of times but it looks like we're meant to cut between the two stories and think they're running in parallel, and then have the Michael reveal at the end of the two parter.

Overall enjoyed ep 2. Charming actors still charming. All the makeup work is getting better every season. Ice effects were pretty bad looking, but I think the vision was greater than the budget for that, and it's still fine.

Strong Convections
May 8, 2008
I think they all the shuttles got armed and sent out to fight in the battle at the end of season two.
So they either would have gotten blown up or left behind.

Strong Convections
May 8, 2008
Detmer's got ptsd, she's not AI possessed. She was flying the Shenzhou (with two good eyes) when Michael started a war and got most of the crew killed or disabled. Her head injury was in a similar spot to the one that caused her to need an implant. And the person who helped her through her feelings about cybernetics last time (Airiam) is dead.
Hopefully it's leading into the ship acquiring a counsellor. While I buy that Lorca wouldn't allow a counsellor on board, and Pike was too temporary to make that sort of decision, the crew is full of people with lots of issues.

Grand Fromage posted:

If they removed Mirror Georgiou entirely and had Michael recede into the ensemble I think the crew would work. They could even take some time to like, develop the half of the bridge crew that we still know nothing about in season 3. The Black dude, the Asian dude, the big head insect alien, uh... not sure who else is on the bridge. At least Detmer and Owo have had a bit of time.
Sadly, I think the insect alien was the minced meat face who didn't make it as Detmer went into sick bay. I have a feeling they looked better from a distance/were a lot of work so they got bumped off.
If they stopped trying to push Michael as a main character and having her involved in everything the show would be much, much stronger.

Strong Convections
May 8, 2008

Grand Fromage posted:

Now that they're in season three they could at least like, give the Black and Asian dude names and jobs. I think they're comms and tactical after seeing the latest episode?
Hey now, don't you remember the touching words Captain Pike had about each individual on the bridge as he was leaving the Discovery last season?

Strong Convections
May 8, 2008

Arquinsiel posted:

The character suffers because it's the Michael Burnham Show

This is so true of every character.

I've said it before in the thread but Airiam should have been the one to go to the mycelial network last season, not Michael - it'd make sense story-wise as she'd be less at risk to be eaten, and it would have been a good opportunity to learn more about her and connect with her before they killed her off a couple of episodes later. Michael is the third wheel in the Stamets-Tilly friendship.

The time loop/Harry Mudd episode should have been focused around Stamets.

The Terralysium episode should have been a jointly focused Owo-Pike episode, he's new to the crew so asking about her backstory makes sense. Why is Michael there? Her character is the least human-acting human on board by design. Send Bryce down, presumably communications officer means they have some communications skills, not just that they know how to press buttons.

Saru fares a little better, but his two focal episodes (the communications crystal episode and his home planet episode) spend way too much time on Michael, and not enough on him.

Adbot
ADBOT LOVES YOU

Strong Convections
May 8, 2008
Evil Georgiou makes no drat sense and that irritates me.
Nobody becomes evil emperor because they're the most rear end-kickingest, that's dumb. Lorca turned dumb as soon as he was revealed to the audience as well.

She should be incredibly manipulative, turning people against each other and making them dependent on her approval. She should already be captain by now with nobody realising what her real evil scheme is.

Instead, her power is that she can do some fancy martial arts moves that would only be helpful in close quarters, and gets the people in power off-side by being bloodthirsty.

  • 1
  • 2
  • 3
  • 4
  • 5
  • Post
  • Reply