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JethroMcB posted:he's given the small mercy of one of his character traits being "not racist" (or "the least actively racist person at Sterling-Cooper," at the very least.) Let's.. be a little careful here. He's a well to do middle class New Yorker from very rich families, he'll always have tons of prejudices. But yes, probably the least actively racist at the firm.
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# ¿ Mar 1, 2021 02:17 |
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# ¿ Apr 28, 2024 16:36 |
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The Klowner posted:Is there any evidence of Pete being less racist that we've seen up to this point? The major incidents I can recall across the series are his direct marketing of TVs to blacks idea, which is coming in one or two episodes, and his response to MLK's death in a few seasons from where the thread is at now. I'm struggling to recall anything that would specifically indicate a more relaxed attitude towards race relations than his contemporaries that we've seen in seasons 1 and 2. His reaction to Rogers minstrel song appears to be a hint towards much stronger characterization in this direction that occurs later. His support of JFK over Nixon (rather, his awareness of JFK's appeal over Nixon's) was foreshadowing along these lines, though that's part of the overall "he's actually kind of in touch with his generation" vibe.
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# ¿ Mar 1, 2021 03:59 |
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JethroMcB posted:The upcoming Admiral television story reveals who Pete Campbell is: A man who will always put money before prejudice, and who doesn't understand why not everyone shares that worldview. His conversation with Hollis in the elevator is definitely a merciless display of how out of his depth he is in discussing matters of race, though ("It's just the two of us, Hollis and..." "Mister Campbell.") As always with this show, this is both exactly it and also there's more to it - as I put above, this is the closest I think he can come to being active not racist without some deeper enlightenment, but he is trying? That feels very weird to say about Pete
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# ¿ Mar 1, 2021 04:03 |
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VinylonUnderground posted:1) I'm not interested in the inner lives of characters because they are fictional characters. honestly I don't think mad men is a show for you if this is your mindset, pop culture is hugely important to the show but it is all about the characters and how they navigate 1960s America.
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# ¿ Mar 5, 2021 19:47 |
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I'm getting pretty exhausted with being excited for a new Jerusalem post, opening the thread, and finding out it was just another 2 pages of Vinylon screaming about how this show isn't about characters, it's about Weiner loving rich people or some poo poo.
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# ¿ Mar 6, 2021 20:15 |
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The line delivery in the car when Gene yells at Bobby is one of my favorite bits in the entire show. "YER SISTER LIKES EM"
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# ¿ Mar 7, 2021 20:08 |
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Yoshi Wins posted:The scene with Peggy telling her mother that she's moving to Manhattan is the moment I realized that her mother is written as having Borderline Personality Disorder. It's sort of hinted at in season 2, where she is notably hot and cold with Peggy, but here where she is facing "abandonment", we see so many of the signs and symptoms in one scene. Maybe this helps explain how Peggy is able to maintain a good relationship with Don, who does not match the BPD profile, but is also notably hot and cold. I don't think I agree with this take, it feels a bit like armchair psychology to me. There are plenty of people in real life who act very similarly to Peggy's mother in these scenes, and it's not due to latent undiagnosed disorders (though everyone should go to therapy).
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# ¿ Mar 7, 2021 21:10 |
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hell, I’d watch it
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# ¿ Mar 8, 2021 00:38 |
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Yoshi Wins posted:Eh. I don't think there's anything wrong with armchair psychologizing fictional characters. There are pitfalls to it when it comes to real people, but it's often rewarding to reach a bit when interpreting fictional characters. I'm not claiming it's normal or healthy the typical senses of those words at all, and if you have anyone in your life like that, Thread, please . I'm just not immediately willing to leap to there being a personality disorder that specifically explains this, unfortunately common, emotional manipulation and constant lashing out. I think you can probably make the case she has it, I just don't think the authors were 100% definitely depicting her as having it, vs. being a very hypocritically religious, judgemental, emotionally manipulative matriarch. I'm comfortable with interpreting it that way, just not taking the next step to authorial intent here. Does that make more sense?
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# ¿ Mar 8, 2021 23:58 |
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This is a great episode even setting aside the lawnmower bits. The scene between Joan and Don is just super tender, you can tell they have a deep personal respect for eachother even beyond their professional respect. Also probably my favorite line in the entire series, though there's plenty of bangers left: "He'll never... golf again."
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# ¿ Mar 20, 2021 21:28 |
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Just got to the Suitcase on my rewatch. Still just an absolutely incredible episode, holy moly. Also, Roger's threat to Peggy when asking if Don was still in the office was hilarious. "I'm going to count to 3 and start saying some things you really won't like, sweetheart."
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# ¿ Mar 23, 2021 16:50 |
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Gaius Marius posted:I wonder how hes gonna take it, Some peeps have been taking it really negative towards don which I just don't see, at least not towards their reasoning. Don's got sucha hosed up transactional view of sex, Sal loving Cigarette man seems absolutely natrual to him if it means not losing their golden goose, hell he'd do it himself if he was gay. I think understanding that Don would view it as transactional, vs. view it as gay people constantly coming onto eachother (from Don's hosed up 1960's Prejudice perspective), is tricky though, since we haven't seen that Don himself got raped in the brothel yet. From Jerusalem's perspective, it'll seem like Don's very much just homophobic and angry, vs. homophobic and not understanding sex for the job. (Which, granted, isn't much better, but at least.. creates a modern understanding of him.)
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# ¿ Apr 3, 2021 07:39 |
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Surprised to see the Henry Francis hate, he always struck me as one of the most fundamentally decent characters. Even dealing with Don he's very even handed and fair.
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# ¿ Apr 11, 2021 01:57 |
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Gaius Marius posted:he went to japan and invented anime An indefensible crime.
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# ¿ Apr 14, 2021 00:30 |
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I dont remember hearing any music that scene either. It must be very subdued.
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# ¿ Apr 23, 2021 00:36 |
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I think this episode does a great job at capturing just how surreal the whole experience must have been. It feels like a fever dream as life slowly drifts on from event to event.
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# ¿ Apr 27, 2021 17:34 |
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Love this episode and write up. It’s so remarkable to see how open and vulnerable Don is willing to make himself to Peggy, versus how low and pathetic he gets with Betty. Highlights a lot some of his self loathing for his affairs, I think, and the differences he puts on respect vs adoration - I hesitate to even use “love” with Betty.
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# ¿ May 3, 2021 20:31 |
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By the way, early in the write up there’s a bunch of “Roger”s where there should be “Cooper”s
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# ¿ May 3, 2021 22:21 |
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pentyne posted:One of the interesting things about Mad Men is there is so often a dichotomy of business vs friendships. How much each of them mean to each other, and to what levels they will let the cost of doing business and making money impact that. I disagree, but it's hard to disagree without talking about things from future seasons we haven't yet touched on.
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# ¿ May 8, 2021 23:57 |
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Jerusalem posted:He puts on a smile and greets her, and she informs him that she has put coffee and a roll on his desk and that Mr. Sterling would like to see him, before turning and looking straight at Roger who is literally 10 feet away sitting in a chair and declares,"Roger, he's here!" This shot is loving incredible. The way the camera just silently moves to Roger's face, beaming, and he says "Thank you". I burst out laughing every time.
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# ¿ Jun 7, 2021 07:38 |
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Blood Nightmaster posted:lmao at that video. It's incredibly, incredibly minor but should it also be under a spoiler tag?
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# ¿ Jun 17, 2021 03:15 |
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Don grabbing Peggys hand is such a nice, sentimental moment that really underlined this episode. Rather than pretend the previous night didn’t happen, that he didn’t just openly break in front of Peggy, he looks and lets her know.. yeah, I let you in. I won’t pretend this is nothing. It’s deeply affectionate in a platonic way.
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# ¿ Jul 6, 2021 17:40 |
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Shageletic posted:Ironic as hell considering who Don's mother was, and Don's chip on his shoulder regarding prostitution. After all he swung on Duck as soon as he mentioned the word. He also definitely swung in defense of Peggy, in the way someone incredibly drunk but emotional would
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# ¿ Jul 6, 2021 20:53 |
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# ¿ Apr 28, 2024 16:36 |
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Xealot posted:The later episode that reminds me of this is when Don drives Sally back to school. It's after she caught him cheating with Sylvia, after she called him disgusting and ducked all his calls, after learning where he grew up. He admits that he lost his job, that he's estranged from Megan, and is generally at a profound low point. But she still says, "I love you." And Don's reaction looks to be surprise: how could she possibly? And yet, somehow, she does. if this scene doesnt make you cry you're a loving monster
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# ¿ Jul 9, 2021 01:14 |