|
Who the hell is Simone Appolloni? I have no idea, beyond noticing his terrible opinions through the User Reviews he's left on seemingly every hard rock and/or metal album on Allmusic.com. By my count, he's made over 7,000 reviews, every one seemingly willfully contrarian, in an insufferable, faux-authoritative tone as if his thoughts were issued on stone tablets, and stilted english-as-second-language while trying to sound like an intellectual. Maybe this isn't worth a thread, but I have a feeling there's some gold in all this poo poo if we crowd-source enough to dig through them. Samples? His 1.5/5 star review of Metallica's Kill Em All: Simone Appolloni posted:Chaotic, messy, ridiculous and extremely boring. Pass it up. Or his 2 star review of Black Sabbath's Paranoid: Simone Appolloni posted:This noble album, often treated as it was product of the president of the United States, God, a bunch of musicians or any kind of persons you could think is absolutely not what people say it is. It's not heavy: it's even more polished than Black Sabbath's first album. No true experimentation, no mood changes, no life-sounding jams, no acoustic passages: the presence of "Planet Caravan" feels more like case selection than progressive ambitions. In Paranoid we found the silliest Black Sabbath song: they try to be punky and sleazy (a fulfill they could master only on Nevers Say Die), but ultimately sound pretty generic (the proto-punk "Paranoid" was nothing innovative: you already had Led Zeppelin's "Communication Breakdown") and extremely childish ("Iron Man"). After the worst, you got even two blasphemies in your repertoire: the sleepy "Electric Funeral" and "Hand of Doom", whose bridge is the only thing it works, and not pretty well. Finally, there's the classic album filler jam "Rat Salad": Billy Ward could be a jazzy drummer, but not a soloist, as evidenced here. So what does Simone like? Well, Helmet's Meantime gets 5 stars: Simone Appolloni posted:If Helmet came out to make some noise, Strap It On meant their objective was reached. But somehow Helmet made it. Meantime, their second album, became an atom smasher and went selling over two milion copies by today. Yeah, it isn't a great result, for a rock band. But for a band so impossible to resist as Helmet, that found them closer to the Black and Death Metal universe than before, it surely was an accomplishment. Meantime's music has its point trough chords, but doesn't sound monotonous (unlike the sorrounding albums Strap It On and Betty) because, even if longer than the first album, is stronger, funkier, catchier. The syncopated drum patterns mean a lot to the sound (thanks of John Stainer, even without double bass), but the dropped guitar and the mournful bass create a sound texture it get nearly lost trough his bleakness.
|
# ¿ Apr 20, 2021 01:43 |
|
|
# ¿ Apr 23, 2024 19:32 |