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  • Locked thread
Martello
Apr 29, 2012

by XyloJW

The Saddest Rhino posted:

E: Someone write this too:





Some believe I was actually entering last week, tho I wasn't because ORGY OF THE DEAD means everyone bangin in the orgy is DEAD which can't happen in a world without DEATH

here's the story

XXX ORGY OF THE DEAD XXX

Somewhere in Romania...

Vlad Blackdickula held Suzy McHugetits' hand tightly, passionately. Sweatily.

"You're really going to enjoy this party, I think, my dear," he intoned, looking deeply and passionately and sexily into her big beautiful, voluptuous, sexy, round, eyes. Then he stared down at her generous, pillowy cleavage.

"I certainly hope so!" Suzy McFunbags tittered. "I do so love parties." She opened her full, red lips in a pant of passionate anticipation. Sexy anticipation.

Vlad leaned in for a kiss. His thin, manly lips met her full, red, pillowy womanly lips. They kissed passionately, like two people in deep lust. Sexy, passionate lust.

The limousine came to a stop outside a magnificent, incredible castle. The kind of castle where they make movies about muscular, brooding knights and beautiful, lusty ladies. And vampires.

"Is this all yours?" Suzy McLargebreasts shrieked. "It's so magnificent! It's incredible!"

"It certainly is," Vlad returned. "All mine. Please, my dear, come inside, and see the wonderful party we have waiting for you." He held out a long-fingered hand. Suzy took it and they climbed out of the long, black, long limousine together. They walked along a path paved with old, stately, impressive stones. Huge, oaken, iron-bound gates opened for their entry. Inside was a party like Suzy McBigjuggs had never seen! Men and women in amazing, fantastic, horror-movie costumes made love on every couch, chair, table, and even the hard, cold, stone floors! Suzy McBusty's hands flew to her face.

"It's a costume party!" she wondered. "Why didn't you tell me? All I have is this skimpy little sexy red dress and sexy red heels," she burst out.

It was true. She saw on a couch in front of her, a very large, muscular man wrapped completely in mummy bandages. He was thrusting his very large, muscular penis between the enormous breasts of a woman painted up like the Bride of Frankenstein, from the movie Bride of Frankenstein. On the floor to her left, another very large, even more muscular black (very black) man dressed up as a Haitian voodoo zombie was double-teaming another woman (with enormous breasts) dressed up as one of the Brides of Dracula (from the Bride of Dracula movie) along with a large, muscular man wearing the best ghost costume she had ever seen! It looked like he really was transparent, see-through. They also both had very large penises.

"Why," Vlad ejaculated. "Those aren't costumes, my dear."

"What do you mean?" Suzy McJumboknockers gasped.

Vlad threw back his head and laughed, a long, loud, deep, rich laugh. Suzy O'Balloonboobs suddenly noticed, for the first time, how long, sharp, and scary his teeth were. "My dear," he chuckled, "I mean that this party is an orgy...of the DEAD! MWA-HA-HA-HA-HA-HA-HA!"

Martello fucked around with this message at 03:13 on Jan 15, 2014

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Martello
Apr 29, 2012

by XyloJW

sebmojo posted:

Rules make for rules lawyers, but I agree. So no more brawls until the next judge comes in.

And don't challenge someone until you've at least got an honourable mention.

Brawls currently underway will continue, of course.

EchoCian and Sitting Here, that means you.

Martello
Apr 29, 2012

by XyloJW
I would truly appreciate a critique, good sir.

http://forums.somethingawful.com/showthread.php?threadid=3598931&userid=0&perpage=40&pagenumber=13#post424452406

Don’t be too harsh, I'm fragile :ohdear:

Martello
Apr 29, 2012

by XyloJW

crabrock posted:

It’s holding her and she jumps away? Into her fate to slay the beast? Sweet fate I guess. It doesn’t seem like it’s really hard to face your fate when it’s good. Why bother making acid blood if it doesn’t faze her?


Where is the conflict in this? Nothing can stop the powerful man, so it’s not interesting. Was he saving something or just being a jerk? Your story ends with the whole world breaking, which I’m guessing means the end of the human race. Thanks a lot jerk.


both hands on both boobs or one hand for each? details man. also, this is “internet epic” not “odyssey epic”


first god killing story. where is the conflict in this? a man gets to heaven and tries to kill a god. what is stopping him? the whole story is describing how pretty a place it is. boring.


demons and angels aren’t the same thing, but you seem to use them interchangeably. Why can this guy withstand a nuke? why does a demon have so much potential energy? Why is he killing one with a guitar? why does it matter that it’s a bass guitar, is the guy super boring?


oh cool, adjectives. there is a lot of talk of bellies in this one. it made me hungry. also i hate this.


conflict: none. resolution: none. interest: none. this is really boring.


66 words. holy poo poo your first sentence is overwrought bullshit. It does absolutely nothing for your story. STOP WRITING LIKE THIS. write a simple sentence. Is this basically: “somebody looks up. somebody watches something move. he gets a boner. he is embarrassed, and then he cums his pant. really? you thought that was a good idea because you made it vague and dressed it up in thesaurus words? imma get a newspaper and hit you on the nose


you spend your first half talking about some vague guy who kills a lot. the only thing your character does is try to fight him because…. revenge? duty? he’s stupid? I dunno. but he sucks and gets beat up. great story. :rolleyes:


the middle conflict doesn’t seem real or dangerous enough. never does she seem worried, so I never fear for her. was the world-eater really going to eat the world? why can’t it eat one girl? surely there are sharp things in the world. how big is this thing? why does it hate the world?


sweet. this is a good story.


no conflict in this one. a guy does what he sets out to do. you could at least have his feet slip or something.


again, no setback. everything just happens as it seems like it should.


how are there people if the sky and earth broke? who are these people? who is the beast. this was called 100 word epic, not 100 word vagueries.


thanks for the hard and deep fanfic. but where exactly is the conflict? a dude rides into town and is winning and then is killed by god. real epic. EPIC FAIL LOLALSDK;J


Ok. a man did some stuff. so?


a man imagines a roar and plays some music and that makes it rain? was he ever in danger? it just seems like these two things are happening far away from each other and are only connected because you say they are.


why is it inevitable? and that makes them kill slaves? and then a guy commits suicide?and liked it? this is not epic, it’s just a series of stupid events.


i’m not really sure why this char killed a god. gotta have motivation for your characters. also things happened how she wanted. no setback.


why are they fighting? i have no idea what’s going on. What are the stakes if they’re already dead? why does everybody hate god?


why is this man so angry? what is he fighting for? where is the setback? it’s just mostly description of a REALLY TOUGH DUDE.


BONER ATTACK. no setback though. they just set out to die and seems they will.


oh hey. this has a setup, a conflict, a setback, and a resolution. good job.


so i’m assuming he died? or did he realize he’d been pranked? you have a lot of setbacks here, i’m guessing that’s where everybody else’s went, right here. but you don’t have a good set up. where is this bomb and why does it matter? who is this guy and what is his motivation for defusing the bomb. he fails, now what?


this isn’t even really a thing. it’s just a poop joke. that’s cool though.


uh. some stuff happens. the main character strokes his spear. post your masturbatory allegories somewhere else.


set up, conflict, set back, and resolution. the resolution sucked, but meh.


no character motivations, no reason for this stuff to happen. don’t really care at the end.


setup, ….no motivation, why did he have to kill the bear? but you do have a setback and resolution, so kudos.


this is the best one here. congrats. you can sleep with my wife.


why does this guy gotta… kill something? I dunno. also, no setback. Ur mom.


why do you switch from 3rd person to 1st person? there is no motivation here. there is just bad stuff happening to some people. boring.


you provided some setup and motivation, but then just went off the rails. I don’t really understand what happened.


motivation, set up, no real setback, lovely resolution. first half is good, second half sucks.


lets be best friends.


motivation, set up, a set back… no real resolution. you’re 3/4ths there.


setup, motivation, i think you kind of have a setback? but not really. he likes to kill but then he’s a drone pilot or something? but he still likes it? I dunno man.


setup… no motivation, no setback, no resolution. this is basically just window dressing. it’s ok, but not 100 word epic


this is all just dry fantasy porn. no lube. no motivation or setbacks, just some dudes fighting. BORING.


set up, motivation, not really a setback, just a realization, and then a resolution. it’s kinda funny, but you posted way too late.

My Winner: Kaishai. 2nd: Sitting Here.

Last place: everybody else

FYI you suck, let me elaborate

Anyone who DIDN'T write a story about huge muscular dudes or dudettes with swords/axes/loincloths/armor/beards/horned helmets/giant penises slaying each other on a sick medieval battlefield FAILED MISERABLY

Muffin said it had to be something Frazetta would draw or Iron Maiden would sing about. Not sure where setbacks and motivation and whatever other poo poo you said comes into that.

Martello
Apr 29, 2012

by XyloJW
tbf I really wish someone had written a story with giant muscular dudettes with huge penises slaying each other on a sick medieval battlefield

it's just a commentary on our gender-normative society that it didn't happen

Martello
Apr 29, 2012

by XyloJW
You know how sometimes you sign up but then don't submit because of a million different bullshit excuses? I bet most of you are like me and wished there was redemption.

Now there is.

Martello
Apr 29, 2012

by XyloJW

God Over Djinn posted:

weird poo poo.

good

Martello
Apr 29, 2012

by XyloJW

Martello
Apr 29, 2012

by XyloJW

ReptileChillock posted:

My story fukken rocked, you rear end-turds

No it didn't. It was fukken terrible. More's the pity because it had great potential and I wanted it to be good.

ReptileChillock posted:

A Grand Mystery 999 turds

A knock at the conservatory door and Eleanor almost dropped the derringer.Split this into two sentences. "A knock at the conservatory door. Eleanor almost dropped the derringer. She slid the pistol just say "it." We already know she's fondling a handgun. into her purse, took a deep breath and lifted the oaken cask from under the still.

Mr. Chiu’s men were waiting, silently. Their faces were blank, but she could never read an Oriental anyway. This is cute for the noir feel I guess. She handed over the cask, the taller one smiled. Don't comma-splice. I used to do it all the time and only by repeated chastisement from Erik Shawn-Bohner did I learn to stop. Like with the first sentence, just split it into two sentences. "She handed over the cask. The taller one smiled."

“Many thanks from Mr. Chiu, he wishes to see you at the parlour tonight,” Another comma-splice. Even in dialogue, it's clumsy. he said, lifting the cask into a shipping crate. Come again? Is he holding the shipping crate or is one of the other Oriental goons holding it? This is very clumsy and I can't see it at all.

“Mr. Chiu can count on it,” she said. Yawn. For a short piece, especially this short, try to punch up the dialogue more. This isn't bad but it could be more interesting.

Her father beckoned for her no sooner than the door had shut. Is this the way you weird cold-weather rednecks talk up in Manitoba? It doesn't make no sense, I can tell you that much. How about "Her father beckoned for her as soon as the door closed. And where was her dad anyway? He just appears literally out of nowhere. Was he watching her suspicious meeting with the Orientals? She hurried off to his study. Was he beckoning from his study? Is it across the hall? Or is it across the house? I'm getting no sense of space here.

“Eleanor, child, we worry about you. You’ve hardly left the conservatory in a month! A woman of breeding should not be so involved in botany This made me chuckle. Not sure if botany would be looked down upon in the 1890s or whenver this happens, but it's funny., and these new friends of yours have people talking. Because they're Orientals. :japan:

“It’s this dreadful cold, father. Manitoban cold. Really brings a girl’s spirits down. I don’t care what people say,comma-splice Mr. Chiu and his fine restaurant enjoy my tomatoes and you can be sure they pay quite the out-of-season premium. You’ll be happy to know I shall be going out tonight with Arthur.” I know she's supposed to be talking upper-class twaddle, but you're wasting words in a short story. And it's kind of just obnoxious to read. With good word choice you can get the upper-class snobbery across without using so many words.
Her father groaned.And that's it? He didn't say anything meaningful? Wasted words and mouth-sounds.

##

"Honest to goodness, sir, that’s what ‘appened,” So is this in England? Up until this point I was imagining 1890s Canada or something (were there humans in Canada in the 1890s?) but who knows because you do a terrible job of setting this in time and space. Willy said. He was sweating and shivering, comma-splice he’d never been questioned before. His filthy sweater hardly kept him warm. This is a good detail, tells us a lot about him with a few words. Do that more.

“Explain again what exactly happened that night,” Investigator Serpinski Now I'm doubting England again, I can't see a Pollack inspector in 1890's London. asked, taking a long drag from a cheroot.Well, must be England...:confused:
The tobacco stirred Willy’s memories of the night at The Bell Hotel. He was suddenly thirsty.
“Me’n Eddie was jus’ horsin’ around. Now, mind you we was drunk, but it was all in good fun. I punched ‘im in the gut, real quick, jus’ for larks, I swear, Officer. That’s when somebody shot ‘im.”

“How many times did you hit him, exactly?”

“Once or twice, sir, I was blind drunk. I swear I didn’t kill ‘im,” Willy said.

“Do you remember what your brother was wearing that night?” Serpinksi asked.

“Just a brown suit, sir. Had some patches on, so I think he moved here to leave ‘em hard times out East,” Willy said. Holy gently caress, WHERE IS THIS?!?!

“What’d your brother do for a livin’?” I dunno, what did he do? Does it matter? If the answer is no, then don't have the Pollack Inspector ask the question. Have him say something that advances the story.

##

Eleanor locked the gardener’s shed behind her. The still was dribbling away, another carboy almost full. There was enough rot gut whiskey to keep Mr. Chiu off her back for a while, anyway.

She cut the day’s obituaries from the paper and circled the most suspect ones. She pinned the strip to the wall, next to the railway cargo manifests. There was a pattern: unmarked shipments from the East coast, another handful of dead men. The pieces were fitting together like gears in a watch. Mr. Chiu’s criminal empire was about to collapse, and her gambling debts would be erased.

##

“Eddie always told me he was in sales, selling catalogue stuff to farmers,” Willy said.

“Willy, your brother was a whiskey runner. You haven’t had anything to do with the Chinese, have you?” Serpinski asked.

“N..no,” Willy was shell shocked. “Are you sure about Eddie?” he stammered.

“Positive. Say, Willy, for someone who says he doesn’t deal with the Chinese, you smell an awful lot like you spend time in Mr. Chiu’s restaurant.”

“No! No sir! The room Mr. Chiu rents me is right above the kitchen, honest to goodness. I ain’t afford to do laundry in weeks is why I smell like this! Honest!”
Blah blah blah, more boring bullshit that means nothing to me or the story. Get rid of this kid, or make him mean something!

##
Eleanor knocked twice at the hotel’s back door. Someone opened a peephole.

“It’s Elle, with a friend!” She said, pulling Arthur closer. She didn’t have to look at him to know he’d be wearing that self-satisfied smile that drove her up the wall. Blah...cut that part, it doesn't matter.
“Ah, Ms. Ashworth! Right this way!” The door opened up and the clatter of a Fan-Tan parlour filled the alley. This is where the potential shines through - it's simple but I get a very vivid picture from the sentence. She was led to her usual seat, drinks already waiting. Arthur looked around wild-eyed, everyone else seemed mesmerized by the games. Who the hell is Arthur? I never get a sense of what his part is. What's the point of the character?

“I’ll have my usual game, usual stakes, and teach Mr. Penner here how to play Pai-Gow. He’s really quite keen at cards,” she said to the server, one of Mr. Chiu’s countless nephews. Again, I guess this is London again.

“But first, I’ve got to go speak with Mr. Chin,” she smiled No, she didn't loving smile a sentence. You can't smile words. Just end her sentence, then start a new one. "...Mr. Chin.' She smiled and rose, taking her purse." and rose, taking her purse.

She walked over to the far end of the room. Men stood at either side of painted blinds, looking straight ahead. She pictured Mr. Chin sitting at a table behind the painted dragons. She breathed in, the smell was unmistakeable. Another comma splice. "She breathed in. The smell was unmistakeable."


The same one the night that man, Eddie, was shot outside the hotel. Very clumsy, hard to parse. "The same smell from that night. When Eddie (or that man) was shot outside the hotel." The same night she’d lost her inheritance twice over at the tables. She saw the tussle, the assassin running past with a sweater pulled over his head.Huh? Is it pulled up so he can't see? If so, why is he running? Why does he have a sweater pulled over his head anyway? What does it tell us? Nothing. A smell she couldn’t place until weeks after, when she’d gone to fetch her mother’s dresses at the Chiu Laundromat.

Spices, sesame oil, bamboo, rice and liquor. A smell so unmistakeable it could have only come from Mr. Chiu’s kitchen. She’d spent weeks piecing things together, trying to figure out the extent of his business dealings. She’d be a hero for bringing him in – she could always make up a story – he had, in any case, killed Eddie.Okay, now I'm even more confused. Who killed Eddie? Mr. Chiu? And does Eleanor even know Eddie? If not, why does she care? Is he just a Concerned Citizen?

She nodded at the men, they bowed slightly. She stepped behind the blind and sat down across from Mr. Chiu. Vitality still shone through his weathered face. She smiled as if to speak but drew the pistol from her purse instead. Three short cracks and she let it clatter to the floor.
She stood and announced, “You’re all under arrest” before the screaming started.What. So she just wasted Chiu? And now she's doing a citizen's arrest? What the gently caress is going on in this story?

##

I’m sorry to tell you this, Willy, but your brother’s death was an accident. I’m sorry I had to shake you down, but you were a witness. Y’see, when your brother came over, he’d been wearing a .44 under his shoulder. Except he didn’t quite get the holster right, caught a strap on the trigger. Our doctor figures that when you hit him it was enough to set the gun off. What's the point of this? Why do we give a gently caress about Willy? This story is too short for us to care about both Eleanor and Willy. You need to pick one. Not only that, but did Chiu kill Eddie or did Willy? Is Willy taking the rap for Chiu, or is it the other way around?

This isn't even a mystery, unless the mystery is why you decided this was a presentable story. You have a lot of good stuff going on here. There's a nice old-timey proto-noir feel, but it's ruined by bad dialogue and no concrete sense of place. You have all the pieces of a good mystery or at least crime story in that setting - rich girl losing money in a seedy gambling den, drunken kid taking the blame for something he didn't do (or did he?), inscrutable villainous Orientals. But you don't loving deliver, dude. This is a mess. I would really like to see what would come out if you take my feedback to heart, sit down, and re-write this thing. Write it with however many words you need, up to 2000. Post it in the Redemption Thread and I'll give you more feedback.

Only if you want to. But I'd really like to see it.

Martello
Apr 29, 2012

by XyloJW
Nu Mulu di Bertoldo

150 parole

Bertoldo the farmer was the cleverest man in Sicilia.

One day, three San Fratello townsmen – Bene, Malo, and Brutto – passed Bertoldo’s field. He saw them from afar.

“Bertoldo,” Bene called. “Finished plowing? Come walk a ways.”

“Certainly.” Bertoldo led his mule onto the road. The mule stopped to relieve himself. The townsmen watched droppings fall on the stones. Plop, plop, plop - ching!

Malo yelled: “He’s making GBS threads gold!”

“Is he?” Bertoldo looked at the coins in the droppings. “He does that sometimes.”

“Sell us the mule.” Brutto said.

“Not for all the florins in Sicilia.”

Bene said: “We’ll give you everything we have!” The townsmen came up with 300 florins.

“Very well,” Bertoldo sighed. “You’re getting the better deal. But I'm a generous man.”

The townsmen left with the mule. Bertoldo walked home with 300 florins. Not bad for one mule with a few coins slipped in his rear end!

Martello
Apr 29, 2012

by XyloJW

ReptileChillock posted:

Miss Robinson 900 turds

This cracked me up irl

Martello
Apr 29, 2012

by XyloJW

Then afterward, I cried, because there isn't really a tribe of constantly engorged homosexuals named after me.

Martello
Apr 29, 2012

by XyloJW

Martello
Apr 29, 2012

by XyloJW

The Saddest Rhino posted:

“Let me regale you the story of the Hantu Buntut,” Iqbal told Natalie.

“And then the hand becomes very long and snatches the boy by the butt, and pulls him into the toilet and he disappears forever.

This made me laugh, and when I was a kid I was afraid of something like this happening. More like a sewer rat or something, but it's the same fear of harm to your exposed, unseen, vulnerable nethers. Not bad.

Guiness13 posted:

Home (149 Words)

It was the summer of 1932, and Rose stepped up to the plate...

Is this broad's name Rose or Rosa? Consistency. Who's story is this? Are you a woman named Rose from the 1920s? This story is competently written but it's not very good. Why is her mom pissed that she's playing baseball? Is it because it's not what a proper young lady would do? You have very few words and you're not getting the point across, a more simple childhood story would be better.

Paladinus posted:

Babushkina Skazka.
(150 slov)


So she looked from above into every corner of lions’ domain and she found no bears.’

Is this about Russian immigrants assimilating into British culture? If so, drat. Good poo poo.

crabrock posted:

Consequences
150 words


“Oh, I’m terribly sorry. I thought maybe you were using drugs. What sort of tomfoolery is this?”

“I have not heard of this leisure-time activity.”

After school, Chester went into the kitchen, grabbed a knife, and murdered his parents.

This had me laughing because I got pretty much the same poo poo from my parents when I was a kid. I had to explain that nobody actually kills themselves when their PC dies when I started playing Shadowrun in college.

BTW the past tense of slay is slew or slain, not slayed.

Good poo poo.

crabrock posted:


Shortcuts
150 words


Ned was high on cocaine, getting sucked off by a model, and racing down the street in his brand new convertible when he struck Javier’s mother and killed her.

He got 150 hours of community service.

When a thick envelope from Ned arrived, Javier thought maybe it was the apology he’d been waiting for. It was a notice of foreclosure.

Shameful edit, but I'm gonna let it slide because it's loving perfect. I like that you went the other way from the first story, like a reverse cautionary tale.


J. Comrade posted:

Pop drove the mule cart down to Denver with all hundred fifty dollars. Plans to fix out a proper cabin for us all, doors windows and such. Buy two doors and window frames, in Denver. Making his way back from Denver (we suppose some cargo here), South of Laramie a wind caught the ash from his pipe. From here it goes: 'you knew Pop' (meaning that tattooed drunken savage drunk again as always) 'drove on hard as he could'. And the cart kindled into a blaze. No notice of danger he’d never let up on the mule (sure sounds like Pop). Finally a singe on his brim, he leaped clear of the wreck. The mule died in the blaze, cart and cargo of course lost. And so that is how Pop arrived safely back home with less-than nothing to show for all the money in the world.

This isn't good at all. It's clumsy and poorly-written with no flow or cadence. And I'm not sure what the point of the story is either. I quoted the whole thing because everything stands out as bad.

THE WINNER

crabrock for both stories. They both win.

THE LOSER

J. Comrade.

Don't post some loving poo poo about "contrition" and whatever the gently caress in response to my crit.

Martello
Apr 29, 2012

by XyloJW

Jagermonster posted:

In, also requesting a decade.

2050

Martello
Apr 29, 2012

by XyloJW

Entenzahn posted:

This story as cake: You didn't crit my story. No cake for you. :mad:

Oh I didn't?

Entenzahn posted:

Questionable Content
150 words

“then a lunatic tailor runs in and cuts off the boy’s thumbs with giant scissors!”

The editor looks down at his notes, back up. “This is going to be a kid’s book, you say?”

“Okay, so there’s this little boy who slowly starves…”

This isn't terrible. I'm guessing these are the types of old-wives tales your mom or grandma told you, so you're making the parallel of someone trying to sell them as a children's book.

Then again, there are published kid's books as bad or worse than that. It's not bad, like I said, but I think you could have been better with a different tack. Maybe the grandma telling the kid, or do what crabs did and make the cautionary tale into the actual story. This comes off as you trying to be too clever (possibly by half) and not really pulling it off.

Martello
Apr 29, 2012

by XyloJW
Ohmygod what will it be :ohdear:

Martello
Apr 29, 2012

by XyloJW

Nikaer Drekin posted:

too bad baby bitch

Martello
Apr 29, 2012

by XyloJW

Fanky Malloons posted:

Based on sage advice from my esteemed fellow goons in IRC, I restarted my submission completely at 9:08.

The Hum 757 words

Oscar stood in the middle of the stone circle with his eyes closed, his backpack at his feet. The hum filled his whole body. He could feel it in his stomach, like the bass thrum when he listened to music with Talise. The hum also filled his head, although he had given up trying to determine if it made a sound, and if he was hearing it, or if it was just a vribration What are these "vribrations" you speak of?, or if it was something else entirely. It was difficult for Oscar to tell. He had no baseline for comparison when it came to what sounds sounded like this is a little awkward. I know what you're saying but you might want to come up with something that doesn't repeat "sound" twice. because he had been deaf since he was born. Good.

Talise had explained the hum to him though. She said that lots of people heard it, but that more people didn't, and that was why no-one believed it was real. Talise said that she heard it too. Sometimes it was so quiet that she wasn't sure if she could hear it at all or if she was just imagining it, and other times it was so loud that she didn't understand how the whole town couldn't hear. Oscar hoped that Talise wouldn't be mad at him for running away without her, but the feeling that he had to come and find the source of the hum by himself was too strong ignore. She would probably understand. She had helped him learn sign language since he was a baby, and even when she didn't babysit him any more, she still let him hang out with her after school, in the book store where she worked. She always let him sit up by the counter, so that he could watch her and the customers talk with their mouths. She would probably definitely understand. Good telling paragraph. In a short like this, as some of us know, you sometimes have to tell a little.

He opened his eyes. The dusky gray of the deepening twilight had been replaced by the flat glow of the moon. The hum in Oscar's head got louder, pressing against the inside of his skull. This is good but I want something more evocative. A more unique simile or metaphor. I know you can come up with something, I've seen you do it. He wondered if this was it felt like to hear all the time. I have no frame of reference for the way deaf people think of sound, but this feels right. He wasn't sure he liked it. This is also good because it raises a question - if you've had a certain disability since birth, is it possible you might not want to change? Maybe you're comfortable with it and the idea of gaining that ability is frightening. He unzipped the backpack and took out a trowel. He hadn't been able to make the shovel fit, and he didn't want anyone to see him carrying it and ask him what he was doing. This is too on-the-nose, make it shorter and less explicit. Also, you have four sentences in a row starting with "he." Might want to change it up. Most people in the neighbourhood couldn't read his signs, but he wasn't sure he would have been able to explain even if he could talk normally. I feel like Oscar wouldn't think of it as "normal." He might say "talk out loud" or "talk with sound." He knelt between two of the largest stones in the circle and began to dig.

It took a long time to make the hole as big as he wanted it, Shameful comma splice working with the trowel was difficult. The moon sat high in the sky by the time Oscar stood and stretched the kinks out of his back. The hum was almost unbearable now. He felt like his bones might splinter and fall apart Redundant - and again I think you can come up with something more lyrical., it was all he could do to stay upright. He looked down at the lake and briefly CUT wondered what would happen if he let himself fall and roll down the hill towards it. He had heard that there were mermaids in the lake that came out during the full moon, and that they liked the taste of human flesh. Part of him wondered if that might be better that what he was about to do.

Slowly, Oscar removed his socks and shoes, stuffing them in his back pack and zipping it back up. Then, CUT he climbed into the hole he had dug CUT - what other hole is there? and reached out to touch the stones on either side of him CUT. The hum reached a crescendo End sentence here. Then something like "His skull was splitting down the center." I think most readers would know it was metaphor. that made him feel as if his skull was splitting down the center. He screamed silently as he realized that he couldn't see.

And then he could hear. He could hear. He could hear the sound of waves on the lake down below, the wind in the trees, and the rocks. The rocks had voices. They whispered and crooned and Oscar let the sound wash over him like rain. He tried to look down to find that he still couldn't see. His movements were slow. He tried to wiggle his toes, shift his feet in the little hole that he had dug You're really insecure about the reader thinking it might be another hole, huh., but he couldn't feel them anymore. Shhhh, said the stones, sing with us. The ground around his ankles closed as Oscar's skin slowly petrified, the gray and white patina of the other stones creeping up his arms and legs and down his forehead over his eyes. Sing with us whispered the stones. And Oscar began to hum. Great ending. Nice

The Hum

EDIT: Fixed the line breaks so that SaddestRhino doesn't cry about it. Deal with it.

Overall I like this story a lot. You need to polish it quite a bit, but I'm sure you already know that. I kept asking you for more evocative and lyrical writing. For a story like this, you need that. It's strange and beautiful and it needs strange and beautiful prose. I know you're capable of it. When you have a better draft done and want some feedback, share it on Drive with me or whatever.

Martello
Apr 29, 2012

by XyloJW

Tyrannosaurus posted:

:siren: THUNDERDOME WEEK LXXVIII: Past Glories :siren:

Severance

1000 words



Manhattan, Upper West Side
2 September 2048
1332

Jack said he was in her system. Her security was sexy, but he finessed it.

"Good," Bobby said. He leaned back in his chair, translucent code flashing across his vision. “Now disable the tracker.”

Jack was on it. Bobby switched display to a fighting game. The Big Bad Wolf tried to butt in. Bobby shut him up. The Wolf didn’t like that.

Now Jack wasn’t so sure. Something was wrong.

“What loving uh-oh?” Bobby paused the game and sat up straight.

Jack explained that Bobby was hardwired for tracking.

"Can't you kill the program?"

No, it was built into her system’s firmware.

Bobby dropped his head in his hands. “Goddamn it.”

2243

“Come to bed, baby.”

Bobby clenched his teeth and set down the Dearborn Errant’s bolt. “Almost done cleaning this.”

“Forget the gun. Get in here and gently caress me!”

He left the handgun in pieces and walked into the bedroom. Vienna lay on her side across the California king bed. She held her head up with a palm and smiled. Five years back, when Vienna and Tristan Maskar first adopted him, Bobby would have been instantly aroused. Eyes drinking in her lush mocha curves. Now stifled the urge to flee. The Wolf snarled inside his head, laid a crosshair on Vienna’s throat. Fast ridge-hand to that spot, and she’d never breathe again.

Bobby pushed the Wolf’s rage to his hindbrain. Jack was quiet. He never had much to say about meat-things. Jill reasoned that if he was going to do it, she could show him Kama sutra techniques she’d found on the net. Mother Goose highlighted flaws in Vienna’s skin, cellulite on her thighs. Zoomed-in images peppered Bobby’s vision. Mother judged her overdue for her quarterly biosculpt.

“Shut up,” Bobby whispered.

“What’s that, baby boy?” Vienna cocked her head.

“Nothing.” He climbed into bed and her waiting arms.

3 September
0020


Vienna lay on her back, staring at the huge Corning mirror on the ceiling. “God-drat.” She showed Bobby her perfect teeth. “That was incredible.”

“Uhuh.” Bobby faced away from her, not seeing the megalithic Downtown skyline through the huge smartwindow.

“Tristan will be staying at home tomorrow night. Wants to act like my husband for once.” Vienna gazed at Bobby’s tight-muscled acrobat’s body. She ran a finger along his spine. No response. “But you don’t have to bother sleeping alone. I have night-work for you.”

“Yeah?” The Wolf woke up, slavered. He liked night-work.

“Taler’s campaign is charging up. Start following her, shovel up mud.”

“Okay.” Sima Taler was Vienna’s competition for next year’s New York State Senator election, 27th District. She was a philanthropist. Her platform was stricter corporate regulations in Midtown.

“No footprints,” Vienna said.

0115

Vienna’s bosom rose and fell, full lips parted, long lashes low over high cheekbones. The Wolf again urged Bobby to kill her. Predators should be free.

Bobby pulled on sweatpants, a hoodie, parkour shoes. The Errant went into a holster under his arm. He interfaced with the Corning mirror, left a message.

Went to Chinatown for noodles. Bringing you back veg lo mein. – Bobby

0230

“You want me to open you up and slice some hardware.” Oscar Chang’s eyebrows were in his hairline. “You know what kind of heat your owners will bring?”

“I can handle it.” Bobby crossed his arms. Mother Goose catalogued every piece of equipment in the basement bodyware clinic. Jack probed Chang’s security, for fun.

“I’m not up for a suicide rip against Maskar Robotics.” He shook his head. “I’m not Japanese.”

Bobby waved. “We won’t do it here.”

Chang spread his hands. “Then where?”

“I got us a hotel room.” Jill pointed out that she’d actually booked it.

Chang laughed. “Woah, I’m not into that.”

“Shut up.” Bobby sliced the air with his hand. “Rip me there. Deal?”

“How long you figure until Maskar goons come for you?”

Fifteen minutes, Jill estimated. “Fifteen minutes. Enough time for you to scram.”

Chang wrinkled his brows. Then he stuck out a hand. “Deal.”

0346

Bobby floated outside his meat. Images and code chattered through his mind. Chang drilled, cut, spliced.

They talked to him, the whole hour it took for the rip. Talked in colors, photo-particle amalgams, combat video clips, strings of exploit code. Bobby let them run on. Drifting on clouds of not-pain. Bliss.

0359

Chang slapped him across the face. Bobby’s eyes, never closed, crashed into focus.

“Done?”

“Yup.” Chang had his equipment packed and looked at the door. “Before I leave, I gotta say. You got some primo augs in that scrawny body.”

“Why do you think Maskar wants to keep me so bad?”

Chang’s forehead wrinkled. “Not just that. Your headware agents. I’ve never seen code like them. All twisted up in your wetware. Like they’ve bridged memristors to synapses.”

Bobby grinned. “They don’t like being called ‘agents.’ ”

“I’m outta here. Good luck.”

0412

The door smashed open. Four black-clad men flowed into the room like Coke into a glass. Submachine guns and optic eyewraps. Bobby shot the first from inches, suppressed Errant snapping like an angry dog. The Wolf howled triumph, guided Bobby’s free hand in a knuckle punch to the second’s temple. The man crumpled like foil. Third and fourth shot where Bobby was a half-second ago. He kicked off the closed bathroom door, hit the third goon in the base of the skull with the Errant’s slide. Bobby put another bullet in number-four’s forehead.

Two seconds. Four men dead. Bobby and the Wolf rejoiced together. The other three cheered in the back of his brain.

0440

The autocab hummed across the George Washington Bridge. More Maskar people would be looking for him. The autocab had him riding under a hacked ID. Nothing to tie him to it.

Jack already stole a Delta ticket from Newark to Georgetown. They’d all be in the United Bolivarian Republic by noon.

Free of her. No more tracking, no more watching. Free. All of them.

Martello
Apr 29, 2012

by XyloJW
T Rex you dint add me to the sign up roster. <:mad:>

Martello
Apr 29, 2012

by XyloJW

Mercedes posted:

Decade: 30 AD
Good Sunday
Word Count: 882

“I’m Jesus. Look at this bitchin’ halo,” announced the Son of Man to the moonlit garden he knelt in.

turning his halo backwards

Judas tore off his tunic and it floated on the wind. He faced Jesus - sweat shimmering off his skin because he was also back-lit by the sun. His eyebrows arched as he shouted, charging his foe. Jesus met him head on and their fists collided. Manly secretions shook off their bodies as the sonic boom cleared the garden of any curious birds.

Naked, black, and not one bit embarrassed, he teabagged Judas’ corpse.

“The nigga of man is out,” said Black Jesus.

Your genius is misunderstood.

Martello
Apr 29, 2012

by XyloJW
Black Jesus? Nah, blood. Black Vikings.

250 words

Jarl Deknut and his boys roll back into Grimness hood with a grip of swag. They raided them Irish fools in Lindisfarne. Pillaged a whole gang a monks, na mean? poo poo.

Them gangstas throw a party at Deknut’s pimped-out meadhall. Thane Kayvon the Black and his thugs come too. That mead hall be poppin. Fine Viking bitches with weaves way down to they booty. Mead an beer an mothafuckin cognac. Fried chicken, wild boar chitlins like yo momma never made.

Then poo poo goes down. Deknut’s girl Shahilda be sippin mead and lookin at this ill tapestry. Mothafucka name Malik Forkbeard come up behind, checkin out her booty an poo poo. Malik grab that bodacious Toccara Jones behind. Shahilda turn around with a mothafuckin sword in her hand.

“Nigga, don’t you know I a gangsta-rear end shieldmaiden? Take yo grimy-rear end hands off me.”

Malik drunk as gently caress. He laugh. “drat girl. That sword heavy for yo fine rear end?”

Shahilda don’t take no poo poo off trifling niggas like Malik. She stab that mothafucka dead.

Malik be Kayvon’s cousin, so the Thane vengeful as gently caress. His boys pull swords from they pants and poo poo gets real. Deknut and his posse start slicin an dicin.

Smoke clears, an Deknut’s boys on top. His meadhall all hosed up, broken poo poo everywhere. Shahilda standin on a pile a bodies, blood all in her braids.

She lift her sword. “Mothafuckas need to be keepin they nasty-rear end hands off my Kim Kardashian rear end!”

“drat yo,” Deknut says. “Bitches be crazy.”

Martello
Apr 29, 2012

by XyloJW
What was his woman's name? How come you blanked it? Those were the questions that were raised when I read your piece.

Your major fuckup is that you didn't name the immortal viking Ragnar Lodbrok. I mean, poo poo son. Missed opportunity, big time.

Martello
Apr 29, 2012

by XyloJW

Oh yeah, now I remember. :awesomelon::hf::kimchi:

Martello
Apr 29, 2012

by XyloJW

crabrock posted:

Do you even remember the 90s bro?

He's a hipster bicycle repairman with Wolverine sideburns.

So probs not.

Btw I loved your story. I loved how angry the protag was. And how right. And most of all, how wrong.

Martello
Apr 29, 2012

by XyloJW
Nitrogen.

Martello
Apr 29, 2012

by XyloJW

lol

Martello
Apr 29, 2012

by XyloJW

inthesto posted:

Somebody slap me upside the head with a flash rule.

Aluminum is commonly used in aircraft. Aircraft must figure significantly in your story.

Echo and Sitting Here, I read your stories. I need to think on them and re-read them a few times. I'll give you my decision in the next couple days.

Martello
Apr 29, 2012

by XyloJW
https://www.youtube.com/watch?v=tbU3zdAgiX8

Martello
Apr 29, 2012

by XyloJW
LOGPAC

Nitrogen

1200 words


“Dog Five, this is Dog One-Seven, over.” SFC Williams’ Detroit accent.

I key my Bose headset. “This is Five, send it.”

“ANA are stopping. Looks like they found somethin in the road, over.”

“Roger, confirm and report. Dog Five out.” I open the door of my MATV, step out onto the running board. 1st Platoon’s Strykers are on the road ahead, pulled off in alternating directions in what we call a herringbone. Williams is out of his truck, walking to meet the ANA commander. His terp, short and scrawny in too-large ACUs, trots beside him. The green ANA Ford Rangers and Humvees are parked in no particular formation. A couple of the scout dirtbikes slewed across the road maybe half a klik from my vehicle. This logistics patrol to my 2nd Platoon out at COP Shamulzai is stretching on into infinity. We left at zero-seven and it’s already thirteen hundred. We’re only halfway there.

“What’s the deal, Sir?” SPC Branovic asks. She tugs at the bun under her helmet.

“Afghans found something up there. Probably an IED.”

She nods, drums her fingers on the steering wheel. Branovic is a mechanic, not my assigned driver. But she’s a better than SPC Gray, and the mechanic team can afford to lose her for a day.

Williams and the ANA captain are done. He transmits as he walks back to his Stryker. “Hey Dog Five, this is One-Seven, these dudes found a pressure-plate IED. Up where those dirtbikes are parked, over.”

“One-Seven, Five, good copy. SOP for removal, over?”

“Roger that.”

I slide back into the vehicle. I say to Branovic, “I want to see this poo poo.”

“gently caress yes.” She puts the big Oshkosh armored truck into gear. We roll past 1st Platoon’s vics and through the ANA trucks. Bearded faces swivel towards us, eyes unreadable under bushy eyebrows. Most of them don’t wear armor or helmets, just a few magazine pouches for their M16s. I’m jealous. I don’t mind my plate carrier, but I loving hate helmets. Itchy, hot, gives me a sore neck after being on patrol all day.

One of the scouts is back on his dirtbike. He pulls it off the road and behind a boulder. He and one of his buddies crabwalk up to what must be the IED.

“Stop here,” I say. Branovic hits the brakes. We’re a hundred meters from the scouts. Plenty far if the charge blows. I watch them fiddle with something on the ground. They walk back to where I’m parked. One has a length of five-fifty cord in his hand. He yanks on it. A piece of wood and metal skids along the dirt on the other end of the cord. I step out onto the running board again, brace my M4 over the door. With my 4x ACOG I can see the pressure plate lying harmless in the dust. A dead cobra made of wood, a saw blade, and copper wire. More wire sticks up from the ground a foot away from the plate. The two scouts go back to the site, pick up the pressure plate. They hook the cord to the wires, repeat the same walk-and-yank routine. Nothing happens, again.

“Dog One-Seven, this is Dog Five. Afghans disabled the IED. I’m walking up to take a look.”

“Dog Five, this is One-Seven, roger.”

I dismount the MATV. Branovic stays in the driver’s seat. I clip the strap on my M4 to the buckle on the upper-right corner of my plate carrier, let it hang. This part of Zabul is never very hot, even in the height of summer. It’s still hotter than Germany. I miss the weather back there. The high-speed driving. I miss beer and liquor, but more than that, I miss good loving food.

The scouts are standing near the IED site, jabbering in Dari, watching a pair of regular ANA soldiers dig with crowbars. I stop and look down at the hole. They’ve exposed a patch of dirty yellow plastic. The charge.

“Hey sir, these boy-fuckers need some help?”

I turn around. SGT Gavin squints down at me. He’s one of Williams’ best team leaders, a six-four, two-fifty bundle of aggression and courage. “Looks like it.”

Gavin swaggers past me, unfolding his E-tool. He squats with the Afghans, starts digging with the little shovel. I get closer to the hole. If the thing blows, I figure I should go out with my dude. Some mixture of second-in-command responsibility, boredom, and a complete lack of concern for my own life.

Fifteen minutes or so, and most of the charge is exposed. Gavin’s been doing the brunt of the work. It looks like a yellow plastic jug, the kind you’d get at Wal-Mart in the Oil, Salad Dressing, and Condiments aisle. But this one’s full of HME instead of corn oil. Home-Made Explosives. Some mixture of ammonium nitrate from fertilizer, other chemicals. Fertilizer. Meant to produce life in plants, grow life-giving crops for the people. Instead, these fucks use it for destruction. Irony.

“Here she comes,” Gavin says. He pries the jug up out of the hole. It’s a five-liter. Enough HME to blow the wheels off my MATV.

“Good poo poo,” I say. “Let the ANA handle it from here.” We walk back to my MATV. Gavin leans on the hood and we bullshit while the Afghans carry the jug to a rise just over a hundred meters away. They set it down and walk back. They’re supposed to burn it with diesel, but these guys decide to try shooting it instead. Five ANA take a knee and pop off with their M16s. No hits.

“These faggots couldn’t hit a target if it was sucking their dicks,” Gavin says. “Sir, let me take a shot.”

I shouldn’t let him do it. Shooting IEDs is expressly forbidden by our rules of engagement. It’s not a sure way of blowing the charge, and just makes the it unstable for if and when the EOD dudes have to go and disarm it by hand. But EOD isn’t out here. They’re forty miles away at FOB Laghman in Qalat, on the other side of the Dab Pass. Nobody’s gonna know anyway.

“gently caress it,” I say. “Go ahead.”

Gavin takes aim over the hood. First shot, nothing. Second, loving BOOM! A twenty-foot high cloud of dirt spreads from the blast, billowing out like a dust storm.

“Nice shot,” I say.

Gavin bows. “Thank you, Sir. Now can we get the gently caress back on the road, or do these moon-worshippers have to salute the sun again in celebration?”

I chuckle. “Hope not. Once they get back on the road, we’re good to roll.” I slap Gavin on the shoulder and he walks back to the Strykers.

The convoy gets rolling again, fifteen minutes later. Twenty more kliks to Shamulzai. I wondered about who put the IED in the road. We hadn’t driven that way for a couple weeks. What was the loving point? Nobody lived out here, not for miles. Was it that important to stop a LOGPAC of food, water, and mail for the 2nd Platoon dudes? That was the big question about all of this.

What’s the loving point?

Martello
Apr 29, 2012

by XyloJW

sebmojo posted:

:siren:InterPrompt:siren:

Google Image Search the year of your birth. Write up to 200 words on the first picture it finds.

As usual, this goes until the new prompt is posted, anyone can crit.

seb here's your picture

Martello
Apr 29, 2012

by XyloJW

sebmojo posted:

Some crits.

You missed one, old fellow.

Lake Jucas posted:

“Dan, are you down here? I heard – Oh my God!” Jess's cries where downed out by THE hoard HOLY gently caress THAT'S THE OTHER KIND OF HOARD, YOU MEAN HORDE YOU GRADE-SCHOOL WORD CONFUSION MOTHERFUCKER of high schoolers singing along to Miley Cyrus's “Wrecking Ball.”

Well, two actually.

Martello
Apr 29, 2012

by XyloJW

sebmojo posted:

martello to the courtesy judgephone

I'm judgin' em today, promise

:toxx:

Martello
Apr 29, 2012

by XyloJW

Martello posted:

Write up to 2000 words of cyberpunk/technoir/space-based near-future sci-fi. Any of those three, interpreted how you want. Writing about violent criminals and street mercenaries (my ouvre, in other words) may get you bonus points but ain't necessary at all. If you write a cyberpunk oppressed housewife story that gets the cyberpunk part across in a way that makes sense, I'll probably like it even more.

Deadline is Sunday night. If that's too short, let me know and we can figure something out.

so like, write some poo poo

Yeah this is late I guess but since you guys were like TWO WEEKS late I'm not exactly shedding any tears of guilt.

Sitting Here posted:

:siren: Sitting Here v. Echo Cyberbrawl :siren:
Park Life

So this is kind of post-apocalyptic with a little bit of cyberpunk/whatever thrown in. That's fine, I wasn't trying to get you two to adhere to some Gibsonian ideal of 80s cyberpunk. Let's talk specifics.

Setting

In general, the people in the domes are kind of generic white American. Maybe you're trying to say something with this, but if so I didn't figure it out. To me it just smacks of lazy naming. You had Vijo-Ryu Goggles, why couldn't the protag be named Malena or Liang or Monifa? Little Junie Shipping sounds like something from Little House on the Prairie. Maybe that's what you were going for, but it just doesn't sound right. I get that the people in the Park are supposed to be backwards so it makes a certain amount of sense, but if this is far future America you'd think the pot would be a little more melted at this point.

The Cloud. So I know why you picked that term, but c'mon. Nobody's gonna start calling the internet the Cloud. It'll be the internet until the sun burns out. Language doesn't change the way it used to. Sure, slang comes and goes, but American English has become very stable due to the immortality of the printed (or coded) word. You're making a common near-future sci-fi blunder where you try to get cute and futurey with your tech when you should just stick to the established lingo for things that already exist. The Goggles are all good, though. We're getting there.

The domes. I like this. The epidemic storyline has been done a million times, but who the gently caress cares? It works when you do it well, which you did. You leave the workings of the domes just enough of a mystery for me to want to know more. Who's keeping them running? Do the domes produce anything for the outside world? Are the cityfolk using them for insidious social experiments? The idea isn't perfect, though. I find it difficult to believe that "no one wanted to leave unless everyone left." Rachel wouldn't be the first adventurous kid to want to get out of there. It’s not a huge negative, but since the plot rides on the idea you could come up with a stronger reason why. It might make more sense if the domers thought the crisis was still ongoing. The paranoia keeps em in.
Rachel’s saving dollars? Like, paper money? Do you think New Reno would use that poo poo still? Maybe, but likely not.

Overall, you capture a nice near-future feel. Not too much tech to get boring, and enough that it’s more than just a veneer. There are some holes but nothing game-breaking.

Characters

Rachel is an okay character, I guess. She’s a little bland for a short piece. This could work in a novel or longer short – you have the space to develop her character. In something this short it would pay to make her more decisive, or aggressive, or in some way more externally interesting. She’s not bad, just a little weak.

Delta seems like this whack-a-do social worker type, which fits her role. She, too, could use some juicing up. Again, with a short piece, it’s always good to make your characters more outstanding in some way. Give her a verbal tic, something to set her dialogue apart from Rachel’s.

Your characters do their jobs. They aren’t spectacular, but they get it done.

Plot

The plot’s nice but there’s not enough conflict. The bit in the beginning with the lovers trying to find a place to bang – yawn. You can do better than that. What would even happen if they found Delta? Who would they tell? She makes her entry of the dome public anyway. What does it matter? Something like a couple of trigger-happy guards would be better. Something dangerous that creates tension.

We know Rachel is gonna leave. You need to make us wonder. Give her better reasons to stay. Make her argue with Delta. Put some emotion into it. Right now there aren’t any stakes. We don’t know anything about Mom and her Goggles. What’s Rachel leaving behind? Make us feel her struggle.

The plot, like the characters, is workaday. It serves us the burger and fries, with a smile but not much else.

Echo Cian posted:

Brawl vs Sitting Here

Exploits
1894 words

Setting

This is much more sci-fi. That’s not necessarily a good or bad thing here, because what matters is whether it works. Let’s see.

The tech is mostly spot-on. You give just enough without going into nuts and bolts. I can buy almost all of it. Except the Circuit. So, this is a thing that can break down a human body – and presumably pretty much any other matter – into “data.” What do you mean by “data?” This is worse than transporters in Star Trek and every other fictech that converts matter to energy. This is a world where all these animals are extinct and the environment is hosed, and apparently unfixable. But, people can turn into data. Nope.

So what’s up with the elves? Is this Shadowrun? Or is it ELF, like Electronic Life Form or something? If so, and if only elves can use the Circuit, you can ignore my prior complaint. I was hoping that was the case when I read it, but even on a second read-through I see you didn’t say anything like “the fast travel system for us elves” or whatever. If they’re just regular elves, why? What does it do for the story? It comes out of nowhere and you spend words saying “elf” and describing the differences between them and humans when you could just call them robots or whatever. One way or another, you can’t just leave elves in a cyberpunk world hanging. They have to make sense.

Moving on. Bunraku box sounds cool but doesn’t bunraku mean “puppet?” Unless I missed something I’m not seeing anything puppety about these things. The concept is cool but the name makes no sense to me.

A lot of the other stuff is great – augmented reality displays, unobtrusive augmentations, etc. I can really “see” it.

Characters

The protag is unnamed. The protag has no name. She has no name. Why? Nameless protagonist is an old and tired trope that never really did anything for anybody. Send that old horse to the glue factory. Give your lady a name.

She’s fine otherwise. She’s this gritty black marketeer, tough and resourceful. She jumps off the page. I just wish she had an effing name.

The side characters are good. Each one has a defining characteristic. Tegal has his dumb mood tattoo, Mr. Allen is a slimy gently caress, Gaddy is a back-stabbing conniving bitch. Like I said for T-Dog above, characters in short stories need to be a little exaggerated. You did that here.

Plot

Betrayal is one of the most common plot devices in the book. For a reason. It works. And it works here, too. I didn’t necessarily see it coming, though a short piece like this isn’t really long enough to even get you wondering. But you pull me right through the story. It was an easy read, and I was satisfied at the end. Good stuff.

Oh, and I really like “the cat caught with the canapé.” Made me smile.

Judgement

Echo wins this one. Your story is competent overall and gives me the sci-fi punch I wanted. I just wish I knew why there are elves and how matter converts to data.

Sitting Here, I didn’t hate your story by any means. I think you need more time and space for this one. If you ever end up expanding it, share it on Drive so I can see where you go with it.

Martello
Apr 29, 2012

by XyloJW

Lake Jucas posted:

Do you really want more werewolf skateboarders?

I do. Make them skateboard though.

Martello
Apr 29, 2012

by XyloJW
This, right here, is how you do a restrictive prompt. :radcat:

Martello
Apr 29, 2012

by XyloJW

Sitting Here posted:

After a languid pause Sitting Here chortled, "in."

the languid pause was to take a sick bong hit, just so everyone is tracking

Martello
Apr 29, 2012

by XyloJW

Erogenous Beef posted:

Also, marty, get your lazy rear end in here and write us some crackling cyberpunk saidbooks, ja?

FINE! I'M loving IN

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Martello
Apr 29, 2012

by XyloJW
Black Gold

1199 cyberwords

Benny Ortiz washed down a tube of Dr. Victarion’s Nutrient Wonder Paste with a non-petroleum-plastic can of Red Bull ULTRA. He settled into his padded synthleather deckerchair.

“Time to fly,” he belched. Benny pulled the datacord from his cyberdeck’s spool. He plugged it into the jack behind his left ear. Both hands dropped to the chair arms. His body went slack. Data raced along his synapses like wildfire. The meat world fell away, replaced by the netreal. The shabby basement apartment supplanted by a hyperreal Gothic cathedral.

Ultradef stained-glass windows. Saints, demons, and sinners that changed every few minutes. Lossless organ music backed up by algorithm-based Gregorian chant. The RASS*gart Multi-User-Directory. Here, Benny was no longer just plain Benny Ortiz, semi-employed programmer living in his parents’ basement in Bayonne. He was The Snake. A hotshot decker with a nuclear rep. His avatar was a slender dude in a trenchcoat with the head of a snake. The snakehead changed from a diamondback to an anaconda to a gaboon viper to a hundred other serpents, cycling through according to an algorithm he wrote himself.

“Yo, bud,” a deep voice rumbled. “You ready for this?”

The Snake turned to see a squat, mole-like figure grinning up at him from a wooden pew. In meatspace, he was called James McSweeny. In the net, he was PheonixXGuru. “You know it, duder,” Snake smiled venomously. “Let’s go.”

#

It was an easy hack. Install a dataminer in, ironically, a Nessus Stellar Resources mainframe. In and out.

“That ICE sniffed us out yet?” Snake queried. His avatar squatted over an airlock, the cyber-representation of a security gate. The system was sculpted like a mining station. Nessus netmasters had never been accused of creativity.

“Nah,” Pheonix shrugged. “I sleazed the hell out of those things.”

Snake glanced up for a fraction of a second, which felt like thirty in cyberspace. He watched the crablike ICE avatar drift by, never swiveling a turreted eye in their direction. They were modeled on Nessus maintenance bots, but could kill a decker in ways the real bots never could. “Just keep an eye out and don’t let our access codes go static,” Snake worried sibilantly.

“I got it, I got it,” Pheonix rebounded. Snake continued to fiddle with the airlock’s controls, trying to slice his way through a complex security protocol. He almost had a handle on it when Pheonix gasped in surprise.

“What the gently caress?” he questioned.

Snake looked up, followed Pheonix’s pointing claw. A golden bird hovered a few feet away, huge wings flapping. “ICE?” Snake pondered.

“Not like any I’ve ever seen,” his friend pronounced. “Scanning now…nope, it’s an avatar.”
“Who are you?” Snake interrogated. He had a sinking feeling it was a Nessus security decker, toying with them before the kill.

The bird only blinked. Then it wheeled, turning sideways so its wingtips brushed floor and ceiling. It took off down another tunnel junction.

“Let’s follow it,” Snake decided. He pulled out of the airlock code and walked after the bird.

“Wait, we don’t even know who it is! Be careful,” Pheonix implored.

Snake didn’t respond. He hurried after the bird as they twisted and turned through tunnel after tunnel. They came up against an airlock, and the bird swiped it open like it didn’t exist. “Where are we?” Pheonix wondered. “This wasn’t on the system blueprint.”

“Backdoor, hidden files maybe,” Snake guessed. They followed the golden bird through one more airlock, and entered what looked like an EVA ready room. Right down to the vacsuits and mag-clamp boots velcro’d to the walls. But in the middle of the room was a sculpt of a huge mason jar full of thick black liquid. The black stuff pulsed and shifted inside the jar.

“Z-omg,” Pheonix breathed. “Is that what I think it is?”

“Black Gold,” Snake nodded emphatically. “Just a quick scan, but it looks legit. And unguarded. They probably figured nobody could get through the security protocols.”

Pheonix goggled at the bird. “Who the hell are you?” he demanded.

It blinked and flapped its wings. Snake picked up the Black Gold. No hidden ICE, no alarms, nothing. “You know what this poo poo is worth?” he inquired.

Pheonix squinted his moley eyes. “About half a mil for a hacked copy, last I checked,” he calculated. “For an original, with no corruption? Gotta be a mil and a half, easy.”

“Think about what we could do with that money,” Snake dreamed. “My mom’s cancer treatment…” he trailed off.

“I’m gonna build myself the sickest custom rig,” Pheonix smirked. “Probably move into a bigger apartment in Bronxville, too.

Snake looked Pheonix. They had been vest buddies since middle school. When they hung out in meatspace, he was always jealous of James’ family. They had plenty of money. His dad was a research manager for National Biotech, his mom a corporate lawyer for the same company. Pheonix sliced systems for kicks, not money. That mil and a half would be just about right to get Marsha Ortiz the cancer treatment she needed. It was just a question of the right gene therapy, these days. But that didn’t come cheap. National Biotech had the best treatment, so he’d heard. Ironic, considering what Snake was about to do.

Pheonix was still looking at the bird when Snake loaded his Russian program. It was superblack, ICE of the deadliest kind. It didn’t have the varied utility of Black Gold, but for geeking one individual decker it was unstoppable. Even Pheonix didn’t know about it. The program appeared in Snake’s palm, a red Matroshka devil. It opened up and successively smaller devils hopped out into infinity. Pheonix turned, his scanner detecting the Russian program. He screamed. The Matroshka devils swarmed him, chattering in high-pitched Russian. Pheonix’s avatar pixelized, flickered a few times, and disappeared. The devils vanished with him. Snake knew that in meatspace, James would be slouched on his genuine leather chair, mouth open and body limp as always. But instead of drool running from the corner of his mouth, it would be blood.

Snake didn’t wait for the bird to react, pulling out of the Nessus system with a single command. He could have jacked out straight from there, but leaving through RASS*gart MUD would lead any programs through multiple redirects. They’d stymie out in a system in Helsinki, or Mombasa, or Luna City, or anywhere but Bayonne, NJ.

Meatspace roiled back into Benny’s consciousness as he jacked out. He yanked the cord from behind his ear and sat up. He’d only been in for an hour, but it seemed like five.

#

Upstairs, his mother was making soup from a can.

“Benny!” she exclaimed. “You’re upstairs.”

“I had to take a break,” Benny admitted. “Mom, I have great news for you.”

“Really?” she brightened. “What is it?”

“First,” Benny sighed. “I need a hug.” He held his arms out, as tears welled in his eyes. He’d murdered his best friend, he finally had the money to cure his mother. And that golden bird haunted him. Who was it? Why did it help him? What would it want in return?

Momma Ortiz took Benny in her arms, and held him while he cried.

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