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Unless
Jul 24, 2005

I art



Jonny 290 posted:

my main problem with the $5,000 eurorack setups is never have i once ever seen a video or heard a song where anybody is doing anything but making random arpeggiated doodles and beep boops with no rhythm or backing tracks. i'm sure its fun to twiddle the knobs but its just a more expensive update of the old 'circuit bent' aesthetic.

it all opens up when the sequencing hits

https://www.youtube.com/watch?v=Fkg1ziEK_-Y

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Unless
Jul 24, 2005

I art



or a tr-8s because faaaaaaaaders

just found the breakcore documentary

https://www.youtube.com/watch?v=40FJhPerCHo

Unless
Jul 24, 2005

I art



well why not posted:

Both of these are 90's rave music PS1-rear end throwbacks.

https://www.youtube.com/watch?v=JMum40OPp4Y

Unless
Jul 24, 2005

I art



toiletbrush posted:

decent sample editor for macs

soundforge is worth a demo

Unless
Jul 24, 2005

I art



echinopsis posted:

thinking about live performance..

is there anything that is worthwhile putting between the synth and PA system? something like a general reverb or compressor or something?


the best easiest is a strymon deco, a screwdriver gets you in to a jumper that makes the input stereo. the saturation half gives the kind of compression found in magnetic tape, which sounds good to most everyone

if you feel like you don’t wanna be a musician, are missing hardware distortion, and need more to fiddle with, the elektron analog heat gives you more. mk1’s are fine and should be lots cheaper than the newer mk2s

a good balance between the two is the oto boum, but good luck getting one while the world’s on fire. single-knob compression control, all the distortion types are useful, but man does the volume change when hitting the drive knob and finding the counter-turn on the level take practice

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