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NikkolasKing
Apr 3, 2010



Fair enough about Micah maybe not trying to betray the gang so openly at that point.

But here's a thought somebody suggested - that Milton told Micah where Cornwall would be and that's why Dutch was able to kill him. Thoughts on this? We know Micah worked for Milton at this point so it's at least possible. I don't think Milton likes being beholden to this grubby little capitalist, even if he did fund them. They have an argument right before Cornwall dies.

Also the topic of Milton came up on the rdr subreddit. You know the usual "at least he's defending law and order" poo poo. I will say that, while the game maybe doesn't approve of the gangster lifestyle, it never says the gangsters themselves are bad people. Somebody like Lenny is absolutely a better human being than Milton. I think some people are just fooled by his first couple of appearances where he offers "peace." Now, the sincerity of these offers might be be undermined due to his taunting Arthur about how he tortured Arthur's friend to death but.... I think those scenes exist less to make us think Milton is a good guy and more to show us the loyalty everyone has to Dutch. Bronte's death is the same thing. People keep trying to buy off the gang one way or another and it doesn't ever work. Except for the one time it does but you get me.

NikkolasKing fucked around with this message at 02:59 on Aug 10, 2022

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WoodrowSkillson
Feb 24, 2005

*Gestures at 60 years of Lions history*

NikkolasKing posted:

Fair enough about Micah maybe not trying to betray the gang so openly at that point.

But here's a thought somebody suggested - that Milton told Micah where Cornwall would be and that's why Dutch was able to kill him. Thoughts on this? We know Micah worked for Milton at this point so it's at least possible. I don't think Milton likes being beholden to this grubby little capitalist, even if he did fund them. They have an argument right before Cornwall dies.

Also the topic of Milton came up on the rdr subreddit. You know the usual "at least he's defending law and order" poo poo. I will say that, while the game maybe doesn't approve of the gangster lifestyle, it never says the gangsters themselves are bad people. Somebody like Lenny is absolutely a better human being than Milton. I think some people are just fooled by his first couple of appearances where he offers "peace." Now, the sincerity of these offers might be be undermined due to his taunting Arthur about how he tortured Arthur's friend to death but.... I think those scenes exist less to make us think Milton is a good guy and more to show us the loyalty everyone has to Dutch. Bronte's death is the same thing. People keep trying to buy off the gang one way or another and it doesn't ever work. Except for the one time it does but you get me.

The Pinkertons were and are absolutely an evil organization that murdered striking laborers. Milton is not named after a reference to Paradise Lost for nothing. He does not offer peace to the gang, he only offers them stays of execution in exchange for Dutch, and they all understand he cannot be trusted, as Ross eventually shows with John.

That's where I think the game's message on capitalism and such is not just that it is inevitable. It is to Dutch and his gang, but it is made so by tyrants like Cornwall and the scum that do his bidding like the Pinkertons. it did not HAVE to be this way, and Dutch is not wrong to see the flaws in society and wish for a better way. Other places in the world fought and even stopped capitalism's progress, at least for a time, and there is still hope, however small, today.

The issue is Dutch himself never truly dedicates himself to his ideals. Lenny calls him out on his simple understanding of Evelyn Miller's writing, and Uncle calls him out on not truly living to his ideals in camp. While it certainly was great that time they robbed from the rich and gave to the poor, and they do good things by taking in society's castoffs, he never has a plan, despite his bluster, beyond robbing more. He and Hosea have obviously talked about buying land forever, but were they truly going to become farmers or trappers? The gang has many useful people, but most of their talents lie at extracting wealth from others by trickery or force, not by producing anything. The closest is arthur, john, and charle's skills at hunting and fishing. Bringing Micah into the gang, a man whose only true value is in a gunfight, shows Dutch only sees problems as nails, and thus finds hammers.

NikkolasKing
Apr 3, 2010



I actually never saw any of these Dutch/Lenny talks and I'm kinda sad I didn't.
https://www.youtube.com/watch?v=j-DzZBdMRYA

I'm sure there are a billion camp dialogues I missed but relevantly here, I think the difference between Dutch and Lenny can be seen in modern activists. The kind who think "theory" is a waste of time vs. "praxis." I don't blame Lenny and I don't blame Dutch, they might both be outlaws but they come from vastly different circumstances. Dutch is essentially an outlaw by choice and conviction, Lenny had no real choice. But it's clear from how the convo ends, as well as Lenny cheering on Dutch after he delivered a speech in the "Saved Jack party" that he does genuinely respect Dutch as a great leader and figure. He just does it based on Dutch's actions, not his philosophy. (I had no idea about this but apparently you an even call out Miller for being a hypocrite and he goes crazy and starves to death in some cabin in the middle of nowhere)

But yeah, I think you're right. Dutch in RDR1 says fighting is his nature. Hosea says Dutch has taken on too many "murderers and degenerates" in the gang with only somebody like Lenny being a real hopeful, somebody who was a good person and could do good things. I don't see Bill being able to do much else but be a gun/muscle. Maybe after a point you just get so used to fighting that you almost forget the point of fighting is to stop fighting. I mentioned it way earlier but as tragic as it is in a game about redemption, I think the game also firmly believes that some people simply can't change. That can apply to absolute scum like Colm or Micah but also to more sympathetic figures like a lot of the gang.

NikkolasKing fucked around with this message at 18:08 on Aug 10, 2022

Radical 90s Wizard
Aug 5, 2008

~SS-18 burning bright,
Bathe me in your cleansing light~
Wait, I thought Lenny ran away from home instead of becoming a fancy pants lawyer or something?

NikkolasKing
Apr 3, 2010



Radical 90s Wizard posted:

Wait, I thought Lenny ran away from home instead of becoming a fancy pants lawyer or something?

He is on the run for avenging his murdered father. I had forgotten how long but seems since he was 15 (he's 19 in the game)
https://www.youtube.com/watch?v=GuaPzO5Wk4E

Early on Arthur can have an incidental camp talk with him that is just like "I'm sorry about dragging you into this...." and Lenny is just like "Hey, I've been running long before I joined you all." It's why I really don't have any problems with the gang overall. The "justice system" would have killed Lenny long ago, anyway. At least ths way he had some happy and good times, if not as much as he should have had.

Mary-Beth has a little cutscene too at the start of a mission where you talk to her and she says the world is a scary place for a young lady all alone and she's grateful to be in the gang, safe and with a family.

bobjr
Oct 16, 2012

Roose is loose.
🐓🐓🐓✊🪧

There’s so many little camp events you can miss.

I think Uncle telling off Dutch and Dutch actually leaving without a response is one of the harder ones to trigger.

NikkolasKing
Apr 3, 2010



So this is a little something I've been trying to whip up the last week or so.

So, preface: I am no one. I didn't even go to college. I only ever beat the game once a week ago. I am just offering my interpretation of the game and its characters.
But part of what drew me to the game in the first place was what I read of the character of Dutch van der Linde. This game ultimately might be the story of one man's (Arthur's) journey to redemption but as compelling as that is, it wasn't what drew me to play it for myself. I was far more intrigued by the overarching story of the gang as a whole - the story of these holdouts fighting the encroachment of civilization and capitalism. I had sympathies with al this long before I heard of this game, or even before it came out. I might not be a philosopher or even a philosophy student, but I have done my best to read and learn since about 2016 or so. I figured I could share at least some of that with other fans and help flesh out the game. A great piece of art has to say something in my view so what is Red Dead Redemption 2 saying?

Firstly....

Arthur: We're thieves, in a world that don't want us no more.
Dutch: We are dreamers, in an ever-duller world of facts, I'll give you that.


I cannot find the exact quote where Dutch calls himself a Romantic but it's important to understand what this term means. Or can mean since such things can be vague but I feel this particular definition fits Dutch and Arthur perfectly:

quote:

Having posited a rejection of capitalist modernity as the foundation and first phase of Romanticism, we need to specify our concept further, since Romanticism represents just one modality, a particular tonality in which critiques of the modern world may be couched. The Romantic critique is bound up with an experience of loss. The Romantic vision is characterized by the painful and melancholic conviction that in modern reality something precious has been lost, at the level of both individuals and humanity at large; certain essential human values have been alienated. This alienation, keenly sensed, is often experienced as exile: in defining the Romantic sensibility, Friedrich Schlegel speaks of the soul “under the willows of exile” (unter den Trauerweiden der Verbannung);44 the soul, the seat of humanness, now lives far removed from its true hearth or homeland (Heimat); thus according to Arnold Hauser “the feeling of homelessness (Heimatslosigkeit) and loneliness became the fundamental experience” of the Romantics at the beginning of the nineteenth century.45 And Walter Benjamin, himself deeply imbued with this worldview, sees in the German Romantics’ appeal to dream life an indication of the obstacles raised by real life on the “path of the soul’s homeward journey to the motherland” (der Heimweg der Seele ins Mutterland).46

The soul ardently desires to go home again, to return to its homeland, in the spiritual sense, and this nostalgia is at the heart of the Romantic attitude. What is lacking in the present existed once upon a time, in a more or less distant past. The defining characteristic of that past is its difference from the present: the past is the period in which the various modern alienations did not yet exist. Romantic nostalgia looks to a precapitalist past, or at least to a past in which the modern socioeconomic system was not yet fully developed. Thus nostalgia for the past is—to borrow a term from Marx and Engels, who noted this feature among the English capitalists—“closely linked” to the critique of the capitalist world.47
The past that is the object of nostalgia may be entirely mythological or legendary, as in the reference to Eden, to the Golden Age, or to the lost Atlantis. It may also constitute a personal myth, like the “mysterious City” in Nerval’s Aurélia.48 But even in the many instances in which a real historical past is invoked, the past is always idealized. The Romantic vision selects a moment from the actual past in which the harmful characteristics of modernity did not yet exist and in which the human values that have been since stifled by modernity were still operative; that moment is then transformed into a utopia, shaped as the embodiment of Romantic aspirations. This is one way to explain the seeming paradox according to which the Romantic orientation toward the past can also involve looking ahead; the image of a dreamed-of future beyond the contemporary world is inscribed within the evocation of a precapitalist era.
[…]
Primitive societies, the Hebrew people of the biblical era, Greek and Roman antiquity, the English Renaissance, the Old Regime in France—all these served as vehicles for the Romantic vision. The choice—and especially the interpretation—of a particular period in the past depended on the specific orientation of the form of Romanticism in question.

Nostalgia for a lost paradise is generally accompanied by a quest for what has been lost. An active principle at the heart of Romanticism has often been noted in various forms: anxiety, a state of perpetual becoming, interrogation, quest, struggle. In general, then, a third moment is constituted by an active response, an attempt to find or to re-create the ideal past state; there is such a thing, nevertheless, as a resigned Romanticism.
Romanticism Against the Tide of Modernity

I think this fits Dutch's overall philosophy to the letter. In fact, it might be an underlying philosophy of the game, too. The feeling of "loss," of being obsolete and unwanted, of "none of this really matters" is present from the start, even in the more joyful parts of the game. I remember Arthur having a talk with Mary-Beth all the way in Chapter 2 about how none of this matters because the world doesn't want people like them anymore. They fight and they fight and they fight, and none of it did any good, as Dutch says himself in RDR1. Arthur may have realized it sooner, or he may have simply accepted it sooner, owing more to his very different temperament from Dutch. But I don't think enough people really stress how very similar Dutch and Arthur are in their basic view of the world - unsurprising, since Arthur almost assuredly got almost all of his ideas from Dutch. The main difference is how they act on this worldview.

That is how I understood the whole relationship Arthur had with both Hamish and especially Charlotte To continue quoting from the book:

quote:

A second tendency seeks to rediscover paradise in present reality. [...] But one may also choose to flee bourgeois society, leaving cities behind for the country, trading modern countries for exotic ones, abandoning the centers of capitalist development for some “elsewhere” that keeps a more primitive past alive in the present. The approach of exoticism is a search for a past in the present by a mere displacement in space. Nodier brings the fundamental principle of exoticism to light when he explains that his tales Smarra and Trilby are set in a wild Scottish landscape because it is only by leaving Europe behind that one can find remnants of humanity’s springtime, an idyllic period in which the sources of the imagination and sensitivity had not yet dried up.53
Romanticism Against the Tide of Modernity

This is Charlotte to the letter. In order to discover a more true, authentic, and noble life, she and her husband fled the city and the modern world. Hamish doesn't say he specifically did this but, as Arthur points out, it isn't like he gets much company where he lives. He lives off the land just like Charlotte does. To me, this feels like Arthur's ultimate "tendency" as the book calls it. There is no pushing back the modern world, the best you can do is retreat from it and save your soul by living in harmony with the natural world. Arthur bonds with Hamish over this simple way of life and he teaches Charlotte how to survive this way of lie. These are two people living his dream, in essence.

Dutch, by contrast...

quote:

A third tendency holds the preceding solutions to be illusory, or in any event merely partial; it embarks on the path of authentic future realization. [...] From the standpoint that is oriented toward future accomplishments, that of Percy Bysshe Shelley, Pierre-Joseph Proudhon, William Morris, or Walter Benjamin, for example, the recollection of the past serves as a weapon in the struggle for the future. A well-known poem by Blake gives remarkable expression to this view. In a short text that is part of the preface to Milton, the poet wonders whether the divine presence manifested itself in England “in ancient time,” before its hills were covered by “these dark Satanic mills.” In conclusion, he commits himself to a “spiritual struggle” that will end only when “we have built Jerusalem/in Englands green & pleasant land.”55 In this form of Romanticism, the quest aims at the creation of a new Jerusalem.
Romanticism Against the Tide of Modernity

And to quote a description of Jean-Jacques Rousseau from a different book....

quote:

To describe that influence in a somewhat different way, Rousseau may be said to have inaugurated the “radical tradition” of philosophical discontent with modernity which, since his time, has formed a permanent and integral part of modernity itself—culminating today in the declaration of a new, “post-modern” era. Standing at the threshold of the “modern age” inaugurated by the American, French, and Industrial revolutions, the threshold of that long journey toward technological, welfare-capitalist/socialist, liberal, mass, democratic society that today still goes by the name of “modernization”—Rousseau was the first to cry, “stop.” And in presenting his classic diagnosis of the ills of modern society—the loss of social and psychic unity—he defined the problem which succeeding generations of critical thinkers would try to solve.
Of course, Rousseau was not simply the first to cry stop to modernization, since many had done so before him in the name of the ancien regime and the old monarchic and Christian principles. But he was the first to do so as a more advanced adherent of the new modern ideas. The Enlightenment and the new Party of Reason had plenty of enemies; Rousseau was its first defector, its first “dialectical” opponent. His defection, moreover, turned out to be the founding event of a since unbroken tradition of modern self-hatred, of protest against modernity arising from within the modern camp, and the first clear indication of the theoretical instability and continuously self-devouring character of the modern revolution.
In other words, Rousseau became the prototype of the modern alienated intellectual: the thinker who agrees with the modern rejection of the principles that underlay the classical and Christian worlds, but who nevertheless loathes the new world that these modern ideas have created. Knowing the man-made character of this world, and blaming it for the unhealthy state of his own soul, he seeks the restoration of the world and his soul through a still more radical, progressive application of these modern ideas.

The Natural Goodness of Man: On the System of Rousseau's Thought


Dutch says at one point that, for as bad as the New World is, the Old World was even worse. While some things may be open to interpretation about his character, his hatred for the Old World - which arguably manifests in his hatred of the Old South given its close likeness to America's European ancestry - seems beyond doubt to me. He is not content with simply retreating from the modern world, nor is he happy to try and rebuild some ancient society. He wants something radically different from both the past and present. He wants to take those ideals of liberation and realize them, turn them from just a fiction on a piece of paper to a real utopia. Fight back against modernity tooth and nail, don't run from it is how I view him vs. Arthur. Could be the difference between an idealist (Dutch) and a realist (Arthur).

If there is any past he might valorize or deem noble, it is that of non-European peoples, like Native Americans. To quote yet another book on Rousseau:

quote:

The origins of what we call the romantic “enchanted garden” can be found among the early romantics, that is to say the writers and philosophers usually identified as romantic. Although for us the romantic worldview is not limited to the so-called Romantic period but is alive in modern culture up to the present, the early romantics were undoubtedly the ones who laid the first stepping-stones of the unfinished romantic narrative. Romanticism of course does not have a single birth date. But if we wanted to pick one moment as a symbolic starting point it might be 1755, the year in which Jean-Jacques Rousseau published his Discourse on the Origin and Basis of Inequality among Men. This astonishing document constitutes perhaps the first romantic manifesto, with its ferocious critique of modern civilization and celebration of the “noble savage.” The association between these two topoi is to be found among many later romantic writers and artists, from the eighteenth century up to our time, as will be evident throughout this book.
While Voltaire, the great proponent of Enlightenment and progress, pictures indigenous peoples as anthropophagic barbarians in his philosophical satire Candide (1759), the romantic Rousseau sees them as “the true youth of the world.” For him, all the subsequent steps of progress, which were supposed to lead towards the perfection of the individual, “were in effect steps towards the degradation (décrépitude) of the species.” The savage “breathes only rest and freedom,” while civilized man “works until he dies” and is “proud of his serfdom.”10 In fact, Rousseau emphasizes, the barbarian “refuses to bow his head to the yoke that the civilized person bears without grumbling,” and prefers the most dangerous freedom to the most peaceful submission. In a passage that seems almost to foresee anticolonial struggles, Rousseau argues that the love of freedom is so strong among “savages” that they “are willing to face hunger, fire, iron and death to keep their independence.”11 Although the philosopher’s “state of nature” may be a fiction, his portrayal of the life of primitive peoples is almost surely based on travelers reports. Rousseau in any case often explicitly refers in his essay to specific groups: Hottentots, Caribbeans, and “savages of the Americas.”12
Romantic Anti-capitalism and Nature


Remember how Dutch shoots down Bill's racism on the way to kill Bronte. Note how he follows this up by talking about how he had tried to "teach" all of them something. What had he tried to teach? That America far away from European tyranny was "God's last creation." I suspect it's as close as anything to Dutch's ideal.


Now, a word that comes up a lot more than Romantic is "Civilization." Arthur says it right at the start and it's repeated all throughout the game. Well, what is civilization? It's another tricky word to define. I enjoy this distinction and definition:

quote:

Our word “culture” and the German term “Kultur” are both derived from the Latin colere, “to cultivate.” In the early modern period, it was used – rather rarely – as a metaphor to describe the social and political “cultivation” of civilization, the process of civilizing a person out of a barbaric state. In the late eighteenth century, however, the notion of culture underwent a significant change, transformed in the thought of J. G. Herder, Immanuel Kant, and J. G. Fichte.6 After this transformation, culture became a quite frequent – even everyday term – in the West.7
The main change these thinkers effected was to oppose culture and civilization. Along with Jean-Jacques Rousseau, these philosophers challenged civilization and the civilized person.8 According to this critique, civilization satisfies our bodily needs and creates external order and peace, but it fails to attend to our spiritual needs and inner longings. Modern civilization possesses an artificial character – in its manners, its impersonal bureaucratic forms of rule, its obsession with economic development – that destroys the spiritual unity of the people. Moreover, the secular character of modern civilization – in particular, the decline of religious influence on individuals’ lives, summed up by Nietzsche as the “death of God” – frustrates our spiritual need for our life to have meaning or significance. In short, modern civilization reliably produces comfort, pleasure, wealth, and abundance, but it also undermines communal belonging, civic virtue and nobility, and spiritual self-development.
These thinkers did not want to turn back the clock to ancient politics or medieval religious societies, but rather developed another form of community alongside civilization, a distinctively modern form of spiritual community that could infuse meaning and purpose into modern civilization. They referred to this form of community as Kultur. 9 They drew on the received notion of culture as involving a process of education but decisively transformed the character of that education. Whereas civilization prepares individuals to be useful for the material aims of society, politics, and market, culture shapes individuals to participate in the common spiritual – especially moral, artistic, and philosophical – pursuit of the good life. For Kant, Fichte, and Herder, the purpose of culture is to realize human freedom, for the human spirit to elevate itself out of a condition of animal instinct and determine its own fate. Culture, then, is a replacement for the role of religion in political society and human life, but instead of serving the purpose of reflecting the will of God, culture serves to reflect and ennoble humanity’s freedom. In other words, according to these philosophers, culture is not opposed to freedom and equality but at its very origins was understood to be the proper realization of these goods.

For instance, consider this influential passage from Kant’s essay “Idea for a Universal History with a Cosmopolitan Intent”:

We are cultivated [kultiviert] to a high degree by art and science. We are civilized [zivilisiert] to the point of excess in all kinds of social courtesies and propensities. ... While the idea of morality is indeed present in culture [Kultur], an application of this idea which only extends to the semblances of morality, as in love of honor and outward propriety, amounts merely to civilization. But as long as states apply all their resources to their vain and violent schemes of expansion, thus incessantly obstructing the slow and laborious efforts of their citizens to cultivate their minds, and even deprive them of all support in these efforts, no progress in this direction can be expected. For a long internal process of careful work on the part of each commonwealth is necessary for the education [Bildung] of its citizens. (Idea 49)


For Kant, civilization undermines our project of moral progress, attaching us to the material goods of social status (through the “semblances of morality,” social manners) and political power (through state “expansion”). Culture, by contrast, promotes moral progress by attaching us to the ends of the arts and sciences and supplying us with the “idea of morality.” Finally, Kant suggests here that politics plays an important role in promoting culture in its people by supplying the right “education of its citizens.”10

While Kant speaks of the “splendid misery” of materialist civilization (Idea 49), Herder attacks the moral self-aggrandizement and chauvinism of modern Enlightenment civilization (LAH 380). For Herder, modern progressive civilization asks us to “over-extend” our “feelings,” which leads us to “blur them into mere words and generate nothing but misery for itself and everybody else,” whereas the “savage who loves himself, his wife and child, with quiet joy” is at peace with the world (Ideas 400).11 Like Kant, Herder opposes culture to civilization.12 He says that “culture” (Kultur) – derived from “the cultivation of the ground” – has as its purpose the “education” (Erziehung) and “enlightenment” (Aufklärung) of a people (Ideas 410). Culture consists in the “education of mankind” (Erziehung des Menschengeschlechts) (Ideas 407).
Nietzsche's Culture of Humanity: Beyond Aristocracy and Democracy in the Early Period

Civilization is, in brief, the most superficial things humans have ever created. In the name of so-called progress or morality, Enlightened Europeans and Americans destroyed "primitive" peoples and ways of life. Now people get to live in complacency and arrogance about how they're o much better than everyone who came before when in reality they're infinitely worse off in all the ways that truly matter. George Bernard Shaw framed it as:

quote:

If you had said to him, 'We may be in hell ; but we feel extremely comfortable ', Ruskin, being a genuinely religious man, would have replied, That simply shows that you are dammed to the uttermost depths of damnation, because not only are you in hell, but you like being in hell'.
Ruskin's Politics

In conclusion, let me just reiterate my own lack of formal or deep education on this matter. Even still, I might know way more about this area of philosophical and cultural history than the writers of this video game. I might have overthought all of this terribly, My only defense is at least I didn't do a 2 hour YouTube video essay. I tried to get across my points and interpretation and hopefully maybe inspire some of the people here to read the works I quoted. If I did that, I think this was a success.

Jerusalem
May 20, 2004

Would you be my new best friends?

NikkolasKing posted:

I might have overthought all of this terribly

Nah, this was a really interesting read, and while the game paints things in pretty broad strokes at times (though with less of the unsubtle Rockstar touch than usual) I think you've hit the nail on the head in regards to Dutch's philosophy in particular. It could be further reduced to a simplistic and ill-defined (even to himself) concept of "freedom", but even if he lacks the formal education it's clear that he's quite taken by the ideas in some of the books he has read and is excited by the notion not just of trying to realize these ideas in the real world, but that he's thrilled to discover that there are others out there who feel largely the same as he does. He is NOT alone in thinking things are wrong, and that's reassuring.

None of this discounts the fact that he is a short-sighted, selfish man who ultimately ends up betraying his own oft-voiced principles in pursuit of a goal he doesn't really even seem to know why he's pursuing anymore, but there's a reason beyond just a silver-tongue and a lot of charisma that he had such a devoted group of followers: he believed in something, he offered the idea that a better life could be had and should be pursued. That he ended up in some ways no different to the Chelonians is deeply depressing, but he built enough trust and loyalty in his followers that it took enormous problems for a smart and capable guy like Arthur to finally see past the bluster.

NikkolasKing
Apr 3, 2010



Jerusalem posted:

Nah, this was a really interesting read, and while the game paints things in pretty broad strokes at times (though with less of the unsubtle Rockstar touch than usual) I think you've hit the nail on the head in regards to Dutch's philosophy in particular. It could be further reduced to a simplistic and ill-defined (even to himself) concept of "freedom", but even if he lacks the formal education it's clear that he's quite taken by the ideas in some of the books he has read and is excited by the notion not just of trying to realize these ideas in the real world, but that he's thrilled to discover that there are others out there who feel largely the same as he does. He is NOT alone in thinking things are wrong, and that's reassuring.

None of this discounts the fact that he is a short-sighted, selfish man who ultimately ends up betraying his own oft-voiced principles in pursuit of a goal he doesn't really even seem to know why he's pursuing anymore, but there's a reason beyond just a silver-tongue and a lot of charisma that he had such a devoted group of followers: he believed in something, he offered the idea that a better life could be had and should be pursued. That he ended up in some ways no different to the Chelonians is deeply depressing, but he built enough trust and loyalty in his followers that it took enormous problems for a smart and capable guy like Arthur to finally see past the bluster.

i am glad you enjoyed it. :) I definitely agree Dutch is too full of himself, too used to being able to beat anyone he comes across to realize when he himself is beaten. He does violate many of what I believe are his sincerely held principles in the name of Micah's "survival" - the hollow, meaningless "just breathing" kind of survival. But he does make the right choices in the end which I think is important.

Bill was one of my favorite gang members since this talk which I might have linked earlier
https://www.youtube.com/watch?v=ZWzxwZHc73I&t=20s

I think the talk perfectly represents what you were talking about. Dutch's vision captivated so many of these people because they had seen what power, civilization, and the law did to people. They wanted to get away from it and they hoped Dutch could lead them to a promised land. Who knows what might have happened if they had actually got away with teh Saint-Denis money.... But the point is, I agree, it wasn't just Dutch's personality which drew them into the gang.



With the story finished, I'm just fishing and playing Blackjack as John. John...isn't the smartest cookie. If you're winning, one of his lines he can say out loud is "well, it beats robbing people." And if you get dealt a questionable hand, he literally goes "Uh..... UH....."

Good thing he's pretty, I guess.

bobjr
Oct 16, 2012

Roose is loose.
🐓🐓🐓✊🪧

John is probably the best counterpart to Micah, as they’re both good with guns and not much else, but John is the person who at least tries to be good

Wolfsheim
Dec 23, 2003

"Ah," Ratz had said, at last, "the artiste."
Not the way I played him :unsmigghh:

Radical 90s Wizard
Aug 5, 2008

~SS-18 burning bright,
Bathe me in your cleansing light~
I know I'm missing the point here but lol Bill absolutely got a dishonourabl discharge, you can read it in camp. i can't remember what it's for specifically, just being Bill I guess.

rotinaj
Sep 5, 2008

Fun Shoe

Radical 90s Wizard posted:

I know I'm missing the point here but lol Bill absolutely got a dishonourabl discharge, you can read it in camp. i can't remember what it's for specifically, just being Bill I guess.

Attempted murder and deviancy. Some folk interpret the deviancy charge and some other bill lines as hinting toward him being gay.

NikkolasKing
Apr 3, 2010



So apparently people think John going after Micah is what drew Ross' attention? Maybe the credits montage shows this, I can't tell. But the epilogue pretty much starts with a rando finding John because he's just plain inept at this whole disguise thing.

But if going after Micah is indeed what did it, RDR2 is kind of bookended. Arthur tells Dutch at the start (what Dutch taught him) that revenge is a fool's game But Dutch insists on robbing the train, possibly for revenge, possibly for other reasons. but this brings the Pinkertons down on them even harder. John goes after Micah, insisting it's not for revenge but for honoring Arthur and the gang. That attracts Ross and dooms him.

And, ultimately, Sadie is the person who pushed and prodded him for this. I've said it before but Sadie is a very not good person. She might be the single most blatantly (mentally) unhealthy and unwell person in the game.

Radical 90s Wizard
Aug 5, 2008

~SS-18 burning bright,
Bathe me in your cleansing light~
Yea she outright tells John "I want to die" during one of the bounties :smith:


I just found a letter on a Lemoyne Raider and it kinda blew my mind that they legit think they're a resistance movement fighting "opression & tyranny"

I'd always thought of them as Southern-flavoured O'Driscolls, just general bandits, not that they had like, an ideology.

je1 healthcare
Sep 29, 2015
They were pretty obviously comprised of former confederates and their younger sympathizers. But yeah, another group of people that want to freeze time that managed to convince themselves that the downfall of their serfdom is tyranny

The dialogue's references to things like Robin Hood and King Arthur had me stop and consider the types of historical fantasies that appealed to people living in a historical fantasy. We lament now that pop fiction is playing too large of a role in shaping people's political views, but maybe that was always the case

je1 healthcare fucked around with this message at 03:27 on Aug 15, 2022

bobjr
Oct 16, 2012

Roose is loose.
🐓🐓🐓✊🪧

I think John was kind of screwed with Ross regardless, and if he just let Micah go then a theoretical RDR1 would have involved taking out Micah as well.

Wolfsheim
Dec 23, 2003

"Ah," Ratz had said, at last, "the artiste."
I always assumed if they'd left the money behind they wouldn't have been found out. A dead Micah next to the 19th century equivalent of stolen millions feels like it would have satisfied the bank and the government well enough.

NikkolasKing
Apr 3, 2010



je1 healthcare posted:

They were pretty obviously comprised of former confederates and their younger sympathizers. But yeah, another group of people that want to freeze time that managed to convince themselves that the downfall of their serfdom is tyranny

The dialogue's references to things like Robin Hood and King Arthur had me stop and consider the types of historical fantasies that appealed to people living in a historical fantasy. We lament now that pop fiction is playing too large of a role in shaping people's political views, but maybe that was always the case

Stories and mythologies are the foundations of pretty much every human society. Look into the stories Athens, Sparta, and Rome all told themselves about their founding. There are probably countless other examples. And I'm pretty sure Robin Hood and King Arthur have been icons for centuries.

I think it's just part of being human. Humans tell stories and live in the stories they tell. It's not necessarily a bad thing.


Wolfsheim posted:

I always assumed if they'd left the money behind they wouldn't have been found out. A dead Micah next to the 19th century equivalent of stolen millions feels like it would have satisfied the bank and the government well enough.

bobjr posted:

I think John was kind of screwed with Ross regardless, and if he just let Micah go then a theoretical RDR1 would have involved taking out Micah as well.

I can see both of these as entirely possible.

Wolfsheim
Dec 23, 2003

"Ah," Ratz had said, at last, "the artiste."
To me that fits the theme better of 'preventable but inevitable tragedy' and is also a nice end cap for John's various money struggles in the epilogue; take the money that should secure your family's future and drat them all with it.

Of course this also ends with Ross damning himself with one final preventable tragedy, which is kind of nice.

Buschmaki
Dec 26, 2012

‿︵‿︵‿︵‿Lean Addict︵‿︵‿︵‿
The Lemoyne Raiders are straight up lost causers. In other words, theyre the scum of the Earth

Radical 90s Wizard
Aug 5, 2008

~SS-18 burning bright,
Bathe me in your cleansing light~
Funnily enough after finding that letter, I saw an encounter where two of the raiders were executing two randos on a riverbank.
I was just floating past so I missed some dialogue, but as they turned to walk away, one of them started musing like "I can't help but think we'd have more success spreading the message if we stopped killing everyone we encounter"
So I guess that explains why I didnt know :haw:

Hihohe
Oct 4, 2008

Fuck you and the sun you live under


This game does a pretty good job of making all the other gangs completely unsympathetic so that when you roll into a camp and blow all thier heads off you feel good about it

NeoSeeker
Nov 26, 2007

:spergin:ASK ME ABOUT MY TOTALLY REALISTIC ZIPLINE-BASED ZOMBIE SURVIVAL PLAN & HOW THE ZOMBIE SURVIVAL VIDEO GAME GENRE HAS BEEN "RAPED BY THE MAINSTREAM":spergin:
I wish the game reset homesteads and gang hideouts. After a certain point the only way to get in a shootout is wait for bounty hunters to arrive. But those shootouts feel almost as hollow as picking a fight with the local sheriff.

I guess online is the place to be if you just want to raid and "hang out". No buffalo gun or Navy Revolvers in singleplayer either (two best guns in the game).

NikkolasKing
Apr 3, 2010






NeoSeeker posted:

I wish the game reset homesteads and gang hideouts. After a certain point the only way to get in a shootout is wait for bounty hunters to arrive. But those shootouts feel almost as hollow as picking a fight with the local sheriff.

I guess online is the place to be if you just want to raid and "hang out". No buffalo gun or Navy Revolvers in singleplayer either (two best guns in the game).

There's an unbelievable amount of of stuff in the game to do but I think one criticism I and others have is it's all one and done. My problem is specifically about events you can do with gang members or particular strangers.

While RDR2 generally improved everything by a lot from GTAIV, part of why I figured Hamish must die is because there are no “recurring events” in this game. I wanna take Packie or Roman out? I can do it infinitely. I wanna go on a date with Kate? Again, I can do it whenever. Here there is a definitive end to everything. You get one (1) fishing trip with Kieran and that is that. That’s kinda lame. My GF missed the stagecoach robbery with Sean, a much needed extra bit of time with the poor kid before he died. I think extra little events and outings with the gang or specific Strangers that you can do over and over would have been awesome.

NikkolasKing
Apr 3, 2010



https://www.youtube.com/watch?v=E_TTPXf9T8Y

I never even suspected something like this would exist. Maybe you have to Antagonize people in camp a lot.

Buschmaki
Dec 26, 2012

‿︵‿︵‿︵‿Lean Addict︵‿︵‿︵‿
I love that Arthur is so good at drawing and immediately draws any interesting stuff he sees like Cole Phelps

Vahakyla
May 3, 2013
If hunting is your jam in RDR; check out the new OP I made for Way of the Hunter that just came out. I'll work more on the OP but it's a good hunting game!
https://forums.somethingawful.com/showthread.php?threadid=4010247



NikkolasKing
Apr 3, 2010



https://www.youtube.com/watch?v=hwNOuEWL7L0
https://www.youtube.com/watch?v=wFWyJkGAjcA

I never knew about this.

I've obviously seen some people ask why Dutch trusted Micah. This is a nice bit of extra proof to my own answer. Arthur says at one point all that mattered to him was loyalty, and Dutch here says all that matters is family. He himself saved many of the gang's lives which is why they are there. Swanson and Micah saved his and that's all he can see. For better and for worse.

It really is interesting that Swanson thrives just as everyone else collapses and breaks.

NikkolasKing
Apr 3, 2010



I'm not sure Rockstar is the best with money/inflation.

What we know:
1 From a newspaper, the gang stole $150,000 from Blackwater.
2. If you go back for the camp money as Arthur, you get about $42,000.
3. Micah says he has "most of" the Blackwater money in the ending. This is seemingly confirmed by Sadie when John finds the chest.
4. Postgame John has $20.000.

So the questions
1. Where did the camp stash go? Was it all spent in the ensuing 8 years? Is that feasible?
2. How much of that $42,000 is from the train robbery at the end? That was apparently a very, very big score. It just seems crazy the gang was sitting on anything near taht much for an extended period of time.
3. How much did John's property cost to pay off? I thought it must have been some insane price which is why he only has $20,000 left of ~$150,000. I didn't consider he probably gave a lot of it to Sadie and Charles but still.

MarcusSA
Sep 23, 2007

If people wanted to go back and play RDR there has been a pretty recent performance increase for 360 emulation. He said his mid tier gaming pc gets a pretty solid 60FPS

https://youtu.be/qVDCPUczUiM

Sierra Madre
Dec 24, 2011

But getting to it. That's not the hard part.

It's letting go.

NikkolasKing posted:

I'm not sure Rockstar is the best with money/inflation.

What we know:
1 From a newspaper, the gang stole $150,000 from Blackwater.
2. If you go back for the camp money as Arthur, you get about $42,000.
3. Micah says he has "most of" the Blackwater money in the ending. This is seemingly confirmed by Sadie when John finds the chest.
4. Postgame John has $20.000.

So the questions
1. Where did the camp stash go? Was it all spent in the ensuing 8 years? Is that feasible?
2. How much of that $42,000 is from the train robbery at the end? That was apparently a very, very big score. It just seems crazy the gang was sitting on anything near taht much for an extended period of time.
3. How much did John's property cost to pay off? I thought it must have been some insane price which is why he only has $20,000 left of ~$150,000. I didn't consider he probably gave a lot of it to Sadie and Charles but still.

At the very front of the journal you can see Arthur keeping his own record of the gang's savings (including the take from most of the story-mandatory heists) and, in the epilogue, John tracking his debts, so you could figure out the values that way.

The camp money was presumably seized by the feds, though I think in one of the endings Micah is seen grabbing the money. Also the train heist happens directly before the camp is raided and the gang falls apart, so they wouldn't have had the opportunity to spend it.

NikkolasKing
Apr 3, 2010



Another question spurred on by watching endless YT videos and reflecting on RDR2's sort of artistic and moral significance - the gang's religious views, specifically the "main four"

https://www.youtube.com/watch?v=1dE9VFPGe2I&t=20s

Hosea: "Don't take Dutch's patter about redemption too seriously. We're doomed, just like every other creature on this rock. But unlike them, we'll go down fighting"

He does follow this up by saying "I don't know what I believes" but this seems like his long-standing view he's only rethinking now to due to his age and mortality.

Hosea: Atheist

https://www.youtube.com/watch?v=gOFOeASRsT0&t=38s

Dutch: "We are all just creatures. Living as it were on a sea of magma. All is temporary. Ain't no souls. Ain't nothing...but this."

Unsurprising, Dutch is more resolute than Hosea.

Dutch: Atheist

This next one was a pretty big surprise, John seemingly confessing he's a very....frustrated, confused Christian.

https://www.youtube.com/watch?v=ZQU1fYoOG6U
John: "I was eleven first time I shot a man. [....] I thought God himself would come down and take vengeance on me for what I done but, that ain't happened yet."

I guess you could take his subsequent comments on St. Peter and the gang going into Heaven as entirely sarcastic but I don't think so. I think he's just a very lapsed and bitter religious man, apparently stemming from his childhood. Most likely an orphanage in the 1800s would have been run by some Christian denomination

John: Christian

And that leaves Arthur. I have no idea what he thinks on this. His journal talks about him having a very bleak view of the world which is why figures like Brother Dorkins surprise him. Doesn't seem very conductive to being Christian, and he didn't argue with Dutch one bit. But I'm not sure.

It's intriguing John has seemingly maintained his religious view all his life, despite being picked up by he atheists Dutch and Hosea when he was so young.

And I think it's bluntly obvious RDR2 rejects atheistic materialism in favor of some kind of spirituality. So Dutch and Hosea (and Micah) being atheists is probably significant to its message.

NikkolasKing fucked around with this message at 22:18 on Aug 22, 2022

WoodrowSkillson
Feb 24, 2005

*Gestures at 60 years of Lions history*

NikkolasKing posted:

Another question spurred on by watching endless YT videos and reflecting on RDR2's sort of artistic and moral significance - the gang's religious views, specifically the "main four"



Hosea: "Don't take Dutch's patter about redemption too seriously. We're doomed, just like every other creature on this rock. But unlike them, we'll go down fighting"

He does follow this up by saying "I don't know what I believes" but this seems like his long-standing view he's only rethinking now to due to his age and mortality.

Hosea: Atheist


Dutch: "We are all just creatures. Living as it were on a sea of magma. All is temporary. Ain't no souls. Ain't nothing...but this."

Unsurprising, Dutch is more resolute than Hosea.

Dutch: Atheist

This next one was a pretty big surprise, John seemingly confessing he's a very....frustrated, confused Christian.


John: "I was eleven first time I shot a man. [....] I thought God himself would come down and take vengeance on me for what I done but, that ain't happened yet."

I guess you could take his subsequent comments on St. Peter and the gang going into Heaven as entirely sarcastic but I don't think so. I think he's just a very lapsed and bitter religious man, apparently stemming from his childhood. Most likely an orphanage in the 1800s would have been run by some Christian denomination

John: Christian

And that leaves Arthur. I have no idea what he thinks on this. His journal talks about him having a very bleak view of the world which is why figures like Brother Dorkins surprise him. Doesn't seem very conductive to being Christian, and he didn't argue with Dutch one bit. But I'm not sure.

It's intriguing John has seemingly maintained his religious view all his life, despite being picked up by he atheists Dutch and Hosea when he was so young.

And I think it's bluntly obvious RDR2 rejects atheistic materialism in favor of some kind of spirituality. So Dutch and Hosea (and Micah) being atheists is probably significant to its message.

If John is a christian it is in the most aloof way possible, he certainly has no respect for organized religion and does not think that it influences his life much. I would peg him as agnostic or maybe a deist, believing in a god of some manner but not one that has much impact on life.

RDR1 posted:

Bonnie MacFarlane:
Are you a religious man?

John Marston:
Not in any real sense. Sometimes I tell myself that things happen for a reason. Like what brought me here was fate come-a-callin. But nobody made my path but me.

Bonnie MacFarlane:
We all need to look for answers somewhere. Some in big ol' books, and others in big bottles of whiskey.

John Marston:
Believing in some kinda divine purpose ain't gonna bring me my wife and kid back. Past is who we are Miss MacFarlane. And there ain't no changing that. Faith is a luxury I can't afford.

Arthur is pretty clearly an agnostic, if not an atheist. He never invokes god beyond common parlance and explicitly says to the sister that he still does not believe in anything. If you choose to interpret his actions after that meeting as him have a religious awakening that is not entirely wrong, but I have never taken it that way. She does not try and convince him to accept Christ, since as a Catholic her doctrine would not necessitate him actually being religious to be saved. I think Arthur chooses to try and make a material impact on those he cares about and not die the bitter angry man that he was.

https://www.youtube.com/watch?v=hAdZPnxINQw

I am not religious, so my view of the story is likely different that other people's. One thing I always liked about it was besides the one conversation with the nun, Arthur's repentance and redemption are found without a christian impetus, and if anything the spirituality he resonates most with is Rains Fall, who certainly is not a christian. There is also the "spirit animal" thing as well which is touchy with native folks but i think in the game is more of a nod to that than anything else.

I'm not sure I'd say the game targets "atheistic" materialism, since I'm not sure what that even truly means. it certainly condemns materialism, as that's a common theme in GTA and RDR games.

NikkolasKing
Apr 3, 2010



Atheistic Materialism is just being thorough with my definitions because you can be a atheist without being a materialist and also a materialist without being an atheist. Put simply, it would be that they believe in no deities or supernatural beings. It's all just flesh, blood, this world here and now.

I'm not sure RDR2 is okay with any of that.

mycot
Oct 23, 2014

"It's okay. There are other Terminators! Just give us this one!"
Hell Gem
John is religious enough to want to be married "under God" at least.

skipmyseashells
Nov 14, 2020
Arthur Morgan: shia Muslim

Jerusalem
May 20, 2004

Would you be my new best friends?

I always find it intriguing that when the gang are discussing where they'd like to be buried, Arthur - after some prompting - just says he wants to be somewhere high facing west so he can think about all the good times they all had together. Might just be a simple expression, but I liked the concept that whether he was a believer in God or not, Arthur seemed to assume some kind of "spirit" of himself would remain in some sense. An eternity of looking out across the countryside and thinking back on good times with loved ones does seem a rather sweet way to spend eternity, not gonna lie :unsmith:

Buschmaki
Dec 26, 2012

‿︵‿︵‿︵‿Lean Addict︵‿︵‿︵‿
He believed in the gods of Ancient Egypt.

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Buschmaki
Dec 26, 2012

‿︵‿︵‿︵‿Lean Addict︵‿︵‿︵‿
What I think is interesting is that the enemy gangs are all people who are also victimized by the modern, changing world like Dutch's gang. Except that for most of them, like the Lemoyne Raiders, it is just an unambiguously good thing that their ways of life are no longer possible.

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