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Justin Godscock posted:Henry's biggest strength is it rejects serial killer movies that try to stylize, humanize or even glorify serial killers. I like the film for that reason, but the realism is hurt by the fact that the person it was based on later turned out to have falsely confessed to many killings, while the police were too happy to close cases without following up on the evidence to the contrary. Absolutely agree on feeling dirty afterwards. Edit: I'll add one to the list, Element of Crime. I haven't seen anything else by von Trier (lol), but the unexplained post-apocalyptic setting is exceptionally dire, to the point that the idea that there are police still around to investigate murders seems almost miraculous. The final shot is particularly haunting. Sir Mat of Dickie fucked around with this message at 09:19 on Dec 6, 2024 |
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# ¿ May 21, 2025 02:39 |
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fr0id posted:Threads (1984) Common joke, but the real horror of the film is that they live in England. But seriously, that film is forever seared into my mind; I saw it for the first time recently. Apparently, a lot of experts at the time pooh-poohed it as unrealistic about the effects of the bomb, etc., (maybe they were even right; people still argue about exactly how a nuclear winter would play out, and I hope those debates remain purely scholarly), but it clearly had an impact on the general public.
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